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Product Overview
Blackmagic URSA Cine Immersive 100G
Dual 8K×8K RGBW Sensors
Larger photo-sites than the previous generation. RGBW architecture delivers equal R, G, B color data — incredible color super sampling per eye.
16 Stops Dynamic Range
Unmatched in any conventional broadcast camera. Arena spotlights, dark crowds, dramatic backlighting — every stop is preserved.
100G Ethernet — Native SMPTE-2110
Camera data rate under 50 Gb/s. Two cameras share one 100G connection. Purpose-built IP interface — not an adapter.
180° Field of View
Custom stereoscopic 3D lens system matched precisely to the dual RGBW sensor array. Spatial audio capture included.
Live DaVinci Color Corrector
Built-in primary color corrector with dedicated SMPTE-2110 3D LUT processor — independent from monitoring and record paths.
Generation 6 Color Science
DaVinci Wide Gamut film curve. 3D LUT pipeline for film, extended video, and video gamuts. Rec. 709, 2020, and PQ supported.
Capture — Dual 8K×8K RGBW at 90fps
Both sensors capture simultaneously. Single Blackmagic RAW stereo file or live ProRes stream. 16 stops of dynamic range retained throughout.
Encode — URSA Cine Live Encoder module
Real-time hardware ProRes encoding of the stereo, high-frame-rate dual-sensor stream. Outputs SMPTE-2110-22 IP video. Eliminates external compression hardware in your OB truck.
Transport — 100G Ethernet / SMPTE-2110
Under 50 Gb/s per camera. Two cameras on a single 100G fiber run. Full IP infrastructure compatibility — no SDI routing required.
Grade — Live DaVinci color corrector
Apply primary corrections and 3D LUTs to the SMPTE-2110 output path independently. Rec. 709, 2020, or PQ — your choice per output.
Deliver — Apple Immersive Video on Apple Vision Pro
180° stereoscopic 3D with spatial audio. Viewers transported to the middle of the action, live.
| Sensor type | Dual RGBW (Red, Green, Blue, White) |
| Resolution per eye | 8,000 × 8,000 pixels (stereoscopic 3D) |
| Dynamic range | 16 stops |
| Maximum frame rate | 90 fps at 8K × 8K stereo |
| Field of view | 180 degrees (stereoscopic) |
| Lens system | Custom fixed stereoscopic 3D lens |
| Live output protocol | SMPTE-2110-22 over 100G Ethernet |
| Camera data rate | Under 50 Gb/s (2× cameras per 100G link) |
| Recording format | Blackmagic RAW (single stereo file) / Apple ProRes via Live Encoder |
| Color science | Blackmagic Generation 6, DaVinci Wide Gamut film curve |
| Output color spaces | Rec. 709, Rec. 2020, PQ (HDR10) |
| 3D LUT processors | Dual — independent SMPTE-2110 + monitoring paths |
| Live color corrector | DaVinci Resolve primary color corrector (built-in) |
| Audio | Spatial audio capture |
| Networking | 100G Ethernet, 10G Ethernet, Wi-Fi, 4G/5G via USB-C |
| Included storage | Blackmagic Media Module 8TB |
| Included software | DaVinci Resolve Studio |
| Companion module | Blackmagic URSA Cine Live Encoder (sold separately, 2026) |
| Availability | Q3 2026 |
| Price | $29,145 |
Spectrum Front Row — NBA Lakers (Live) — Live Apple Immersive Video capture during the 2025–2026 season. Available on demand via Spectrum SportsNet and NBA apps on Apple Vision Pro.
MotoGP: Tour De Force — High-speed motorsport immersive production on the URSA Cine Immersive platform.
Debut at the BBC Proms — Immersive live concert capture at one of the world's most prestigious classical music events.
Real Madrid Documentary — Upcoming immersive sports documentary production.
NASA Artemis II Launch — Immersive capture of one of the most significant space missions in recent history.
Blackmagic URSA Cine Immersive 100G
Available Q3 2026 · US$29,145 · DaVinci Resolve Studio included
Specifications
Blackmagic URSA Cine Immersive 100G Specifications
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Included on Blackmagic URSA Cine Immersive 100G

















