DZOFilm Arles FF/VV Prime Cine 10-Lens Set (14/21/25/35/40/50/75/100/135/180mm, ARRI PL, Feet)

The DZOFilm Arles FF/VV 10-Lens Set (DZO-SAP10IPL) brings together ten ARRI PL cine primes at 14mm, 21mm, 25mm, 35mm, 40mm, 50mm, 75mm, 100mm, 135mm and 180mm. Every lens is designed around a 46.5mm image circle for compatible full-frame and VistaVision shooting modes, with painterly highlights, rounded bokeh and graduated focus fall-off. The 14mm opens to T1.9, seven lenses from 21mm through 100mm open to T1.4, the 135mm opens to T1.8 and the 180mm opens to T2.4; all stop down to T22. Shared 270° manual focus travel, 16 iris blades, 0.8 MOD gearing and 95mm fronts help standardize on-set operation, while Imperial (feet) focus scales suit PL-camera workflows. Protective carrying cases are listed with the package; verify the exact number before purchase.

Manufacturer SKU DZO-SAP10IPL is a ten-prime Arles FF/VV package containing exactly 14/21/25/35/40/50/75/100/135/180mm ARRI PL lenses, with no 18mm included. In ascending focal-length order, maximum T-stops are T1.9 / T1.4 / T1.4 / T1.4 / T1.4 / T1.4 / T1.4 / T1.4 / T1.8 / T2.4, with T22 minimum on all ten. The optical designs are 15/12, 14/12, 14/12, 14/12, 13/11, 13/9, 13/9, 13/8, 12/8 and 12/9 elements/groups. Minimum focus distances are 0.28, 0.33, 0.35, 0.35, 0.40, 0.50, 0.75, 0.90, 0.98 and 1.07m. Each lens specifies 46.5mm FF/VV image-circle coverage, 95mm front diameter, 16 iris blades, 270° focus rotation, 0.8 MOD gears, aluminum-alloy housing and ARRI PL mounting with Imperial markings. The 14mm does not accept M86 screw-in filters; the other nine list M86. Manufacturer-reference iris rotation for 14mm is 65°, while a retailer reports 77°. Exact hard-case and lens-support component quantities must be verified against Coremicro stock.

FULL-FRAME CINEMA OPTICS

Ten Arles Prime Lenses, One Painterly Look

From 14mm ultra-wide to 180mm telephoto, this complete set preserves Arles painterly highlights and gentle focus fall-off. Seven primes open to T1.4; the 14mm, 135mm and 180mm open to T1.9, T1.8 and T2.4 respectively. Match exposure when switching lenses.

FLOATING OPTICAL DESIGN

Natural Transitions from Focus to Defocus

Floating optical groups help control aberrations from infinity to close focus, supporting smooth transitions and deliberate focus fall-off. Rendering and breathing vary with aperture, focal length and sensor. The image is a manufacturer cinema sample, not a technical diagram.

PRECISION CINE MECHANICS

270° Focus Throws Across All Ten Primes

Each lens has a 270° focus rotation, 16 iris blades, standard 0.8 MOD gears and a 95mm front outside diameter. Iris rotations vary across the ten primes; the manufacturer lists 65° for the 14mm, while a retailer lists 77°. Recalibrate focus and iris motors when changing lenses.

MULTILAYER OPTICAL COATINGS

Modern Flare Control, Painterly Contrast

Arles multilayer optical treatments are designed to moderate stray reflections and ghosting while maintaining nuanced color rendering. The blue-tinted coating mentioned in series materials describes the Arles optical treatment, not a separately included lens variant. Validate flare and contrast using the production lighting setup.

INTERNAL REFLECTION CONTROL

Preserve Image Depth in Backlit Scenes

Internal surface treatment helps suppress unwanted diffuse reflections around practical lights and backlight. Combine thoughtful exposure and lens shading with the series’ intentional highlight character. The photograph illustrates the Arles optical family and does not represent extra contents in the ten-lens kit.

ARRI PL CINEMA WORKFLOW

Ten PL Primes with Optional Mount Ecosystem

All ten lenses have ARRI PL mounts and Imperial (feet) scales. EF/LPL conversions and optional rear filtration shown in Arles marketing are separate, not included. Confirm camera clearance, flange calibration and sensor coverage.

Cover 14mm ultra-wide scenes, T1.4 wides and medium perspectives from 21mm to 100mm, and 135mm/180mm telephoto compositions within a coherent Arles look. The 14–100mm lenses have 121mm PL housings, while 135mm and 180mm measure 130mm. On motorized rigs, rebalance as needed, recalibrate focus and iris end stops, and accommodate differing maximum T-stops. The 14mm needs matte-box or other non-screw-in filtration; all other nine primes use M86. A 46.5mm image circle is not a guarantee of coverage for every larger-format recording mode.

The DZO-SAP10IPL package consists of ten ARRI PL Arles FF/VV primes, plus front/rear lens caps, dealer-listed shim sets, lens-support hardware and protective hard carrying cases. Retailer package descriptions differ on hard-case totals: B&H describes a case while Cinetx and some other dealers list two. Support-base, rod and shim quantities also require Coremicro physical-stock verification before any exact number is promised.

Important verification before publishing: DZOFilm Arles DZO-SAP10IPL contains exactly ten specified primes, including the 21mm and 40mm but not an 18mm. The 14mm lacks a front screw-in filter thread; nine other lenses list M86. Manufacturer reference iris rotation for 14mm is 65°, while one retailer cites 77°; confirm the supplied barrel if iris-motor calibration is critical. Protective case count and accessory hardware totals differ between dealers; verify Coremicro stock before stating a fixed number. Do not claim constant maximum T1.4/T2.8, EF/LPL hardware in the box or universal compatibility with oversized sensor formats.