Product Highlights
- 25, 35, 50 & 75mm Primes
- Fast T1.6 Aperture
- Full Frame VistaVision Coverage
- Warm Amber Halation Character
DZOFilm Arles Lustre T1.6 Full Frame VistaVision Cinema Prime 4-Lens Kit ARRI PL
- SKU:
- DZO-APG4AIPL
- MPN:
- APG4AIPL
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Description
Product Overview
The DZOFilm Arles Lustre T1.6 Cinema Prime 4-Lens Kit combines 25mm, 35mm, 50mm, and 75mm Full Frame and VistaVision primes in one production-ready ARRI PL set. Each lens carries the Lustre family's warm halation, soft highlight bloom, and 16-blade rendering while maintaining consistent cinema mechanics across the four focal lengths. The set moves from wider environmental coverage through natural perspective and tighter subject-focused framing without leaving the same optical family.
Warm Halation Across the Four-Lens Set
DZOFilm's Lustre optical design introduces soft highlight bloom, warm amber halation, and layered out-of-focus rendering across the kit. The result gives cinematographers a consistent, character-driven alternative to a strictly neutral modern cinema-prime look.
Four Core Focal Lengths for Production
The 25mm covers wider environmental compositions, the 35mm balances subject and surroundings, the 50mm moves into natural medium framing, and the 75mm provides tighter portrait and close-up coverage.
Consistent Setup Between Lens Changes
Standardized 95mm fronts, cine-style 0.8 MOD gearing, and consistent control positioning help keep matte boxes, follow-focus systems, and lens motors easier to manage when moving between the four focal lengths.
Kit Focal Lengths
25 · 35 · 50 · 75mm
Kit Aperture
T1.6–T22
Format Coverage
Full Frame / VistaVision
Reviving Vintage Glow for Modern Narratives
The Lustre optical design introduces soft highlight bloom and subtle warm halation to contemporary digital cinema capture. Instead of pursuing completely neutral rendering, the lenses give bright sources and backlit scenes a more expressive, vintage-inspired presence while maintaining a shared visual character across the four focal lengths.
Nostalgic Glow for Poetic Imagery
Warm flare behavior and gentle highlight bloom give backlit subjects a softer and more atmospheric presence. Bright sources can develop expressive glow rather than remaining clinically defined, helping the entire set maintain a cohesive romantic or dreamlike visual language.
Shaping Light, Enhancing Immersion
Practical lights, highlights, and controlled flare can become deliberate parts of the composition. Warm halation introduces atmosphere around bright areas while allowing cinematographers to carry the same lighting philosophy from wider 25mm coverage through tighter 75mm framing.
Aesthetic Harmony with Modernity
Warm flaring combines with cooler bluish-purple tonal characteristics to balance nostalgic warmth with a more contemporary visual feel. This relationship gives the matched set a recognizable visual identity across changing focal lengths.
VistaVision Coverage Across Four Core Focal Lengths
The 25mm, 35mm, 50mm, and 75mm primes are built for Full Frame and VistaVision-class cinema capture. The set moves from wider establishing and environmental framing through natural perspective, medium coverage, portraits, and tighter character-focused compositions without switching to a different lens family.
The 16-blade aperture design of Lustre lenses creates soft and richly layered bokeh, paired with amber flares that add a romantic warmth or a dreamy feel.
Included Focal Lengths
25 · 35 · 50 · 75mm
Front Diameter
95mm
Filter Size
M86 / 86mm
Maximum Aperture
T1.6
Consistent Mechanics Between Focal Lengths
The DZO-APG4AIPL kit combines four ARRI PL cinema primes with consistent 95mm fronts and cine-style 0.8 MOD gearing. Standardized mechanical positioning helps camera crews move between 25mm, 35mm, 50mm, and 75mm while minimizing changes to matte-box, follow-focus, and motor placement.
Focus Rotation
270°
Gear Standard
0.8 MOD
Front Diameter
95mm
Filter Thread
M86 / 86mm
Lens Mount
ARRI PL
Rear Filter System
DZOFilm KOOP Compatible
25mm
T1.6 · 35cm MFD · Approx. 1.49kg
35mm
T1.6 · 35cm MFD · Approx. 1.65kg
50mm
T1.6 · 50cm MFD · Approx. 1.69kg
75mm
T1.6 · 75cm MFD · Approx. 1.66kg
Four Core Focal Lengths for Scene Coverage
Move from wider 25mm establishing coverage through 35mm and 50mm dialogue framing to tighter 75mm close-ups without changing optical families. The set covers masters, mediums, portraits, reactions, and selective detail within the same Lustre look.
Consistent Character from Wide to Portrait
Advertising, fashion, beauty, music-video, and branded-content crews can move between wider spatial compositions and tighter subject-focused frames while maintaining the Lustre family's warm optical character.
Faster Lens Changes on Rigged Cameras
Common 95mm fronts, M86 filter threads, 0.8 MOD gearing, and consistent cinema mechanics help simplify focal-length changes on cameras using matte boxes, follow-focus units, lens motors, and other production accessories.
Cinematographers
Directors of photography building a matched character-prime package around four frequently used focal lengths.
Narrative Productions
Film and episodic crews needing wide, medium, normal, and tighter coverage while preserving a consistent optical identity.
Commercial Crews
Advertising, fashion, beauty, and branded-content teams moving between environmental framing and subject-focused imagery.
Music Video Teams
Creative productions using flare, halation, layered bokeh, and practical lighting as intentional parts of the visual style.
