Product Highlights
- 24, 32 & 65mm Macro Primes
- Full-Frame and VistaVision Coverage
- Constant T2.8 Maximum Aperture
- LPL, PL, and EF Mounts
DZOFilm Gnosis 24/32/65mm T2.8 Macro Prime 3-Lens Kit LPL PL EF Feet
- SKU:
- DZO-G28K3ALPLI
- MPN:
- G28K3ALPLI
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Description
Product Overview
The DZOFilm Gnosis 24, 32, 65mm T2.8 Macro Prime 3-Lens Kit combines three full-frame and VistaVision macro cinema primes for product, tabletop, commercial, narrative, and close-up cinematography. The set moves from the immersive wide perspective of the 24mm through the 1:1 macro capability of the 32mm to the stronger 1.33x magnification of the 65mm. All three lenses share a T2.8 to T22 aperture range, 16-blade iris, cine-style manual mechanics, and interchangeable LPL, PL, and Canon EF mounting options with focus scales marked in feet.
24, 32 & 65mm Macro Primes
Three focal lengths cover wide, immersive macro work through more standard close-up framing.
0.8x to 1.33x Magnification
The 24mm reaches 0.8x, the 32mm reaches 1.0x, and the 65mm reaches 1.33x maximum magnification.
Full-Frame and VistaVision Coverage
A 46.5mm image circle supports full-frame and VistaVision cinema camera formats across the set.
Constant T2.8 Maximum Aperture
All three lenses use a T2.8 to T22 aperture range with 16-blade irises for consistent operation.
LPL, PL, and EF Mounts
Each lens is configured for ARRI LPL and includes ARRI PL and Canon EF mounting options.
Matched Cine Lens Mechanics
300° manual focus rotation, 0.8 MOD gearing, 114mm front diameters, and M105 filter threads support professional rigs.
Bring More of the Scene into a Macro Close-Up
The 24mm Gnosis combines macro detail with a noticeably wider perspective. It reaches 0.8x magnification at a 6.1-inch minimum focus distance, allowing a close foreground subject to remain visually connected to more of the surrounding environment.
The lens provides an 83.8° field of view on full-frame and an 88° field of view in VistaVision. That broad coverage makes it useful for product, tabletop, commercial, and narrative shots where depth and background context are part of the composition.
Combine Foreground Detail with a Wider Background
The 24mm focal length includes more of the background than a conventional longer macro prime. This lets cinematographers emphasize small foreground details without removing the visual relationship between the subject and its setting.
Its 0.8x maximum magnification gives the lens substantial close-up capability while retaining the perspective and spatial character of a wide cinema prime.
Configure the 24mm for LPL, PL, or Canon EF Cameras
The 24mm Gnosis is supplied in an ARRI LPL configuration and also comes with ARRI PL and Canon EF mounts. The interchangeable design gives camera departments additional flexibility when moving the lens between compatible cinema camera systems.
Focus scales on this version are marked in feet, providing an imperial distance reference for measured focus pulls and repeatable macro setups.
T2.8 Optics Built for Detailed Macro Imaging
The 24mm uses 12 optical elements in 10 groups, including two low-dispersion elements and three high-refractive-index elements. The optical design helps control chromatic aberration while maintaining clean color and natural tonal transitions.
A 16-blade iris works across the T2.8 to T22 aperture range. The lens also uses a 300° manual focus rotation, standard 0.8 MOD gearing, a 114mm front diameter, and an M105 filter thread for professional cinema rigs.
Use the 32mm Across LPL, PL, and Canon EF Camera Systems
The 32mm Gnosis is supplied in an ARRI LPL configuration and also includes ARRI PL and Canon EF lens mounts. This gives camera departments additional flexibility when working across compatible cine-style and mirrorless camera systems.
The lens covers both full-frame and VistaVision formats, making the 32mm a wide macro option for larger-format cinema cameras. Focus scales on this version are marked in feet.
Reach 1:1 Macro Magnification at 6.6 Inches
The 32mm Gnosis reaches true 1:1 macro magnification at a 6.6-inch minimum focus distance. This provides crisply detailed close-up images while retaining the wider perspective of a 32mm cinema lens.
Its combination of wide framing and macro reproduction helps create an immersive sense of depth while maintaining uniform color reproduction across detailed close-up subjects.
T2.8 Optics for Detailed Full-Frame Macro Imaging
The 32mm uses a 16-blade aperture designed for attractive bokeh and precise exposure control. Low-dispersion and high-refractive-index optical elements help control chromatic aberration while preserving vibrant color and natural tonal gradation.
A fast T2.8 maximum aperture supports shooting at lower light levels while maintaining the macro detail and wide visual character of the lens.
Configure the 65mm for LPL, PL, or Canon EF Cameras
The 65mm Gnosis is supplied with an ARRI LPL mount and also includes ARRI PL and Canon EF mounting options. The interchangeable design broadens compatibility across supported cine-style and mirrorless camera systems.
The lens covers full-frame and VistaVision sensors and provides a more standard field of view than the wider 24mm and 32mm lenses in the kit.
Reach 1.33:1 Magnification at 9.36 Inches
The 65mm Gnosis provides 1.33:1 macro magnification at a 9.36-inch minimum focus distance. Its more standard perspective gives close-up subjects a different spatial character from the wider 24mm and 32mm lenses in the set.
A 16-blade aperture supports controlled exposure and attractive bokeh, while the optical design helps manage chromatic aberration and preserve vibrant color with natural tonal gradation.
Imperial Focus Scales for Cine Camera Crews
Focus scales on the 65mm version are marked in feet, matching the imperial focus configuration of the 24mm and 32mm lenses supplied in this kit.
