{"product_id":"dzofilm-pavo-6-lens-2x-anamorphic-set-blue","title":"DZOFilm PAVO 2x Anamorphic 6-Lens Set Blue PL\/EF Feet","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- =====================================================\n     STAT BAR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e6 Lenses\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Prime Set\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e28–100mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length Coverage\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e2X\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Squeeze\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eSuper35\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eCinema Format\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mounts\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INTRO\n     ===================================================== --\u003e\n\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e\n  PAVO 2x Anamorphic 6-Lens Set\u003c\/strong\u003e provides a complete\n  Super35 anamorphic prime package spanning 28mm through 100mm.\n  Each lens uses a true 2X anamorphic squeeze, Blue coating for\n  horizontal blue flare rendering, interchangeable PL and EF\n  mounting, and Imperial focus markings in feet. The set covers\n  wide, medium, and longer focal lengths for professional narrative,\n  commercial, and multi-camera cinema production.\n\u003c\/p\u003e\n\n\n\u003c!-- =====================================================\n     HERO\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA6PLIB.jpg?v=1790429706\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm PAVO 2x anamorphic six-lens Blue PL EF Super35 cinema lens set\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     KEY FEATURES\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Key Features\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Six PAVO Anamorphic Primes\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The set includes 28mm, 32mm, 40mm, 55mm, 75mm, and 100mm\n      focal lengths, giving camera crews a broad range from wide\n      environmental coverage to tighter character-focused framing.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      True 2X Anamorphic Squeeze\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Every lens in the set uses a true 2X anamorphic squeeze for\n      horizontal image compression, oval bokeh, and the widescreen\n      rendering associated with traditional anamorphic cinema.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Blue Horizontal Flare Rendering\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      This DZO-PA6PLIB configuration uses the Blue-coated PAVO\n      versions for distinctive horizontal blue streak flares when\n      suitable light sources interact with the anamorphic optics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      T2.1 to T2.4 Maximum Apertures\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 28mm, 32mm, 40mm, 55mm, and 75mm lenses open to T2.1,\n      while the 100mm opens to T2.4, providing fast operation across\n      the full six-lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Interchangeable PL and EF Mounts\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Interchangeable PL and EF mounting lets camera departments\n      configure the PAVO set for compatible professional cinema\n      cameras and production packages.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Two Hard Cases Included\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The six-lens package ships with two hard cases, with three\n      PAVO lenses housed in each case for organized transport,\n      storage, and on-set deployment.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     SIX-LENS FOCAL LENGTH COVERAGE\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Six-Lens Focal Length Coverage\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      28mm Through 100mm\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      One PAVO Package from Wide Coverage to Longer Character Shots\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZOFilm PAVO 6-lens set combines 28mm, 32mm, 40mm, 55mm,\n      75mm, and 100mm focal lengths in a single Super35 anamorphic\n      package. The progression gives cinematographers practical\n      options for wide establishing shots, environmental framing,\n      dialogue coverage, medium shots, portraits, and tighter\n      subject-focused compositions.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Five lenses in the set open to T2.1, while the 100mm uses a\n      T2.4 maximum aperture. All six retain the same 2X anamorphic\n      squeeze and Blue flare configuration for a coordinated\n      production workflow across focal lengths.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INCLUDED FOCAL LENGTHS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Included Focal Lengths\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e28\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      28mm T2.1\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Wide Super35 coverage for establishing shots, interiors,\n      foreground-heavy compositions, and immersive environmental\n      cinematography.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e32\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      32mm T2.1\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A controlled wide-angle option for environmental coverage,\n      interiors, narrative staging, and compositions that balance\n      subject and surrounding space.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e40\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      40mm T2.1\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Medium-wide framing for narrative scenes, interior production,\n      environmental portraits, and versatile general-purpose\n      anamorphic coverage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e55\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      55mm T2.1\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A natural mid-range perspective for dialogue scenes, medium\n      shots, environmental portraits, and stronger subject emphasis.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e75\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      75mm T2.1\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Longer coverage for portraits, close character framing, and\n      compositions that benefit from increased background\n      compression and subject separation.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e100\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      100mm T2.4\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The longest focal length in the six-lens package provides\n      tighter framing, stronger spatial compression, and controlled\n      telephoto-style subject isolation.