The Blackmagic Pocket Cinema Camera (BMPCC) series produces exceptional image quality, so lens selection is critical in achieving the most cinematic look possible. The BMPCC 4K uses a Micro Four Thirds (MFT) mount, whereas the BMPCC 6K, 6K Pro, and 6K G2 use a Canon EF mount, resulting in different lens options for each.

Best Lenses for Blackmagic Pocket Cinema Camera 4K and 6K Series

The Blackmagic Pocket Cinema Camera (BMPCC) series is known for its outstanding image quality and cinematic performance. The BMPCC 4K features a Micro Four Thirds (MFT) mount, while the BMPCC 6K, 6K Pro, and 6K G2 use a Canon EF mount. Each supports a different lens ecosystem tailored to specific production needs.

Best Lenses for BMPCC 4K (Micro Four Thirds Mount)

Use native MFT lenses or pair full-frame lenses with a Metabones Speed Booster to enhance low-light performance and depth of field.

Wide-Angle Zooms & Primes

• Panasonic Leica DG Vario-Elmarit 8–18mm f/2.8–4.0 – Fast ultra-wide zoom with minimal distortion
• Olympus M.Zuiko Digital ED 12–40mm f/2.8 PRO II – Constant-aperture zoom with excellent sharpness
• Laowa 7.5mm f/2 MFT – Ultra-wide manual lens for landscape and gimbal shots

Standard & Portrait Primes

• Panasonic Leica DG Nocticron 42.5mm f/1.2 – Premium portrait lens with image stabilization
• Panasonic Lumix G 25mm f/1.7 ASPH – Lightweight, budget-friendly, great for interviews
• Sigma 19mm f/2.8 EX DN – Compact wide-angle prime, ideal for handheld shooting

Cine & Manual Focus Primes

• Rokinon/Samyang Cine DS Series – Affordable geared cine primes with consistent rendering
• SLR Magic MicroPrimes – Solid manual focus cine lenses with T-stops

Best Lenses for BMPCC 6K, 6K Pro, and 6K G2 (Canon EF Mount)

These Super 35 cameras accept Canon EF-mount lenses without adapters. Ideal for EF or APS-C lenses with cinematic characteristics.

Wide-Angle Zooms

• Sigma 14–24mm f/2.8 DG HSM Art – Ultra-wide, sharp zoom for immersive visuals
• Canon EF 16–35mm f/2.8L III USM – Low-distortion and weather-sealed wide zoom

Standard & Portrait Primes

• Sigma 50mm f/1.4 Art – Razor sharp with creamy background separation
• Canon EF 50mm f/1.2L USM – Iconic L-series lens with ultra-shallow depth of field
• Sigma 35mm f/1.2 DG DN Art – Fast, cinematic prime with modern optical design

Zoom Lenses

• Sigma 24–70mm f/2.8 DG DN Art – All-purpose zoom with excellent clarity
• Canon EF 24–70mm f/2.8L II USM – Industry-standard mid-range zoom
• Tamron 28–75mm f/2.8 Di VC – Lightweight and stabilized zoom at a great value

Cine Lenses

• DZOFilm Pictor 20–55mm T2.8 – Parfocal cine zoom optimized for Super 35 sensors
• Canon CN-E 35mm T1.5 L F – Premium cine lens with Canon color science
• Rokinon Xeen 24mm T1.5 – Affordable manual cine lens with filmic character

Summary Table

Final Recommendations

• Hybrid shooters: Olympus and Panasonic zooms offer stabilization and fast glass
• Cinematic look: Sigma Art and Canon L-series lenses deliver superior optics and character
• Budget filmmakers: Meike, SLR Magic, and Rokinon cine primes give excellent value
• Vintage users: Classic Zeiss or Takumar lenses provide organic bokeh and manual control (via adapter)