DZOFilm VESPID Prime 7-Lens Kit (PL and EF Mounts)

The DZOFilm VESPID Prime 7-Lens Kit (PL and EF Mounts) combines seven first-generation full-frame cinema primes for narrative productions, documentaries, commercial shoots, and rental camera packages. The DZO-VP7V2PL set includes 16, 25, 35, 50, 75, 100, and 125mm lenses, with six T2.1 primes and one 16mm T2.8 ultra-wide prime. The kit pairs ARRI PL mounting with interchangeable Canon EF mount options. A consistent VESPID Prime design, geared manual controls, and broad focal-length coverage support efficient shooting from establishing shots through telephoto close-ups.

The DZOFilm VESPID Prime 7-Lens Kit, manufacturer part number DZO-VP7V2PL, is a first-generation seven-prime cinema lens package. Its included focal lengths and maximum apertures are 16mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, 75mm T2.1, 100mm T2.1, and 125mm T2.1. The lenses use ARRI PL mounts and support interchangeable Canon EF mount configurations. Published series specifications include full-frame/VistaVision coverage with a 46.5mm image circle, manual geared focus and iris controls, 0.8 MOD cine gears, and an 80mm front outside diameter. Focus travel, weight, length, and minimum focus distance differ by focal length. Confirm the exact supplied mounting accessories, warranty terms, and camera compatibility with Coremicro before purchase.

Seven Full-Frame Cinema Primes

Seven VESPID Primes from 16mm to 125mm

The DZO-VP7V2PL kit includes 16, 25, 35, 50, 75, 100, and 125mm lenses. Six primes offer T2.1 maximum apertures, while the 16mm ultra-wide lens opens to T2.8. This lineup covers establishing shots, dialogue, portraits, and telephoto details within one coordinated cinema lens family.

Classic Cinema Optical Rendering

Natural Skin Tones and Smooth Background Separation

The first-generation VESPID Prime optics balance detailed images with natural colors and a cinematic look. DZOFilm highlights smooth bokeh transitions and gentle contrast. A 16-blade iris helps create rounded out-of-focus highlights, while the final rendering depends on focal length, aperture, and subject distance.

Professional Focus and Iris Mechanics

Precise Manual Focus with 0.8 MOD Cine Gearing

Long manual focus rotation provides control for deliberate, repeatable focus pulls. Focus travel varies by lens, typically around 270°–300°. Standard 0.8 MOD focus and iris gears integrate with compatible follow-focus units and lens motors, making on-set lens changes more predictable.

Lens-Change and Mount Flexibility

Unified Cine Housings with PL and EF Mount Options

The lenses share an 80mm front outside diameter and coordinated gear placement for efficient matte-box and motor setup. Their PL mounts support interchange with Canon EF-mount configurations. Follow DZOFilm conversion and flange-adjustment instructions. The accompanying image illustrates the wider VESPID Prime family.

Versatile Filmmaking Coverage

From Wide Establishing Shots to Telephoto Close-Ups

Choose 16mm for wide interiors, 25–50mm for environmental storytelling and dialogue, and 75–125mm for portraits and isolated details. The seven-lens configuration supports documentary coverage, independent features, commercials, and rental workflows without including a dedicated macro prime.