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     BLUE COATING VERSION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Blue Coating Version\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Blue Horizontal Streaks\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Consistent Blue Flare Character Across the Six-Lens Package\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This exact DZO-PA6PLIB set uses the Blue-coated versions of\n      all six included PAVO lenses. Suitable practical lights,\n      highlights, and production fixtures can produce the horizontal\n      blue streak flare behavior associated with the Blue PAVO\n      configuration.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZOFilm also offers Neutral PAVO configurations separately.\n      Keeping the six-lens package within the same Blue coating\n      version helps maintain a consistent flare direction and color\n      character when changing focal lengths during production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     SUPER35 \u0026 LENS OPERATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Super35 and Lens Operation\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__grid\"\u003e\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Format\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Super35\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Image Circle\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        31.5mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Squeeze\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        2X Anamorphic\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Mount\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Interchangeable PL \/ EF\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Focus Scale\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Imperial \/ Feet\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Front Diameter\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        95mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Gear Pitch\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.8 MOD\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Included Cases\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        2 Hard Cases\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MATCHED PRODUCTION DESIGN\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Matched Production Design\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Six-Lens PAVO Package\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Consistent Cine Mechanics Across 28mm Through 100mm\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The six-lens package is built around the shared mechanical\n      design of the PAVO family, including 95mm front diameters and\n      standardized cine-style control gearing. This helps reduce\n      accessory changes when moving between focal lengths during\n      production.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Unified lens dimensions and control placement support faster\n      transitions between wide, medium, and longer focal lengths\n      when working with matte boxes, follow-focus systems, lens\n      motors, and other compatible camera accessories.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MOUNT FLEXIBILITY\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    PL and EF Mount Flexibility\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Interchangeable Lens Mounts\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Configure the Set for Compatible PL or EF Camera Systems\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Each PAVO lens in the set uses an interchangeable mounting\n      system that supports PL and EF configurations, allowing the\n      package to move between compatible professional cinema-camera\n      platforms.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This flexibility is useful for camera departments, rental\n      houses, and multi-camera productions that need one anamorphic\n      lens set to support different camera packages.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MANUAL CINE CONTROL\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Manual Cine Control\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      0.8 MOD Gearing\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Production-Oriented Focus and Iris Operation\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Standard 0.8 MOD cine gearing supports compatible follow-focus\n      units and lens-control motors throughout the six-lens package.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This DZO-PA6PLIB configuration uses Imperial focus markings in\n      feet across the set, supporting consistent distance references\n      for camera assistants and focus pullers.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     TRANSPORT \u0026 CASE ORGANIZATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Transport and Case Organization\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Two Included Hard Cases\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Organized Storage for the Complete Six-Lens Package\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 6-lens set includes two hard cases, with three lenses\n      housed in each case. This divides the complete package into\n      manageable groups for storage, transport, and on-set access.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The two-case configuration also helps camera departments\n      organize the wide-to-medium and longer focal lengths during\n      production while keeping the complete lens package together as\n      one coordinated system.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     REAL-WORLD WORKFLOWS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Real-World Workflows\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Narrative Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Cover a Full Scene with One Anamorphic Lens Package\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Six focal lengths from 28mm through 100mm give a narrative\n        camera department options for establishing shots, dialogue,\n        medium coverage, portraits, and tighter character framing\n        without leaving the PAVO system.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Maintain Blue Flare Character Across Multiple Focal Lengths\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        All six lenses use the Blue-coated PAVO configuration,\n        allowing productions to retain blue horizontal flare\n        behavior while changing focal length for different setups.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Dialogue and Portrait Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Move from 55mm to 75mm and 100mm for Tighter Framing\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The longer focal lengths support progressively tighter\n        compositions, stronger subject emphasis, and increased\n        background compression for character-focused scenes.