The Sony PXW-FS7X DCAM 4K Super 35mm Camera System is ideal for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more. The PXW-FS7 features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180. The FS7X reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording.

The PXW-FS7 is designed from a clean sheet of paper to rest comfortably against your chest or sit well on your shoulder. Zoom, Start/Stop and Assign controls are carefully located on the sculpted, telescoping smart grip. Sony supplies a proper viewfinder that’s perfectly offset to the left with a huge range of fore-aft.

Third-Party Lens
Sony’s α mount lens system offers unsurpassed compatibility with both Sony and third-party lenses. The FS7’s E-Mount can take Cinema lenses and SLR lenses with a third party adapter, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS7 makes it easy.
Please note the PXW-FS7K model with bundled SELP28135G lens kit is now discontinued.

180fps High Frame Rates
High Frame Rate shots can turn everyday actions into slow-motion ballet, a visual feast of elegant movement. The FS7 delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24fps, you get beautiful 7.5 x Super Slow Motion. There’s no sacrifice in bit depth and no windowing of the sensor. So there’s no crop factor, no loss in angle of view. The camera also performs Slow and Quick (S and Q) motion from 1 to 180 fps in 1fps increments. So you can alter the narrative by selectively speeding up or slowing down the action.

Memory Cards
Long-form programs need media that’s both reliable and affordable. As specified by the CompactFlash Association, XQD™ memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost per minute compared to CFast™ cards. And robust communication between the camera and the card’s controller enables read/write speeds up to a sizzling 600 Mbps.

Recording System
Sony’s XAVC L (Long GOP) recording system has a superior grayscale rendition of 10-bit High Definition, plus the uncompromised detail of 4:2:2 color — all at budget-friendly data rates of 50, 35 or even 25 Mbps in HD mode. You can also record on-board 4K (4096×2160) at cinema standard 24 p*, 59.94 p, 50 p, 29.97 p, 23.98 p or 25 p. Other formats include the same XAVC I (Intra) QFHD (3840 x 2160) and Full HD (1920 x 1080) recordings as Sony’s high-end F55, well-accepted MPEG HD 422, the Apple ProRes 422 codec (with XDCA-FS7 extension unit, sold separately), and even outboard RAW recording (with XDCA-FS7 and outboard recorder, sold separately).

4K Super 35 Exmor sensor
When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers ‘bokeh,’ the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens.

14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail

ISO 2000 sensitivity enables you to shoot well after sunset, without tons of lighting and grip

4K resolution: The sensor incorporates 11.6 million total pixels and 8.8 million effective pixels to deliver full 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors cannot see

Sony Exmor® CMOS design makes for extremely fast readout, contributing to frame rates of up to 180fps and minimized image skew

High Frame Rates up to 180fps
From freestyle skiing to water sprays to pyrotechnics, High Frame Rates underscore the beauty and drama of everyday motion. That’s why the FS7 provides continuous recording at Full HD at frame rates of up to 180fps. When you play back at 23.98 p, you’ll enjoy extraordinary Super Slow Motion of up to 7.5 x. Compared to burst mode, the continuous recording of the FS7 reduces mistimed shots and extra takes. The camera also provides Slow and Quick motion from 1fps to 180fps, in 1fps increments. This enables time lapse effects to make the clouds race by or flowers bloom before your eyes. And for even higher frame rates, you can attach the XDCA-FS7 extension unit and connect an outboard recorder, both sold separately, for 2K RAW recording at up to 240fps. This creates 10 x Super Slow Motion when played at 23.98 p.

Built-in ND filters
You don’t need a matte box to get the advantages of shallow depth of field even in exterior day shoots. A built-in Neutral Density (ND) filter wheel includes positions for Clear, 1/4 (2 stops), 1/16 (4 stops), and 1/64 (6 stops).

RAW recording, Apple ProRes 422 and multi-cam
To keep the PXW-FS7 small, light and easily hand-holdable, Sony engineers reserved some special functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds powerful capabilities:

External RAW recording. To preserve the maximum in color, contrast and resolution, the XDCA-FS7 enables RAW recording when connected to outboard recorders, sold separately. The XDCA-FS7 supports the vivid color of 12-bit linear RAW at either 4K or 2K resolution. Use a single BNC cable to connect the XDCA-FS7 to Sony’s HXR-IFR5 interface unit and AXS-R5 recorder, both sold separately. The interface also allows the use of compatible third-party external recorders, such as the ATOMOS Shogun and the Convergent Design® Odyssey 7Q equipped with the Sony FS RAW option. Even when you record outboard RAW, you can still record time code-synchronized Full HD on-board, a convenient proxy for offline editing

Apple ProRes 422 recording. Sony understands that some workflows are committed to the Apple ProRes 422 codec. That’s why the XDCA-FS7 supports Apple ProRes 422 and Apple ProRes 422 HQ – 1920 x 1080 recording to an XQD™ card in the camera

Multi-camera operation. The XDCA-FS7 also provides Genlock and Timecode In/Out for multi-camera shoots

Unsurpassed handheld comfort
A handheld camera should be able to get you into tight places. To work on your lap. To move with the talent. To shoot high and low angles with equal facility. And a handheld camera should function beautifully against your chest or shoulder, comfortably steadied by your right hand. The Sony FS7 does all of this, and more. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest.

Compact Design and rugged
The PXW-FS7 design stands up to the rigors of real-world shooting. The frame is magnesium, for high rigidity and lightweight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray. A pair of heat pipes draws heat away from the electrical components and into the cooling duct. The duct dissipates accumulated heat, while its sealed design prevents the entry of dust, dirt and water spray.

Multi-Interface (MI) Shoe
The FS7 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.

Support for 4-channel audio input and recording
The FS7 supports 4-channel audio input. In applications such as interviews, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, by the use of an optional XLR adapter XLR-K2M or XLR-K1M, which provides additional 2 XLR inputs, possible applications are further expanded.

Sony PXW-FS7 4K XDCAM Super 35mm Camera System (Body Only)