Product Inquiry Form
Description
Product Overview
The DZOFilm Arles Lustre 35mm T1.6 Cinema Prime Lens brings DZOFilm's character-driven Lustre rendering to Full Frame and VistaVision cinema production. Its fast T1.6 aperture combines with warm halation, soft highlight bloom, and a 16-blade iris for expressive vintage-inspired imagery. Professional cine mechanics and an interchangeable ARRI PL mount support narrative, commercial, music-video, and professional production workflows.
Warm Halation with Layered Cinema Bokeh
DZOFilm's Lustre optical design creates soft highlight bloom and warm halation that helps reduce an overly clinical digital appearance. A 16-blade iris complements the look with smooth, richly layered out-of-focus rendering.
Large-Sensor Coverage for Modern Cinema
A 46.5mm image circle supports Full Frame and VistaVision-class cinema sensors. The 35mm focal length provides a balanced perspective for environmental framing, medium-wide coverage, and character-driven compositions while preserving the distinctive Lustre optical character.
Standardized Controls for Production Rigs
A 95mm front diameter, cine-standard gearing, and consistent mechanical positioning support matte boxes, follow-focus systems, lens motors, and professional camera-rig workflows.
Series Focal Lengths
14 · 21 · 25 · 35 · 40 · 50 · 75 · 100 · 135 · 180mm
Series Apertures
T1.6–T2.8
Format Coverage
Full Frame / VistaVision
Reviving Vintage Glow for Modern Narratives
The Lustre optical design introduces soft highlight bloom and subtle warm halation to contemporary digital cinema capture. Instead of pursuing a completely neutral rendering, the lens gives bright sources and backlit scenes a more expressive, vintage-inspired presence.
Nostalgic Glow for Poetic Imagery
Warm flare behavior and gentle highlight bloom give backlit subjects a softer and more atmospheric presence. Bright sources can develop expressive glow rather than remaining clinically defined, supporting romantic and dreamlike visual storytelling.
Shaping Light, Enhancing Immersion
Practical lights, highlights, and controlled flare can become deliberate parts of the composition. Warm halation introduces atmosphere around bright areas while helping cinematographers use lighting itself as part of the visual language.
Aesthetic Harmony with Modernity
Warm flaring combines with cooler bluish-purple tonal characteristics to balance nostalgic warmth with a more contemporary visual feel. This mix gives cinematographers flexibility when shaping skin tones, highlights, and practical lighting.
VistaVision Format for Expansive Imagery
The 46.5mm image circle supports Full Frame and VistaVision-class capture. At 35mm, the lens provides a natural middle ground between wide environmental coverage and tighter subject-oriented framing, while retaining the signature Lustre rendering.
Warm Amber Halation with Layered Bokeh
The Arles Lustre 35mm combines a 16-blade iris with the series' characteristic amber flare and soft highlight bloom. At T1.6, the lens can separate a subject from the background while preserving smooth, richly layered out-of-focus areas. Strong practical lights and backlight can take on a warmer, more romantic character directly through the optics.
Soft and Richly Layered Cinema Bokeh
The 16-blade iris helps maintain rounded and layered out-of-focus highlights across the Lustre family. On the 35mm T1.6, that rendering combines with a useful normal-wide perspective for subject coverage, environmental portraits, and scenes where background texture remains part of the composition.
Warm Flares Balanced by Cooler Tones
Lustre rendering combines warm flare behavior with cooler bluish-purple tonal characteristics. The warmer highlights reinforce the vintage-inspired side of the image while cooler color response provides contrast, giving cinematographers room to blend classic optical personality with contemporary digital capture.
Optical Character as Part of the Story
Warm flaring, softer highlight response, layered bokeh, and cooler tonal accents give Lustre imagery a recognizable visual personality. These characteristics can be shaped through lighting and framing, allowing the lens itself to contribute to the final visual language instead of relying entirely on post-production.
Series Weight Range
Approximately 1.4–1.9kg
Front Diameter
95mm
Filter Size
86mm
Series Focal Range
14–180mm
Interchangeable Mount and Standardized Cine Controls
The DZO-APG35PLI includes an interchangeable ARRI PL mount for professional cinema-camera systems. Cine-standard gearing supports follow-focus units and lens-control motors, while consistent mechanical positioning across the Lustre family helps simplify lens changes and accessory setup during production.
Focus Rotation
270°
Gear Standard
0.8 MOD
Front Diameter
95mm
Filter Thread
86mm
Included Mount
ARRI PL
Rear Filter System
DZOFilm KOOP Compatible
35mm Aperture
T1.6–T22
Image Circle
46.5mm
Minimum Focus
35cm / 1.1 ft
Focus Rotation
270°
35mm Weight
Approx. 1.65kg / 3.64 lb
Front / Filter
95mm / 86mm
35mm Character Prime for Narrative Cinematography
The 35mm focal length balances environmental context with stronger subject emphasis than a wider prime. It fits dialogue scenes, medium-wide compositions, handheld coverage, and moving-camera narrative work where surroundings still matter to the frame.
