Product Highlights
- Five full-frame cinema prime lenses
- 12–75mm focal lengths, five perspectives
- Four T2.1 primes, one T2.8
- ARRI PL with Canon EF options
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DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF)
- SKU:
- DZO-VP5PL
- MPN:
- VP5PL
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Description
Product Overview
The DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF) offers a matched set of five first-generation full-frame cinema primes for filmmakers, cinematographers, and production teams. The DZO-VP5PL kit includes 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1 lenses, combining an ultra-wide perspective with essential wide, standard, and portrait focal lengths. ARRI PL mounts with Canon EF conversion options, geared manual controls, and a coordinated lens design support efficient camera preparation for narrative, commercial, and documentary shoots.
The DZOFilm VESPID Prime 5-Lens Kit, manufacturer part number DZO-VP5PL, consists of five original-generation cine primes: 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1. These full-frame/VistaVision lenses project a manufacturer-specified 46.5mm image circle and use manual focus and iris control with standard 0.8 MOD cine gearing. The set has ARRI PL lenses with Canon EF mount conversion provisions, feet and meter focus scales, and a consistent 80mm front outside diameter. The 12mm T2.8 features a 10-blade iris and focuses as close as 0.2m from the sensor plane; its specifications differ from the four T2.1 primes. Confirm mount conversion components, camera clearance, and warranty eligibility with Coremicro.
Five VESPID Primes from 12mm to 75mm
DZO-VP5PL combines the 12mm T2.8 ultra-wide lens with 25, 35, 50, and 75mm T2.1 primes. This configuration gives filmmakers wide establishing perspectives, familiar dialogue focal lengths, and a 75mm option for portraits, all within the same first-generation VESPID Prime family.
Natural Colors and Smooth Background Separation
VESPID Prime optics are designed for detailed images, natural skin tones, and pleasing cinematic contrast. The four T2.1 lenses use 16-blade diaphragms for rounded defocused highlights; the 12mm T2.8 uses a separate 10-blade design. Bokeh and depth of field depend on the selected focal length and shooting conditions.
Controlled Focus Pulls with 0.8 MOD Gearing
Long-rotation manual focus rings give camera assistants room for accurate, repeatable focus pulls. The 12mm has a specified 270° focus rotation, while travel on the other primes is lens-dependent. Standard 0.8 MOD gears work with compatible follow-focus units and lens motors.
Consistent Cine Design with ARRI PL and Canon EF
The lenses share an 80mm front outside diameter and related control positions, helping crews prepare matte boxes and motors during lens changes. The kit provides ARRI PL lenses with Canon EF conversion options. Mount changes require proper hardware, flange adjustment, and compatibility checks. The image shows the wider VESPID Prime series.
Start Ultra-Wide with 12mm, Finish with 75mm
Use the 12mm T2.8 for dramatic establishing shots and spacious interiors, the 25–50mm primes for interviews and narrative coverage, and the 75mm for tighter portraits. The five-lens set serves independent films, commercials, documentaries, and camera rental packages without suggesting a macro or longer telephoto lens is included.
Cover Wide Establishing Shots and Intimate Dialogue
Build scenes with the 12mm ultra-wide for the environment, 25–50mm primes for dialogue, and 75mm for portraits while keeping manual cine handling familiar.
Switch Between Wide Scenes and Subject Details
Move between full-frame interview setups, location coverage, and tighter product or character framing with five matched fixed focal lengths.
Consistent Cine Handling Across Five Lenses
Common 80mm front diameters, 0.8 MOD gearing, and PL/EF mount options simplify preparation for compatible camera systems.
Independent Filmmakers
Five first-generation full-frame primes offer practical wide, standard, and portrait framing for small narrative productions.
Cinematographers
The 12mm ultra-wide and four T2.1 lenses provide related visual rendering across varied scenes.
Camera Assistants
Manual controls, 0.8 MOD gearing, and feet/metric focus scales support precise on-set adjustments.
Rental Houses and Studios
A coordinated PL/EF-mount cinema prime set suited to appropriately configured professional camera packages.
