Blackmagic Design URSA Cine 12K LF 100G cinema camera with large lens mount and professional controls in a studio setting.

Blackmagic Design URSA Cine 12K LF cinema camera rear view, showcasing the camera body and connectivity ports.

Blackmagic Design URSA Cine 12K LF cinema camera with large lens mount and professional controls, black body with branding visible.

Product Highlights

Full-Frame 12K Sensor With 16 Stops Of Cinematic Dynamic Range
100G Ethernet For SMPTE-2110 Live Output Up To 440fps
Generation 6 Color Science With Advanced 3D LUT Workflow
Hybrid Cinema And Live Production Camera In One Platform
Built-In Streaming, RAW Recording, And DaVinci Color Control

Blackmagic URSA Cine 12K LF 100G

SKU:: CINEURSAAB12KLFB1
MPN:: CINEURSAAB12KLFABDY1

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Description

Product Overview

Digital Film Camera

Blackmagic URSA Cine12K LF 100G Live Cinema.

The world's first large-format digital film camera with 100G Ethernet live production output. Shoot 12K RAW on set, then switch instantly to SMPTE-2110 broadcast mode delivering up to 440fps slow-motion — all in the same body, with no compromises on image quality.

Resolution

12K

Large format RGBW
36×24mm sensor

Dynamic range

16

Stops — beyond any traditional broadcast camera

Max live fps

440

SMPTE-2110 output via 100G Ethernet

Live quality

4K

Up to 2160p60 cinematic broadcast output

Overview

Broadcast reimagined

Traditional broadcast cameras have always made compromises — narrow dynamic range, limited slow-motion, and colour science that can't match what cinematographers achieve on a film set. The URSA Cine 12K LF 100G changes that entirely.

Select SMPTE-2110 Live mode from the menu and the camera instantly transforms into a live studio powerhouse. Real-time IP video streams directly from the 100G Ethernet port — at 2160p60 with the cinematic latitude that broadcast has never been able to deliver.

For live sports, the 100G model pushes output to 440fps, making slow-motion replays look genuinely extraordinary. No other broadcast camera comes close.

Key features

Generation 6 Color Science

Redesigned 3D LUT pipeline with dual processors. Load your own LUTs for film, video, and live SMPTE-2110 output simultaneously.

Live DaVinci color corrector

Full primary color correction based on DaVinci Resolve — lift, gamma, gain across Y, R, G, B channels. Live. On air.

7" studio viewfinder

Large bright touchscreen with brightness, contrast, and focus peaking controls. Powers from the camera's front USB-C port.

B4 broadcast lens mount

Optional B4 mount for electronically controlled broadcast lenses. Center-crop mode enables Ultra HD at high frame rates.

Blackmagic RAW recording

Up to 80fps at 12K, 144fps at 8K, 240fps at 4K. Real-time editing with no transcoding. DaVinci Resolve Studio included.

100G Ethernet + Wi-Fi + LTE

Built-in RTMP and SRT live streaming. Multi-network redundancy for mission-critical broadcast scenarios.

Built-in ND filters

Shoot across varying lighting conditions without external ND gear — essential for documentary and live event work.

OLPF for clean images

High performance optical low-pass filter reduces moiré and aliasing — critical when shooting fine patterns in broadcast environments.

Blackmagic Media Dock

Mount up to three Media Modules simultaneously. The Media Dock Ultra adds dual 100G Ethernet for high-volume post pipelines.

Production types

01

Live sports

Cinematic replays at 440fps

Slow-motion broadcast at frame rates no traditional camera can match — delivered live over 100G IP infrastructure. The replay sequence finally looks as good as the feature film.

02

Studio & drama

Scripted quality, broadcast speed

16 stops of dynamic range and Gen 6 color in a live IP workflow. Produce talk shows, news, and scripted content with a look that once required weeks of grading.

03

Digital film

12K large format origination

Shoot Blackmagic RAW on set. Color grade in DaVinci Resolve Studio (included). Deliver to any theatrical, streaming, or broadcast format from a single camera system.

"

It's live cine and we think it's going to be a revolution in image quality for broadcast.

Grant Petty — CEO, Blackmagic Design

Technical

Specifications

Full technical details for the Blackmagic URSA Cine 12K LF 100G. Additional lens mount options (PL, locking EF, LPL) are available separately.

