Broadcast Live Production

Record every camera.
Miss nothing. Ever.

The HyperDeck ISO Recorder 100G captures all 8 cameras simultaneously — in broadcast-quality ProRes — straight to network storage. One box. One connection. Complete coverage of your entire show.

$5,495

simultaneous camera inputs

100G

Ethernet, redundant dual-port

8×

more powerful than HyperDeck Studio 4K

13 GB/s

sustained data transfer speed

ProRes

HQ, 422, and LT recording formats

Overview

Designed from the ground up for live production

Think about everything that happens during a live broadcast. Eight cameras rolling at once. A director cutting on the fly. No time for mistakes, and no second chances. Now imagine being able to hit record on all of them simultaneously — capturing every angle in pristine ProRes — while editors on the same network are already pulling clips for replay. That is exactly what the HyperDeck ISO Recorder 100G was built to do.

It is not just an incremental upgrade. The processing architecture is entirely new — eight times more powerful than a HyperDeck Studio 4K — because handling eight simultaneous Ultra HD ProRes streams demands it. From live sports to concert broadcasts to multi-camera news production, this is the recorder that keeps pace with the pace of live.

8-Camera ISO Recording

Every camera gets its own isolated recording. Recut the show any way you want in post — or pull clips for instant replay before the broadcast even ends.

Direct-to-Network Storage

Files land straight on shared NAS over 100G Ethernet. Multiple editors can open and work on the same media — while it is still being recorded.

Live Action Replay

Pair it with DaVinci Resolve and you have a full replay system. Select your angle in the multi-view, hit On Air, and the replay runs. Clean, fast, no extra hardware.

Full Redundancy

Dual 100G ports for video, dual 100G ports for storage, redundant PSUs, redundant cooling fans. If one path fails, the other keeps you on air. No exceptions.

RS-422 Deck Control

Legacy automation systems speak RS-422. So does this. Drop it into existing broadcast infrastructure without rewiring a thing. It even loops out to control other decks.

SMPTE-2110 Native

Built for the IP video era. A single 100G Ethernet cable carries all 8 video channels. Add SDI via the Blackmagic SDI Expander 8x12G whenever you need it.

HyperDeck ISO Recorder 100G product detail

Design

A broadcast deck that feels like one

There is a reason traditional broadcast decks have barely changed their control layout in 40 years — the design works. Blackmagic kept what works and rebuilt everything underneath it. The machined metal search dial has real mass and a soft rubber surface with an active electronic clutch. The transport buttons have a firm, tactile feel. The LCD supports both light and dark mode. Front-panel USB-C means firmware updates take minutes, not days.

Air flows front-to-back, keeping the controls clean and accessible while the thermals stay under control — even in a packed rack. A headphone jack and built-in speaker round out the front panel. This is a machine that was thought through, not just spec'd out.

HyperDeck ISO Recorder 100G RS-422 rear panel connections

Integration

It speaks every language your facility already uses

RS-422 has been the backbone of broadcast automation since the early 1980s — and it is going nowhere. The HyperDeck ISO Recorder 100G carries full RS-422 serial deck control, so every automation system your facility has invested in still works, right out of the box. No adapters, no middleware, no compromises.

It supports the Advanced Media Protocol for disk recorder management, and any transport button pressed on the front panel mirrors out through RS-422 — so you can daisy-chain and control other HyperDecks in sync. Broadcast engineers will recognize the device IDs immediately: 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, 0xF2E0 in 24p.

Reliability

Built for the moments when failure is not an option

Broadcasters do not get do-overs. A frame dropped during the championship, a missed replay at the concert, a storage hiccup during the live segment — these are not inconveniences. They are incidents. HyperDeck ISO Recorder 100G was engineered with that reality at the center of every design decision.

Video Network

Dual 100G SMPTE-2022-7 Seamless Protection Switching

Storage Network

Dual 100G dedicated Ethernet ports

Power Supply

Redundant AC power supplies, hot-swap capable

Cooling

Multiple redundant fans, front-to-back airflow

Clock + Control

Redundant PTP and control ports

Monitoring

Fan status, CPU temp, per-port transfer speeds in utility software

SMPTE 2022-7 Seamless Protection Switching sends two identical copies of your video across both 100G connections simultaneously. On the receive side, incoming RTP packets are compared by sequence number, and a perfect frame is reconstructed from whichever packet arrives first. Switchover is completely transparent — no dropped frames, no audio glitches.

