{"product_id":"dzofilm-vespid2-50mm-t1-9-prime-lens-pl-feet","title":"DZOFilm Vespid2 50mm T1.9 Cinema Prime Lens (ARRI PL, Feet)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- PRODUCT SNAPSHOT --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e50mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eNormal Perspective Prime\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.9\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame \/ VV Image Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eCooke \/i\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eLens Metadata\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eARRI PL\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFeet Focus Scale\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRODUCTION --\u003e\n  \u003cp class=\"cm-intro\"\u003eThe \u003cstrong\u003e\u003ca href=\"\/collections\/lens\"\u003eDZOFilm\u003c\/a\u003e Vespid2 50mm T1.9 Prime Lens\u003c\/strong\u003e is a compact ARRI PL-mount cinema prime for natural-perspective narrative coverage, interviews, and commercial filmmaking. This DZO-V250IH version combines feet-based focus markings, a 46.5mm image circle for full-frame and VistaVision workflows, and Cooke \/i metadata support with compatible cameras. Second-generation floating-element optics, minimal focus breathing, and a 300° manual focus throw help camera crews handle precise focus pulls. A versatile 50mm field of view in a compact cine housing.\u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003eThe DZOFilm Vespid2 50mm T1.9 Prime Lens, manufacturer part number DZO-V250IH, is an individual ARRI PL-mount cinema prime lens sold by Coremicro, an authorized DZOFilm dealer based in Union City, California. This version has imperial\/feet focus markings, a T1.9–T22 aperture range, a 46.5mm image circle, and a minimum focus distance of 0.5m (1.6 ft) measured from the camera sensor plane. Its optical design contains 12 elements in 9 groups, with up to 1:8 reproduction and Cooke \/i lens metadata capability on compatible equipment. Contact Coremicro for current price, availability, and warranty eligibility.\u003c\/p\u003e\n\n  \u003c!-- HERO IMAGE --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-V250IH.jpg?v=1792341684\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-V250IH.jpg?v=1792341684\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-V250IH.jpg?v=1792341684\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-V250IH.jpg?v=1792341684\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Vespid2 50mm T1.9 ARRI PL cinema prime for interviews and narrative filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/VP2.webp?v=1792493443\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/VP2.webp?v=1792493443\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/VP2.webp?v=1792493443\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/VP2.webp?v=1792493443\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"389\" alt=\"DZOFilm Vespid2 cinema prime design with compact matching lens housings\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003e50mm VistaVision Cinema Prime\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eNatural-Perspective 50mm T1.9 Cine Lens for Full-Frame Cameras\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003eThe 50mm focal length offers a natural-looking field of view that works well for dialogue, interviews, and product filmmaking. A T1.9 maximum aperture provides creative depth-of-field control in both available-light and studio environments. The specified 46.5mm image circle supports full-frame and VistaVision imaging within the limits of the camera sensor and recording mode.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image cm-card__image--dark\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_28.png?v=1792493455\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_28.png?v=1792493455\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_28.png?v=1792493455\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_28.png?v=1792493455\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Vespid2 floating optical elements for sharper close-focus cinematography\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFloating-Element Optical Design\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eImproved Sharpness from Near Focus to Infinity\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003eThe Vespid2 optical platform adds floating elements and updated glass and coatings to control aberrations across the focusing range. DZOFilm describes cleaner edge detail, reduced flare, and improved tonal consistency compared with the original Vespid generation. This 50mm prime focuses as close as 0.5m (1.6 ft) from the sensor plane, with a maximum magnification ratio of 1:8.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image cm-card__image--dark\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_4.png?v=1792493452\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_4.png?v=1792493452\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_4.png?v=1792493452\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_4.png?v=1792493452\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Minimal focus breathing illustration for Vespid2 cinematic rack-focus shots\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMinimal Focus Breathing\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent 50mm Framing During Cinematic Focus Pulls\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003eVespid2 is designed to minimize visible shifts in image framing as the operator changes focus. That helps preserve compositions during dialogue rack focuses, small dolly moves, and staged product scenes. A 300° manual focus rotation supports fine adjustment and repeatable focus marks for camera assistants.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image cm-card__image--dark\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_40.png?v=1792493453\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_40.png?v=1792493453\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_40.png?v=1792493453\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_40.png?v=1792493453\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Cooke i metadata interface on Vespid2 PL-mount cinema lenses\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eCooke \/i Lens Metadata\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eLens Data for Compatible PL-Mount Cinema Cameras\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003eCooke \/i support can deliver lens identification and real-time parameters such as focal length, T-stop, and focus distance to compatible camera systems. The recorded information can help camera crews and VFX departments document setups and match shots. Operation depends on supported camera contacts, mount interfaces, and related equipment.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image cm-card__image--dark\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1117_4afd1335-ab26-42dc-b080-8b2e74e48ccd.webp?v=1792493441\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1117_4afd1335-ab26-42dc-b080-8b2e74e48ccd.webp?v=1792493441\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1117_4afd1335-ab26-42dc-b080-8b2e74e48ccd.webp?v=1792493441\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1117_4afd1335-ab26-42dc-b080-8b2e74e48ccd.webp?v=1792493441\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"347\" alt=\"Compact Vespid2 lens construction for gimbals and professional camera rigs\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eCompact Professional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e80mm Front Diameter, 0.8 MOD Gearing, and 836g Body\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003eThe aluminum-alloy lens features an 80mm front outside diameter, M77 filter threads, and an 80mm length measured to the PL flange plane. Manual 0.8 MOD geared controls integrate with compatible follow-focus and lens-motor systems. At approximately 836g according to DZOFilm, the 50mm prime can be considered for properly supported gimbal, handheld, and studio rigs.