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Wide Environmental Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Use 28mm, 32mm, and 40mm for Broader Scene Context\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The wider half of the set provides options for establishing\n        shots, interiors, moving-camera work, and environmental\n        compositions that need more surrounding context.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Handheld and Stabilized Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Build Supported Mobile Camera Packages\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The compact PAVO platform can be integrated with supported\n        handheld, gimbal, Steadicam, and other stabilized camera\n        configurations when the selected rig is properly balanced\n        for the camera and lens combination.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Rental and Multi-Camera Packages\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Deploy a Broad Focal-Length Range from One Matched System\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        PL\/EF mount flexibility, standardized mechanics, and six\n        focal lengths make the set suitable for rental inventory and\n        productions that need to distribute related anamorphic lenses\n        across multiple compatible camera bodies.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     WHO IT'S FOR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Who It's For\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators who need a complete Super35 2X anamorphic package\n      spanning wide through longer focal lengths.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Narrative Productions\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Feature, episodic, and short-form productions that need\n      multiple focal lengths with a coordinated Blue anamorphic\n      character.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Commercial Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams using blue horizontal streaks and 2X anamorphic\n      rendering as part of a controlled visual design.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Departments\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews working with interchangeable PL and EF mounts, 95mm\n      fronts, 0.8 MOD gearing, and feet-based focus markings.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Focus Pullers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Assistants who benefit from consistent cine controls and\n      Imperial focus scales across a complete anamorphic prime set.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Rental Houses\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Rental inventories that need a six-lens Super35 anamorphic\n      package with PL\/EF flexibility and dedicated transport cases.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     DZOFILM SUPPORT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The DZOFilm PAVO DZO-PA6PLIB set combines six Super35 2X\n      anamorphic primes from 28mm through 100mm with Blue flare\n      rendering, PL\/EF mount flexibility, Imperial focus scales, and\n      two hard cases. Coremicro can help confirm camera\n      compatibility, mount configuration, lens-control requirements,\n      and PAVO package integration for professional cinema\n      production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     TECHNICAL SPECIFICATIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Technical Specifications\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO 2x Anamorphic 6-Lens Set\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-PA6PLIB\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eSet Type\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e6-Lens Anamorphic Prime Set\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIncluded Focal Lengths\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e28mm, 32mm, 40mm, 55mm, 75mm, 100mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          28mm T2.1 ·\n          32mm T2.1 ·\n          40mm T2.1 ·\n          55mm T2.1 ·\n          75mm T2.1 ·\n          100mm T2.4\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAnamorphic Squeeze\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2X\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlare \/ Coating Version\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eBlue\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e31.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eInterchangeable ARRI PL \/ Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlange Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e52mm PL \/ 44mm EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e28mm: 14 Blades · 32\/40\/55\/75\/100mm: 16 Blades\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e95mm \/ 3.74 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Material\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e28mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 106.3mm \/ 1203g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e32mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 105.7mm \/ 1278g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e40mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 107.6mm \/ 1300g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e55mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 108.4mm \/ 1262g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e75mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 126.9mm \/ 1466g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003e100mm Length \/ Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApprox. 143.1mm \/ 1654g\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIncluded Cases\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2 x Hard Case, 3 lenses per case\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          1 x DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens ·\n          1 x DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens ·\n          1 x DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens ·\n          1 x DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens ·\n          1 x DZOFilm PAVO 75mm T2.1 2x Anamorphic Prime Lens ·\n          1 x DZOFilm PAVO 100mm T2.4 2x Anamorphic Prime Lens ·\n          Front Cap for Each Lens ·\n          PL Rear Cap for Each Lens ·\n          EF Bayonet for Each Lens ·\n          EF Rear Cap for Each Lens ·\n          Screw Packets ·\n          Shim Sets ·\n          Screwdrivers ·\n          Sticker Sets ·\n          2 x Hard Case\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FREQUENTLY ASKED QUESTIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Frequently Asked Questions\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Which lenses are included in the DZOFilm PAVO 6-lens set?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZO-PA6PLIB set includes six PAVO 2X anamorphic prime\n      lenses: 28mm, 32mm, 40mm, 55mm, 75mm, and 100mm. The first\n      five lenses open to T2.1, while the 100mm has a T2.4 maximum\n      aperture.