DZOFilm Manufacturer Support
B&H lists a limited one-year manufacturer warranty for the individual lenses in DZO-VP5PL. Please confirm warranty eligibility, actual conversion accessories, and service arrangements with Coremicro before ordering.
| Specification | Detail |
|---|---|
| Manufacturer Part Number | DZO-VP5PL |
| Manufacturer | DZOFilm |
| Product Series | VESPID Prime (first generation; not Vespid2) |
| Lens Type | Manual full-frame cinema prime lens set |
| Number of Lenses | 5 |
| 12mm Lens | 12mm T2.8 ultra-wide cinema prime |
| 25mm Lens | 25mm T2.1 wide-angle cinema prime |
| 35mm Lens | 35mm T2.1 cinema prime |
| 50mm Lens | 50mm T2.1 standard cinema prime |
| 75mm Lens | 75mm T2.1 short telephoto cinema prime |
| Included Focal-Length Range | 12–75mm (12, 25, 35, 50, 75mm only) |
| Maximum Apertures | T2.8 for 12mm; T2.1 for the 25, 35, 50, and 75mm lenses |
| Minimum Aperture | T22 (listed for the included lens models) |
| Lens Mount Configuration | ARRI PL with Canon EF conversion options |
| Focus Markings | Feet / Imperial and Meters / Metric |
| Format Coverage | Full-frame / VistaVision |
| Image Circle | 46.5mm (manufacturer series specification) |
| Focus Operation | Manual; long focus rotation that varies by lens |
| 12mm Focus Rotation | 270° |
| Iris Operation | Manual; iris rotation differs by focal length |
| Diaphragm Blades | 12mm: 10; 25/35/50/75mm: 16 |
| Focus and Iris Gear Pitch | 0.8 MOD |
| Front Outside Diameter | 80mm / 3.15 in |
| Front Filter Compatibility | Lens-dependent; verify 12mm screw-in filter and accessory fit before purchase |
| 12mm Optical Construction | 15 elements in 10 groups |
| 12mm Minimum Focus Distance | 0.2m / 7.9 in (from image sensor plane) |
| 12mm Lens Dimensions | 80mm front diameter; 72mm lens length |
| 12mm Lens Weight | Approximately 725g / 1.60 lb |
| Other Lens Weights and Lengths | Depend on the individual focal length |
| Housing Material | Aluminum-alloy / metal cinema lens housings |
| Electronic Lens Communication | No electronic communication according to the B&H lens specifications |
| Manufacturer Warranty | Limited one year on individual lenses per B&H; confirm terms |
Which lenses are included in the DZOFilm VESPID Prime 5-Lens Kit?
The DZO-VP5PL set includes five first-generation full-frame primes: 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1. It does not include a 90mm Macro, 100mm, or 125mm lens.
Does the VESPID Prime 5-Lens Kit cover full-frame cameras?
Yes. The lenses have a manufacturer-specified 46.5mm image circle for full-frame/VistaVision use. Check the camera sensor recording area, lens mount, and any required adapters before use.
Can the VESPID Prime lenses use both ARRI PL and Canon EF mounts?
Yes. DZO-VP5PL contains ARRI PL-mount lenses with Canon EF conversion options. Mount changes require the proper conversion parts and flange alignment; verify compatibility with your camera.
Are all five VESPID Prime lenses T2.1?
No. The 12mm ultra-wide lens has a T2.8 maximum aperture. The included 25, 35, 50, and 75mm primes have T2.1 maximum apertures.
What makes the included 12mm T2.8 prime different?
The 12mm provides an ultra-wide full-frame perspective. It has a 10-blade iris, 270° focus rotation, and a minimum focus distance of 0.2m from the sensor plane; these specifications should not be assumed for the other four lenses.
Can the VESPID Prime 5-Lens Kit be used on gimbals or handheld cameras?
The coordinated metal housings, shared 80mm front diameter, and cine-standard gears suit many filmmaking rigs. Always check individual lens mass, camera mount clearance, and total rig balance against the support system’s limits.
How is the VESPID Prime 5-Lens Kit different from the 7-Lens Kit?
DZO-VP5PL includes 12, 25, 35, 50, and 75mm. DZO-VP7V2PL includes 16, 25, 35, 50, 75, 100, and 125mm. The 5-Lens Kit features the 12mm T2.8 ultra-wide; the 7-Lens Kit instead extends into 100mm and 125mm telephoto options.
Build Your Next Production with Five VESPID Prime Lenses
Contact Coremicro about DZO-VP5PL availability, current pricing, ARRI PL and Canon EF conversion, and compatibility with your cinema camera package.
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DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF) Specifications
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What's included
Included on DZOFilm VESPID Prime 5-Lens Kit (ARRI PL & Canon EF)
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