Product Highlights
- 24mm Wide-Angle Macro Prime
- 0.8x Macro Magnification
- Full-Frame and VistaVision Coverage
- LPL, PL, and EF Mounts
DZOFilm 24mm T2.8 Gnosis Macro Prime Lens LPL PL EF Feet
- SKU:
- DZO-G2428LPLI
- MPN:
- G2428LPLI
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Description
Product Overview
The DZOFilm 24mm T2.8 Gnosis Macro Prime Lens combines wide-angle perspective with close-focus macro imaging for commercial, tabletop, product, and cinema production. It reaches 0.8x magnification at a 6.1-inch minimum focus distance while keeping more of the surrounding environment visible than a longer macro prime. The lens covers full-frame and VistaVision formats, uses a T2.8 maximum aperture, and ships in an ARRI LPL configuration with ARRI PL and Canon EF mounts also included.
24mm Wide-Angle Macro Prime
Combines a broad 24mm perspective with macro close-focus capability for immersive foreground detail.
0.8x Magnification at 6.1 Inches
Reaches up to 0.8x magnification at a 6.1-inch minimum focus distance for detailed close-up imaging.
Full-Frame and VistaVision Coverage
Provides an 83.8° full-frame field of view and an 88° field of view in VistaVision format.
LPL, PL, and EF Mount Options
Ships with ARRI LPL mounting and includes ARRI PL and Canon EF mounts for compatible camera systems.
T2.8 Aperture with 16-Blade Iris
A T2.8 maximum aperture and 16-blade iris support controlled exposure and smooth bokeh.
300° Cine Focus Rotation
Long focus rotation, 0.8 MOD gearing, and feet-based focus marks support measured manual focus operation.
Bring More of the Environment into Macro Close-Ups
The Gnosis 24mm combines close-focus macro imaging with a wider field of view. At up to 0.8x magnification, a foreground subject can fill the frame while more of the surrounding environment remains visible behind it.
The lens focuses as close as 6.1 inches and covers both full-frame and VistaVision formats. It provides an 83.8° field of view on full-frame and an 88° field of view in VistaVision, supporting immersive close-ups with a strong sense of depth.
Combine Fine Foreground Detail with a Wider Background
A 24mm focal length includes more background than a conventional longer macro prime. This makes the lens useful when the relationship between a close subject and its surroundings is part of the composition.
Maximum magnification reaches 0.8x, equivalent to a 1:1.25 reproduction ratio. Product, tabletop, commercial, and narrative crews can capture detailed foreground subjects without losing the spatial character of a wide cinema lens.
Move Between ARRI LPL, PL, and Canon EF Camera Systems
The 24mm Gnosis is supplied in an ARRI LPL configuration and also includes ARRI PL and Canon EF mounts. This gives camera departments multiple physical mounting options for compatible cine-style systems.
The lens also provides a 3/8'-16 mounting point for additional physical support when it is installed in a larger cinema camera rig. Focus scales on this version are calibrated in feet for crews working with imperial distance measurements.
T2.8 Optics with Low-Dispersion and HRI Glass
The optical construction uses 12 elements arranged in 10 groups, including two low-dispersion elements and three high-refractive-index elements. The design helps control chromatic aberration while retaining natural color and tonal gradation.
The aperture runs from T2.8 to T22 and uses a 16-blade iris for smooth bokeh and controlled exposure. Standard 0.8 MOD gearing, a 300° focus rotation, and a 62° iris rotation provide familiar mechanical control for professional cine workflows.
Capture Fine Detail with Environmental Context
The 0.8x macro capability brings small product details forward, while the 24mm field of view keeps more of the surrounding set visible than a longer macro prime.
Work Close to Small Subjects
A 6.1-inch minimum focus distance supports detailed tabletop close-ups while the wide perspective preserves background information and spatial depth.
Combine Macro Detail with Wide Composition
Commercial crews can use the Gnosis 24mm for product inserts, textured detail shots, and close compositions where the subject still needs to remain connected to its environment.
Build Immersive Large-Format Macro Shots
Full-frame and VistaVision coverage gives filmmakers a broad macro perspective for foreground details, inserts, and stylized close-ups that retain more of the surrounding scene.
Cinematographers
Shooters who need a wide-angle macro perspective for full-frame and VistaVision cinema production.
Product Shooters
Crews capturing close product details while retaining more of the surrounding set in frame.
Tabletop Crews
Operators working close to small subjects with 0.8x macro magnification and a 6.1-inch minimum focus distance.
Camera Assistants
Camera teams working with 300° focus rotation, 0.8 MOD gearing, and imperial focus marks in feet.
