Blackmagic Design URSA Broadcast G2 with Fujinon LA16x Lens Kit

URSA Broadcast G2 + Fujinon LA16x8BRM-XB1A — Complete Broadcast Kit

Camera and lens, purpose-built for each other. Mount it, dial it in, and shoot — no compatibility guesswork, no adapter compromises.

Blackmagic Design URSA Broadcast G2

SKU: CINEURSAMWC6KG2

• 6K Super 35 sensor — 6144 x 3456
• Gen 5 color science, 13 stops DR
• 25,600 ISO max — dual native ISO
• ProRes 422 HQ, H.265, Blackmagic RAW
• Dual CFast 2.0 + Dual SD/UHS-II
• Built-in ND filters: 1/4, 1/16, 1/64
• Pre-record up to 10 minutes

Fujinon LA16x8BRM-XB1A 4K Lens

2/3" B4 MOUNT — SERVO INCLUDED

• 8–128mm zoom, 16x range
• f/1.9 (8mm) to f/2.8 (128mm) aperture
• Par-focal — holds focus through zoom
• Electronic back focus adjustment
• Macro function for close-up work
• M82 x 0.75 filter thread
• Focus/zoom servo unit included

The Fujinon LA16x8BRM-XB1A — Built for This Camera

The LA16x8BRM-XB1A is not a general-purpose ENG lens that happens to fit a B4 mount. Fujinon engineered it specifically for the URSA Broadcast platform — the optics are matched to the 2/3" sensor, the electronic lens control integrates directly with the camera's built-in system, and the servo unit is designed to work with Blackmagic's optional focus and zoom demands.

The 16x zoom range — 8mm to 128mm — gives you everything from a wide establishing shot to a tight telephoto close-up without changing glass. Par-focal design means the image stays sharp as you zoom, which is non-negotiable for live broadcast work where there's no time for a focus pull mid-shot.

At f/1.9 wide open, this lens gathers serious light — which pairs directly with the URSA G2's low-light sensor capability. Between the camera's 25,600 ISO ceiling and the lens's fast maximum aperture, this kit handles dimly lit environments that would force other systems to add lighting.

One Kit, Two Workflows — ENG and Studio

The included focus/zoom servo unit makes this kit equally at home on a news camera shoulder as it is on a studio tripod. In ENG mode, the URSA G2's ergonomic layout and the servo's smooth zoom response let a single operator cover the full focal range without a second pair of hands. ENG controls are positioned around the body so you can locate them by feel — critical when you're watching through the viewfinder.

In studio configuration, the optional Blackmagic Design focus and zoom demands connect to the tripod handles for precise operator control from the pan bar. The camera's full remote camera control via SDI means the setup integrates directly into a multi-camera ATEM production switcher workflow without any additional gear.