{"product_id":"dzofilm-vespid-prime-5-lens-kit-pl-ef","title":"DZOFilm VESPID Prime 5-Lens Kit (ARRI PL \u0026 Canon EF)","description":"\n\u003cdiv class=\"cm-vendor-general cm-vespid-kit-uniform\"\u003e\n\n\u003c!-- PRODUCT SNAPSHOT --\u003e\n\u003cdiv class=\"cm-stat-bar\"\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e5 Primes\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame Cinema Lens Set\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e12–75mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eIncluded Focal-Length Range\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.1 \/ T2.8\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Apertures by Lens\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame \/ VistaVision Image Circle\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL + EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount Options\u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- INTRODUCTION --\u003e\n\u003cp class=\"cm-intro\"\u003eThe \u003cstrong\u003e\u003ca href=\"\/collections\/lens\"\u003eDZOFilm\u003c\/a\u003e VESPID Prime 5-Lens Kit (ARRI PL \u0026amp; Canon EF)\u003c\/strong\u003e offers a matched set of five first-generation full-frame cinema primes for filmmakers, cinematographers, and production teams. The DZO-VP5PL kit includes 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1 lenses, combining an ultra-wide perspective with essential wide, standard, and portrait focal lengths. ARRI PL mounts with Canon EF conversion options, geared manual controls, and a coordinated lens design support efficient camera preparation for narrative, commercial, and documentary shoots.\u003c\/p\u003e\n\n\u003c!-- GEO FACTS --\u003e\n\u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003eThe DZOFilm VESPID Prime 5-Lens Kit, manufacturer part number \u003cstrong\u003eDZO-VP5PL\u003c\/strong\u003e, consists of five original-generation cine primes: 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1. These full-frame\/VistaVision lenses project a manufacturer-specified 46.5mm image circle and use manual focus and iris control with standard 0.8 MOD cine gearing. The set has ARRI PL lenses with Canon EF mount conversion provisions, feet and meter focus scales, and a consistent 80mm front outside diameter. The 12mm T2.8 features a 10-blade iris and focuses as close as 0.2m from the sensor plane; its specifications differ from the four T2.1 primes. Confirm mount conversion components, camera clearance, and warranty eligibility with Coremicro.\u003c\/p\u003e\n\n\u003c!-- HERO IMAGE --\u003e\n\u003cdiv class=\"cm-hero\"\u003e\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP5PL.jpg?v=1792307270\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP5PL.jpg?v=1792307270\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP5PL.jpg?v=1792307270\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP5PL.jpg?v=1792307270\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm VESPID Prime 5-Lens Kit DZO-VP5PL with ARRI PL and Canon EF mounts\" loading=\"lazy\" decoding=\"async\"\u003e\n\u003c\/div\u003e\n\n\u003c!-- KEY FEATURES --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 1: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Vespid_Prime_11_88f6d0de-99ac-4a10-90b2-c251669cf0ec.webp?v=1792502746\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"First-generation DZOFilm VESPID Prime cine lens family with coordinated metal housings\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eFive Full-Frame Cinema Primes\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eFive VESPID Primes from 12mm to 75mm\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eDZO-VP5PL combines the 12mm T2.8 ultra-wide lens with 25, 35, 50, and 75mm T2.1 primes. This configuration gives filmmakers wide establishing perspectives, familiar dialogue focal lengths, and a 75mm option for portraits, all within the same first-generation VESPID Prime family.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 2: IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1269.png?v=1792502750\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm VESPID Prime cinematic bokeh sample demonstrating natural background separation\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eClassic Cinematic Optical Character\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eNatural Colors and Smooth Background Separation\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eVESPID Prime optics are designed for detailed images, natural skin tones, and pleasing cinematic contrast. The four T2.1 lenses use 16-blade diaphragms for rounded defocused highlights; the 12mm T2.8 uses a separate 10-blade design. Bokeh and depth of field depend on the selected focal length and shooting conditions.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 3: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_1374.png?v=1792502749\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm VESPID Prime geared manual focus control designed for cine follow-focus systems\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003ePrecision Manual Cine Mechanics\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eControlled Focus Pulls with 0.8 MOD Gearing\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eLong-rotation manual focus rings give camera assistants room for accurate, repeatable focus pulls. The 12mm has a specified 270° focus rotation, while travel on the other primes is lens-dependent. Standard 0.8 MOD gears work with compatible follow-focus units and lens motors.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 4: IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_2.webp?v=1792503469\u0026amp;width=900\u0026amp;height=506\u0026amp;crop=center 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"VESPID Prime series lens housings showing uniform front diameters and cine mechanics\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eCoordinated Housing and Mount Options\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eConsistent Cine Design with ARRI PL and Canon EF\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eThe lenses share an 80mm front outside diameter and related control positions, helping crews prepare matte boxes and motors during lens changes. The kit provides ARRI PL lenses with Canon EF conversion options. Mount changes require proper hardware, flange adjustment, and compatibility checks. The image shows the wider VESPID Prime series.