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Description
Product Overview
The DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens is a Super35 cinema prime with a true 2X anamorphic squeeze, Neutral flare rendering, and interchangeable PL and EF mounts. Its 32mm focal length provides wide environmental coverage while retaining a more controlled perspective than the widest focal lengths in the PAVO system.
True 2X Anamorphic Squeeze
A true 2X squeeze delivers horizontal image compression and the widescreen rendering associated with professional anamorphic cinema production.
32mm T2.1 Cinema Prime
The 32mm focal length provides broad Super35 coverage for environmental compositions, interiors, establishing shots, and narrative camera positions that need visual context.
Neutral Anamorphic Flare Rendering
This DZO-PA3221PLIN configuration uses the Neutral version of the PAVO optical design for horizontal anamorphic flare behavior without the dedicated blue treatment of the alternate Blue model.
16-Blade Iris with Oval Bokeh
A 16-blade iris works with the 2X anamorphic optical design to create elliptical out-of-focus highlights and smooth transitions between focused and defocused areas.
Interchangeable PL and EF Mount
Interchangeable PL and EF mounting gives camera departments flexibility when configuring the lens for compatible professional cinema-camera systems.
0.4m Close Focus
A minimum focus distance of 0.4m / 1.3 ft supports close foreground elements and more immersive wide-angle compositions while retaining the 32mm perspective.
Wide Environmental Coverage with Controlled Perspective
The 32mm focal length provides a broad Super35 field of view for interiors, environmental framing, establishing coverage, and compositions that place subjects within a larger visual space.
Compared with the wider 28mm PAVO, the 32mm offers a slightly tighter perspective while preserving the 2X squeeze, oval bokeh, horizontal flare behavior, and spatial characteristics of anamorphic imaging.
Fast Operation for Available-Light and Controlled Sets
The PAVO 32mm opens to T2.1, supporting lower-light production environments and selective depth-of-field control while maintaining its wide Super35 perspective.
The aperture range extends to T22, giving cinematographers additional exposure control when moving between interior, exterior, and brighter production-lighting conditions.
Neutral Flare Rendering for Flexible Lighting Design
This exact DZO-PA3221PLIN model is the Neutral configuration of the PAVO 32mm. It produces horizontal anamorphic flare behavior without the dedicated blue coating treatment used by the separate Blue version.
The Neutral option gives cinematographers more flexibility when the color and intensity of practical lights, production fixtures, and other flare-producing sources should remain an active part of the lighting design.
Format
Super35
Image Circle
31.5mm
Mount
Interchangeable PL / EF
Focus Scale
Imperial / Feet
Close Focus
0.4m / 1.3 ft
Filter Size
M86
Gear Pitch
0.8 MOD
Front Diameter
95mm
Compact Anamorphic Design for Flexible Camera Builds
The PAVO 32mm measures approximately 105.7mm from the front of the lens to the flange plane and weighs about 1.28kg, giving production crews a compact 2X anamorphic option for professional Super35 camera systems.
Its 95mm front diameter and standardized cine-style layout help simplify matte-box, follow-focus, and lens-change workflows when the 32mm is used alongside other PAVO focal lengths.
Interchangeable Mounting for Professional Cinema Cameras
The PAVO 32mm supports interchangeable PL and EF mounting, allowing camera departments to configure the lens for compatible professional cinema-camera systems.
The PAVO platform also incorporates back-focus adjustment, supporting precise setup when changing mounts or integrating the lens into different camera packages.
Manual Focus and Iris Control for Camera Crews
Standard 0.8 MOD gearing supports compatible follow-focus systems and lens-control motors used in professional cinema workflows.
This DZO-PA3221PLIN configuration uses Imperial focus markings in feet, while the 0.4m minimum focus distance supports closer foreground work and more dynamic subject-to-environment relationships.
Balance Subject Presence with Wider Scene Context
The 32mm focal length provides broad Super35 coverage while retaining a slightly tighter perspective than the 28mm, making it useful when subjects and surrounding environments need to share the frame.
Cover Interior Spaces without Excessively Wide Perspective
The 32mm provides enough field of view for many interior camera positions while retaining a more controlled spatial relationship than a wider anamorphic focal length.
Use 0.4m Close Focus for Foreground Emphasis
The 0.4m minimum focus distance allows near-camera subjects and foreground elements to be incorporated into wider compositions while retaining environmental context.
Neutral Flare Rendering for Controlled Visual Design
The Neutral configuration provides horizontal anamorphic flare behavior without the dedicated blue treatment of the separate Blue-coated PAVO version.
Integrate the 32mm into Supported Mobile Camera Rigs
The compact PAVO design can be incorporated into supported handheld, gimbal, Steadicam, and other stabilized camera configurations when the selected rig is properly balanced for the complete camera and lens package.
