Product Highlights
- 35mm prime with T1.4 aperture
- 46.5mm FF/VV image circle
- 16-blade iris for rounded bokeh
- ARRI PL mount, 270° focus
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DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- SKU:
- DZO-SAP35IPL
- MPN:
- SAP35IPL
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Description
Product Overview
The DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens combines a versatile wide-angle perspective with a fast T1.4 aperture and full-frame/VistaVision sensor coverage. Its 46.5mm image circle, 16-blade iris, and precision optical construction create natural colors, painterly bokeh, and smooth transitions between focused subjects and their backgrounds. Built for professional cinematography, this ARRI PL-mount prime features 270° manual focus rotation, standard 0.8 MOD gearing, and an aluminum-alloy housing. Classic cinema character with modern optical control.
The DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (DZO-SAP35IPL) is a manual-focus spherical cinema prime available from Coremicro, an authorized DZOFilm dealer based in Union City, California. The lens covers a 46.5mm image circle and features a T1.4 to T22 aperture range, 14 optical elements in 12 groups, and a 16-blade iris. Its ARRI PL mount, 95mm front diameter, 86mm filter thread, and 0.35m minimum focusing distance support professional cinema production. The lens includes a limited one-year manufacturer warranty, with registration extensions subject to eligibility. Contact Coremicro for current pricing and availability.
High-Resolution 35mm Full-Frame Optical Design
The Arles 35mm uses 14 optical elements arranged in 12 groups to balance fine image detail with a distinctive cinematic rendering. Its carefully engineered optical design produces natural color reproduction, controlled aberrations, and delicate transitions between highlight and shadow. The 35mm perspective offers a practical balance between environmental context and subject emphasis, making it suitable for narrative filmmaking, commercial shoots, and documentary production.
Floating Optics for Smooth Cinematic Focus Pulls
Floating optical elements help maintain image quality as the focus position changes from infinity toward the minimum focusing distance. The optical design also minimizes changes in image framing during focus transitions, giving focus pullers greater control over dramatic rack-focus shots. A close-focus distance of 0.35m, measured from the sensor plane, provides flexibility for intimate compositions and detailed subject coverage.
Multi-Layer Nano-Coating for Natural Cinema Color
Multi-layer nano-coating and internal anti-reflective treatments help reduce unwanted reflections, ghosting, and diffuse stray light. The specially calibrated blue coating supports neutral color reproduction while preserving the atmospheric highlight character associated with the Arles series. This gives cinematographers greater creative control when filming practical light sources, window-lit interiors, and high-contrast exterior scenes.
46.5mm VistaVision Coverage with ARRI PL Mount
The 46.5mm image circle supports full-frame and compatible VistaVision cinema camera formats. This version ships with an ARRI PL mount and belongs to a lens system designed for interchangeable mount configurations. Compatible alternative mounts and camera adapters expand production flexibility when used with the appropriate hardware. Always confirm sensor coverage, flange requirements, and camera clearance before changing mount configurations.
270-Degree Focus Throw and 0.8 MOD Cine Gearing
A durable aluminum-alloy housing incorporates a 270° manual focus rotation and an 80° iris rotation for precise adjustments on set. Standard 0.8 MOD gearing supports professional follow-focus systems and lens motors, while the 95mm front diameter works with compatible cinema matte boxes. Consistent mechanical characteristics across the Arles family help simplify lens changes during fast-moving productions.
Consistent Arles Lens Character Across Focal Lengths
The 35mm is part of the wider Arles prime family, engineered to maintain a consistent cinematic character when moving between focal lengths. Coordinated color reproduction, contrast, and bokeh characteristics help preserve visual continuity across narrative scenes and commercial productions. Matching front diameters and familiar cine controls make the series practical for multi-lens packages and professional camera departments.
T1.4 Low-Light Cinema Performance
The fast T1.4 maximum aperture supports available-light filmmaking and shallow depth-of-field compositions. It provides exposure flexibility for interior dialogue scenes, night exteriors, and low-light commercial work.
16-Blade Painterly Bokeh
The 16-blade iris produces rounded out-of-focus highlights and smooth subject-to-background transitions. At wider apertures, the Arles optical character delivers soft highlight rendering and atmospheric depth.
35mm Environmental Perspective
The moderately wide 35mm field of view balances subject presence with surrounding context. It works well for environmental portraits, dialogue coverage, documentary scenes, and handheld narrative filmmaking.
95mm Cinema Front Diameter
A 95mm front outside diameter and M86 filter thread accommodate compatible cinema accessories. The common front size across the Arles series helps reduce matte-box adjustments between lens changes.
