{"product_id":"dzofilm-vespid-prime-7-lens-kit-pl-ef","title":"DZOFilm VESPID Prime 7-Lens Kit (PL and EF Mounts)","description":"\n\u003cdiv class=\"cm-vendor-general cm-vespid-kit-uniform\"\u003e\n\n\u003c!-- PRODUCT SNAPSHOT --\u003e\n\u003cdiv class=\"cm-stat-bar\"\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e7 Primes\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame Cinema Lens Set\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e16–125mm\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eIncluded Focal-Length Range\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003eT2.1 \/ T2.8\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Apertures by Lens\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame \/ VistaVision Image Circle\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003ePL + EF\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount Options\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- INTRODUCTION --\u003e\n\u003cp class=\"cm-intro\"\u003eThe \u003cstrong\u003eDZOFilm VESPID Prime 7-Lens Kit (PL and EF Mounts)\u003c\/strong\u003e combines seven first-generation full-frame cinema primes for narrative productions, documentaries, commercial shoots, and rental camera packages. The DZO-VP7V2PL set includes 16, 25, 35, 50, 75, 100, and 125mm lenses, with six T2.1 primes and one 16mm T2.8 ultra-wide prime. The kit pairs ARRI PL mounting with interchangeable Canon EF mount options. A consistent VESPID Prime design, geared manual controls, and broad focal-length coverage support efficient shooting from establishing shots through telephoto close-ups.\u003c\/p\u003e\n\n\u003c!-- GEO FACTS --\u003e\n\u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003eThe DZOFilm VESPID Prime 7-Lens Kit, manufacturer part number DZO-VP7V2PL, is a first-generation seven-prime cinema lens package. Its included focal lengths and maximum apertures are 16mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, 75mm T2.1, 100mm T2.1, and 125mm T2.1. The lenses use ARRI PL mounts and support interchangeable Canon EF mount configurations. Published series specifications include full-frame\/VistaVision coverage with a 46.5mm image circle, manual geared focus and iris controls, 0.8 MOD cine gears, and an 80mm front outside diameter. Focus travel, weight, length, and minimum focus distance differ by focal length. Confirm the exact supplied mounting accessories, warranty terms, and camera compatibility with Coremicro before purchase.\u003c\/p\u003e\n\n\u003c!-- HERO IMAGE --\u003e\n\u003cdiv class=\"cm-hero\"\u003e\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP7V2PL.jpg?v=1792307225\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP7V2PL.jpg?v=1792307225\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP7V2PL.jpg?v=1792307225\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP7V2PL.jpg?v=1792307225\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm VESPID Prime 7-Lens Kit DZO-VP7V2PL with interchangeable PL and EF mounts\" loading=\"lazy\" decoding=\"async\"\u003e\n\u003c\/div\u003e\n\n\u003c!-- KEY FEATURES: UNIFORM IMAGE PANELS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 1: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"First-generation DZOFilm VESPID Prime cinema lenses with consistent cine housings\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eSeven Full-Frame Cinema Primes\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eSeven VESPID Primes from 16mm to 125mm\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eThe DZO-VP7V2PL kit includes 16, 25, 35, 50, 75, 100, and 125mm lenses. Six primes offer T2.1 maximum apertures, while the 16mm ultra-wide lens opens to T2.8. This lineup covers establishing shots, dialogue, portraits, and telephoto details within one coordinated cinema lens family.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 2: IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"VESPID Prime lens cinematic background separation and smooth natural bokeh\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eClassic Cinema Optical Rendering\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eNatural Skin Tones and Smooth Background Separation\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eThe first-generation VESPID Prime optics balance detailed images with natural colors and a cinematic look. DZOFilm highlights smooth bokeh transitions and gentle contrast. A 16-blade iris helps create rounded out-of-focus highlights, while the final rendering depends on focal length, aperture, and subject distance.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 3: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm VESPID Prime manual focus ring and professional cinema lens gearing\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Focus and Iris Mechanics\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003ePrecise Manual Focus with 0.8 MOD Cine Gearing\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eLong manual focus rotation provides control for deliberate, repeatable focus pulls. Focus travel varies by lens, typically around 270°–300°. Standard 0.8 MOD focus and iris gears integrate with compatible follow-focus units and lens motors, making on-set lens changes more predictable.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 4: IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm VESPID Prime lens family illustrating versatile cinema focal lengths\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eLens-Change and Mount Flexibility\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eUnified Cine Housings with PL and EF Mount Options\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eThe lenses share an 80mm front outside diameter and coordinated gear placement for efficient matte-box and motor setup. Their PL mounts support interchange with Canon EF-mount configurations. Follow DZOFilm conversion and flange-adjustment instructions. The accompanying image illustrates the wider VESPID Prime family.