Product Highlights
- 40mm prime with T1.4 aperture
- 46.5mm FF/VV image circle
- 16-blade iris for rounded bokeh
- ARRI PL mount, 270° focus
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Product: DZOFilm Arles 40mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- SKU:
- DZO-SAP40IPL
- MPN:
- SAP40IPL
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Description
Product Overview
The DZOFilm Arles 40mm T1.4 FF/VV Prime Cine Lens combines a versatile 40mm perspective with a fast T1.4 aperture and full-frame/VistaVision coverage. Its 46.5mm image circle, 16-blade iris, and carefully tuned optical design deliver detailed images with natural colors and painterly background separation. Built for professional production, the ARRI PL-mount lens features a 270° manual focus throw, 0.8 MOD gearing, and a durable aluminum-alloy housing. Classic character with modern cinema precision.
The DZOFilm Arles 40mm T1.4 FF/VV Prime Cine Lens (DZO-SAP40IPL) is a manual-focus spherical cinema prime available through Coremicro, an authorized DZOFilm dealer based in Union City, California. The lens covers a 46.5mm image circle and has an aperture range of T1.4 to T22, a 16-blade iris, and 13 optical elements arranged in 11 groups. Its included ARRI PL mount, 95mm front diameter, M86 filter thread, and 0.4m minimum focusing distance support professional cinema workflows. DZOFilm provides a minimum one-year manufacturer warranty, with conditions determined by the region of purchase. Contact Coremicro for current pricing and availability.
High-Resolution Full-Frame Cine Lens Design
The Arles 40mm uses 13 optical elements in 11 groups to balance fine detail with a distinctive cinematic image character. Its design supports high-resolution digital cinematography while retaining gentle tonal transitions and natural-looking subject separation. The 40mm perspective works especially well for narrative scenes, interviews, and commercial production where a natural field of view is preferred.
Floating Optics for Controlled Focus Transitions
Internal floating lens elements help maintain optical performance as focus moves from distant subjects toward the minimum focusing distance. The design also minimizes changes in framing during focus pulls, helping subjects move naturally between foreground and background emphasis. For dialogue scenes and dramatic rack-focus shots, this provides greater consistency without distracting shifts in image scale.
Multi-Layer Coating for Natural Cinema Color
Specialized multi-layer nano-coating and internal anti-reflective treatments help control stray light, ghosting, and unwanted reflections. The Arles series is designed around a consistent, neutral color response while allowing cinematographers to retain expressive highlights in backlit compositions. Carefully managed flare behavior gives lighting teams more control over practical lights, daylight, and high-contrast environments.
46.5mm VistaVision Coverage with ARRI PL Mount
A 46.5mm image circle supports full-frame and compatible VistaVision sensor formats. This version includes an interchangeable ARRI PL mount, with other mount configurations requiring the appropriate conversion hardware. Its short rear design also supports flexible integration with compatible cinema camera systems and select rear filtration accessories. Confirm camera clearance and mount compatibility before installation.
270-Degree Focus Throw and 0.8 MOD Gearing
The all-metal cine housing features a 270° focus rotation and an 83° iris rotation for controlled manual adjustments. Standard 0.8 MOD gearing works with professional follow-focus units and lens motors, while the 95mm front diameter supports common matte-box workflows. The consistent mechanical layout across Arles primes reduces accessory adjustments when changing focal lengths on set.
Consistent Arles Lens Character Across Focal Lengths
The 40mm belongs to the wider Arles prime family, designed to maintain recognizable color, contrast, and bokeh characteristics across focal lengths. This makes it practical to pair with other Arles primes for narrative filmmaking, commercial projects, and multi-camera productions. Shared cine-style handling and consistent visual character help cinematographers maintain continuity throughout a production.
T1.4 Low-Light Cinema Lens
The fast T1.4 maximum aperture allows shooting in lower light while supporting shallow depth-of-field compositions. It gives cinematographers additional exposure flexibility for available-light interiors and nighttime scenes.
16-Blade Circular Bokeh
A 16-blade iris creates rounded out-of-focus highlights and smooth transitions between focused subjects and defocused backgrounds. The result supports the painterly look associated with the Arles series.
40mm Natural Perspective
Positioned between traditional 35mm and 50mm perspectives, the 40mm focal length is useful for environmental portraits, dialogue coverage, interviews, and cinematic storytelling.
