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Description
Product Overview
The DZOFilm Arles Lustre Cinema Prime 10-Lens Kit brings the complete 14mm, 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, 100mm, 135mm, and 180mm focal-length range into one Full Frame and VistaVision cinema package. The set extends from ultra-wide through normal, portrait, and long telephoto perspectives while preserving the Lustre family's warm amber halo, soft highlight bloom, and vintage-inspired optical character.
Warm Halation with Vintage-Inspired Character
DZOFilm's Lustre optical design creates soft highlight bloom and subtle warm halation, giving digital cinema capture a more expressive and vintage-inspired image character across the complete ten-lens set.
Complete Wide-to-Telephoto Prime Coverage
The ten focal lengths cover the Arles Lustre range from ultra-wide 14mm framing through standard and portrait perspectives to the 135mm and 180mm telephoto end, keeping productions within the same optical family.
Consistent Setup Across the Full Lens Family
Standardized 95mm front outside diameters, 0.8 MOD cine gearing, and consistent gear placement help camera crews move between focal lengths while minimizing changes to matte boxes, follow-focus systems, and lens-control motors.
Focal-Length Range
14mm–180mm
Maximum Apertures
T1.6 · T2.2 · T2.8
Format Coverage
Full Frame / VistaVision
Reviving Vintage Glow for Modern Narratives
The Lustre optical design introduces soft highlight bloom and warm halation to modern digital cinema capture. Bright sources and backlit scenes can take on a softer, nostalgic quality while the complete focal-length range maintains the recognizable Lustre visual character.
Nostalgic Glow for Poetic Imagery
The Lustre coatings give bright highlights and practical light sources a warm amber halo. This flare behavior can be used as part of the composition for dream sequences, retro imagery, and other deliberately expressive visual treatments.
Shaping Light, Enhancing Immersion
Warm flare and halation allow practical lights and bright sources to become deliberate elements of the frame. The ten-lens range gives cinematographers room to carry that lighting approach from expansive wides through long-lens compositions.
Aesthetic Harmony with Modernity
Warm flaring and bluish-purple tones combine nostalgic warmth with a cooler contemporary quality. This balance gives the Lustre family a recognizable look while leaving room for different lighting styles and visual treatments.
VistaVision Format for Expansive Imagery
The Arles Lustre series is designed for large-format, Full Frame, and VistaVision-class cinema sensors. The 10-lens kit spans 14mm through 180mm, giving productions a broad range of perspectives within the same character-driven optical family.
The 16-blade aperture design of the Arles Lustre series creates soft, layered bokeh, while the warm amber halo around bright highlights adds a poetic and vintage-inspired character. Across this ten-lens set, cinematographers can carry that visual language from the 14mm ultra-wide through the 180mm telephoto.
Focal-Length Range
14mm–180mm
Front Diameter
95mm
Front Filter
M86 Except 14mm
Series Weight Range
Approx. 1.4–1.9kg
Consistent Controls Across Ten Focal Lengths
The Arles Lustre series uses cine-style 0.8 MOD focus and iris gearing with a common 95mm front outside diameter and consistent gear placement. This mechanical consistency helps reduce changes to matte boxes, follow-focus systems, and lens-control motors when moving between focal lengths.
Focus Rotation
270°
Gear Standard
0.8 MOD
Front Diameter
95mm
Filter Thread
14mm: None · Others: M86
Native Mount
ARRI PL
Included Alternate Mount
Canon EF
Focus Scales
Imperial / Metric
Rear Filter System
DZOFilm KOOP Compatible
14mm
T2.2 · 28cm MFD
21mm
T1.6 · 33cm MFD
25mm
T1.6 · 35cm MFD
35mm
T1.6 · 35cm MFD
40mm
T1.6 · 40cm MFD
50mm
T1.6 · 50cm MFD
75mm
T1.6 · 76.2cm MFD
100mm
T1.6
135mm
T2.2 · 98cm MFD
180mm
T2.8 · 1.07m MFD
Large-Format Coverage Can Vary by Camera
The Arles Lustre series is designed for large-format, Full Frame, and VistaVision-class sensors. DZOFilm and B&H note that the 14mm, 25mm, 35mm, and 40mm lenses may show slight vignetting on certain camera and sensor combinations, so camera-specific coverage should be confirmed when building a package.
One Character Across a Complete Focal Range
Ten focal lengths give a camera team options for establishing shots, interiors, natural perspective, portraits, close-ups, and long-lens coverage without leaving the Lustre optical family.