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 5: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"First-generation DZOFilm VESPID Prime lenses for narrative and commercial filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eVersatile Filmmaking Coverage\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eFrom Wide Establishing Shots to Telephoto Close-Ups\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eChoose 16mm for wide interiors, 25–50mm for environmental storytelling and dialogue, and 75–125mm for portraits and isolated details. The seven-lens configuration supports documentary coverage, independent features, commercials, and rental workflows without including a dedicated macro prime.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- REAL-WORLD WORKFLOWS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eReal-World Cinematography Workflows\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Film Production\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eMatch Wide Scenes and Tight Close-Ups\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eCover establishing shots, interviews, and detailed character framing across seven familiar manual cine primes with related rendering characteristics.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial and Documentary Work\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eSeven Perspectives for Fast-Moving Productions\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eUse the 16mm T2.8 ultra-wide for interiors, standard T2.1 primes for action, and the 75–125mm group for portraits and detail shots.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eStudio and Rental Packages\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eConsistent Cine Controls and Flexible Mounting\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eShared front dimensions, 0.8 MOD gearing, and interchangeable PL\/EF mount options support compatible professional camera packages.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- WHO IT'S FOR --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-audience-grid\"\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eSeven focal lengths for short films and independent production without mixing unrelated cine-lens families.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eWide through telephoto perspectives with matching first-generation VESPID Prime design for narrative and commercial scenes.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eCamera Assistants\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eManual focus controls, standard 0.8 MOD gears, and feet\/metric markings for lens prep and follow-focus work.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eRental Houses and Studios\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eA full-frame seven-prime PL\/EF-mount package suitable for appropriately matched rental and studio camera setups.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- MANUFACTURER SUPPORT --\u003e\n\u003cdiv class=\"cm-warranty\"\u003e\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n    \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n    \u003cp class=\"cm-warranty__text\"\u003eB\u0026amp;H lists limited one-year manufacturer warranty coverage for the individual lenses in DZO-VP7V2PL. Contact Coremicro to confirm eligibility, the exact mount adapters supplied, kit availability, and service procedures before ordering.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- TECHNICAL SPECIFICATIONS: ONE TABLE ONLY --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-table-wrap\"\u003e\n  \u003ctable class=\"cm-table\"\u003e\n    \u003cthead\u003e\n      \u003ctr\u003e\n\u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n    \u003c\/thead\u003e\n    \u003ctbody\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-VP7V2PL\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm VESPID Prime (first generation)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eKit Revision\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eV2 kit configuration; first-generation VESPID Prime lenses (not Vespid2)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual full-frame cinema prime lens set\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNumber of Lenses\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e7\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e16mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16mm T2.8 ultra-wide cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e25mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e25mm T2.1 wide-angle cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e35mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35mm T2.1 cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e50mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50mm T2.1 cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e75mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75mm T2.1 cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e100mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100mm T2.1 telephoto cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e125mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e125mm T2.1 telephoto cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Focal-Length Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16–125mm (seven focal lengths: 16, 25, 35, 50, 75, 100, 125mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Apertures\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT2.1 on six