Sensor	Large format RGBW, 36×24mm with OLPF
Resolution	12K up to 80fps · 8K up to 144fps · 4K up to 240fps
Dynamic range	16 stops
Live output	SMPTE-2110 via 100G Ethernet up to 2160p60 / 440fps
Color science	Generation 6 with dual 3D LUT processors + dedicated SMPTE-2110 LUT
Color corrector	Built-in Live DaVinci primary corrector
Lens mounts	PL, locking EF, LPL, B4 broadcast (all optional)
ND filters	Built-in
Connectivity	100G Ethernet · Wi-Fi · Mobile data · RTMP · SRT
Viewfinder	Optional 7" touchscreen studio viewfinder
Recording	Blackmagic RAW — compatible with Blackmagic Media Dock
Software	DaVinci Resolve Studio included
Languages	Localized for 13 languages
Availability	Q3 2026 via authorised resellers worldwide

Blackmagic URSA Cine 12K LF 100G camera with PL lens mount
Blackmagic Media Module 8TB
Blackmagic URSA Cine Handle and bolts
Blackmagic URSA Cine Top Rod Mount
Blackmagic URSA Cine Baseplate 19
Blackmagic URSA Cine Battery Plate B Mount
Blackmagic URSA Cine Rubber Caps for connectors
Blackmagic URSA Cine WiFi Antennas
Blackmagic URSA Cine Mount EF and mount screws
Blackmagic URSA Cine 24V 250W power supply
Blackmagic EF Body Cap
Blackmagic PL Body Cap
Plastic folding screen hood for 5” LCD
DaVinci Resolve Studio with activation key
Welcome wallet with QR code for software download
Blackmagic Sticker
Pelican 1510 Case with custom foam

