The Sony PXW-FS5M2 4K XDCAM Super 35mm Heldhand Camcorder features a stunning 4K HDR and 120 fps performance. The XW-FS5M2 records internally to dual media card slots and can continuously capture HD at up to 120 fps, with 8-second long bursts at 240 fps. The XW-FS5M2 makes it easy with complete creative freedom: slow down time with phenomenal high frame rates up to 120 fps in 4K and 240 fps 2K/Full HD. It delivers spectacularly vivid HDR imagery with a choice of HLG and S-log2/3.
The FS5M2 features an all-new default look with beautiful highlights and subtle, well rendered facial tones for more emotive visuals where your subjects naturally stand out. The FS5M2 saves time in post-production while still providing all the flexibility and creative latitude you require. There’s also an additional nine Picture Profiles, including ones customized for S-Log2, S-Log3 and a profile specifically tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds.
High Frame Rate (HFR) recording
The FS5M2 delivers stunning slow motion imagery, including four seconds of 120 fps in 4K, continuous 240 fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design® Odyssey 7Q. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. FS5 II also records continuous 120 fps internally in Full HD. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions.
Support 4K HDR
Demand for HDR content is increasing and FS5M2 offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.
Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading.
4K Super 35 Exmor (TM) sensor
The FS5M2 is built around a high-sensitivity 4K Super35 ‘Exmor’ CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.
Third-Paty Lens
Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. FS5M2 E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, FS5M2 makes it easy. You can also purchase FS5M2 on its own (PXW-FS5M2) or with lens SELP18105G (PXW-FS5M2K).
Built-in electronic Variable ND Filters
FS5M2 features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on FS5 II can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto. This makes FS5 II ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.
Clear Image Zoom
This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by additional 200% in Full HD and 150% in 4K. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.
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