Product Highlights
- 18mm prime with T1.4 aperture
- 46.5mm FF/VV image circle
- 16-blade iris for rounded bokeh
- ARRI PL mount, 270° focus
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DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- SKU:
- DZO-SAP18IPL
- MPN:
- SAP18IPL
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Description
Product Overview
The DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens brings an expansive ultra-wide perspective to full-frame and VistaVision cinematography. Combining a fast T1.4 aperture, 46.5mm image circle, and advanced aspherical optics, this cinema prime offers detailed wide-angle imagery with the painterly rendering associated with the Arles series. Its 16-blade iris, ARRI PL mount, and professional 270° manual focus rotation give filmmakers creative and mechanical control. An ultra-wide cinema lens built for immersive visual storytelling.
The DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (DZO-SAP18IPL) is a manual-focus spherical cinema prime available from Coremicro, a DZOFilm dealer based in Union City, California. It features a T1.4 to T22 aperture range, a 46.5mm image circle, 15 optical elements in 13 groups, and a 16-blade iris. The lens has a 0.29m minimum focusing distance, 270° focus rotation, 76° iris rotation, 95mm front diameter, and ARRI PL mount. Unlike longer Arles primes, the 18mm has no front screw-in filter thread. Contact Coremicro to confirm current pricing, availability, and manufacturer support.
Advanced 18mm Aspherical Optical Design
The Arles 18mm uses 15 optical elements in 13 groups, including two large-diameter aspherical elements, to deliver detailed imagery across its expansive field of view. Specialized optical materials help control aberrations and unwanted color fringing while preserving the characteristic Arles rendering. This combination supports demanding wide-angle applications such as architectural interiors, establishing shots, large-scale environments, and cinematic camera movement.
Floating Optics with 0.29m Minimum Focus
The floating-element optical design helps control aberrations during focus transitions and minimizes distracting focus breathing. A minimum focus distance of just 0.29m, measured from the sensor plane, allows filmmakers to place foreground subjects close to the lens while retaining a broad view of the surrounding environment. This makes the 18mm especially useful for expressive foreground compositions, confined interiors, vehicle-mounted shots, and immersive moving-camera sequences.
Multi-Layer Nano-Coating for Cinematic Color
Advanced multi-layer coatings and internal anti-reflective treatments reduce unwanted stray light, ghosting, and diffuse reflections. The Arles series uses carefully calibrated coatings to maintain natural color reproduction while retaining its expressive highlight character. When practical lights, bright windows, or strong backlighting enter the wide field of view, cinematographers can balance optical clarity with atmospheric flare for a distinctive cinematic result.
46.5mm Image Circle with Interchangeable PL Mount
The 46.5mm image circle is designed for full-frame and compatible VistaVision digital cinema formats, providing wide-angle coverage for large-format filmmaking. This version ships with an ARRI PL mount, while the interchangeable-mount system supports additional compatible configurations using separately available conversion hardware. Camera operators should confirm flange requirements, rear clearance, and sensor coverage for their chosen camera body and recording mode.
270-Degree Focus Rotation and 0.8 MOD Gearing
A durable aluminum-alloy housing provides professional manual operation with a 270° focus rotation and 76° iris rotation. Standard 0.8 MOD gearing supports compatible follow-focus systems and lens motors, while the 95mm front outside diameter works with suitable matte boxes and filter trays. Because the 18mm has no front screw-in filter thread, filters should be mounted using compatible external accessories rather than threaded directly onto the lens.
Consistent Optical Character Across Cinema Focal Lengths
The 18mm expands the Arles prime family with an ultra-wide perspective while preserving the series' recognizable color, contrast, and bokeh character. Coordinated lens mechanics and shared cine gear standards help camera departments transition between wide, standard, and telephoto focal lengths. This visual and operational consistency makes the Arles series suitable for narrative films, commercial productions, and multi-camera cinema packages.
T1.4 Ultra-Wide Low-Light Performance
The T1.4 maximum aperture provides exposure flexibility for available-light filmmaking, including nighttime exteriors and practical-light interiors. It also enables selective depth-of-field effects despite the lens' expansive 18mm perspective.
16-Blade Painterly Cinema Bokeh
The 16-blade iris creates rounded out-of-focus highlights and gentle transitions between subjects and their surroundings. The Arles series' optical character adds atmosphere and dimensionality to wide-angle compositions.
18mm Ultra-Wide Cinema Perspective
The expansive 18mm field of view emphasizes spatial relationships and environmental scale. It is well suited for establishing shots, architectural interiors, confined locations, and dynamic moving-camera sequences.
95mm Front Diameter, No Filter Thread
The 95mm front outside diameter supports compatible cinema matte boxes and external filter systems. The 18mm has no front screw-in filter thread, so appropriate matte-box or filter-holder solutions are required.