Warm Cinema Rendering for Fashion and Advertising
Flare, highlight bloom, shallow depth of field, and large-format coverage can become part of the visual design for advertising, fashion, branded content, and other image-driven commercial work.
Standard Cine Mechanics for Rigged Production
A 95mm front, 0.8 MOD gearing, 270-degree focus rotation, and approximately 1.65kg weight support matte boxes, follow-focus units, lens motors, shoulder rigs, sliders, and properly balanced gimbal configurations.
Cinematographers
Directors of photography seeking a large-format 35mm prime with distinctive vintage-inspired optical character.
Narrative Filmmakers
Productions that want warm halation and expressive flare while retaining modern Full Frame and VistaVision coverage.
Commercial Crews
Advertising, fashion, and branded-content teams looking for a recognizable optical signature with a versatile 35mm perspective.
Music Video Teams
Creative crews using flare, bloom, bokeh, and practical lighting as deliberate components of the visual style.
Rental Houses
Rental operations building character-prime packages with consistent mechanics and professional cinema accessory compatibility.
DZOFilm Support
Coremicro can help confirm camera compatibility, mount options, matte-box requirements, follow-focus systems, filtration, and lens-support accessories when integrating the Arles Lustre 35mm into a professional cinema package.
| Specification | Detail |
|---|---|
| Product Name | DZOFilm Arles Lustre 35mm T1.6 FF/VV Cinema Prime Lens (ARRI PL) |
| Model | DZO-APG35PLI |
| Lens Type | Cinema Prime Lens |
| Focal Length | 35mm |
| Maximum Aperture | T1.6 |
| Minimum Aperture | T22 |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Format Coverage | Full Frame / VistaVision |
| Image Circle | 46.5mm |
| Optical Design | 14 Elements in 12 Groups |
| Angle of View | 67° Diagonal · 61° Horizontal · 34° Vertical |
| Minimum Focus Distance | 1.1 ft / 35cm |
| Iris Blades | 16 |
| Focus Scale | Imperial |
| Gear Standard | 0.8 MOD |
| Focus Rotation | 270° |
| Iris Rotation | 80° |
| Front Outside Diameter | 95mm |
| Filter Thread | M86 / 86mm |
| Rear Filter Compatibility | DZOFilm KOOP Rear-Mount Magnetic Filters |
| Lens Support | 1 x 3/8-16 via Included Support Foot |
| Electronic Communication | No |
| Image Stabilization | No |
| Length | 121.8mm / 4.8 in |
| Weight | 1.65kg / 3.64 lb |
| Included Accessories | Front Cap · Rear Cap · 3/8-16 Support Foot |
| Manufacturer Warranty | Limited One-Year Manufacturer Warranty |
What gives the DZOFilm Arles Lustre 35mm its distinctive look?
The Lustre optical design produces warm amber halation, soft highlight bloom, and vintage-inspired flare behavior. These characteristics give the lens a more expressive rendering than a strictly neutral modern cinema prime.
Does the Arles Lustre 35mm cover Full Frame and VistaVision?
Yes. The 35mm provides a 46.5mm image circle for Full Frame and VistaVision-class cinema sensors.
What mount is included with DZO-APG35PLI?
The DZO-APG35PLI includes an interchangeable ARRI PL mount for professional cinema-camera workflows.
How close can the Arles Lustre 35mm focus?
The minimum focus distance is approximately 1.1 feet or 35 centimeters from the camera sensor plane.
Is the lens compatible with professional follow-focus systems?
Yes. The lens uses cine-standard 0.8 MOD gearing and provides a 270-degree focus rotation for controlled manual or motorized focus work.
What matte boxes and filters fit the lens?
The lens has a 95mm front outside diameter and an M86 front filter thread. It is also compatible with DZOFilm KOOP rear-mount magnetic filters.
Does the Arles Lustre 35mm provide electronic communication or stabilization?
No. The lens is a fully manual cinema prime without electronic camera communication or optical image stabilization.
How much does the exact 35mm lens weigh?
The DZO-APG35PLI weighs approximately 1.65kg or 3.64 pounds.
Build Your Cinema Package Around the Arles Lustre 35mm
Coremicro is an authorized DZOFilm dealer supporting professional cinematography, narrative production, commercial production, rental, and camera-department workflows. Contact our team for help matching the Arles Lustre 35mm with cameras, matte boxes, follow-focus systems, filtration, and lens-support accessories.
Talk to a SpecialistSpecifications
DZOFilm Arles Lustre 35mm T1.6 Full Frame Cinema Prime Lens ARRI PL Specifications
Reviews
What's included
Included on DZOFilm Arles Lustre 35mm T1.6 Full Frame Cinema Prime Lens ARRI PL
Recommended Products
| Lens | |
|---|---|
Focal Length |
|
Field of View |
|
Aperture |
|
| General Specs | |
Additional Specs |
|
| Physical and Environmental Specifications | |
Dimension |
|
| Warranty | |
Warranty |
|





