Rental Houses
Rental operations looking for a matched set covering 25mm through 75mm with shared professional cinema mechanics.
DZOFilm Support
Coremicro can help confirm camera compatibility, matte-box requirements, follow-focus systems, lens motors, filtration, and support accessories when integrating the Arles Lustre 4-Lens Kit into a professional cinema package.
| Specification | Detail |
|---|---|
| Product Name | DZOFilm Arles Lustre T1.6 FF/VV Cinema Prime 4-Lens Kit (ARRI PL) |
| Model | DZO-APG4AIPL |
| Lens Type | Cinema Prime 4-Lens Kit |
| Included Focal Lengths | 25mm · 35mm · 50mm · 75mm |
| Aperture Range | T1.6–T22 |
| Lens Mount | ARRI PL, Interchangeable with Included Canon EF Mounts |
| Kit Configuration | Imperial |
| Focus Scale System | Interchangeable Imperial / Metric |
| Format Coverage | Full Frame / VistaVision |
| Image Circle | 46.5mm |
| 25mm Optical Design | 14 Elements in 12 Groups |
| 35mm Optical Design | 14 Elements in 12 Groups |
| 50mm Optical Design | 13 Elements in 9 Groups |
| 75mm Optical Design | 13 Elements in 9 Groups |
| 25mm Angle of View | 87.44° |
| 35mm Angle of View | 67.15° |
| 50mm Angle of View | 50.23° |
| 75mm Angle of View | 34.1° |
| 25mm Minimum Focus | 350mm (13.78 in) |
| 35mm Minimum Focus | 350mm (13.78 in) |
| 50mm Minimum Focus | 500mm (19.7 in) |
| 75mm Minimum Focus | 750mm (29.53 in) |
| Iris Blades | 16 |
| Iris Rotation | 25mm: 77° · 35mm: 80° · 50mm: 80° · 75mm: 82° |
| Focus Rotation | 270° |
| Gear Standard | 0.8 MOD |
| Front Outside Diameter | 95mm |
| Filter Thread | M86 / 86mm |
| Rear Filter Compatibility | DZOFilm KOOP Rear-Mount Magnetic Filters |
| Lens Support | 1 x 3/8"-16 via Included Support Foot per Lens |
| Electronic Communication | No |
| Image Stabilization | No |
| PL-Mount Length | 121.8mm (4.8 in) |
| EF-Mount Length | 129.8mm (5.1 in) |
| 25mm Weight | 1.49 kg (3.3 lb) |
| 35mm Weight | 1.65 kg (3.6 lb) |
| 50mm Weight | 1.69 kg (3.7 lb) |
| 75mm Weight | 1.66 kg (3.7 lb) |
| Included Lenses | 25mm T1.6 · 35mm T1.6 · 50mm T1.6 · 75mm T1.6 |
| Included Lens Accessories | 4 x Front Lens Cap · 4 x Rear Lens Cap · 4 x Focal Length Sticker · 4 x Support Foot · 4 x Lens Support Rod |
| Included Mount Accessories | 4 x Canon EF Mount · Shim Set |
| Included Case | Hard Case with Custom Foam Inlay |
| Manufacturer Warranty | Limited 1-Year Manufacturer Warranty |
Which focal lengths are included in the Arles Lustre 4-Lens Kit?
The kit includes 25mm, 35mm, 50mm, and 75mm T1.6 cinema primes. Together they provide a practical progression from wider environmental coverage through medium framing, portraits, and tighter close-up work.
Do all four lenses cover Full Frame and VistaVision?
Yes. Each included lens provides a 46.5mm image circle for Full Frame and VistaVision-class cinema sensors.
Do all four lenses have a T1.6 maximum aperture?
Yes. The 25mm, 35mm, 50mm, and 75mm primes all provide a T1.6 maximum aperture and stop down to T22.
What mount does the DZO-APG4AIPL kit use?
The kit is supplied with ARRI PL mounts. Interchangeable Canon EF mounts are also included for additional camera-system flexibility.
Is DZO-APG4AIPL the Imperial configuration?
Yes. DZO-APG4AIPL is the Imperial configuration of the four-lens set. The Arles Lustre system also supports interchangeable Imperial and Metric focus-scale components.
Can the same matte box and lens-control setup stay on the rig?
The four primes share a 95mm front outside diameter, M86 filter thread, 0.8 MOD gearing, and consistent mechanical positioning. This helps reduce accessory adjustments when moving between focal lengths.
Are the lenses compatible with DZOFilm KOOP rear filters?
Yes. The Arles Lustre primes are compatible with DZOFilm KOOP rear-mount magnetic filters.
What comes with the four-lens kit?
The package includes the 25mm, 35mm, 50mm, and 75mm primes, front and rear lens caps, focal-length stickers, support feet, lens support rods, Canon EF mounts, a shim set, and a hard case with a custom foam inlay.
Build a Matched Cinema Package with the Arles Lustre 4-Lens Kit
Coremicro supports professional cinematography, narrative production, commercial production, rental, and camera-department workflows. Contact our team for help integrating the 25mm, 35mm, 50mm, and 75mm Arles Lustre set with cameras, matte boxes, follow-focus systems, lens motors, filtration, and lens-support hardware.
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DZOFilm Arles Lustre T1.6 Full Frame VistaVision Cinema Prime 4-Lens Kit ARRI PL Specifications
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Included on DZOFilm Arles Lustre T1.6 Full Frame VistaVision Cinema Prime 4-Lens Kit ARRI PL
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