Ultra-Wide Narrative and Establishing Shots
The expansive 18mm perspective captures location scale and environmental context for dramatic establishing shots. Its close-focusing capability also allows bold foreground compositions during tracking shots and character-driven scenes.
Architecture, Interiors, and Lifestyle Films
Capture spacious interiors, architectural details, and immersive commercial environments using the wide 18mm field of view. Controlled optical rendering and standard cinema gearing support carefully planned camera movements and focus transitions.
Low-Light and Immersive Camera Movement
The fast T1.4 aperture offers flexibility for nighttime locations and practical-light interiors. Its ultra-wide field of view suits handheld, stabilized, and vehicle-mounted shots when paired with compatible, properly supported cinema rigs.
Cinematographers
A fast ultra-wide cinema prime for expansive framing, expressive depth, and precise manual focus.
Independent Filmmakers
Professional wide-angle optics for narrative films, music videos, and available-light productions.
Commercial Production Teams
Wide coverage and controlled optical character for architecture, lifestyle advertising, and branded films.
Cinema Rental Houses
An 18mm addition to matched Arles prime packages with compatible professional cinema controls.
DZOFilm Manufacturer Support
The Arles 18mm is covered by a limited one-year DZOFilm manufacturer warranty. An extension through eligible product registration may be available, subject to manufacturer terms and regional requirements. Contact Coremicro for warranty information, ARRI PL mount compatibility, lens-support accessories, and product assistance.
| Specification | Detail |
|---|---|
| Manufacturer | DZOFilm |
| Product Series | Arles Prime |
| Manufacturer Part Number | DZO-SAP18IPL |
| Lens Type | Spherical Prime Cine Lens |
| Focal Length | 18mm |
| Lens Mount | ARRI PL, Interchangeable Mount Design |
| Format Coverage | Full-Frame / VistaVision |
| Image Circle | 46.5mm |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Optical Construction | 15 Elements in 13 Groups |
| Aspherical Elements | 2 |
| Iris Blades | 16 |
| Minimum Focus Distance | 0.29m / 11.4in (from sensor plane) |
| Focus Control | Manual, 270° Rotation |
| Iris Control | Manual, 76° Rotation |
| Focus and Iris Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74in |
| Front Filter Thread | None |
| Length | 121mm / 4.76in (PL) |
| Weight | Approximately 1.66kg / 3.66lb |
| Housing Material | Aluminum Alloy |
| Focus Scales | Metric and Imperial |
| Electronic Communication | No |
| Image Stabilization | No |
What is the DZOFilm Arles 18mm T1.4 used for?
The DZOFilm Arles 18mm T1.4 is an ultra-wide cinema prime designed for narrative films, architecture, commercials, and professional digital cinematography. Its fast aperture and expansive field of view are useful for establishing shots, immersive camera movement, and available-light filmmaking.
Does the Arles 18mm cover full-frame and VistaVision sensors?
The Arles 18mm has a 46.5mm image circle designed for full-frame and compatible VistaVision recording formats. Camera-specific sensor dimensions, lens mounts, and recording modes should be checked to confirm complete image coverage.
How close can the DZOFilm Arles 18mm focus?
The Arles 18mm has a minimum focusing distance of 0.29m, or approximately 11.4 inches, measured from the camera sensor plane. This close-focus capability supports dynamic foreground compositions and environmental storytelling.
Can the Arles 18mm use different lens mounts?
The Arles 18mm uses an interchangeable-mount system, and this version comes with an ARRI PL mount. Compatible alternative configurations require the appropriate mount hardware and verification of camera compatibility.
Does the Arles 18mm have a front filter thread?
The Arles 18mm does not have a front screw-in filter thread. Its 95mm front outside diameter can be used with compatible cinema matte boxes and external filter systems.
What is the difference between the Arles 18mm and Arles 21mm?
The Arles 18mm offers a wider perspective, a 0.29m minimum focus distance, and 15 optical elements in 13 groups. The Arles 21mm provides a slightly narrower field of view, a 0.33m minimum focus distance, and 14 optical elements in 12 groups. Both feature T1.4 maximum apertures and 46.5mm image circles.
Is Coremicro an authorized DZOFilm dealer?
Coremicro identifies itself as an authorized DZOFilm dealer and supplies professional cinema lenses and production accessories. Customers can contact Coremicro to confirm current pricing, availability, manufacturer warranty terms, and compatible accessories.
Ready to Add the Arles 18mm to Your Cinema Lens Kit?
Coremicro is an authorized DZOFilm dealer offering professional cinema lenses and accessories for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL camera compatibility, current pricing, availability, and appropriate matte-box or lens-support accessories for your production.
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DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL) Specifications
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