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Description
Product Overview
The DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens is a Super35 cinema prime with a true 2X anamorphic squeeze, Neutral coating, and interchangeable PL and EF mounts. Its 40mm focal length provides a balanced medium-wide perspective for narrative, commercial, interior, and environmental cinematography while retaining the oval bokeh and horizontal flare characteristics of anamorphic imaging.
True 2X Anamorphic Squeeze
A true 2X squeeze provides horizontal image compression and the widescreen rendering associated with professional anamorphic cinema production.
40mm T2.1 Medium-Wide Prime
The 40mm focal length balances environmental context with a more controlled perspective than wider PAVO focal lengths, making it useful for narrative coverage, interiors, and medium-wide compositions.
Neutral Anamorphic Flare Rendering
This DZO-PA4021PLIN configuration uses the Neutral-coated PAVO optical design for horizontal anamorphic flare behavior without the dedicated blue treatment of the alternate Blue version.
16-Blade Iris with Oval Bokeh
A 16-blade iris works with the 2X anamorphic optics to produce elliptical out-of-focus highlights and smooth transitions between focused and defocused areas.
Interchangeable PL and EF Mount
Interchangeable PL and EF mounting gives camera departments flexibility when configuring the lens for compatible professional cinema-camera systems.
0.45m Close Focus
A minimum focus distance of 0.45m / 1 ft 6 in supports close foreground elements and more immersive subject-to-environment compositions.
A Balanced Perspective for Narrative and Environmental Coverage
The 40mm focal length sits between the wider PAVO options and longer normal-to-telephoto focal lengths, providing enough field of view to retain environmental context while placing greater visual emphasis on the subject.
Its 2X anamorphic optical design adds horizontal compression, oval bokeh, and characteristic flare behavior while maintaining a versatile perspective for medium-wide narrative compositions.
Fast Operation for Available-Light and Controlled Sets
The PAVO 40mm opens to T2.1, supporting lower-light production environments and selective depth-of-field control while retaining its medium-wide Super35 perspective.
The aperture range extends to T22, giving cinematographers additional exposure flexibility across interior, exterior, and controlled studio-lighting conditions.
Neutral Flare Rendering for Flexible Lighting Design
This exact DZO-PA4021PLIN model is the Neutral-coated version of the PAVO 40mm. It produces horizontal anamorphic flare behavior without the dedicated blue flare treatment used by the separate Blue configuration.
The Neutral version allows practical sources and production lighting to play a larger role in determining flare color while retaining the characteristic streak structure of anamorphic optics.
Format
Super35
Image Circle
31.5mm
Mount
Interchangeable PL / EF
Focus Scale
Imperial / Feet
Close Focus
0.45m / 1 ft 6 in
Filter Size
M86
Gear Pitch
0.8 MOD
Front Diameter
95mm
Compact Anamorphic Design for Professional Camera Builds
The PAVO 40mm measures approximately 107.6mm from the front of the lens to the flange plane and weighs about 1300g, providing a relatively compact 2X anamorphic option for professional Super35 production.
Its 95mm front diameter and standardized cine-style mechanical layout help simplify matte-box, follow-focus, and lens-change workflows when the 40mm is used alongside other PAVO focal lengths.
Interchangeable Mounting for Professional Cinema Cameras
The PAVO 40mm supports interchangeable PL and EF mounting, allowing camera departments to configure the lens for compatible professional cinema-camera systems.
The PAVO platform also incorporates back-focus adjustment, supporting precise setup when changing mounts or integrating the lens into different camera packages.
Manual Focus and Iris Control for Camera Crews
Standard 0.8 MOD gearing supports compatible follow-focus systems and lens-control motors used in professional cinema workflows.
This DZO-PA4021PLIN configuration uses Imperial focus markings in feet, while the 0.45m minimum focus distance supports closer subject placement and foreground interaction within medium-wide compositions.
Balance Subject Emphasis with Environmental Context
The 40mm focal length provides a medium-wide Super35 perspective that keeps surrounding context visible without the more expansive look of the wider PAVO focal lengths.
Cover Interior Spaces with a Controlled Field of View
The 40mm provides enough width for many interior setups while retaining a natural relationship between subjects, architecture, and production design.
Keep the Subject Connected to the Surrounding Scene
Medium-wide framing allows cinematographers to give a subject visual priority while preserving enough environmental detail to support narrative context.
Neutral Flare Rendering for Controlled Lighting Design
The Neutral-coated configuration provides horizontal anamorphic flare behavior without the dedicated blue treatment used by the separate Blue PAVO version.
Integrate the 40mm into Supported Mobile Camera Rigs
The compact PAVO design can be incorporated into supported handheld, gimbal, Steadicam, and other stabilized configurations when the complete camera package is properly balanced for the lens.