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- REAL-WORLD WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Cinematography Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eNatural-Perspective Dialogue and Storytelling\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003eA 50mm prime gives camera teams a flexible perspective for medium shots, actor coverage, and carefully framed dialogue in T1.9 light levels.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eInterviews \u0026amp; Commercials\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eControlled Focus in Studio and Location Work\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003eUse consistent manual focus marks for sit-down interviews, talent-led brand films, and selective-focus product compositions.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eVFX \u0026amp; Virtual Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eCooke \/i Lens-Data-Aware Recording\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003eWhen connected to a compatible camera, lens metadata can assist shot notes, match moves, and supported post-production workflows.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WHO IT'S FOR --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA versatile 50mm T1.9 prime for natural-perspective compositions and full-frame\/VistaVision imaging.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eFirst Camera Assistants\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA 300° focus throw, feet markings, and standard 0.8 MOD gears support consistent manual focus pulls.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Camera Crews\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eUpdated optical performance and low breathing for interviews, product shots, and controlled studio production.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eVFX \u0026amp; Rental Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eCooke \/i metadata capability and matched Vespid2-series housings simplify supported camera prep.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- MANUFACTURER SUPPORT --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003eB\u0026amp;H lists a limited one-year manufacturer warranty for the new DZO-V250IH lens. Contact Coremicro to confirm current coverage, stock availability, and PL-mount camera compatibility before ordering.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- TECHNICAL SPECIFICATIONS: ONE TABLE ONLY --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-V250IH\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm Vespid2\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual cinema prime lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum \/ Minimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.9 \/ T22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Markings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFeet \/ Imperial\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 elements in 9 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.5m \/ 1.6 ft (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Magnification Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1:8\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; 300° rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; 65° rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDiaphragm Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCine Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM77 \/ 77mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Outside Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80mm \/ 3.15 in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80mm \/ 3.15 in (front to PL flange plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePL Flange Focal Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e52mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Body Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eApproximate Lens Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e836g \/ 1.84 lb (DZOFilm specification)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Metadata\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCooke \/i, compatible camera required\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMetadata Information\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFocal length, T-stop, focus distance\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes, Cooke \/i\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Warranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLimited one year (B\u0026amp;H listing)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ \/ AEO --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Vespid2 50mm T1.9 best used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Vespid2 50mm T1.9 is a cinema prime designed for natural-perspective narrative coverage, interviews, and commercial production. Its T1.9 aperture provides creative depth-of-field control on compatible full-frame cameras.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Vespid2 50mm cover full-frame and VistaVision cameras?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Vespid2 50mm has a 46.5mm manufacturer-specified image circle that supports full-frame and VistaVision imaging. Check the specific camera sensor dimensions and recording crop before use.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close does the Vespid2 50mm T1.9 focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Vespid2 50mm T1.9 focuses as close as 0.5m (1.6 ft) from the camera sensor plane. DZOFilm specifies a maximum magnification ratio of 1:8.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Vespid2 50mm support Cooke \/i metadata?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Vespid2 50mm supports Cooke \/i lens-data communication with compatible camera systems. Supported metadata includes focal length, T-stop, and focus distance.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow does minimal focus breathing help with a 50mm cine lens?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eMinimal focus breathing reduces visible changes in framing during focus pulls. DZOFilm designed the Vespid2 series to limit the effect for steady narrative and commercial compositions.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow does the Vespid2 50mm compare with the NiSi Athena 50mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Vespid2 50mm and NiSi Athena 50mm are T1.9 cinema primes available for PL-mount workflows. Vespid2 specifies a 46.5mm image circle, a 300° focus throw, and Cooke \/i metadata support; evaluate the exact Athena mount version and specifications before choosing.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eIs Coremicro an authorized DZOFilm dealer?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eCoremicro identifies itself as an authorized DZOFilm dealer on its cinema-product pages. Contact Coremicro to confirm stock, pricing, warranty eligibility, and ordering options for the DZO-V250IH lens.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CONTACT CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eBring the Vespid2 50mm T1.9 to Your Next Production\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003eCoremicro is an authorized DZOFilm dealer for professional cinema equipment. Ask about the DZO-V250IH ARRI PL-mount 50mm prime, feet focus markings, Cooke \/i camera compatibility, pricing, and availability.\u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER LINKS --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/production-equipment\" class=\"cm-footer-links__item\"\u003eProduction Equipment\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Coremicro\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015958178,"sku":"DZO-V250IH","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-V250IH.jpg?v=1792341684","url":"https:\/\/www.coremicro.com\/products\/dzofilm-vespid2-50mm-t1-9-prime-lens-pl-feet","provider":"COREMICRO.COM","version":"1.0","type":"link"}