Wide-Angle Character and Dialogue Scenes
The 35mm perspective keeps performers connected to their surroundings while allowing selective background separation at T1.4. It is suitable for dialogue coverage, tracking shots, and emotionally driven narrative compositions.
Lifestyle and Branded Content Cinematography
Use the natural color response and controlled optical rendering for commercials, lifestyle scenes, and branded storytelling. Standard cinema gearing supports repeatable focus movements with compatible production accessories.
Low-Light Location and Handheld Filming
The T1.4 aperture provides creative flexibility for practical-light interiors and nighttime locations. Its PL-mount cinema construction supports controlled manual operation in compatible handheld, shoulder-mounted, and studio rigs.
Cinematographers
A fast 35mm prime offering natural perspective, shallow depth of field, and precise manual focus operation.
Independent Filmmakers
Professional optical and mechanical performance for narrative films, music videos, and available-light shoots.
Commercial Production Teams
Controlled optical rendering and flexible composition for advertising, branded films, and lifestyle content.
Cinema Rental Houses
A versatile 35mm focal length with matched Arles mechanics for professional cinema lens packages.
DZOFilm Manufacturer Support
The Arles 35mm includes a limited one-year DZOFilm manufacturer warranty. An extension through product registration may be available, subject to applicable terms and regional eligibility. Coremicro can assist with questions about warranty coverage, compatible lens mounts, accessories, and product support.
| Specification | Detail |
|---|---|
| Manufacturer | DZOFilm |
| Product Series | Arles Prime |
| Manufacturer Part Number | DZO-SAP35IPL |
| Lens Type | Spherical Prime Cine Lens |
| Focal Length | 35mm |
| Lens Mount | ARRI PL, Interchangeable Mount Design |
| Format Coverage | Full-Frame / VistaVision |
| Image Circle | 46.5mm |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Optical Construction | 14 Elements in 12 Groups |
| Iris Blades | 16 |
| Minimum Focus Distance | 0.35m / 1.15ft (from sensor plane) |
| Focus Control | Manual, 270° Rotation |
| Iris Control | Manual, 80° Rotation |
| Focus and Iris Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74in |
| Filter Thread | M86 / 86mm |
| Length | 121mm / 4.76in (PL) |
| Weight | 1.65kg / 3.64lb |
| Housing Material | Aluminum Alloy |
| Focus Scales | Metric and Imperial |
| Angle of View (Full Frame) | 61.1° Horizontal / 34.23° Vertical / 67.15° Diagonal |
| Electronic Communication | No |
| Image Stabilization | No |
What is the DZOFilm Arles 35mm T1.4 used for?
The DZOFilm Arles 35mm cinema prime is designed for narrative filmmaking, commercials, music videos, and professional digital cinematography. Its T1.4 maximum aperture and moderately wide perspective support low-light filming and compositions that retain environmental context.
Does the Arles 35mm cover full-frame and VistaVision sensors?
The Arles 35mm provides a 46.5mm image circle intended for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions and recording modes should be checked to confirm complete coverage.
How close can the DZOFilm Arles 35mm focus?
The DZOFilm Arles 35mm has a minimum focusing distance of 0.35m, measured from the camera sensor plane. Its 270° manual focus rotation supports controlled focusing throughout the lens range.
Can the Arles 35mm use a mount other than ARRI PL?
The Arles 35mm belongs to an interchangeable-mount lens system and this version is supplied with an ARRI PL mount. Compatible alternative mounts require the appropriate conversion hardware and camera compatibility checks.
Does the Arles 35mm support professional follow-focus systems?
The Arles 35mm uses industry-standard 0.8 MOD gears for manual focus and iris control. It provides 270° focus rotation and 80° iris rotation for compatible follow-focus units and lens motors.
What is the difference between the Arles 35mm and NiSi Athena 35mm?
The Arles 35mm offers a T1.4 maximum aperture, 46.5mm image circle, and 16-blade iris. The NiSi Athena 35mm features a T1.9 maximum aperture, 46mm image circle, and 10-blade iris. The Arles has a 270° focus rotation, while the Athena provides 300°.
Is Coremicro an authorized DZOFilm dealer?
Coremicro is an authorized DZOFilm dealer based in Union City, California. Customers can contact Coremicro to confirm product availability, current pricing, manufacturer warranty coverage, and compatible cinema accessories.
Ready to Add the Arles 35mm to Your Cinema Lens Kit?
Coremicro is an authorized DZOFilm dealer supplying professional cinema lenses and accessories for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL mount compatibility, pricing, availability, and the right accessories for your camera system.
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DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL) Specifications
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