Product Highlights
- 14mm ultra-wide with T1.9 aperture
- 46.5mm FF/VV image circle
- 16-blade iris for cinematic bokeh
- ARRI PL mount, 270° focus
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DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens (ARRI PL)
- SKU:
- DZO-SAP14IPL
- MPN:
- SAP14IPL
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Description
Product Overview
The DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens delivers an expansive ultra-wide perspective for full-frame and VistaVision cinematography. Its fast T1.9 aperture, 46.5mm image circle, and 16-blade iris combine professional optical performance with the painterly rendering associated with the Arles series. Featuring a sophisticated 15-element optical design, ARRI PL mount, and 270° manual focus rotation, this cinema prime provides expressive framing and precise control for narrative filmmaking, architecture, and immersive visual storytelling.
The DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens (DZO-SAP14IPL) is a manual-focus spherical cinema prime available from Coremicro in Union City, California. Designed for full-frame and compatible VistaVision cameras, the lens features a T1.9 to T22 aperture range, 46.5mm image circle, 15 optical elements in 12 groups, and a 16-blade iris. It includes an ARRI PL mount, 95mm front diameter, 0.28m minimum focusing distance, and professional 0.8 MOD gearing. The lens has no front screw-in filter thread and weighs approximately 1.646kg. Contact Coremicro for pricing, availability, warranty terms, and compatible accessories.
15-Element Optical Design for Expansive Cinematic Images
The Arles 14mm uses 15 optical elements arranged in 12 groups to balance detailed image reproduction with the distinctive visual character of the Arles prime family. Its ultra-wide field of view captures sweeping environments, architectural spaces, and dynamic foreground compositions. Carefully engineered optics help control unwanted aberrations while preserving natural color, delicate tonal transitions, and a cinematic sense of depth across expansive frames.
Floating Optics with 0.28m Minimum Focus
The Arles series incorporates floating optical elements to help maintain image quality as focus changes from infinity to nearby subjects. This design minimizes distracting changes in framing during focus transitions. With a minimum focusing distance of 0.28m measured from the sensor plane, the 14mm prime enables dramatic foreground placement while retaining an expansive view of the surrounding scene. Its 270° focus throw supports deliberate, repeatable manual focusing.
Multi-Layer Nano-Coating for Painterly Cinema Color
Advanced multi-layer nano-coating and internal anti-reflective treatments help suppress stray light, ghosting, and unwanted reflections. The Arles series uses carefully calibrated optical coatings to maintain natural-looking colors while preserving atmospheric highlights. This is particularly useful for ultra-wide compositions, where practical lights, bright windows, and other high-contrast elements may occupy a significant part of the frame.
46.5mm VistaVision Coverage with Interchangeable PL Mount
The 46.5mm image circle supports full-frame and compatible VistaVision digital cinema formats. This version ships with an ARRI PL mount, while the interchangeable mounting system allows selected alternative configurations using compatible conversion hardware. The 14mm perspective provides immersive wide-angle framing for large-format productions. Camera operators should verify mount compatibility, rear clearance, and active sensor dimensions before selecting a recording mode or changing mounts.
270-Degree Focus Throw and Industry-Standard Cine Gearing
A durable aluminum-alloy housing incorporates a 270° focus rotation and professional 0.8 MOD focus and iris gearing. These mechanical controls work with compatible follow-focus systems and cinema lens motors. The 95mm front outside diameter accommodates suitable matte boxes and external filter solutions. Because this ultra-wide 14mm prime has no front screw-in filter thread, filters must be mounted using compatible external or approved rear-filtration accessories.
Consistent Arles Character from Ultra-Wide to Telephoto
The 14mm extends the Arles prime family into expansive ultra-wide cinematography while retaining the series' signature color, contrast, and bokeh character. Consistent cine gear standards and a common 95mm front diameter help simplify lens changes during multi-focal-length productions. From immersive establishing shots to intimate telephoto close-ups, the Arles family is designed to maintain a recognizable cinematic visual language across different scenes.
T1.9 Ultra-Wide Cinema Aperture
The T1.9 maximum aperture offers exposure flexibility for available-light filmmaking, including practical-light interiors and nighttime locations. Its wide field of view allows filmmakers to retain environmental context while creating selective depth-of-field effects with nearby subjects.
16-Blade Painterly Cinema Bokeh
The 16-blade iris supports rounded out-of-focus highlights and smooth transitions between focused subjects and defocused backgrounds. The Arles optical character combines natural color, gentle highlight rendering, and an atmospheric cinematic look.
14mm Immersive Ultra-Wide Perspective
The expansive focal length emphasizes spatial relationships and environmental scale. It is useful for establishing shots, architecture, confined interior locations, landscapes, and moving-camera sequences that place the viewer inside the scene.
95mm Front Diameter, No Filter Thread
The 95mm front outside diameter supports compatible cinema matte boxes and filter systems. The 14mm lens has no front screw-in filter thread, so appropriate external or compatible rear-mounted filtration must be used instead.