Warm Optical Character Built into the Lens
Amber halos, soft highlight bloom, and warm flare behavior give cinematographers an in-camera starting point for dream sequences, music videos, period-inspired imagery, and other visually expressive productions.
Faster Changes on Accessorized Cinema Rigs
Common 95mm fronts, 0.8 MOD gearing, and consistent gear placement help crews move between lenses while reducing repositioning of matte boxes, follow-focus systems, and lens-control motors.
Cinematographers
Directors of photography who want a complete character-driven prime family from ultra-wide through long telephoto.
Narrative Productions
Film and episodic teams that need broad focal-length coverage while maintaining a consistent warm, vintage-inspired look.
Commercial Crews
Advertising, fashion, and branded productions that want characterful optical rendering with professional cine mechanics.
Music Video Teams
Creative productions using flare, halos, practical lighting, and shallow depth of field as visible parts of the image design.
Rental Houses
Rental operations looking for a complete 14mm-to-180mm character lens family with standardized cinema mechanics.
DZOFilm Support
Coremicro can help confirm camera coverage, mount configuration, matte-box fit, follow-focus systems, lens motors, filtration, and lens-support requirements when integrating the Arles Lustre 10-Lens Kit into a professional cinema package.
| Specification | Detail |
|---|---|
| Product Name | DZOFilm Arles Lustre T1.6 FF/VV Cinema Prime 10-Lens Kit (ARRI PL/Canon EF) |
| Model | DZO-APG10PLI |
| Lens Type | Cinema Prime 10-Lens Kit |
| Included Focal Lengths | 14mm · 21mm · 25mm · 35mm · 40mm · 50mm · 75mm · 100mm · 135mm · 180mm |
| Maximum Apertures | 14mm: T2.2 · 21mm: T1.6 · 25mm: T1.6 · 35mm: T1.6 · 40mm: T1.6 · 50mm: T1.6 · 75mm: T1.6 · 100mm: T1.6 · 135mm: T2.2 · 180mm: T2.8 |
| Minimum Aperture | T22 |
| Native Lens Mount | ARRI PL |
| Included Alternate Mount | Canon EF |
| Kit Configuration | Imperial |
| Focus Scale System | Interchangeable Imperial / Metric |
| Format Coverage | Full Frame / VistaVision |
| Image Circle | 46.5mm |
| 14mm Optical Design | 15 Elements in 12 Groups |
| 21mm Optical Design | 14 Elements in 12 Groups |
| 25mm Optical Design | 14 Elements in 12 Groups |
| 35mm Optical Design | 14 Elements in 12 Groups |
| 40mm Optical Design | 13 Elements in 11 Groups |
| 50mm Optical Design | 13 Elements in 9 Groups |
| 75mm Optical Design | 13 Elements in 9 Groups |
| 100mm Optical Design | 13 Elements in 8 Groups |
| 135mm Optical Design | 12 Elements in 8 Groups |
| 180mm Optical Design | 12 Elements in 9 Groups |
| 14mm Angle of View | 116° Diagonal · 109° Horizontal · 72° Vertical |
| 21mm Angle of View | 96° Diagonal · 89° Horizontal · 54° Vertical |
| 25mm Angle of View | 87° Diagonal · 80° Horizontal · 47° Vertical |
| 35mm Angle of View | 67° Diagonal · 61° Horizontal · 34° Vertical |
| 40mm Angle of View | 61° Diagonal · 56° Horizontal · 31° Vertical |
| 50mm Angle of View | 50° Diagonal · 45° Horizontal · 25° Vertical |
| 75mm Angle of View | 34° Diagonal · 30° Horizontal · 16° Vertical |
| 100mm Angle of View | 26° Diagonal · 23° Horizontal · 12° Vertical |
| 135mm Angle of View | 19° Diagonal · 17° Horizontal · 9° Vertical |
| 180mm Angle of View | 15° Diagonal · 13° Horizontal · 7° Vertical |
| 14mm Minimum Focus | 0.28m (11 in) |
| 21mm Minimum Focus | 0.33m (13 in) |
| 25mm Minimum Focus | 0.35m (14 in) |
| 35mm Minimum Focus | 0.35m (14 in) |
| 40mm Minimum Focus | 0.40m (16 in) |
| 50mm Minimum Focus | 0.50m (20 in) |
| 75mm Minimum Focus | 0.75m (29.5 in) |
| 100mm Minimum Focus | 0.90m (35 in) |
| 135mm Minimum Focus | 0.98m (39 in) |
| 180mm Minimum Focus | 1.07m (42 in) |
| Iris Blades | 16 |
| Iris Rotation | 14mm: 65° · 21mm: 77° · 25mm: 77° · 35mm: 80° · 40mm: 83° · 50mm: 80° · 75mm: 82° · 100mm: 90° · 135mm: 88° · 180mm: 88° |
