{"product_id":"dzofilm-pavo-55mm-t21-2x-anamorphic-neutral","title":"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- =====================================================\n     STAT BAR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e55mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Prime\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.1\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e2X\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Squeeze\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eSuper35\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003e31.5mm Image Circle\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INTRO\n     ===================================================== --\u003e\n\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e\n  PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e is a Super35\n  cinema prime with a true 2X anamorphic squeeze, Neutral coating,\n  and interchangeable PL and EF mounts. Its 55mm focal length\n  provides a natural, controlled perspective for narrative coverage,\n  dialogue scenes, environmental portraits, and commercial\n  cinematography while retaining classic anamorphic bokeh and\n  horizontal flare characteristics.\n\u003c\/p\u003e\n\n\n\u003c!-- =====================================================\n     HERO\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA5521PLIN.jpg?v=1790415235\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm PAVO 55mm T2.1 2x anamorphic Neutral PL EF Super35 cinema lens\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     KEY FEATURES\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Key Features\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      True 2X Anamorphic Squeeze\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A true 2X squeeze delivers horizontal image compression and\n      the widescreen rendering associated with professional\n      anamorphic cinema production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      55mm T2.1 Cinema Prime\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 55mm focal length provides a controlled field of view for\n      dialogue coverage, medium shots, environmental portraits, and\n      narrative compositions that place greater emphasis on the\n      subject.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Neutral Anamorphic Flare Rendering\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      This DZO-PA5521PLIN configuration uses the Neutral-coated PAVO\n      optical design for horizontal anamorphic flare behavior without\n      the dedicated blue treatment of the alternate Blue version.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      16-Blade Iris with Oval Bokeh\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A 16-blade iris works with the 2X anamorphic optical design to\n      create elliptical out-of-focus highlights and smooth\n      transitions between focused and defocused areas.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Interchangeable PL and EF Mount\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Interchangeable PL and EF mounting gives camera departments\n      flexibility when configuring the lens for compatible\n      professional cinema-camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      0.6m Close Focus\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A minimum focus distance of 0.6m \/ 2 ft supports closer subject\n      placement and foreground interaction while retaining the\n      controlled perspective of the 55mm focal length.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     55MM ANAMORPHIC CHARACTER\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    55mm Anamorphic Character\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      55mm 2X Anamorphic\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Natural Perspective with Stronger Subject Emphasis\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The 55mm focal length offers a more controlled field of view\n      than the wider PAVO options, making it well suited to dialogue,\n      medium shots, environmental portraits, and compositions where\n      the subject should carry greater visual weight.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Its true 2X anamorphic optical design retains horizontal\n      compression, oval bokeh, and characteristic flare structure\n      while delivering a versatile focal length for narrative and\n      commercial production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     T2.1 APERTURE\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    T2.1 Maximum Aperture\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      T2.1–T22\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Fast Operation with Controlled Depth of Field\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm opens to T2.1, supporting available-light\n      production and selective depth-of-field control while the\n      longer perspective provides stronger separation between the\n      subject and background than wider focal lengths.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The aperture range extends to T22, providing additional\n      exposure control across interior, exterior, and controlled\n      production-lighting environments.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     NEUTRAL VERSION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Neutral Version\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Neutral Horizontal Streaks\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Neutral Flare Rendering for Flexible Lighting Design\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This exact DZO-PA5521PLIN model is the Neutral-coated version\n      of the PAVO 55mm. It produces horizontal anamorphic flare\n      behavior without the dedicated blue flare treatment used by\n      the separate Blue configuration.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The Neutral option gives cinematographers greater flexibility\n      when practical sources, production fixtures, and scene lighting\n      should determine more of the visible flare color while retaining\n      the characteristic anamorphic streak structure.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     SUPER35 \u0026 LENS OPERATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Super35 and Lens Operation\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__grid\"\u003e\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Format\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Super35\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Image Circle\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        31.5mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Mount\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Interchangeable PL \/ EF\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Focus Scale\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Imperial \/ Feet\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Close Focus\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.6m \/ 2 ft\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Filter Size\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        M86\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Gear Pitch\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.8 MOD\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Front Diameter\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        95mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     COMPACT PRODUCTION DESIGN\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Compact Production Design\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      55mm PAVO Prime\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Compact Anamorphic Design for Professional Camera Builds\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm measures approximately 108.4mm from the front of\n      the lens to the flange plane and weighs about 1262g, providing\n      a compact 2X anamorphic option for professional Super35\n      production.