Large-Format Camera Crews
Productions using full-frame or VistaVision cameras that need macro imaging with a wide field of view.
Multi-Camera Productions
Teams that benefit from ARRI LPL, ARRI PL, and Canon EF mount options across compatible camera systems.
DZOFilm Support
The Gnosis 24mm ships in an ARRI LPL configuration with ARRI PL and Canon EF mounts also included. Coremicro can help confirm mount configuration, camera compatibility, lens support requirements, and compatible cine lens-control hardware for a specific production setup.
| Specification | Detail |
|---|---|
| Product Name | DZOFilm 24mm T2.8 Gnosis Macro Prime Lens |
| Model | DZO-G2428LPLI |
| Focal Length | 24mm |
| Maximum Aperture | T2.8 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI LPL |
| Included Additional Mounts | ARRI PL · Canon EF |
| Interchangeable Mount | Yes |
| Lens Format Coverage | Full-Frame / VistaVision |
| Image Circle | 46.5mm |
| Full-Frame Angle of View | 83.8° Horizontal |
| VistaVision Field of View | 88° |
| Minimum Focus Distance | 6.1 in / 15.5 cm from Camera Sensor |
| Macro Reproduction Ratio | 1:1.25 |
| Maximum Magnification | 0.8x |
| Optical Design | 12 Elements in 10 Groups |
| Low-Dispersion Elements | 2 |
| High-Refractive-Index Elements | 3 |
| Aperture / Iris Blades | 16 |
| Filter Thread | 105mm |
| Focus Scale | Imperial / Feet |
| Gear Standard | 0.8 MOD |
| Focus Rotation | 300° |
| Iris Rotation | 62° |
| Image Stabilization | No |
| Electronic Communication | No |
| Lens Mounting | 1 x 3/8"-16 |
| Front Diameter | 114mm / 4.5 in |
| Length | 100mm / 3.9 in |
| Weight | 1.26 kg (2.78 lb) |
| Package Weight | 5.35 kg (11.795 lb) |
| Box Dimensions | 18 x 16.5 x 10.4 in |
| In the Box | DZOFilm 24mm T2.8 Gnosis Macro Prime Lens · ARRI PL Mount · Canon EF Mount · Mounting Hardware · Hard Case |
| Manufacturer Warranty | Limited 1-Year Manufacturer Warranty |
What makes the DZOFilm Gnosis 24mm different from a longer macro lens?
The Gnosis 24mm combines macro close-focus capability with a wide-angle perspective. A close subject can fill the foreground while more of the surrounding environment remains visible in the composition.
How much macro magnification does the Gnosis 24mm provide?
The lens reaches 0.8x magnification, equivalent to a 1:1.25 reproduction ratio, at a minimum focus distance of 6.1 inches from the camera sensor.
Does the Gnosis 24mm cover full-frame and VistaVision?
Yes. The lens has a 46.5mm image circle and covers full-frame and VistaVision formats. It provides an 83.8° horizontal field of view on full-frame and an 88° field of view in VistaVision.
Which lens mounts are included with the Gnosis 24mm?
The lens is supplied in an ARRI LPL configuration and includes ARRI PL and Canon EF mounts for compatible camera systems.
What aperture range does the Gnosis 24mm use?
The lens has a T2.8 maximum aperture and closes down to T22. A 16-blade iris supports smooth bokeh and controlled exposure.
Does the Gnosis 24mm use standard cine gearing?
Yes. The lens uses standard 0.8 MOD gearing with a 300° focus rotation and 62° iris rotation for manual cine-style operation.
What optical construction does the Gnosis 24mm use?
The optical design uses 12 elements in 10 groups, including two low-dispersion elements and three high-refractive-index elements.
Are the focus marks on this Gnosis 24mm in feet?
Yes. This DZO-G2428LPLI version uses an imperial focus scale with distance markings in feet.
What comes with the DZOFilm Gnosis 24mm?
The package includes the 24mm T2.8 Gnosis Macro Prime Lens, ARRI PL mount, Canon EF mount, mounting hardware, and hard case.
Need the Right Gnosis Macro Setup for Your Production?
Coremicro is an authorized DZOFilm dealer supporting professional cinematography, commercial, tabletop, product, and narrative production workflows. Contact our team to confirm lens mount configuration, camera compatibility, and support hardware for your cinema rig.
Talk to a SpecialistSpecifications
DZOFilm 24mm T2.8 Gnosis Macro Prime Lens LPL PL EF Feet Specifications
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Included on DZOFilm 24mm T2.8 Gnosis Macro Prime Lens LPL PL EF Feet
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