Effective Sensor Size
35.64mm x 23.32mm (Large Format)
The Blackmagic URSA Cine 12K PL Mount is a breakthrough Large Format digital film camera that seamlessly integrates advanced technologies into the post-production process. This new model features an upgraded large format RGBW 36 x 24mm sensor that enhances photo quality with its larger photo sites, resulting in an impressive 16 stops of dynamic range. Additionally, it offers the convenience of interchangeable PL, LPL, and EF lens mounts, as well as industry-standard Lemo and Fischer connections. The Blackmagic URSA Cine 12K is equipped with a generous 8TB of high-performance storage, allowing for seamless media upload and syncing to the Blackmagic Cloud. Additionally, it features high-speed networking capabilities.
Blackmagic URSA Cine 12K is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen, built-in ND filters, and industry-standard Lemo and Fischer connections. Blackmagic URSA Cine comes with a massive 8TB of removable high-performance media storage built in and also includes high-speed 10G Ethernet and Wifi for fast media upload and syncing to Blackmagic Cloud.
URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green, and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility.
Blackmagic URSA Cine 12K is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set. Standard Lemo and Fischer connectors let customers control the camera remotely while providing power for lens motors and other accessories. Customers also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.
The full sensor area gives customers a stunning 3:2 open gate image which lets customers reframe their shots in post production. Or customers can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, customers can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of their lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses.
Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. Customers can quickly switch between PL, LPL, EF and Hasselblad mounts. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production.
URSA Cine lets crews work faster on set with multiple monitoring options. The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. There’s even a dedicated focus puller’s mode to help customers get perfect focus.
The wide range of industry standard connections on URSA Cine make it perfect for high-end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories.
Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing customers to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.
URSA Cine includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.
URSA Cine is the first digital film camera with ultra-fast high capability and Cloud Store technology built in. Blackmagic Media Module is fast, rugged, and includes a massive 8TB of storage. The high-speed storage lets customers record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. Or customers can use the media customers already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots.
Blackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time.
URSA Cine supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible
