DZOFilm Arles Zoom 25-75mm & 65-180mm T2.6 FF Cine Lens Set (PL, Metric)

The DZOFilm Arles Zoom 25–75mm / 65–180mm T2.6 Full-Frame Cine Lens Set (DZO-AZ25180M, Metric) combines two parfocal cinema zooms covering 25–180mm across separate lenses, with a practical 65–75mm overlap. Both maintain a constant T2.6 maximum aperture and cover a 43.5mm full-frame image circle, with matching 95mm fronts and 16-blade irises. The set supplies metric focus scales and standard ARRI PL lens configurations, with a protective hard case for transport. An adaptable two-zoom package for narrative, documentary, and commercial production.

The DZO-AZ25180M is the metric-focus-scale, two-lens version of DZOFilm's Arles Zoom set. It includes a 25–75mm T2.6 zoom with 3× magnification, 0.51m minimum focus from the sensor plane, 22 elements in 8 groups, and approximately 1,767g weight; and a 65–180mm T2.6 zoom with 2.8× magnification, 0.89m minimum focus, 20 elements in 8 groups, and approximately 1,782g weight. Both have T2.6–T22 manual iris control, 43.5mm image circles, 16 iris blades, 270° focus rotation, 100° zoom rotation, M0.8 lens gears, 95mm front diameters, and M86 filter threads. Their combined lens-only weight is approximately 3,549g / 3.55kg, excluding the included protective case. ARRI PL is the standard mounting configuration; Canon EF mount conversion is supported using appropriate tools, but an EF conversion kit is not confirmed as included with this set. Mirrorless mounting requires compatible adapters and camera clearance checks.

Wide to Standard

25–75mm · 3× zoom · constant T2.6

Medium to Telephoto

65–180mm · 2.8× zoom · constant T2.6

Series Match

43.5mm full-frame · metric scales · Arles cinematic color

8K Optical Performance

Prime-Like Detail with Constant T2.6 Full-Frame Zooms

A four-group linkage optical mechanism is designed to maintain image-field quality, resolution, and aberration correction as focal length changes. Both zooms hold their maximum T2.6 aperture across their respective ranges and cover a 43.5mm image circle. DZOFilm describes the lenses as having 8K-level optical resolving performance; actual recorded resolution depends on the camera and imaging pipeline. A 16-blade iris promotes rounded out-of-focus highlights and natural subject separation.

ED / HRI Cinema Optics

Advanced Glass and Signature Arles Cinematic Color

ED and HRI elements are used to control chromatic, spherical, and coma aberrations while preserving detail and backlight contrast. DZOFilm tunes the Arles series with low-saturation blue coatings to reduce unwanted flare and ghosting while retaining warm, natural skin-tone rendering. The two zooms are intended to intercut with Arles Prime lenses; check color and flare behavior under the actual lighting conditions of a production.

Parfocal Cine Zoom Design

Full-Range Parfocal Focus with 65–75mm Coverage Overlap

The 25–75mm and 65–180mm zooms are designed to maintain subject focus through zoom moves after correct lens and camera setup. Their overlapping focal lengths from 65mm to 75mm make it easier to change lenses without creating a gap in available framing. Matched 270° manual focus travel and 100° zoom travel support familiar follow-focus operation. Check back focus and focus tracking on the selected camera before critical zoom shots.

Compact Lens Integration

Lightweight Arles Zooms with Matched 95mm Fronts

At approximately 1.77kg and 1.78kg, the respective zooms are compact enough for properly balanced handheld, gimbal, and remote-head rigs. Both share a 95mm front diameter, M86 filter thread, and M0.8 gearing, with aligned lens-control positions to reduce accessory readjustment. The aluminum-alloy housings are described as dust- and splash-resistant, but no waterproof or specific IP rating is claimed. Use suitable lens support where the rig requires it.

Both Arles zooms provide 43.5mm full-frame image circles and are supplied in an ARRI PL mounting configuration for compatible cinema cameras. DZOFilm supports conversion to Canon EF using its appropriate mount tools, although the inclusion of an EF conversion kit in this exact DZO-AZ25180M package has not been confirmed. Compatible Octopus adapters provide potential paths to Sony E, Canon RF, L-Mount, Nikon Z, FUJIFILM X, and DX systems; these are adapter-based configurations, not native mounts supplied with the lenses. Verify flange distance, adapter model, camera sensor coverage, rear-element clearance, lens support, and any mount-conversion calibration before use. Autofocus, electronic iris control, and optical stabilization are not advertised for these manual cine zooms.

DZOFilm designed the Arles Zoom pair to complement its Arles Prime family, with consistent warm rendering and a similar mechanical layout. Both zooms share constant T2.6 maximum transmission, 16-blade irises, 270° manual focus throw, 100° zoom rotation, and 95mm front diameters. The 25–75mm reaches a minimum focus of 0.51m / 1ft 8in, while the longer 65–180mm focuses to 0.89m / 2ft 11in, each measured from the camera sensor plane. A protective hard case is supplied for the set. Clean coated optics with appropriate materials, avoid prolonged exposure to moisture or dust, and confirm parfocal tracking after lens or mount changes.