The 65mm also uses a fast T2.8 maximum aperture, giving the three-lens Gnosis set a consistent maximum aperture across all three focal lengths.
| Specification | 24mm | 32mm | 65mm |
|---|---|---|---|
| Kit Information | |||
| Product | DZOFilm 24, 32, 65mm T2.8 Gnosis Macro Prime 3-Lens Kit | ||
| Manufacturer Part Number | DZO-G28K3ALPLI | ||
| Number of Lenses | 3 | ||
| Included Focal Lengths | 24mm · 32mm · 65mm | ||
| Native Lens Mount | ARRI LPL | ||
| Included Additional Mounts | ARRI PL · Canon EF | ||
| Interchangeable Mount | Yes | ||
| Format Coverage | Full-Frame / VistaVision | ||
| Image Circle | 46.5mm | ||
| Aperture Range | T2.8–T22 | ||
| Focus Scale | Imperial / Feet | ||
| Filter Thread | 105mm | ||
| Gear Standard | 0.8 MOD | ||
| Front Diameter | 114mm (4.5 in) | ||
| Image Stabilization | No | ||
| Electronic Communication | No | ||
| Individual Lens Specifications | |||
| Focal Length | 24mm | 32mm | 65mm |
| Lens Model | DZO-G2428LPLI | DZO-G3228LPLI | DZO-G6528LPLI |
| Angle of View | 83.8° Horizontal (Full-Frame) | Not Specified by Manufacturer | Not Specified by Manufacturer |
| Optical Design | 12 Elements / 10 Groups | 11 Elements / 9 Groups | 11 Elements / 8 Groups |
| Minimum Focus Distance | 15.5 cm (6.1 in) | 16.8 cm (6.6 in) | 23.77 cm (9.36 in) |
| Macro Reproduction Ratio | 1:1.25 | 1:1 | 1.33:1 |
| Maximum Magnification | 0.8x | 1.0x | 1.33x |
| Iris Blades | 16 | 16 | 16 |
| Focus Rotation | 300° | 300° | 300° |
| Iris Rotation | 62° | 55° | 67° |
| Lens Mounting Point | 1 x 3/8"-16 | 1 x 3/8"-16 | 1 x 3/8"-16 |
| Length | 100mm (3.9 in) | 112mm (4.4 in) | 112mm (4.4 in) |
| Weight | 1.26 kg (2.78 lb) | 1.46 kg (3.22 lb) | 1.47 kg (3.24 lb) |
| UPC | 842463101463 | 842463100305 | 842463100312 |
| Individual Lens Packaging | |||
| Package Weight | 5.35 kg (11.795 lb) | 5.53 kg (12.2 lb) | 5.39 kg (11.89 lb) |
| Box Dimensions | 18 x 16.5 x 10.4 in | 18.5 x 16.2 x 9 in | 17.75 x 16.5 x 8.9 in |
| Included Items | |||
| 24mm Lens | 1 x DZOFilm 24mm T2.8 Gnosis Macro Prime Lens · PL Mount · EF Mount · Mounting Hardware · Hard Case | ||
| 32mm Lens | 1 x DZOFilm 32mm T2.8 Gnosis Macro Prime Lens · PL Mount · EF Mount · Mounting Hardware · Hard Case | ||
| 65mm Lens | 1 x DZOFilm 65mm T2.8 Gnosis Macro Prime Lens · PL Mount · EF Mount · Mounting Hardware · Hard Case | ||
| Manufacturer Warranty | Limited 1-Year Manufacturer Warranty for Each Lens | ||
Which lenses are included in this DZOFilm Gnosis kit?
The kit includes 24mm, 32mm, and 65mm T2.8 Gnosis Macro Prime lenses. All three provide full-frame and VistaVision coverage and use focus scales marked in feet.
How does macro magnification change between the three lenses?
The 24mm reaches 0.8x magnification at 6.1 inches, the 32mm reaches 1.0x magnification at 6.6 inches, and the 65mm reaches 1.33x magnification at 9.36 inches.
Does the Gnosis 3-lens kit cover full-frame and VistaVision?
Yes. All three lenses provide full-frame and VistaVision coverage with a 46.5mm image circle.
Which lens mounts come with the kit?
Each lens is supplied in an ARRI LPL configuration and includes ARRI PL and Canon EF mounts, along with mounting hardware.
Do all three lenses use the same aperture range?
Yes. The 24mm, 32mm, and 65mm lenses all use a T2.8 to T22 aperture range and a 16-blade iris.
Are the lens mechanics consistent across the set?
The lenses share 300° focus rotation, 0.8 MOD gearing, 114mm front diameters, and M105 filter threads. Iris rotation varies by focal length.
Are the focus markings in feet or meters?
This DZO-G28K3ALPLI kit uses imperial focus scales with distance markings in feet.
What comes with each lens in the Gnosis kit?
Each of the three lenses includes an ARRI PL mount, Canon EF mount, mounting hardware, hard case, and a limited one-year manufacturer warranty.
Need the Right Gnosis Macro Kit for Your Production?
Coremicro is an authorized DZOFilm dealer supporting professional cinema, commercial, tabletop, product, and narrative production workflows. Contact our team to confirm camera compatibility, mounting configuration, and lens-support requirements for your rig.
Talk to a SpecialistSpecifications
DZOFilm Gnosis 24/32/65mm T2.8 Macro Prime 3-Lens Kit LPL PL EF Feet Specifications
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Included on DZOFilm Gnosis 24/32/65mm T2.8 Macro Prime 3-Lens Kit LPL PL EF Feet
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