{"product_id":"dzofilm-pavo-40mm-t21-2x-anamorphic-neutral","title":"DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- =====================================================\n     STAT BAR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e40mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Prime\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.1\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e2X\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Squeeze\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eSuper35\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003e31.5mm Image Circle\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INTRO\n     ===================================================== --\u003e\n\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e\n  PAVO 40mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e is a Super35\n  cinema prime with a true 2X anamorphic squeeze, Neutral coating,\n  and interchangeable PL and EF mounts. Its 40mm focal length\n  provides a balanced medium-wide perspective for narrative,\n  commercial, interior, and environmental cinematography while\n  retaining the oval bokeh and horizontal flare characteristics of\n  anamorphic imaging.\n\u003c\/p\u003e\n\n\n\u003c!-- =====================================================\n     HERO\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA4021PLIN.jpg?v=1790414456\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm PAVO 40mm T2.1 2x anamorphic Neutral PL EF Super35 cinema lens\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     KEY FEATURES\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Key Features\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      True 2X Anamorphic Squeeze\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A true 2X squeeze provides horizontal image compression and\n      the widescreen rendering associated with professional\n      anamorphic cinema production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      40mm T2.1 Medium-Wide Prime\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 40mm focal length balances environmental context with a\n      more controlled perspective than wider PAVO focal lengths,\n      making it useful for narrative coverage, interiors, and\n      medium-wide compositions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Neutral Anamorphic Flare Rendering\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      This DZO-PA4021PLIN configuration uses the Neutral-coated PAVO\n      optical design for horizontal anamorphic flare behavior without\n      the dedicated blue treatment of the alternate Blue version.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      16-Blade Iris with Oval Bokeh\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A 16-blade iris works with the 2X anamorphic optics to produce\n      elliptical out-of-focus highlights and smooth transitions\n      between focused and defocused areas.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Interchangeable PL and EF Mount\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Interchangeable PL and EF mounting gives camera departments\n      flexibility when configuring the lens for compatible\n      professional cinema-camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      0.45m Close Focus\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A minimum focus distance of 0.45m \/ 1 ft 6 in supports close\n      foreground elements and more immersive subject-to-environment\n      compositions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     40MM ANAMORPHIC CHARACTER\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    40mm Anamorphic Character\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      40mm 2X Anamorphic\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      A Balanced Perspective for Narrative and Environmental Coverage\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The 40mm focal length sits between the wider PAVO options and\n      longer normal-to-telephoto focal lengths, providing enough field\n      of view to retain environmental context while placing greater\n      visual emphasis on the subject.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Its 2X anamorphic optical design adds horizontal compression,\n      oval bokeh, and characteristic flare behavior while maintaining\n      a versatile perspective for medium-wide narrative compositions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     T2.1 APERTURE\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    T2.1 Maximum Aperture\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      T2.1–T22\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Fast Operation for Available-Light and Controlled Sets\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm opens to T2.1, supporting lower-light production\n      environments and selective depth-of-field control while\n      retaining its medium-wide Super35 perspective.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The aperture range extends to T22, giving cinematographers\n      additional exposure flexibility across interior, exterior, and\n      controlled studio-lighting conditions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     NEUTRAL VERSION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Neutral Version\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Neutral Horizontal Streaks\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Neutral Flare Rendering for Flexible Lighting Design\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This exact DZO-PA4021PLIN model is the Neutral-coated version\n      of the PAVO 40mm. It produces horizontal anamorphic flare\n      behavior without the dedicated blue flare treatment used by\n      the separate Blue configuration.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The Neutral version allows practical sources and production\n      lighting to play a larger role in determining flare color while\n      retaining the characteristic streak structure of anamorphic\n      optics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     SUPER35 \u0026 LENS OPERATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Super35 and Lens Operation\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__grid\"\u003e\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Format\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Super35\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Image Circle\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        31.5mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Mount\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Interchangeable PL \/ EF\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Focus Scale\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Imperial \/ Feet\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Close Focus\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.45m \/ 1 ft 6 in\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Filter Size\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        M86\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Gear Pitch\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.8 MOD\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Front Diameter\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        95mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     COMPACT PRODUCTION DESIGN\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Compact Production Design\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      40mm PAVO Prime\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Compact Anamorphic Design for Professional Camera Builds\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm measures approximately 107.6mm from the front of\n      the lens to the flange plane and weighs about 1300g, providing\n      a relatively compact 2X anamorphic option for professional\n      Super35 production.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Its 95mm front diameter and standardized cine-style mechanical\n      layout help simplify matte-box, follow-focus, and lens-change\n      workflows when the 40mm is used alongside other PAVO focal\n      lengths.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MOUNT \u0026 BACK-FOCUS ADJUSTMENT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Mount and Back-Focus Adjustment\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      PL \/ EF Flexibility\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Interchangeable Mounting for Professional Cinema Cameras\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm supports interchangeable PL and EF mounting,\n      allowing camera departments to configure the lens for\n      compatible professional cinema-camera systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO platform also incorporates back-focus adjustment,\n      supporting precise setup when changing mounts or integrating\n      the lens into different camera packages.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MANUAL CINE CONTROL\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Manual Cine Control\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      0.8 MOD Cine Gearing\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Manual Focus and Iris Control for Camera Crews\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Standard 0.8 MOD gearing supports compatible follow-focus\n      systems and lens-control motors used in professional cinema\n      workflows.