DZOFilm Arles Zoom 25-75mm T2.6 FF Cine Lens (ARRI PL, Metric)

The DZOFilm Arles Zoom 25–75mm T2.6 Full-Frame Cine Lens (ARRI PL, Metric) delivers a versatile 3× zoom range with a constant T2.6 maximum aperture and a 43.5mm full-frame image circle. This single-lens DZO-AZ2575M configuration combines a 16-blade iris, parfocal optical design, and metric focus markings in an approximately 1.77kg cine housing. The 65–180mm Arles Zoom is a separate companion product, not included with this lens.

The DZO-AZ2575M is the individual 25–75mm T2.6 metric-focus-scale Arles Zoom lens, not the DZO-AZ25180M two-lens set. It offers a 3× manual zoom, constant T2.6 maximum aperture to T22, full-frame coverage with a 43.5mm image circle, and an optical construction of 22 elements in 8 groups. Minimum focus distance is 0.51m from the camera sensor plane. Its 16-blade iris has approximately 79.55° rotation, with 270° focus and 100° zoom rotation. ARRI PL is the standard mount; appropriate hardware enables optional Canon EF conversion, but inclusion of that conversion kit is not confirmed for this Coremicro item. The lens uses M0.8 gears, a 95mm front diameter, M86 filter threads, an approximately 178mm length in PL configuration, and weighs about 1,767g / 3.90 lb. This listing is for one 25–75mm lens only; a 65–180mm lens or the two-lens protective hard case must not be assumed included.

This Product

One Arles Zoom 25–75mm · constant T2.6 · metric

Optional Companion

Arles Zoom 65–180mm · sold separately

Arles Series Match

43.5mm image circle · signature warm color · matching 95mm fronts

Series illustration only: the banner and subsequent Arles series graphics may show both zoom models. Purchasing DZO-AZ2575M supplies the 25–75mm lens only. The separately sold 65–180mm and the protective case offered with the two-lens bundle are not included by implication.

25–75mm T2.6 Full-Frame Cine Zoom

Prime-Level Optical Detail with Constant T2.6

A four-group linkage design is engineered to maintain resolution and correct aberrations throughout the full 25–75mm zoom range. The lens maintains its maximum T2.6 aperture from wide to telephoto, with full-frame coverage across a 43.5mm image circle. DZOFilm markets the Arles Zoom series for 8K-level optical resolving performance; recorded resolution still depends on the camera and imaging pipeline. The 16-blade iris helps produce rounded highlights and natural separation between subjects and background.

ED / HRI Cinema Optics

Advanced Glass and Signature Arles Cinematic Color

The 25–75mm uses 22 optical elements in 8 groups, including ED and HRI glass intended to control chromatic, spherical, and coma aberrations. DZOFilm pairs low-saturation blue coatings with warm, natural color rendering and controlled flare and ghosting. This optical signature is designed to sit alongside Arles Prime lenses and other Arles-series optics for mixed-lens productions. Evaluate flare response and color matching in the actual lighting setup.

Parfocal 25–75mm Cinema Zoom

Precise Focus Pulls and Stable Zoom Framing

The parfocal optical design is intended to maintain subject focus through changes in focal length after proper rig setup and calibration. A 270° manual focus throw enables precise focus marks and repeatable pulls, while the zoom ring travels through approximately 100°. Minimum focus is 0.51m / 1ft 8in from the sensor plane for close foreground and product details. Confirm back focus and focus tracking after lens or mount changes. A series graphic may depict the optional 65–180mm companion; that lens is sold separately.

Lightweight Full-Frame Lens Design

Compact 1.77kg Housing with Matched Cine Controls

The 25–75mm weighs approximately 1,767g and measures about 178mm from the front to the PL flange plane. Its 95mm front diameter, M86 filter thread, and M0.8 lens gears support professional matte boxes, filters, and follow-focus equipment. Matching control layouts across the Arles family can simplify accessory changes if additional lenses are purchased separately. The aluminum-alloy housing is described as dust- and splash-resistant, not waterproof or IP-rated.

The DZO-AZ2575M is supplied in a standard ARRI PL mounting configuration for compatible full-frame cinema cameras. A Canon EF conversion is supported with suitable DZOFilm mount hardware, but inclusion of the EF conversion kit is not confirmed for this Coremicro listing. Compatible DZOFilm Octopus adapters may support camera configurations using Sony E, Canon RF, L, Nikon Z, FUJIFILM X, or DX mounts; these are separately selected adapter paths, not native mounts supplied with this lens. Check sensor dimensions against the 43.5mm image circle, mechanical clearance, flange alignment, adapter fit, and lens support before installation. The lens is a manual cine zoom with no specified autofocus, optical stabilization, or electronic lens communication.

Arles Zoom optics are designed to maintain consistent warm color rendering with the broader Arles Prime and zoom lineup. The 25–75mm offers a constant T2.6 maximum aperture, 16-blade iris, 270° focus throw, and 100° zoom travel for cinema-oriented operation. Its metric focus scale is marked in meters, distinguishing model DZO-AZ2575M from the imperial edition. Keep the lens supported on longer or motorized rigs, confirm parfocal focus tracking on the actual camera, and follow manufacturer procedures when adjusting the mount. DZOFilm also offers a 65–180mm companion that shares the series handling philosophy, but it is not part of this single-lens product.