Add a Versatile Medium-Wide Focal Length to a PAVO Set
The 40mm bridges the wider 28mm and 32mm options with longer focal lengths while maintaining the 2X squeeze, Super35 format, and cine-style mechanical approach of the PAVO series.
Cinematographers
Operators who need a versatile 40mm Super35 focal length with a true 2X anamorphic image.
Narrative Filmmakers
Productions balancing subject emphasis with environmental context across dialogue, interior, and medium-wide coverage.
Commercial Crews
Camera teams seeking Neutral anamorphic flare rendering with a fast T2.1 aperture and flexible 40mm perspective.
Camera Departments
Crews working with interchangeable PL and EF mounts, 95mm fronts, and standard 0.8 MOD cine gearing.
Focus Pullers
Assistants working with manual lens control, Imperial focus markings, and close-focus setups down to 0.45m.
Rental Houses
PAVO packages that need a versatile 40mm focal length with consistent Super35 2X anamorphic operation and cine mechanics.
DZOFilm Support
The PAVO 40mm T2.1 combines Super35 coverage, a true 2X anamorphic squeeze, Neutral flare rendering, 0.45m close focus, and interchangeable PL and EF mounting. Coremicro can help confirm camera compatibility, mount configuration, focus-scale requirements, and complementary PAVO focal lengths for a professional cinema lens package.
| Specification | Detail |
|---|---|
| Product | DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens |
| Manufacturer Part Number | DZO-PA4021PLIN |
| UPC | 842463101524 |
| Lens Series | DZOFilm PAVO |
| Lens Type | Anamorphic Prime Lens |
| Focal Length | 40mm |
| T-Stop Range | T2.1–T22 |
| Anamorphic Squeeze | 2X |
| Flare / Coating Version | Neutral |
| Format Coverage | Super35 / APS-C |
| Image Circle | 31.5mm |
| Optical Construction | 15 Elements in 14 Groups |
| Lens Mount | Interchangeable ARRI PL / Canon EF |
| Flange Distance | 52mm PL / 44mm EF |
| Focus Scale | Imperial / Feet |
| Minimum Focus Distance | 0.45m / 1 ft 6 in from sensor plane |
| Focus Control | Manual |
| Focus Rotation | 270° |
| Iris Control | Manual |
| Iris Rotation | 58° |
| Iris Blades | 16 |
| Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74 in |
| Filter Size | M86 |
| Super35 Angle of View | 72° Horizontal / 26° Vertical |
| Image Stabilization | No |
| Electronic Communication | No |
| Material | Aluminum Alloy |
| Length | Approximately 107.6mm / 4.24 in |
| Product Weight | Approximately 1300g / 2.9 lb |
| What's In The Box | 1 x DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens · 1 x Front Cap · 1 x PL Rear Cap · 1 x EF Bayonet · 1 x EF Rear Cap · 2 x Packets of Screws · 1 x Set of Shims · 1 x Screwdriver · 1 x Set of Stickers |
What is the DZOFilm PAVO 40mm T2.1 used for?
The DZOFilm PAVO 40mm T2.1 is a Super35 2X anamorphic prime designed for professional cinema production. Its medium-wide perspective works well for narrative coverage, interiors, environmental portraits, commercial work, and compositions that balance subject presence with surrounding context.
What anamorphic squeeze does the PAVO 40mm use?
The PAVO 40mm uses a true 2X anamorphic squeeze. Footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.
What does the Neutral version of the PAVO 40mm produce?
DZO-PA4021PLIN is the Neutral-coated version of the PAVO 40mm. It produces neutral horizontal anamorphic flares and characteristic oval or waterfall-style bokeh without the dedicated blue flare treatment of the separate Blue version.
Is the DZOFilm PAVO 40mm a full-frame lens?
No. The PAVO 40mm is designed for Super35 / APS-C coverage with a 31.5mm image circle rather than native full-frame coverage.
How close can the PAVO 40mm focus?
The PAVO 40mm focuses down to 0.45m, or approximately 1 ft 6 in, measured from the sensor plane. This allows closer subject placement while retaining the lens's medium-wide perspective.
Does the PAVO 40mm support PL and EF mounts?
Yes. The lens uses an interchangeable mount system for compatible ARRI PL and Canon EF camera configurations. An EF bayonet is included with the lens.
What front diameter and cine gearing does the PAVO 40mm use?
The PAVO 40mm uses a 95mm front diameter, M86 filter thread, and standard 0.8 MOD cine gearing for compatible matte boxes, follow-focus units, and motorized lens-control systems.
Need the Right PAVO Lens for Your Cinema Package?
Coremicro is an authorized DZOFilm dealer supporting professional cinema and production workflows. Contact our team to confirm PAVO focal length, Neutral configuration, PL or EF mounting, and camera compatibility for your lens package.
Talk to a SpecialistSpecifications
DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens Neutral PL/EF Specifications
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Included on DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens Neutral PL/EF
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