Blackmagic Design URSA Mini Pro 12K PL

Blackmagic Design URSA Mini Pro 12K PL

  • 12K Super 35 HDR CMOS Sensor
  • 12K 17:9 up to 60 fps, DCI 8K to 100 fps
  • DCI 8K to 120 fps/14 Stops Dynamic Range
  • 1 x 12G-SDI & 3G-SDI Monitoring Output
  • USB Type-C Recording to Disk/SSD
  • 80MP/frame Blackmagic Raw
  • 14 Stops of Dynamic Range
  • User-Changeable PL Lens Mount
  • 1 x 12G-SDI input
Availability: In stock
UPC: 9338716006834

The Blackmagic Design URSA Mini Pro 12K PL features a 12,288 x 6480 12K Super 35 sensor, up to 14 stops of dynamic range, new color science, and a higher frame rate of up to 60 frames per second in 12K at 80 megapixels per frame. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. The URSA Mini Pro 12K has an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port, and more. The URSA Mini Pro 12k includes a copy of DaVinci Resolve Studio for creative control through posts from editing to color, VFX, and more.

Blackmagic URSA Mini Pro 12K Features

  • 12,288 x 6480 12K Super 35 sensor.
  • Use for feature films, VFX, and high-end TVC's.
  • 14 stops of dynamic range and native 800 ISO.
  • New Blackmagic RAW for real-time 12K editing.
  • Blackmagic RAW optimized for Metal, CUDA, and OpenCL.
  • Generation 5 Color Science with new film curve.
  • Shoot up to 60 fps in 12K, 110 fps at 8K, and 220 fps at 4K.
  • Dual card CFast recording at up to 900MB/s.
  • PL mount included EF and F mount optional.
  • SuperSpeed USB-C for recording to external disks.
  • Includes DaVinci Resolve Studio for post-production.
  • Compatible with new Blackmagic URSA Mini Recorder.

Super 35 12K Sensor
With a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range built into the award-winning URSA Mini body, the Blackmagic Design URSA Mini Pro 12K is a revolution in digital filmmaking. Working with 12K is now a reality thanks to the combination of 80 megapixels per frame, new color science, and the flexibility of Blackmagic RAW. Customers benefit from oversampling from 12K to get the best 8K and 4K images with the subtle skin tones and extraordinary detail of high-end still cameras. Customers can shoot at 60 frames per second in 12K, 110 frames per second in 8K, and up to 220 frames per second in 4K Super 16. The URSA Mini Pro 12K has an interchangeable PL mount, built-in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port, and other features.

The extreme resolution of the URSA Mini Pro 12K goes far beyond that of traditional motion picture films. Customers benefit from the advantages of shooting with films, such as incredible detail, a wide dynamic range, and rich, deep color. Ideal for feature films, episodic television, and immersive, large-format IMAX experiences. Because of the high definition around objects, it is ideal for working with green screen and VFX, such as compositing live-action and CGI. Customers benefit from supersampling at 12K not only because it improves color and resolution over 8K, but also because it eliminates aliasing.

Shoot in 12K
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed to work in tandem to make 12-bit RAW workflows in 12K as simple as possible. As an incredibly efficient next-generation codec, Blackmagic RAW enables customers to shoot 12K and edit on a laptop, a capability that other codecs simply do not provide. Because of the sensor's high resolution, you can reframe shots in post for delivery in 8K and 4K. It's like doing a multi-camera shoot with just one camera. It's also ideal for great-looking vertical and square video. Customers can work in any resolution in post-production instantly, without rendering, thanks to the sensor's advanced design and Blackmagic RAW, while retaining the full sensor's color accuracy.

Blackmagic RAW
Only Blackmagic RAW is capable of producing cinema-quality 12-bit, 80-megapixel images at up to 60 frames per second. Constant quality Q0 and Q5 options, as well as new Q1 and Q3 options, lock the quality level, allowing compression to adapt to the scene's detail. Constant bitrate encoding options 5:1, 8:1, 12:1, and the new 18:1 are intended to provide customers with the best images possible while keeping file size predictable and consistent. Customers can record RAW to two cards at the same time, allowing them to shoot 12K or 8K to either CFast or UHS-II cards at high frame rates. To ensure image consistency on set and in post-production, Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information, and custom LUTs.

Shooting RAW in 12K gives you the most control over detail, exposure, and color in post. Customers benefit from oversampling by receiving extremely sharp 8K images with no harsh edges. Best of all, Blackmagic RAW is designed to speed up 12K post-production, making it as simple to work with as standard HD or Ultra HD files. It is highly optimized, multithreaded, runs on multiple CPU cores, and is GPU accelerated for use with Apple Metal, CUDA, and OpenCL. As a result, customers can always work with their camera RAW files without the need for proxies. Color, keying, compositing, reframing, stabilization, and tracking in 4K or 8K are all possible with Blackmagic RAW 12K images.