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What anamorphic squeeze does the PAVO 6-lens set use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Every lens in the set uses a true 2X anamorphic squeeze.\n      Recorded footage should be appropriately de-squeezed during\n      monitoring or post-production to display the intended\n      widescreen image.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What flare character does the Blue PAVO set produce?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZO-PA6PLIB contains the Blue-coated versions of all six PAVO\n      lenses. Suitable light sources can produce characteristic\n      horizontal blue streak flares along with the oval and\n      waterfall-style bokeh associated with the PAVO anamorphic\n      design.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Are the lenses in this PAVO set full-frame?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      No. The six included PAVO lenses are designed for Super35 \/\n      APS-C coverage with a 31.5mm image circle rather than native\n      full-frame coverage.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the PAVO 6-lens set support both PL and EF mounts?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. Each lens uses an interchangeable mount system supporting\n      compatible ARRI PL and Canon EF configurations. EF bayonets are\n      included with the lenses.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Are all six lenses mechanically consistent for production?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO lenses use a shared cine-style mechanical approach,\n      including a 95mm front diameter and standard 0.8 MOD gearing.\n      This helps reduce accessory changes when switching focal\n      lengths during production.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the DZOFilm PAVO 6-lens set include transport cases?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The set includes two hard cases, with three PAVO lenses\n      and their respective accessories housed in each case for\n      organized transport and storage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     PRODUCT SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm PAVO 2x Anamorphic 6-Lens Set Blue PL\/EF Feet\",\n  \"description\": \"DZOFilm PAVO 2X anamorphic six-lens set with 28mm, 32mm, 40mm, 55mm, 75mm, and 100mm Super35 primes, Blue flare coating, interchangeable PL and EF mounts, Imperial focus markings, and two hard cases.\",\n  \"sku\": \"DZO-PA6PLIB\",\n  \"mpn\": \"DZO-PA6PLIB\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA6PLIB.jpg?v=1790429706\"\n  ],\n  \"additionalProperty\": [\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Set Configuration\",\n      \"value\": \"6 Anamorphic Prime Lenses\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Included Focal Lengths\",\n      \"value\": \"28mm, 32mm, 40mm, 55mm, 75mm, 100mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Anamorphic Squeeze\",\n      \"value\": \"2X\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Format Coverage\",\n      \"value\": \"Super35\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Image Circle\",\n      \"value\": \"31.5mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Lens Mount\",\n      \"value\": \"PL \/ EF\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Flare Version\",\n      \"value\": \"Blue\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focus Scale\",\n      \"value\": \"Imperial \/ Feet\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Included Cases\",\n      \"value\": \"2 Hard Cases\"\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     FAQ SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Which lenses are included in the DZOFilm PAVO 6-lens set?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The DZO-PA6PLIB set includes six PAVO 2X anamorphic prime lenses: 28mm, 32mm, 40mm, 55mm, 75mm, and 100mm. The first five lenses open to T2.1, while the 100mm has a T2.4 maximum aperture.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What anamorphic squeeze does the PAVO 6-lens set use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Every lens in the set uses a true 2X anamorphic squeeze. Recorded footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What flare character does the Blue PAVO set produce?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"DZO-PA6PLIB contains the Blue-coated versions of all six PAVO lenses. Suitable light sources can produce characteristic horizontal blue streak flares along with the oval and waterfall-style bokeh associated with the PAVO anamorphic design.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Are the lenses in this PAVO set full-frame?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. The six included PAVO lenses are designed for Super35 \/ APS-C coverage with a 31.5mm image circle rather than native full-frame coverage.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the PAVO 6-lens set support both PL and EF mounts?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. Each lens uses an interchangeable mount system supporting compatible ARRI PL and Canon EF configurations. EF bayonets are included with the lenses.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Are all six lenses mechanically consistent for production?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO lenses use a shared cine-style mechanical approach, including a 95mm front diameter and standard 0.8 MOD gearing. This helps reduce accessory changes when switching focal lengths during production.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the DZOFilm PAVO 6-lens set include transport cases?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The set includes two hard cases, with three PAVO lenses and their respective accessories housed in each case for organized transport and storage.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     CTA\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Building a Complete PAVO Anamorphic Package?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinema and production workflows. Contact our team to confirm\n    camera compatibility, Blue PAVO configuration, PL or EF mounting,\n    lens-control requirements, and integration of the six-lens set\n    into your production package.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FOOTER LINKS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=anamorphic+lens\" class=\"cm-footer-links__item\"\u003e\n      Anamorphic Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=cinema+lens\" class=\"cm-footer-links__item\"\u003e\n      Cinema Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014647458,"sku":"DZO-PA6PLIB","price":14999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA6PLIB.jpg?v=1790429706","url":"https:\/\/www.coremicro.com\/products\/dzofilm-pavo-6-lens-2x-anamorphic-set-blue","provider":"COREMICRO.COM","version":"1.0","type":"link"}