Immersive Ultra-Wide Narrative Shots
The 14mm focal length captures expansive environments and emphasizes the relationship between characters and their surroundings. Its close-focus capability supports dramatic foreground compositions, while the wide perspective works well for establishing shots and expressive moving-camera sequences.
Architecture and Interior Cinematography
Capture architectural spaces, expansive interiors, and environmental commercial scenes with a broad field of view. Professional cinema mechanics and controlled optical rendering make the lens suitable for carefully choreographed camera movements and location-based branded content.
Dynamic Camera Movement and Available Light
The T1.9 aperture helps filmmakers work in available light, while the ultra-wide perspective captures more of the environment during handheld and stabilized camera movements. Its PL-mount construction is suited to compatible professional cinema rigs with adequate lens support.
Cinematographers
An ultra-wide cinema prime for immersive framing, precise manual focus, and full-frame storytelling.
Independent Filmmakers
Professional optics and cinema mechanics for narrative films, music videos, and location production.
Commercial Production Teams
Wide-angle coverage for architecture, interiors, lifestyle campaigns, and branded visual storytelling.
Cinema Rental Houses
A 14mm addition to matched Arles prime packages for professional full-frame cinema productions.
DZOFilm Manufacturer Support
The Arles 14mm includes a limited one-year DZOFilm manufacturer warranty, subject to applicable terms and regional conditions. Eligible product registration may provide additional warranty coverage. Contact Coremicro for current warranty details, compatible lens mounts, matte-box accessories, filtration options, and product assistance.
| Specification | Detail |
|---|---|
| Manufacturer | DZOFilm |
| Product Series | Arles Prime |
| Manufacturer Part Number | DZO-SAP14IPL |
| Lens Type | Spherical Prime Cine Lens |
| Focal Length | 14mm |
| Lens Mount | ARRI PL, Interchangeable Mount Design |
| Format Coverage | Full-Frame / VistaVision |
| Image Circle | 46.5mm |
| Maximum Aperture | T1.9 |
| Minimum Aperture | T22 |
| Optical Construction | 15 Elements in 12 Groups |
| Iris Blades | 16 |
| Minimum Focus Distance | 0.28m / 11in (from sensor plane) |
| Focus Control | Manual, 270° Rotation |
| Iris Control | Manual, 65° Rotation (DZOFilm manual) |
| Focus and Iris Gear Pitch | 0.8 MOD |
| Front Diameter | 95mm / 3.74in |
| Front Filter Thread | None |
| Length | 121mm / 4.76in (PL) |
| Weight | Approximately 1.646kg / 3.63lb |
| Housing Material | Aluminum Alloy |
| Focus Scale | Imperial (Feet), DZO-SAP14IPL |
| Electronic Communication | No |
| Image Stabilization | No |
What is the DZOFilm Arles 14mm T1.9 used for?
The DZOFilm Arles 14mm T1.9 is an ultra-wide cinema prime designed for narrative filmmaking, architecture, commercials, and professional digital cinematography. Its expansive perspective is suitable for establishing shots, immersive camera movements, and interior compositions where environmental context is important.
Does the Arles 14mm cover full-frame and VistaVision sensors?
The Arles 14mm provides a 46.5mm image circle designed for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions, recording modes, and lens-mount requirements should be checked to confirm complete image coverage.
How close can the DZOFilm Arles 14mm focus?
The DZOFilm Arles 14mm has a minimum focusing distance of 0.28m, or approximately 11 inches, measured from the camera sensor plane. Its 270° manual focus rotation supports controlled focusing for wide-angle foreground compositions.
Can the Arles 14mm use different lens mounts?
The Arles 14mm features an interchangeable-mount design, and this version includes an ARRI PL mount. Compatible Canon EF and LPL mount configurations require the appropriate conversion hardware and camera compatibility checks.
Does the Arles 14mm have a front filter thread?
The Arles 14mm does not have a front screw-in filter thread. Its 95mm front outside diameter supports compatible cinema matte boxes, external filter holders, and suitable filtration accessories.
What is the difference between the Arles 14mm and NiSi Athena 14mm?
The Arles 14mm features a T1.9 maximum aperture, 46.5mm image circle, 16-blade iris, and 270° focus rotation. The NiSi Athena 14mm offers a T2.4 maximum aperture, 46mm image circle, 10-blade iris, and 300° focus rotation. Both are full-frame ultra-wide cinema primes without front screw-in filter threads.
What warranty and product support are available for the Arles 14mm?
DZOFilm provides a limited manufacturer warranty of at least one year for eligible lenses purchased through its official dealers, subject to regional terms. Coremicro can assist customers with product inquiries, pricing, availability, and information about compatible cinema accessories.
Ready to Add the Arles 14mm to Your Cinema Lens Kit?
Coremicro is an authorized professional video equipment reseller offering DZOFilm cinema lenses and production accessories. Contact our team to confirm ARRI PL mount compatibility, current pricing, availability, and the right matte-box or filtration setup for your ultra-wide cinema production.
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DZOFilm Arles 14mm T1.9 FF/VV Prime Cine Lens (ARRI PL) Specifications
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