Generation 5 Color Science
The new Blackmagic Generation 5 Color Science features a new film curve designed to maximize the massive amount of color data from the new URSA Mini Pro 12K sensor. This provides an even better color response for more pleasing skin tones, as well as the improved rendering of highly saturated colors like neon signs and car tail lights in high contrast scenes. Color and dynamic range data from the sensor are preserved via metadata for use in post-production, and Generation 5 Color Science informs complex Blackmagic RAW image processing. Generation 5 Color Science is compatible with all previously shot Blackmagic RAW files, allowing customers to benefit from the new film curve even with existing work.

Full Resolution at Higher Frame Rates
The URSA Mini Pro 12K is a camera that shoots standard resolutions and frame rates in 4K, 8K, and even insanely detailed 12K. Customers can capture perfect stills and motion shots in a single camera with a massive 80 megapixels per frame at 60 fps in RAW. Customers can shoot at up to 60 frames per second in 12K (12,288 x 6480 17:9). Customers can shoot at 110 frames per second at 8192 x 4320, 140 frames per second at 8192 x 3408, and even window the sensor to Super 16 to capture 4K at an incredible 220 frames per second at 4096 x 2160 DCI. URSA Mini Pro 12K captures with improved motion rendering and flexible frame rate and resolution options, resulting in smoother edges in 8K and 4K even at lower frame rates.

High Band Width Recording
URSA Mini Pro 12K is the ultimate high bandwidth recorder, with three recording options in 12K, which is nearly ten times the resolution of Ultra HD. Customers will benefit from dual built-in CFast and UHS-II SD card recorders, as well as a SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" enabled, the URSA Mini Pro 12K can record simultaneously across two cards at speeds of up to 900MB/s to two CFast cards or 500MB/s to two UHS-II SD cards. As a third recording option, the SuperSpeed USB-C expansion port on the back can record to USB-C flash storage at up to 900MB/s, giving customers plenty of options for capturing stunning 12K up to 60p or 8K up to 110p footage.

Interchangeable Lens Mounts
Because different projects necessitate different lenses, the URSA Mini Pro includes an interchangeable lens mount. On the URSA Mini Pro 12K, customers can quickly switch between PL, EF, and F mount lenses, as well as B4 lenses on the URSA Mini Pro 4.6K G2. Customers can thus use high-quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses with the URSA Mini Pro, making it compatible with the broadest range of professional lenses possible.

USB-C for Direct Recording
The Blackmagic URSA Mini Pro includes a novel high-speed USB-C Expansion Port. The 4.6K G2 model has USB-C 3.1 Gen 1 and can transfer data at up to 5 Gb/s, while the new 12K model has USB-C 3.1 Gen 2 and can transfer data at a blistering 10 Gb/s. Customers can connect and power external flash disks and SSDs, or they can connect the new URSA Mini Recorder to fast NVMe SSD drives for longer recording times on the URSA Mini Pro 12K. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12bit Blackmagic RAW in the Q0 setting, as well as for shooting at high frame rates. When the shooting is finished, customers can simply connect the external disk to their computer and begin editing from the same disk, eliminating the need for file copying.

Davinci Resolve license key
The URSA Mini Pro comes with the full version of DaVinci Resolve Studio. Customers receive the most advanced solution available, combining professional editing, color correction, audio post-production, and visual effects in a single software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will receive the best post-production tools available to edit native video from their camera while retaining every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a completely lossless workflow for native editing, color correction, effects, audio, and delivery.

More Information
In the box Blackmagic URSA Mini Pro 12K PL (Body only)
Turret Dust Cap
PL lens Mount
Power Supply
DaVinci Resolve Studio (Activation Key)
Limited 1-year warranty
Video Inputs 1 x 12G-SDI
Video Outputs 1 x 12G-SDI
1 x 3G-SDI Monitoring
SDI Rates 1.5G, 3G, 6G, 12G
Analog Audio Inputs 2 x XLR analog switchable between mic, line and AES audio
Phantom power support.
Analog Audio Outputs 1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Reference Inputs Tri-Sync/Black Burst/Timecode.
Remote Control 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software update
Microphone Integrated stereo microphone
Built-in Speaker 1 x mono speaker
SD Video  SD Video Standards
HD Video  1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
Ultra HD Video  2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling 48 kHz and 24 bit
Effective Sensor Size 27.03mm x 14.25mm (Super35)
Lens Mount PL mount included
Interchangeable with optional EF and F lens mounts
Lens Control 12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
Dynamic Range 14 Stops
Shooting Resolutions 12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K Anamorphic)

8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K Anamorphic)

6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)

4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K Anamorphic)