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Its 95mm front diameter and standardized cine-style mechanical\n      layout help simplify matte-box, follow-focus, and lens-change\n      workflows when the 55mm is used alongside other PAVO focal\n      lengths.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MOUNT \u0026 BACK-FOCUS ADJUSTMENT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Mount and Back-Focus Adjustment\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      PL \/ EF Flexibility\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Interchangeable Mounting for Professional Cinema Cameras\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm supports interchangeable PL and EF mounting,\n      allowing camera departments to configure the lens for\n      compatible professional cinema-camera systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO platform also incorporates back-focus adjustment,\n      supporting precise setup when changing mounts or integrating\n      the lens into different camera packages.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MANUAL CINE CONTROL\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Manual Cine Control\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      0.8 MOD Cine Gearing\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Manual Focus and Iris Control for Camera Crews\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Standard 0.8 MOD gearing supports compatible follow-focus\n      systems and lens-control motors used in professional cinema\n      workflows.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This DZO-PA5521PLIN configuration uses Imperial focus markings\n      in feet, while the 0.6m minimum focus distance supports closer\n      subject placement and controlled focus transitions for dialogue,\n      portrait, and medium-shot coverage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     REAL-WORLD WORKFLOWS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Real-World Workflows\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Dialogue Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Use a Controlled Perspective for Character-Focused Scenes\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 55mm focal length provides a natural, controlled field of\n        view for dialogue scenes and medium shots while retaining\n        enough environmental context to support narrative staging.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Environmental Portraits\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Emphasize the Subject without Losing Scene Context\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 55mm perspective gives subjects greater visual weight\n        while preserving enough background information to maintain\n        a clear relationship with the surrounding environment.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Narrative Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Build Medium Shots with Classic 2X Anamorphic Character\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        True 2X compression, oval bokeh, and controlled 55mm framing\n        make the lens useful for narrative coverage where subject\n        separation and anamorphic texture are both important.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Neutral Flare Rendering for Controlled Lighting Design\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The Neutral-coated configuration provides horizontal\n        anamorphic flare behavior without the dedicated blue\n        treatment used by the separate Blue PAVO version.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Handheld and Stabilized Work\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Integrate the 55mm into Supported Mobile Camera Rigs\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The compact PAVO design can be incorporated into supported\n        handheld, gimbal, Steadicam, and other stabilized\n        configurations when the complete camera package is properly\n        balanced for the lens.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Multi-Lens PAVO Packages\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Add a Natural Mid-Range Focal Length to a PAVO Set\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 55mm provides a useful step beyond the wider 40mm while\n        maintaining the 2X squeeze, Super35 format, 95mm front\n        diameter, and cine-style mechanical approach of the PAVO\n        series.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     WHO IT'S FOR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Who It's For\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators who need a versatile 55mm Super35 focal length with\n      a true 2X anamorphic image.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Narrative Filmmakers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Productions covering dialogue, medium shots, environmental\n      portraits, and character-focused narrative scenes.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Commercial Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams seeking Neutral anamorphic flare rendering with a\n      fast T2.1 aperture and controlled 55mm perspective.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Departments\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews working with interchangeable PL and EF mounts, 95mm\n      fronts, and standard 0.8 MOD cine gearing.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Focus Pullers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Assistants working with manual lens control, Imperial focus\n      markings, and close-focus setups down to 0.6m.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Rental Houses\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      PAVO packages that need a versatile 55mm focal length with\n      consistent Super35 2X anamorphic operation and cine mechanics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     DZOFILM SUPPORT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The PAVO 55mm T2.1 combines Super35 coverage, a true 2X\n      anamorphic squeeze, Neutral flare rendering, 0.6m close focus,\n      and interchangeable PL and EF mounting. Coremicro can help\n      confirm camera compatibility, mount configuration, focus-scale\n      requirements, and complementary PAVO focal lengths for a\n      professional cinema lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     TECHNICAL SPECIFICATIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Technical Specifications\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-PA5521PLIN\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eUPC\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e842463101531\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAnamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e55mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eT-Stop Range\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT2.1–T22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAnamorphic Squeeze\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2X\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlare \/ Coating Version\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNeutral\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e31.