Product Highlights
- Two full-frame cine zoom lenses
- Constant T2.6 maximum aperture
- 25–75mm and 65–180mm coverage
- ARRI PL and Canon EF mounts
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DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle (ARRI PL/Canon EF)
- SKU:
- DZO-AZ25180I
- MPN:
- AZ25180I
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Description
Product Overview
The DZOFilm Arles Zoom 2-Lens Bundle combines the 25–75mm T2.6 and 65–180mm T2.6 full-frame cine zoom lenses in one kit. Together, they cover 25–180mm with an overlap from 65–75mm, giving cinematographers a wide-to-telephoto range without changing lens systems. Both lenses use a 43.5mm image circle, 16-blade iris, M0.8 cine gearing, and interchangeable ARRI PL and Canon EF mount options.
The DZOFilm Arles Zoom 2-Lens Bundle, model DZO-AZ25180I, is a full-frame cinema zoom lens kit containing 25–75mm and 65–180mm lenses with a constant maximum aperture of T2.6 and a 43.5mm image circle. Both lenses support ARRI PL and Canon EF mount configurations, use 16-blade irises and M0.8 gears, and have a 95mm front diameter with an M86 filter size. The combined focal-length coverage is 25–180mm, with overlap from 65–75mm. DZOFilm lists a one-year warranty on its store; the applicable registration extension and terms should be confirmed for the specific purchase. MSRP was not verified in the reviewed manufacturer materials. Coremicro is an authorized DZOFilm dealer based in Union City, California.
25–180mm Full-Frame Cine Coverage
The 25–75mm zoom handles wide and medium focal lengths, while the 65–180mm zoom extends into telephoto compositions. Their focal ranges overlap from 65–75mm, helping crews maintain a consistent lens system across different shot sizes for narrative films, commercials, and documentaries.
Constant T2.6 Cinema Aperture
Both lenses maintain a maximum aperture of T2.6 throughout their zoom ranges, with an aperture range extending to T22. This provides consistent maximum exposure capability as the focal length changes, supporting controlled lighting and depth-of-field decisions during production.
Parfocal Zoom Design
The parfocal design is intended to maintain focus while zooming, reducing the need to refocus during a continuous zoom move. This is useful for controlled camera moves, documentary coverage, and productions that need repeatable focus behavior.
ARRI PL and Canon EF Mount Options
The kit listing includes ARRI PL and Canon EF mount options for each lens. Confirm the installed mount, camera flange requirements, and any required adapters before using the lenses with a specific cinema, mirrorless, or DSLR camera system.
M0.8 Cine Gearing and Manual Control
Focus, iris, and zoom controls use M0.8 cine gearing for compatibility with suitable manual follow-focus systems and lens-control motors. The focus ring rotates 270 degrees, while the zoom control has 100 degrees of rotation, supporting deliberate focus pulls and repeatable zoom adjustments.
16-Blade Iris and Natural Bokeh
Each lens uses a 16-blade iris designed to produce rounded out-of-focus highlights. DZOFilm's Arles Zoom design also uses a low-saturation blue coating intended to reduce flare and ghosting while maintaining the series' characteristic color rendering.
43.5mm Image Circle for Full Frame
Both lenses cover an image circle of approximately 43.5mm for full-frame sensor formats. Each has a 95mm front diameter and M86 filter size, making front-end dimensions an important consideration when matching matte boxes, filters, and other lens accessories.
Matched Lens System for Production
The two zooms share the same front diameter and filter size, with similar body dimensions and consistent gear positioning. This can simplify lens changes when using compatible matte boxes and lens-control accessories on narrative, commercial, and independent film sets.
Narrative Filmmaking
A wide-to-telephoto zoom pair for scenes that move between establishing shots, character coverage, and close framing.
Commercial Production
Constant T2.6 maximum aperture and matched cine gearing for controlled camera moves and repeatable lens operation.
Documentary Crews
Two focal-length ranges that cover wider environmental shots and longer-distance subjects without switching to a different lens family.
Independent Productions
A two-lens package for crews seeking full-frame cine zoom coverage across handheld, tripod, dolly, or gimbal-based setups.