Camera Features
Lens Mount	EF-Mount and PL-Mount
Image Sensor	35.64mm x 23.32mm (Large Format)
ND Filter	Built-in ND Filters Button-activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
Capture Type	Video
Codec	Codecs Blackmagic RAW Constant Bitrate 3:1 Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Bitrate 18:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q1 Blackmagic RAW Constant Quality Q3 Blackmagic RAW Constant Quality Q5 H.264 Proxy in 1920 x 1080, 8-bit 4:2:0 Blackmagic IP10
Exposure Control
Dynamic Range	16 Stops
Interface
Video Format	HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 SMPTE Compliance SMPTE 2110‑20, SMPTE 2110‑21, SMPTE 2110‑30, SMPTE 2110‑40, SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1 SDI Audio Sampling 48 kHz and 24 bit IP Video Compliance SMPTE 2110-20 (Uncompressed Video) IGMP v2 SMPTE 2110-21 (Traffic Shaping) Sender: Narrow Receiver: Narrow, Wide Synchronous, Asynchronous SMPTE 2110-30 (PCM) Audio Conformance level: Level C SMPTE 2110-40 (Ancillary Data) Full access to entire SMPTE ancillary data stream. Includes RP 188/SMPTE 12M-2, closed captioning and HDR static metadata. Codec Blackmagic IP10 codec optional for 2160p59.94 and 2160p60 as 2110 IP video. Precision Time Protocol IEEE 1588-2008 (PTP v2) ST 2059-1 ST 2059-2 NMOS IS-04 Discovery and Registration v1.3.2 Peer-to-peer via mDNS/DNS-SD NMOS IS-05 Connection Management v1.1.2 NMOS BCP-002-01 Natural Grouping NMOS BCP-004-01 Receiver capabilities
Video Input	2110 IP Video Inputs 1 x 100G QSFP28 connection. Reference Inputs Tri-Sync/Black Burst and Timecode. PTP clock and timecode over 2110 IP network.
Audio Input	2 x XLR analog switchable between mic, line and AES audio. Phantom power support. 1 x 3.5mm headset jack
Video Output	2x SDI Outputs SDI Rates: 1.5G, 3G, 6G, 12G. 2110 IP Video Outputs 1 x 100G QSFP28 connection.
Audio Output	1 x 3.5mm headset jack
Connectivity	Network Management NTP Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice. FTP Download files from any drive attached to your camera using FTP. Web Media Manager Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera. SMB File sharing using SMB
Computer Interface	2 x USB-C side expansion ports for camera accessories. Software updates using side USB‑C closer to rear.
IP Streaming	Direct Streaming Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
Storage	Storage Type 1 x Blackmagic Media Module 8TB Storage Rates Storage rates based on 24 frames per second. 12K - 12,288 x 8040 Blackmagic RAW 3:1 - 1,194 MB/s Blackmagic RAW 8:1 - 448 MB/s Blackmagic RAW 12:1 - 299 MB/s Blackmagic RAW 18:1 - 199 MB/s Blackmagic RAW Q0 - 398 to 1,433 MB/s Blackmagic RAW Q1 - 326 to 796 MB/s Blackmagic RAW Q3 - 179 to 448 MB/s Blackmagic RAW Q5 - 120 to 358 MB/s 9K - 17,520 x 8,040 Blackmagic RAW 3:1 - 714 MB/s Blackmagic RAW 8:1 - 268 MB/s Blackmagic RAW 12:1 - 179 MB/s Blackmagic RAW 18:1 - 119 MB/s Blackmagic RAW Q0 - 238 to 857 MB/s Blackmagic RAW Q1 - 195 to 476 MB/s Blackmagic RAW Q3 - 107 to 268 MB/s Blackmagic RAW Q5 - 72 to 214 MB/s 8K - 8192 x 5360 Blackmagic RAW 3:1 - 533 MB/s Blackmagic RAW 5:1 - 320 MB/s Blackmagic RAW 8:1 - 200 MB/s Blackmagic RAW 12:1 - 133 MB/s Blackmagic RAW Q0 - 320 to 639 MB/s Blackmagic RAW Q1 - 228 to 533 MB/s Blackmagic RAW Q3 - 133 to 400 MB/s Blackmagic RAW Q5 - 100 to 266 MB/s 4K - 4096 x 2680 Blackmagic RAW 3:1 - 135 MB/s Blackmagic RAW 4:1 - 101 MB/s Blackmagic RAW 5:1 - 81 MB/s Blackmagic RAW 6:1 - 68 MB/s Blackmagic RAW Q0 - 202 to 336 MB/s Blackmagic RAW Q1 - 135 to 311 MB/s Blackmagic RAW Q3 - 101 to 238 MB/s Blackmagic RAW Q5 - 81 to 202 MB/s Recording Formats Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions: [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions: [9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to: [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to: [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at: [4608 x 2592] sensor centre crop format suitable for Blackmagic URSA Cine Mount B4 with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Constant Quality Rates for 17K and 12K are: Q0 9:1 - 2.5:1, Q1 11:1 - 4.5:1, Q3 20:1 - 8:1, Q5 30:1 - 10:1 Constant Quality Rates for 8K are: Q0 5:1 ‑ 2.5:1, Q1 7:1 ‑ 3:1, Q3 12:1 ‑ 4:1, Q5 16:1 ‑ 6:1 Constant Quality Rates for 4K are: Q0 2:1 ‑ 1.2:1, Q1 3:1 ‑ 1.3:1, Q3 4:1 ‑ 1.7:
Focus
Focus Control	Focus button turns on peaking, auto focus available using compatible lenses.
Monitor
Display Size	5"
Resolution	1920x1080
Screen Brightness	Monitoring Screen Brightness: 1500 nits.
Power I/O
Power	Power Supply +24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket. B-Mount battery plate. Power Input 1 x 8‑pin Lemo compatible socket for external power or battery use. Molex connector for rear battery plate. Power Output 1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply. 1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply. B-Mount battery plate including 2-pin connector with +12V regulated output from camera.
General Specs
Additional Specs	External Control Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
OS Compatibility	Mac OS and Windows
Physical and Environmental Specifications
Environmental Specs	Operating Temperature 0° to 40°C (32° to 104°F) Storage Temperature -20° to 45°C (-4° to 113°F) Relative Humidity 0% to 90% non-condensing
Dimension	Dimensions: 11 × 6 × 6 in (279.4 × 152.4 × 152.4 mm) Weight: 8.72 lb (3.95 kg)
Warranty
Warranty	1 Year Limited Manufacturer’s Warranty.

Blackmagic URSA Cine 12K LF 100G

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Description

Product Overview

Blackmagic URSA Cine12K LF 100G Live Cinema.

Broadcast reimagined

Specifications

Specifications

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