Formats & Compatibility

ProRes files that go everywhere you need them to go

ProRes is the language of professional post. Whether your editors are on DaVinci Resolve, Media Composer, Premiere Pro, or Final Cut Pro, everything the HyperDeck records opens natively — no transcoding, no waiting. You get three flavors to choose from depending on how much storage you are working with and how much quality headroom your edit needs.

ProRes 422 HQ gives you the maximum quality ceiling. ProRes 422 hits the sweet spot for most broadcast workflows. ProRes 422 LT cuts file sizes significantly for longer-duration recording without sacrificing broadcast-acceptable quality. The Blackmagic Cloud Store Ultra and Cloud Dock Ultra are the recommended storage solutions — both feature 100G Ethernet ports that can serve the HyperDeck on one port and your editor network on the other, simultaneously.

ProRes 422 HQ ProRes 422 ProRes 422 LT DaVinci Resolve Avid Media Composer Adobe Premiere Pro Final Cut Pro SMPTE-2110 SMPTE 2022-7 RS-422

Tech Specs

Key specifications

The specs that matter most to broadcast engineers and system integrators. Full technical documentation is available directly from Blackmagic Design.

Video Recording

Simultaneous camera inputs: 8 cameras (Ultra HD or HD)
Recording codec: ProRes HQ, ProRes 422, ProRes LT, ProRes Proxy — up to 2160p60
Video sampling: 4:2:2 YUV, 10-bit color
Color space: Rec. 709, Rec. 2020
HDR support: HLG, ST2084 (300 to 4000 nits)
Audio: PCM up to 16 channels or AAC 2ch — 24-bit, 48 kHz

Supported Standards

Ultra HD: 2160p23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60
4K DCI: 4Kp23.98 / 24 / 25 / 29.97 / 30 DCI
HD: 1080i, 1080p, 720p — all common frame rates
SMPTE compliance: ST 2110-20/21/30/40, SMPTE 2022-7, SMPTE 292M, 424M, 425M, 2081, 2082, 2084, 2108
IP video codec: Blackmagic IP10 (optional) for 2160p59.94/60 over 2110

Connectivity

100G IP video (SMPTE-2110): 2 × 100G QSFP28 — redundant, SMPTE 2022-7 seamless switching
100G storage Ethernet: 2 × 100G QSFP28 — dedicated, redundant
SDI (via expander): Up to 8 × 12G-SDI via Blackmagic SDI Expander 8x12G
SDI monitor outputs: 2 × SDI (1.5G / 3G / 6G / 12G)
HDMI monitor output: 1 × HDMI (up to 2160p60)
Control network: 2 × 10G RJ45 (NMOS IS-04 / IS-05)
PTP clock reference: 2 × RJ45 (IEEE 1588-2008 PTP v2, ST 2059)
Management: 1 × 1G RJ45 — HyperDeck Setup utility
USB-C: Front panel — firmware updates
External control: RS-422, Advanced Media Protocol, Ethernet Protocol, FTP, HTTP Web Media Manager
Analog audio: Front-panel 6.35 mm headphone jack + mono speaker
Power inputs: 2 × IEC C14 — 100–240 V AC, 50/60 Hz (redundant)

Control & Display

Front panel controls: 16 transport buttons — record, play, stop, fast forward, rewind, previous/next clip, input
Search dial: Machined metal, soft rubber grip, active electronic clutch
LCD screen: 2.2-inch color display — video, audio metering, timecode, light/dark mode
RS-422 loop out: Transport button presses mirror to rear RS-422 port for chained deck control
Operating system: Blackmagic OS — instant power on, 3D LUT support, 13 languages

Physical & Power

Rack height: 2U (2 rack units)
Power supply: Dual redundant AC — 100–240 V, 50/60 Hz
Cooling: Front-to-back airflow, multiple redundant fans
Operating temperature: 0° to 40°C (32° to 104°F)
Warranty: 1 year limited manufacturer's warranty
In the box: HyperDeck ISO Recorder 100G + welcome wallet with QR for software download

Software & OS Support

Included software: Blackmagic OS, Blackmagic HyperDeck Setup
Replay software: DaVinci Resolve (free download) — 8-camera multi-view, on-air replay, stingers, highlights reel
macOS: Mac 15.0 Sequoia, Mac 26.0 Tahoe or later
Windows: Windows 11
NMS control: NMOS IS-04 v1.3.2, IS-05 v1.1.2, BCP-002-01, BCP-004-01
Sustained throughput: 12 GB/s over 100G Ethernet

Full technical specifications, physical dimensions, and compliance documentation: Blackmagic Design official tech specs →

Record every camera.Miss nothing. Ever.

Blackmagic HyperDeck ISO Recorder 100G