Add a Versatile Wide Focal Length to a PAVO Set
The 32mm provides broad coverage between the wider 28mm and longer focal lengths while maintaining the 2X anamorphic squeeze, Super35 format, and cine-style mechanical approach of the PAVO series.
Cinematographers
Operators who need broad 32mm Super35 coverage with a true 2X anamorphic image.
Narrative Filmmakers
Productions balancing environmental context with a controlled wide-angle perspective for interiors and character coverage.
Commercial Crews
Camera teams seeking Neutral anamorphic flare rendering with a fast T2.1 aperture and wide Super35 coverage.
Camera Departments
Crews working with interchangeable PL and EF mounts, 95mm fronts, and standard 0.8 MOD cine gearing.
Focus Pullers
Assistants working with manual lens control, Imperial focus markings, and close-focus setups down to 0.4m.
Rental Houses
PAVO packages that need a versatile 32mm focal length with consistent Super35 2X anamorphic operation and cine mechanics.
DZOFilm Support
The PAVO 32mm T2.1 combines Super35 coverage, a true 2X anamorphic squeeze, Neutral flare rendering, 0.4m close focus, and interchangeable PL and EF mounting. Coremicro can help confirm camera compatibility, mount configuration, focus-scale requirements, and complementary PAVO focal lengths for a professional cinema lens package.
| Specification | Detail |
|---|---|
| Product | DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens |
| Manufacturer Part Number | DZO-PA3221PLIN |
| UPC | 842463101517 |
| Lens Series | DZOFilm PAVO |
| Lens Type | Anamorphic Prime Lens |
| Focal Length | 32mm |
| T-Stop Range | T2.1–T22 |
| Anamorphic Squeeze | 2X |
| Flare / Coating Version | Neutral |
| Format Coverage | Super35 / APS-C |
| Image Circle | 31.5mm |
| Lens Mount | Interchangeable ARRI PL / Canon EF |
| Flange Distance | 52mm PL / 44mm EF |
| Focus Scale | Imperial / Feet |
| Minimum Focus Distance | 0.4m / 1.3 ft from sensor plane |
| Focus Control | Manual |
| Iris Control | Manual |
| Iris Blades | 16 |
| Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74 in |
| Filter Size | M86 |
| Super35 Angle of View | 88° Horizontal / 32° Vertical |
| Image Stabilization | No |
| Electronic Communication | No |
| Material | Aluminum Alloy |
| Length | Approximately 105.7mm / 4.16 in |
| Product Weight | Approximately 1.28kg / 2.8 lb |
| What's In The Box | 1 x DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens · 1 x Front Cap · 1 x PL Rear Cap · 1 x EF Bayonet · 1 x EF Rear Cap · 2 x Packets of Screws · 1 x Set of Shims · 1 x Screwdriver · 1 x Set of Stickers |
What is the DZOFilm PAVO 32mm T2.1 used for?
The DZOFilm PAVO 32mm T2.1 is a Super35 2X anamorphic prime designed for professional cinema production. Its field of view is well suited to environmental compositions, interiors, establishing coverage, and narrative shots that balance a subject with surrounding context.
What anamorphic squeeze does the PAVO 32mm use?
The PAVO 32mm uses a true 2X anamorphic squeeze. Recorded footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.
What does the Neutral version of the PAVO 32mm produce?
DZO-PA3221PLIN is the Neutral-coated version of the PAVO 32mm. It produces elegant neutral horizontal anamorphic flares and characteristic oval or waterfall-style bokeh without the dedicated blue flare treatment of the separate Blue version.
Is the DZOFilm PAVO 32mm a full-frame lens?
No. The PAVO 32mm is designed for Super35 / APS-C coverage with a 31.5mm image circle. DZOFilm separately supports adapting PAVO lenses to compatible full-frame cinema cameras with its Marlin 1.6X Expander.
How close can the PAVO 32mm focus?
The PAVO 32mm focuses down to 0.4m, or approximately 1.3 ft, measured from the sensor plane. This supports close foreground elements while retaining the broader perspective of the 32mm focal length.
Does the PAVO 32mm support PL and EF mounts?
Yes. The lens uses an interchangeable mounting system for compatible ARRI PL and Canon EF camera configurations. An EF bayonet is included with the lens.
What front diameter and cine gearing does the PAVO 32mm use?
The PAVO 32mm uses a 95mm front diameter, M86 filter thread, and standard 0.8 MOD cine gearing for compatible matte boxes, follow-focus units, and motorized lens-control systems.
Need the Right PAVO Lens for Your Cinema Package?
Coremicro is an authorized DZOFilm dealer supporting professional cinema and production workflows. Contact our team to confirm PAVO focal length, Neutral configuration, PL or EF mounting, and camera compatibility for your lens package.
Talk to a SpecialistSpecifications
DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens Neutral PL/EF Specifications
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Included on DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens Neutral PL/EF
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