Frame Rates Maximum sensor frame rate dependent on resolution selected.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps supported.
High Speed Frame Rates 12K 17:9 full sensor up to 60 fps
8K DCI full sensor up to 110 fps
4K DCI full sensor up to 110 fps
8K 2.4:1 and 4K 2.4:1 up to 140 fps

6K Super 16 up to 120 fps
4K Super 16 up to 220 fps

Built-in ND Filters Four-position ND filter wheel with clear, 2-stop, 4-stop, and 6-stop IR ND filters.
Focus Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Screen Size 4"
Screen Type LCD capacitive touchscreen.
Metadata Support Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount.
Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls Touchscreen menus on 4" screen
Push buttons for other controls
3 assignable shortcut keys
Timecode Clock Highly accurate timecode clock
Less than 1 frame drift every 8 hours
Media 2 x CFast 2.0 card slots,
2 x SD UHS-II card slots,
1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Media Format Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems
Supported Codecs  
Codecs Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Bitrate 18:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
External Control Blackmagic SDI Camera Control Protocol
iPad control
Bluetooth control
1 x 2.5mm LANC for lens and record control
Talkback and Tally  
Talkback SDI Channels 15/16 and iPhone headset.
Live Tally Indicator Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Features  
Storage Type 2 x CFast 2.0
2 x SD UHS-II cards
1 x high-speed USB-C expansion port for external media.
Storage Rates Storage rates based on 24 frames per second.

12K - 12,288 x 6480
Blackmagic RAW 5:1 - 578 MB/s
Blackmagic RAW 8:1 - 361 MB/s
Blackmagic RAW 12:1 - 241 MB/s
Blackmagic RAW 18:1 - 160 MB/s
Blackmagic RAW Q0 - 241 to 578 MB/s 1
Blackmagic RAW Q1 - 144 to 361 MB/s 2
Blackmagic RAW Q3 - 96 to 241 MB/s 3
Blackmagic RAW Q5 - 72 to 180 MB/s 4

8K - 8192 x 4320
Blackmagic RAW 5:1 - 258 MB/s
Blackmagic RAW 8:1 - 161 MB/s
Blackmagic RAW 12:1 - 107 MB/s
Blackmagic RAW 18:1 - 72 MB/s
Blackmagic RAW Q0 - 107 to 258 MB/s 1
Blackmagic RAW Q1 - 64 to 161 MB/s 2
Blackmagic RAW Q3 - 43 to 107 MB/s 3
Blackmagic RAW Q5 - 32 to 81 MB/s 4

6K - 6144 x 3240
Blackmagic RAW 5:1 - 145 MB/s
Blackmagic RAW 8:1 - 91 MB/s
Blackmagic RAW 12:1 - 61 MB/s
Blackmagic RAW 18:1 - 40 MB/s
Blackmagic RAW Q0 - 61 to 145 MB/s 1
Blackmagic RAW Q1 - 36 to 91 MB/s 2
Blackmagic RAW Q3 - 24 to 61 MB/s 3
Blackmagic RAW Q5 - 18 to 45 MB/s 4

4K - 4096 x 2160
Blackmagic RAW 5:1 - 65 MB/s
Blackmagic RAW 8:1 - 41 MB/s
Blackmagic RAW 12:1 - 27 MB/s
Blackmagic RAW 18:1 - 18 MB/s
Blackmagic RAW Q0 - 27 to 65 MB/s 1
Blackmagic RAW Q1 - 16 to 41 MB/s 2
Blackmagic RAW Q3 - 11 to 27 MB/s 3
Blackmagic RAW Q5 - 8 to 20 MB/s 4

Recording Formats Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.
Software Included URSA Mini Operating System
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Operating Systems Mac 10.14 Mojave
Mac 10.15 Catalina or later
Windows 10
Power Supply 1 x External 12V power supply
12 pin Molex connector for rear battery plate
External Power Input 1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera.
Power Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
Environment Operating Temperature: 0° to 40°C (32° to 104°F)
Storage Temperature :-20° to 45°C (-4° to 113°F)
Relative Humidity: 0% to 90% non-condensing
Dimensions (w x d x h) 9.2" x 5.92" x 5.78"
Weight 5.62 lb
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Recommended and Certified CFast cards for Blackmagic URSA Mini Pro 12K

February 21, 2022.The CFast 2.0 cards listed below are recommended for recording 12K DCI Blackmagic RAW 18:1 at up to 60 fps and 8K DCI Blackmagic RAW 8:1 at up to 60 fps. Brand Model Capacity Angelbird AV Pro CF 128GB Angelbird ...

What is the warranty for Blackmagic URSA Mini Pro 12K and Blackmagic URSA Mini Pro 4.6K G2?

12 Month Limited Manufacturer's Warranty from Blackmagic Design.

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