| Focus Rotation | 270° |
| Gear Standard | 0.8 MOD Focus / Iris |
| Front Outside Diameter | 95mm |
| 14mm Front Filter Thread | None |
| 21–180mm Front Filter Thread | M86 / 86mm |
| Rear Filter Compatibility | DZOFilm KOOP Rear-Mount Magnetic Filters |
| Lens Support | 3/8"-16 via Lens Support Foot |
| Electronic Communication | No |
| Image Stabilization | No |
| 14–100mm PL-Mount Length | 121.8mm (4.8 in) |
| 14–100mm EF-Mount Length | 129.8mm (5.1 in) |
| 135 / 180mm PL-Mount Length | 130.8mm (5.1 in) |
| 135 / 180mm EF-Mount Length | 138.8mm (5.5 in) |
| 14mm Weight | 1.646 kg (3.63 lb) |
| 21mm Weight | 1.500 kg (3.31 lb) |
| 25mm Weight | 1.490 kg (3.28 lb) |
| 35mm Weight | 1.650 kg (3.64 lb) |
| 40mm Weight | 1.633 kg (3.60 lb) |
| 50mm Weight | 1.688 kg (3.72 lb) |
| 75mm Weight | 1.662 kg (3.66 lb) |
| 100mm Weight | 1.830 kg (4.03 lb) |
| 135mm Weight | 1.846 kg (4.07 lb) |
| 180mm Weight | 1.675 kg (3.69 lb) |
| Included Lenses | 14mm T2.2 · 21mm T1.6 · 25mm T1.6 · 35mm T1.6 · 40mm T1.6 · 50mm T1.6 · 75mm T1.6 · 100mm T1.6 · 135mm T2.2 · 180mm T2.8 |
| Mount & Support Accessories | Canon EF Mounts · Shims · Lens Support Rods |
| Included Cases | 2 x Hard Case with Custom Foam Inlay |
| Manufacturer Warranty | Limited 1-Year Manufacturer Warranty |
Which focal lengths are included in the Arles Lustre 10-Lens Kit?
The DZO-APG10PLI includes 14mm, 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, 100mm, 135mm, and 180mm cinema primes, covering perspectives from ultra-wide through long telephoto.
Do all ten lenses have a T1.6 maximum aperture?
No. The 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, and 100mm open to T1.6. The 14mm and 135mm are T2.2, while the 180mm has a T2.8 maximum aperture. All ten stop down to T22.
Does the Arles Lustre set cover Full Frame and VistaVision?
The series uses a 46.5mm image circle for large-format, Full Frame, and VistaVision-class cinema sensors. Coverage can vary by camera, and the 14mm, 25mm, 35mm, and 40mm may show slight vignetting on certain sensor configurations.
What mounts are supplied with DZO-APG10PLI?
The lenses are supplied in ARRI PL configuration and the package includes interchangeable Canon EF mounts, allowing the set to be adapted for additional camera systems.
Does every lens use the same front diameter?
Yes. The Arles Lustre series uses a common 95mm front outside diameter to simplify use with professional matte boxes and other front-mounted cinema accessories.
Do all ten lenses accept 86mm screw-in filters?
No. The 21mm through 180mm lenses use M86 front filter threads. The 14mm does not have a front filter thread.
Can one follow-focus or motor setup be used across the set?
The series uses cine-standard 0.8 MOD focus and iris gearing, consistent gear placement, and 270° focus rotation. These shared mechanics help reduce rig adjustments during lens changes.
What comes with the 10-lens kit?
The package includes all ten Arles Lustre primes, interchangeable Canon EF mounts, shims, lens-support hardware, and two hard cases with custom foam inlays.
Build a Complete Cinema Package Around the Arles Lustre 10-Lens Kit
Coremicro supports professional cinematography, narrative production, commercial production, rental, and camera-department workflows. Contact our team for help integrating the complete 14mm-to-180mm Arles Lustre set with cameras, matte boxes, follow-focus systems, lens motors, filtration, and lens-support hardware.
Talk to a SpecialistSpecifications
DZOFilm Arles Lustre T1.6 FF/VV Cinema Prime 10-Lens Kit (ARRI PL/Canon EF) Specifications
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Included on DZOFilm Arles Lustre T1.6 FF/VV Cinema Prime 10-Lens Kit (ARRI PL/Canon EF)
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