Product Highlights

  • T1.4 aperture for low-light shooting
  • Full-frame and VistaVision sensor coverage
  • 16-blade iris for rounded bokeh
  • 270-degree focus rotation, 0.8 MOD gearing

DZOFilm Arles 50mm T1.4 Full Frame VistaVision Cine Prime Lens - ARRI PL

SKU:
DZO-SAP50IPL
MPN:
SAP50IPL
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Description

Product Overview

50mm
Cine prime
T1.4
Maximum aperture
46.5mm
Image circle
16
Iris blades
PL
Lens mount

The DZOFilm Arles 50mm T1.4 is a full-frame and VistaVision cine prime for narrative filmmaking, commercials, and music videos. Its fast aperture gives cinematographers room to work with available light and selective focus. Manual cine controls and an ARRI PL mount fit a production workflow built around deliberate framing and repeatable focus pulls.

The Arles 50mm is a manual-focus cinema lens with a T1.4–T22 aperture range, a 46.5mm image circle, and a 16-blade iris. This ARRI PL configuration is identified by SKU DZO-SAP50IPL. It has a 95mm front diameter, an 86mm filter thread, and a minimum focus distance of 0.5m from the sensor plane. Coremicro is an authorized DZOFilm dealer based in Union City, California.

DZOFilm Arles 50mm T1.4 PL cine prime for full-frame narrative and commercial filmmaking
Arles series sample scene with warm window light for available-light filmmaking
Full-Frame Cine Prime

T1.4 Speed for Available-Light Filmmaking

A fast 50mm cinema prime helps isolate a subject while retaining the atmosphere of the location. Open to T1.4 for shallow depth of field, or stop down when a scene needs more of the frame in focus. The 46.5mm image circle supports full-frame and VistaVision acquisition.

Arles series sample portrait illustrating subject separation and out-of-focus rendering
Painterly Cinema Rendering

Rounded Bokeh and Gentle Focus Transitions

A 16-blade iris gives out-of-focus highlights a rounded shape. Wide-open rendering combines lower contrast with a gentle transition away from the focal plane and subtle peripheral swirl. Floating elements help control aberrations as focus changes, while low breathing keeps attention on the subject during a rack focus.

Arles series front element showing the blue coating used for cinematic flare control
Cinema Lens Coatings

Controlled Flare with Natural Color

Multilayer nano-coatings and the Arles blue coating treatment help manage flare and ghosting when bright sources enter the composition. Internal anti-reflective surfaces further limit stray light. A protective front-element coating helps resist dust and dirt accumulation during location work.

Arles series lenses illustrating the rear-mount design for cinema camera configurations
PL Mount and Cine Controls

Manual Control for a Working Camera Rig

The PL-mount prime uses 0.8 MOD focus and iris gears with a 270-degree focus rotation. Its 95mm front diameter and 86mm filter thread provide clear reference points when choosing a matte box or screw-in filter. EF conversion requires a separately available mount; confirm camera clearance and the intended adapter or mount configuration before use.

Arles series sample with a bright doorway and shadowed interior for location cinematography

Narrative Production

Use selective focus to guide attention through dialogue, reaction shots, and staged movement.

Commercial Production

Build product and talent shots around controlled depth of field, with manual focus marks for repeated takes.

Music Videos

Work practical lights and out-of-focus highlights into the composition while retaining the Arles visual character.

Cinematographers

A fast standard prime for full-frame productions with planned lighting, blocking, and focus.

Camera Assistants

Geared manual controls for rehearsed focus moves and repeatable lens settings.

Documentary Interviews

A 50mm option for controlled interview setups where subject separation supports the composition.

Rental Departments

A PL prime that can complement an existing Arles package with consistent series handling.

Specification Detail
Manufacturer Part Number DZO-SAP50IPL
Focal Length 50mm
Lens Mount ARRI PL; optional EF mount available separately
Lens Format Coverage Full-frame / VistaVision
Image Circle 46.5mm
Maximum Aperture T1.4
Minimum Aperture T22
Optical Design 13 elements in 9 groups
Angle of View 45° horizontal / 25° vertical / 50° diagonal, nominal VistaVision values
Minimum Focus Distance 0.5m / 19.7in from the sensor plane
Focus Scales Reversible imperial / metric scale; imperial SKU
Focus Control Manual, 270° rotation
Iris Control Manual, 80° rotation
Gear Pitch 0.8 MOD, focus and iris
Iris Blades 16
Front Diameter 95mm / 3.74in
Filter Thread 86mm
Flange Distance 52mm, PL mount
Length 121mm / 4.76in, front of lens to flange plane
Weight Approximately 1.688kg / 3.72lb
Material Aluminum alloy
Color Black
Image Stabilization No
Electronic Communication No
Manufacturer Warranty Limited 1-year warranty
In the Box 1 x Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
1 x Front Cap
1 x PL Rear Cap
1 x Shim Set
1 x Support Base
1 x Support Rod

What sensor formats does the Arles 50mm cover?

The Arles 50mm has a 46.5mm image circle for full-frame and VistaVision sensors. Coverage should be checked against the camera's active recording area, especially when using larger sensors or optical adapters.

How close can the 50mm prime focus?

The 50mm prime focuses to 0.5m, measured from the camera sensor plane. Its manual focus ring has a 270-degree rotation.

Can the PL version be used on an EF camera?

The PL version supports conversion with a separately available compatible EF mount. The supplied lens is the ARRI PL configuration; the EF mount is not included in the listed package.

Which filters and matte boxes fit this cine lens?

This cine lens has an 86mm front filter thread and a 95mm front outside diameter. A matte box must support the 95mm lens diameter or use a suitable adapter, with clearance checked for the complete setup.

What is the difference between the Arles 50mm and Sigma 50mm T1.5 FF?

The Arles 50mm offers T1.4–T22, 16 iris blades, and a 46.5mm image circle. The Sigma 50mm T1.5 FF specifies T1.5–T16, nine rounded diaphragm blades, and a 43.3mm image circle. The Sigma focuses to 0.4m, compared with 0.5m for the Arles.

Does this product include a complete Arles lens set?

This product includes one 50mm ARRI PL lens, front and rear caps, a shim set, a support base, and a support rod. Other focal lengths, optional mounts, and filters are sold separately.

Is Coremicro an authorized DZOFilm dealer?

Coremicro is an authorized DZOFilm dealer based in Union City, California. This lens carries a limited 1-year manufacturer warranty; Coremicro can assist with product selection and warranty questions.

Build Your 50mm Cine Lens Setup

Buy the DZOFilm Arles 50mm T1.4 from Coremicro, an authorized DZOFilm dealer. Contact our team to discuss PL compatibility, lens support, filters, and the right configuration for your production.

Contact Coremicro

Specifications

DZOFilm Arles 50mm T1.4 Full Frame VistaVision Cine Prime Lens - ARRI PL Specifications

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What's included

Included on DZOFilm Arles 50mm T1.4 Full Frame VistaVision Cine Prime Lens - ARRI PL

1 x DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
1 x Front Cap
1 x PL Rear Cap
1 x Shim Set
1 x Support Base
1 x Support Rod

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