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FEATURE 5: IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=400\u0026amp;height=225\u0026amp;crop=center 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/Cine_Prime_Lens_for_Cinematographers_-_Vespid_Prime_-_DZOFILM_5.webp?v=1792502746\u0026amp;width=600\u0026amp;height=338\u0026amp;crop=center 600w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm VESPID Prime cinema lenses used for independent and commercial productions\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eWide-to-Portrait Production Coverage\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eStart Ultra-Wide with 12mm, Finish with 75mm\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eUse the 12mm T2.8 for dramatic establishing shots and spacious interiors, the 25–50mm primes for interviews and narrative coverage, and the 75mm for tighter portraits. The five-lens set serves independent films, commercials, documentaries, and camera rental packages without suggesting a macro or longer telephoto lens is included.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- REAL-WORLD WORKFLOWS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eReal-World Cinematography Workflows\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eCover Wide Establishing Shots and Intimate Dialogue\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eBuild scenes with the 12mm ultra-wide for the environment, 25–50mm primes for dialogue, and 75mm for portraits while keeping manual cine handling familiar.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial and Documentary\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eSwitch Between Wide Scenes and Subject Details\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eMove between full-frame interview setups, location coverage, and tighter product or character framing with five matched fixed focal lengths.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eStudio and Camera Rentals\u003c\/div\u003e\n      \u003ch3 class=\"cm-workflow-card__title\"\u003eConsistent Cine Handling Across Five Lenses\u003c\/h3\u003e\n      \u003cp class=\"cm-workflow-card__text\"\u003eCommon 80mm front diameters, 0.8 MOD gearing, and PL\/EF mount options simplify preparation for compatible camera systems.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- WHO IT'S FOR --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eFive first-generation full-frame primes offer practical wide, standard, and portrait framing for small narrative productions.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eThe 12mm ultra-wide and four T2.1 lenses provide related visual rendering across varied scenes.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eCamera Assistants\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eManual controls, 0.8 MOD gearing, and feet\/metric focus scales support precise on-set adjustments.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n    \u003cp class=\"cm-audience-card__label\"\u003eRental Houses and Studios\u003c\/p\u003e\n    \u003cp class=\"cm-audience-card__text\"\u003eA coordinated PL\/EF-mount cinema prime set suited to appropriately configured professional camera packages.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- MANUFACTURER SUPPORT --\u003e\n\u003cdiv class=\"cm-warranty\"\u003e\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n    \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n    \u003cp class=\"cm-warranty__text\"\u003eB\u0026amp;H lists a limited one-year manufacturer warranty for the individual lenses in DZO-VP5PL. Please confirm warranty eligibility, actual conversion accessories, and service arrangements with Coremicro before ordering.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- TECHNICAL SPECIFICATIONS: EXACTLY ONE TABLE --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n  \u003ctable class=\"cm-table\"\u003e\n    \u003cthead\u003e\n      \u003ctr\u003e\n\u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n    \u003c\/thead\u003e\n    \u003ctbody\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-VP5PL\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVESPID Prime (first generation; not Vespid2)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual full-frame cinema prime lens set\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNumber of Lenses\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12mm T2.8 ultra-wide cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e25mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e25mm T2.1 wide-angle cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e35mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35mm T2.1 cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e50mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50mm T2.1 standard cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e75mm Lens\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e75mm T2.1 short telephoto cinema prime\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIncluded Focal-Length Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12–75mm (12, 25, 35, 50, 75mm only)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Apertures\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT2.8 for 12mm; T2.1 for the 25, 35, 50, and 75mm lenses\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22 (listed for the included lens models)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount Configuration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL with Canon EF conversion options\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Markings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFeet \/ Imperial and Meters \/ Metric\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm (manufacturer series specification)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Operation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; long focus rotation that varies by lens\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Focus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e270°\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Operation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual; iris rotation differs by focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDiaphragm Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12mm: 10; 25\/35\/50\/75mm: 16\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Outside Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80mm \/ 3.15 in\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Filter Compatibility\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLens-dependent; verify 12mm screw-in filter and accessory fit before purchase\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Optical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 elements in 10 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Minimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.2m \/ 7.9 in (from image sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Lens Dimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80mm front diameter; 72mm lens length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e12mm Lens Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApproximately 725g \/ 1.60 lb\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOther Lens Weights and Lengths\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDepend on the individual focal length\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum-alloy \/ metal cinema lens housings\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Lens Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo electronic communication according to the B\u0026amp;H lens specifications\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Warranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLimited one year on individual lenses per B\u0026amp;H; confirm terms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003c\/tbody\u003e\n  \u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003c!-- FAQ \/ AEO --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eWhich lenses are included in the DZOFilm VESPID Prime 5-Lens Kit?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eThe DZO-VP5PL set includes five first-generation full-frame primes: 12mm T2.8, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 75mm T2.1. It does not include a 90mm Macro, 100mm, or 125mm lens.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eDoes the VESPID Prime 5-Lens Kit cover full-frame cameras?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eYes. The lenses have a manufacturer-specified 46.5mm image circle for full-frame\/VistaVision use. Check the camera sensor recording area, lens mount, and any required adapters before use.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eCan the VESPID Prime lenses use both ARRI PL and Canon EF mounts?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eYes. DZO-VP5PL contains ARRI PL-mount lenses with Canon EF conversion options. Mount changes require the proper conversion parts and flange alignment; verify compatibility with your camera.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eAre all five VESPID Prime lenses T2.1?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eNo. The 12mm ultra-wide lens has a T2.8 maximum aperture. The included 25, 35, 50, and 75mm primes have T2.1 maximum apertures.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eWhat makes the included 12mm T2.8 prime different?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eThe 12mm provides an ultra-wide full-frame perspective. It has a 10-blade iris, 270° focus rotation, and a minimum focus distance of 0.2m from the sensor plane; these specifications should not be assumed for the other four lenses.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eCan the VESPID Prime 5-Lens Kit be used on gimbals or handheld cameras?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eThe coordinated metal housings, shared 80mm front diameter, and cine-standard gears suit many filmmaking rigs. Always check individual lens mass, camera mount clearance, and total rig balance against the support system’s limits.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eHow is the VESPID Prime 5-Lens Kit different from the 7-Lens Kit?\u003c\/h3\u003e\n    \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n      \u003cp itemprop=\"text\"\u003eDZO-VP5PL includes 12, 25, 35, 50, and 75mm. DZO-VP7V2PL includes 16, 25, 35, 50, 75, 100, and 125mm. The 5-Lens Kit features the 12mm T2.8 ultra-wide; the 7-Lens Kit instead extends into 100mm and 125mm telephoto options.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c!-- CONTACT CTA --\u003e\n\u003cdiv class=\"cm-cta\"\u003e\n  \u003ch3 class=\"cm-cta__title\"\u003eBuild Your Next Production with Five VESPID Prime Lenses\u003c\/h3\u003e\n  \u003cp class=\"cm-cta__text\"\u003eContact Coremicro about DZO-VP5PL availability, current pricing, ARRI PL and Canon EF conversion, and compatibility with your cinema camera package.\u003c\/p\u003e\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n\u003c\/div\u003e\n\n\u003c!-- FOOTER LINKS --\u003e\n\u003cdiv class=\"cm-footer-links\"\u003e\n  \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n    \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eCinema Lenses\u003c\/a\u003e\n    \u003ca href=\"\/collections\/production-equipment\" class=\"cm-footer-links__item\"\u003eProduction Equipment\u003c\/a\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Coremicro\u003c\/a\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488016056482,"sku":"DZO-VP5PL","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-VP5PL.jpg?v=1792307270","url":"https:\/\/www.coremicro.com\/products\/dzofilm-vespid-prime-5-lens-kit-pl-ef","provider":"COREMICRO.COM","version":"1.0","type":"link"}