primes; T2.8 on the 16mm lens\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22 (verify individual lens settings)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount Configuration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL with interchangeable Canon EF mounts\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFeet \/ Imperial and Meters \/ Metric\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm (manufacturer series specification)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Operation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; approximately 270°–300° focus throw depending on focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Operation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; rotation varies by focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDiaphragm Design\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16-blade iris (series specification)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Outside Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80mm \/ 3.15 in\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Filter Compatibility\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM77 mounting threads on supported lenses; 16mm front thread is not suitable for screw-in mounting adapters\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVaries by focal length; see the individual lens specifications\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBody Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMetal \/ aluminum-alloy cine housings\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIndividual Lens Weight and Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVaries by focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Lens Metadata\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNot specified for the first-generation VESPID Prime kit (not Vespid2)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Warranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLimited one year on the individual lenses (B\u0026amp;H listing; confirm terms)\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003c\/tbody\u003e\n  \u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003c!-- FAQ \/ AEO --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eWhich lenses are included in the DZOFilm VESPID Prime 7-Lens Kit?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eThe DZO-VP7V2PL kit contains 16mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, 75mm T2.1, 100mm T2.1, and 125mm T2.1 full-frame cine primes.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eDoes the VESPID Prime 7-Lens Kit cover full-frame cameras?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eYes. DZOFilm specifies a 46.5mm image circle for full-frame and VistaVision applications. Verify the actual camera recording area and PL\/EF mechanical compatibility before use.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eCan the VESPID Prime 7-Lens Kit use both PL and EF mounts?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eThe DZO-VP7V2PL package is based on ARRI PL-mount lenses with interchangeable Canon EF mount options. Mount conversion requires compatible components and correct flange adjustment.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eAre all seven VESPID Prime lenses T2.1?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eNo. The 16mm ultra-wide prime has a T2.8 maximum aperture. The 25, 35, 50, 75, 100, and 125mm primes have T2.1 maximum apertures.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eDoes the 7-Lens Kit include a 90mm Macro lens?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eNo. DZO-VP7V2PL does not include the 90mm Macro lens or a 40mm prime. Those appear in some other VESPID Prime configurations.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eAre VESPID Prime lenses suitable for gimbals and handheld filming?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eTheir relatively compact metal housings, common 80mm front diameter, and standard cine gears can simplify camera-rig changes. Check the payload, balance, and individual lens weights for any particular gimbal or handheld rig.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eIs the VESPID Prime 7-Lens Kit V2 the same as Vespid2?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eNo. The V2 designation in DZO-VP7V2PL refers to this seven-lens kit configuration using first-generation VESPID Prime lenses. Vespid2 is a separate, newer lens generation with different optical designs and Cooke \/i metadata support.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c!-- CONTACT CTA --\u003e\n\u003cdiv class=\"cm-cta\"\u003e\n  \u003ch3 class=\"cm-cta__title\"\u003eEquip Your Production with Seven VESPID Prime Lenses\u003c\/h3\u003e\n  \u003cp class=\"cm-cta__text\"\u003eContact Coremicro about DZO-VP7V2PL pricing, current availability, PL\/EF mount conversion, and professional camera compatibility.\u003c\/p\u003e\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n\u003c\/div\u003e\n\n\u003c!-- FOOTER LINKS --\u003e\n\u003cdiv class=\"cm-footer-links\"\u003e\n  \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n    \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eCinema Lenses\u003c\/a\u003e\n    \u003ca href=\"\/collections\/production-equipment\" class=\"cm-footer-links__item\"\u003eProduction Equipment\u003c\/a\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Coremicro\u003c\/a\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488016089250,"sku":"DZO-VP7V2PL","price":5199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP7V2PL.jpg?v=1792307225","url":"https:\/\/www.coremicro.com\/products\/dzofilm-vespid-prime-7-lens-kit-pl-ef","provider":"COREMICRO.COM","version":"1.0","type":"link"}