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e14 Elements in 13 Groups\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eInterchangeable ARRI PL \/ Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlange Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e52mm PL \/ 44mm EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.6m \/ 2 ft from sensor plane\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e270°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e63°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e95mm \/ 3.7 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eM86\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eSuper35 Angle of View\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e53° Horizontal \/ 19° Vertical\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 108mm \/ 4.26 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 1.3kg \/ 2.8 lb\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          1 x DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens ·\n          1 x Front Cap ·\n          1 x PL Rear Cap ·\n          1 x EF Bayonet ·\n          1 x EF Rear Cap ·\n          2 x Packets of Screws ·\n          1 x Set of Shims ·\n          1 x Screwdriver ·\n          1 x Set of Stickers\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FREQUENTLY ASKED QUESTIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Frequently Asked Questions\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What is the DZOFilm PAVO 55mm T2.1 used for?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZOFilm PAVO 55mm T2.1 is a Super35 2X anamorphic prime\n      designed for professional cinema production. Its controlled\n      perspective works well for dialogue coverage, medium shots,\n      environmental portraits, narrative filmmaking, and commercial\n      cinematography.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What anamorphic squeeze does the PAVO 55mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm uses a true 2X anamorphic squeeze. Footage should\n      be appropriately de-squeezed during monitoring or\n      post-production to display the intended widescreen image.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What does the Neutral version of the PAVO 55mm produce?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZO-PA5521PLIN is the Neutral-coated version of the PAVO 55mm.\n      It produces neutral horizontal anamorphic flares and\n      characteristic oval or waterfall-style bokeh without the\n      dedicated blue flare treatment of the separate Blue version.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Is the DZOFilm PAVO 55mm a full-frame lens?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      No. The PAVO 55mm is designed for Super35 \/ APS-C coverage\n      with a 31.5mm image circle rather than native full-frame\n      coverage.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      How close can the PAVO 55mm focus?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm focuses down to 0.6m, or approximately 2 ft,\n      measured from the sensor plane. This supports closer subject\n      placement for medium shots and character-focused compositions.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the PAVO 55mm support PL and EF mounts?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens uses an interchangeable mount system for\n      compatible ARRI PL and Canon EF camera configurations. An EF\n      bayonet is included with the lens.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What front diameter and cine gearing does the PAVO 55mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 55mm uses a 95mm front diameter, M86 filter thread,\n      and standard 0.8 MOD cine gearing for compatible matte boxes,\n      follow-focus units, and motorized lens-control systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     PRODUCT SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF\",\n  \"description\": \"DZOFilm PAVO 55mm T2.1 2X anamorphic prime lens with Neutral coating, Super35 coverage, interchangeable PL and EF mounts, and Imperial focus markings.\",\n  \"sku\": \"DZO-PA5521PLIN\",\n  \"mpn\": \"DZO-PA5521PLIN\",\n  \"gtin12\": \"842463101531\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA5521PLIN.jpg?v=1790415235\"\n  ],\n  \"additionalProperty\": [\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focal Length\",\n      \"value\": \"55mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"T-Stop Range\",\n      \"value\": \"T2.1-T22\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Anamorphic Squeeze\",\n      \"value\": \"2X\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Format Coverage\",\n      \"value\": \"Super35\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Image Circle\",\n      \"value\": \"31.5mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Lens Mount\",\n      \"value\": \"PL \/ EF\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Flare Version\",\n      \"value\": \"Neutral\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focus Scale\",\n      \"value\": \"Imperial \/ Feet\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Minimum Focus Distance\",\n      \"value\": \"0.6m \/ 2 ft\"\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     FAQ SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the DZOFilm PAVO 55mm T2.1 used for?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The DZOFilm PAVO 55mm T2.1 is a Super35 2X anamorphic prime designed for professional cinema production. Its controlled perspective works well for dialogue coverage, medium shots, environmental portraits, narrative filmmaking, and commercial cinematography.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What anamorphic squeeze does the PAVO 55mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 55mm uses a true 2X anamorphic squeeze. Footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does the Neutral version of the PAVO 55mm produce?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"DZO-PA5521PLIN is the Neutral-coated version of the PAVO 55mm. It produces neutral horizontal anamorphic flares and characteristic oval or waterfall-style bokeh without the dedicated blue flare treatment of the separate Blue version.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is the DZOFilm PAVO 55mm a full-frame lens?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. The PAVO 55mm is designed for Super35 \/ APS-C coverage with a 31.5mm image circle rather than native full-frame coverage.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How close can the PAVO 55mm focus?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 55mm focuses down to 0.6m, or approximately 2 ft, measured from the sensor plane. This supports closer subject placement for medium shots and character-focused compositions.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the PAVO 55mm support PL and EF mounts?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens uses an interchangeable mount system for compatible ARRI PL and Canon EF camera configurations. An EF bayonet is included with the lens.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What front diameter and cine gearing does the PAVO 55mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 55mm uses a 95mm front diameter, M86 filter thread, and standard 0.8 MOD cine gearing for compatible matte boxes, follow-focus units, and motorized lens-control systems.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     CTA\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Need the Right PAVO Lens for Your Cinema Package?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinema and production workflows. Contact our team to confirm PAVO\n    focal length, Neutral configuration, PL or EF mounting, and\n    camera compatibility for your lens package.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FOOTER LINKS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=anamorphic+lens\" class=\"cm-footer-links__item\"\u003e\n      Anamorphic Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=cinema+lens\" class=\"cm-footer-links__item\"\u003e\n      Cinema Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014614690,"sku":"DZO-PA5521PLIN","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA5521PLIN.jpg?v=1790415235","url":"https:\/\/www.coremicro.com\/products\/dzofilm-pavo-55mm-t21-2x-anamorphic-neutral","provider":"COREMICRO.COM","version":"1.0","type":"link"}