Manufacturer Warranty
DZOFilm's official store lists a one-year warranty. B&H lists a limited one-year manufacturer warranty with an 18-month registration extension for the lenses in this bundle. Confirm eligibility, registration deadlines, and the warranty terms that apply to your purchase before ordering.
| Specification | 25–75mm Lens | 65–180mm Lens |
|---|---|---|
| Bundle Model | DZO-AZ25180I | |
| Lens Model | DZO-AZ2575I | DZO-AZ65180I |
| Focal Length | 25–75mm | 65–180mm |
| Combined Coverage | 25–180mm, with 65–75mm overlap | |
| Maximum Aperture | T2.6 | T2.6 |
| Aperture Range | T2.6–T22 | T2.6–T22 |
| Sensor Coverage | Full frame | Full frame |
| Image Circle | 43.5mm | 43.5mm |
| Optical Construction | 22 elements in 8 groups | 20 elements in 8 groups |
| Zoom Ratio | 3× | 2.8× |
| Minimum Focus Distance | 0.51m from sensor plane | 0.89m from sensor plane |
| Iris Blades | 16 | 16 |
| Focus Rotation | 270° | 270° |
| Zoom Rotation | 100° | 100° |
| Iris Rotation | 79.55° | 82.4° |
| Gear Pitch | M0.8 | M0.8 |
| Front Diameter | 95mm | 95mm |
| Filter Size | M86 / 86mm | M86 / 86mm |
| Length, PL Mount | 178.1mm | 190.85mm |
| Length, EF Mount | 185.4mm | 198.15mm |
| Weight | Approx. 1,767g | Approx. 1,782g |
| Lens Mounts | ARRI PL and Canon EF mount options | |
| Electronic Communication | Not supported | |
| Image Stabilization | Not supported | |
| Lens Material | Aluminum alloy | |
Accessories for Each Lens
The B&H bundle listing specifies the following accessories for each lens:
- ARRI PL mount
- Canon EF mount
- Front cap
- PL rear cap
- Shim set
- Support base
- Support rod
What focal lengths are included in this two-lens bundle?
The bundle includes a 25–75mm T2.6 zoom and a 65–180mm T2.6 zoom. Together, they cover 25–180mm with an overlap from 65–75mm.
Does each lens maintain a constant T2.6 aperture?
Yes, both lenses maintain a maximum aperture of T2.6 throughout their respective zoom ranges. The aperture range extends to T22.
Can the lenses be used with ARRI PL and Canon EF cameras?
The bundle listing includes ARRI PL and Canon EF mount options for both lenses. Buyers should confirm the installed mount and camera compatibility before using the lenses with a particular camera body.
How does the parfocal zoom design help during filming?
A parfocal zoom design is intended to maintain focus while the focal length changes. This supports continuous zoom moves and can reduce the need to refocus during the move.
What accessories are included with each lens?
The B&H listing specifies an ARRI PL mount, Canon EF mount, front cap, PL rear cap, shim set, support base, and support rod for each lens. Confirm the final package contents with the seller before ordering.
What is the difference between Arles Zoom and DZOFilm Tango Zoom lenses?
The Arles Zoom bundle contains 25–75mm and 65–180mm full-frame lenses with a constant T2.6 maximum aperture. DZOFilm's Tango Zoom range includes 18–90mm and 65–280mm lenses designed for Super 35 coverage, so the suitable system depends on sensor format and focal-length requirements.
Is Coremicro an authorized DZOFilm dealer?
Coremicro is an authorized DZOFilm dealer based in Union City, California. Contact Coremicro to confirm availability, camera compatibility, and the warranty terms applicable to this bundle.
Planning Your Next Cinema Lens Setup?
Coremicro is an authorized DZOFilm dealer. Contact our team to confirm ARRI PL or Canon EF compatibility, camera sensor coverage, accessory requirements, and the warranty terms for your production setup.
Talk to a SpecialistSpecifications
DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle (ARRI PL/Canon EF) Specifications
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Included on DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle (ARRI PL/Canon EF)
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