95mm Cine Front Diameter
A 95mm front diameter and M86 filter thread support professional lens accessories. Matched front dimensions across the Arles series help simplify matte-box changes and on-set rigging.
Character-Focused Cinema Scenes
Use the natural 40mm perspective for dialogue coverage, medium shots, and environmental portraits. The wide aperture helps isolate performers without losing the atmosphere of the surrounding scene.
Product and Lifestyle Cinematography
Capture controlled product compositions and lifestyle scenes with detailed textures and smooth background separation. Professional gearing supports repeatable focus moves with compatible lens-control equipment.
Available-Light and Location Filming
A T1.4 aperture supports creative shooting in practical-light interiors and evening locations. The PL-mount design integrates into compatible cinema camera setups for controlled manual operation.
Cinematographers
A fast 40mm prime for expressive depth, manual focus control, and full-frame storytelling.
Independent Filmmakers
Professional cine mechanics and low-light flexibility for short films and narrative productions.
Commercial Production Teams
Controlled color rendering and bokeh for advertising, branded content, and product films.
Cinema Rental Houses
A versatile focal length with matched Arles lens mechanics for professional lens packages.
DZOFilm Manufacturer Support
DZOFilm provides a minimum one-year manufacturer warranty on qualifying lenses purchased through official dealers. Warranty coverage and registration extensions may vary by region and purchase conditions. Contact Coremicro for current warranty terms, mount compatibility, and product support.
| Specification | Detail |
|---|---|
| Manufacturer | DZOFilm |
| Product Series | Arles Prime |
| Manufacturer Part Number | DZO-SAP40IPL |
| Lens Type | Spherical Prime Cine Lens |
| Focal Length | 40mm |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Format Coverage | Full-Frame / VistaVision |
| Image Circle | 46.5mm |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Optical Construction | 13 Elements in 11 Groups |
| Iris Blades | 16 |
| Minimum Focus Distance | 0.4m / 1.31ft (from sensor plane) |
| Focus Control | Manual, 270° Rotation |
| Iris Control | Manual, 83° Rotation |
| Focus and Iris Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74in |
| Filter Thread | M86 / 86mm |
| Length | 121mm / 4.76in (PL) |
| Weight | 1.633kg / 3.60lb |
| Housing Material | Aluminum Alloy |
| Focus Scales | Imperial, Model DZO-SAP40IPL |
| Electronic Communication | No |
| Image Stabilization | No |
What is the DZOFilm Arles 40mm cine lens used for?
The DZOFilm Arles 40mm cine lens is a manual-focus prime designed for narrative films, commercials, music videos, and other professional cinema productions. Its T1.4 maximum aperture and natural 40mm perspective support available-light scenes and shallow depth-of-field compositions.
Does the Arles 40mm cover full-frame and VistaVision sensors?
The Arles 40mm covers a 46.5mm image circle intended for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions and recording modes should be checked to confirm full image coverage.
How close can the DZOFilm Arles 40mm focus?
The DZOFilm Arles 40mm has a minimum focusing distance of 0.4m, measured from the camera sensor plane. This allows relatively close subject framing while maintaining its 40mm field of view.
Can the Arles 40mm use a mount other than ARRI PL?
The Arles 40mm features an interchangeable mount design and this version is supplied with an ARRI PL mount. Compatible alternative mount hardware is available separately, subject to camera and conversion-system compatibility.
What filters and cine accessories fit the Arles 40mm?
The Arles 40mm has an 86mm front filter thread and a 95mm outside front diameter. Its 0.8 MOD focus and iris gears support compatible follow-focus systems and lens motors.
What is the difference between the Arles 40mm and NiSi Athena 40mm?
The Arles 40mm has a T1.4 maximum aperture, 46.5mm image circle, and 16-blade iris. The NiSi Athena 40mm uses a T1.9 maximum aperture, 46mm image circle, and 10-blade iris, with differences in housing size and handling characteristics.
Is Coremicro an authorized DZOFilm dealer?
Coremicro identifies itself as an authorized DZOFilm dealer based in Union City, California. Customers can contact Coremicro to confirm pricing, availability, manufacturer warranty terms, and compatibility before purchasing.
Ready to Add the Arles 40mm to Your Cinema Lens Kit?
Coremicro is an authorized DZOFilm dealer supplying professional cinema equipment for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL camera compatibility, lens accessories, pricing, and availability.
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Product: DZOFilm Arles 40mm T1.4 FF/VV Prime Cine Lens (ARRI PL) Specifications
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