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This DZO-PA4021PLIN configuration uses Imperial focus markings\n      in feet, while the 0.45m minimum focus distance supports closer\n      subject placement and foreground interaction within medium-wide\n      compositions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     REAL-WORLD WORKFLOWS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Real-World Workflows\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Narrative Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Balance Subject Emphasis with Environmental Context\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 40mm focal length provides a medium-wide Super35\n        perspective that keeps surrounding context visible without\n        the more expansive look of the wider PAVO focal lengths.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Interior Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Cover Interior Spaces with a Controlled Field of View\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 40mm provides enough width for many interior setups while\n        retaining a natural relationship between subjects,\n        architecture, and production design.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Environmental Portraits\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Keep the Subject Connected to the Surrounding Scene\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Medium-wide framing allows cinematographers to give a subject\n        visual priority while preserving enough environmental detail\n        to support narrative context.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Neutral Flare Rendering for Controlled Lighting Design\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The Neutral-coated configuration provides horizontal\n        anamorphic flare behavior without the dedicated blue\n        treatment used by the separate Blue PAVO version.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Handheld and Stabilized Work\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Integrate the 40mm into Supported Mobile Camera Rigs\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The compact PAVO design can be incorporated into supported\n        handheld, gimbal, Steadicam, and other stabilized\n        configurations when the complete camera package is properly\n        balanced for the lens.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Multi-Lens PAVO Packages\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Add a Versatile Medium-Wide Focal Length to a PAVO Set\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 40mm bridges the wider 28mm and 32mm options with longer\n        focal lengths while maintaining the 2X squeeze, Super35\n        format, and cine-style mechanical approach of the PAVO\n        series.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     WHO IT'S FOR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Who It's For\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators who need a versatile 40mm Super35 focal length with\n      a true 2X anamorphic image.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Narrative Filmmakers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Productions balancing subject emphasis with environmental\n      context across dialogue, interior, and medium-wide coverage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Commercial Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams seeking Neutral anamorphic flare rendering with a\n      fast T2.1 aperture and flexible 40mm perspective.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Departments\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews working with interchangeable PL and EF mounts, 95mm\n      fronts, and standard 0.8 MOD cine gearing.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Focus Pullers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Assistants working with manual lens control, Imperial focus\n      markings, and close-focus setups down to 0.45m.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Rental Houses\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      PAVO packages that need a versatile 40mm focal length with\n      consistent Super35 2X anamorphic operation and cine mechanics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     DZOFILM SUPPORT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The PAVO 40mm T2.1 combines Super35 coverage, a true 2X\n      anamorphic squeeze, Neutral flare rendering, 0.45m close focus,\n      and interchangeable PL and EF mounting. Coremicro can help\n      confirm camera compatibility, mount configuration, focus-scale\n      requirements, and complementary PAVO focal lengths for a\n      professional cinema lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     TECHNICAL SPECIFICATIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Technical Specifications\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-PA4021PLIN\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eUPC\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e842463101524\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAnamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e40mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eT-Stop Range\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT2.1–T22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAnamorphic Squeeze\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2X\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlare \/ Coating Version\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNeutral\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e31.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e15 Elements in 14 Groups\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eInterchangeable ARRI PL \/ Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlange Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e52mm PL \/ 44mm EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.45m \/ 1 ft 6 in from sensor plane\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e270°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e58°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e95mm \/ 3.74 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eM86\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eSuper35 Angle of View\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e72° Horizontal \/ 26° Vertical\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 107.6mm \/ 4.24 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 1300g \/ 2.9 lb\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          1 x DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens ·\n          1 x Front Cap ·\n          1 x PL Rear Cap ·\n          1 x EF Bayonet ·\n          1 x EF Rear Cap ·\n          2 x Packets of Screws ·\n          1 x Set of Shims ·\n          1 x Screwdriver ·\n          1 x Set of Stickers\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FREQUENTLY ASKED QUESTIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Frequently Asked Questions\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What is the DZOFilm PAVO 40mm T2.1 used for?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZOFilm PAVO 40mm T2.1 is a Super35 2X anamorphic prime\n      designed for professional cinema production. Its medium-wide\n      perspective works well for narrative coverage, interiors,\n      environmental portraits, commercial work, and compositions\n      that balance subject presence with surrounding context.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What anamorphic squeeze does the PAVO 40mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm uses a true 2X anamorphic squeeze. Footage should\n      be appropriately de-squeezed during monitoring or\n      post-production to display the intended widescreen image.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What does the Neutral version of the PAVO 40mm produce?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZO-PA4021PLIN is the Neutral-coated version of the PAVO 40mm.\n      It produces neutral horizontal anamorphic flares and\n      characteristic oval or waterfall-style bokeh without the\n      dedicated blue flare treatment of the separate Blue version.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Is the DZOFilm PAVO 40mm a full-frame lens?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      No. The PAVO 40mm is designed for Super35 \/ APS-C coverage\n      with a 31.5mm image circle rather than native full-frame\n      coverage.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      How close can the PAVO 40mm focus?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm focuses down to 0.45m, or approximately\n      1 ft 6 in, measured from the sensor plane. This allows closer\n      subject placement while retaining the lens's medium-wide\n      perspective.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the PAVO 40mm support PL and EF mounts?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens uses an interchangeable mount system for\n      compatible ARRI PL and Canon EF camera configurations. An EF\n      bayonet is included with the lens.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What front diameter and cine gearing does the PAVO 40mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 40mm uses a 95mm front diameter, M86 filter thread,\n      and standard 0.8 MOD cine gearing for compatible matte boxes,\n      follow-focus units, and motorized lens-control systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     PRODUCT SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm PAVO 40mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF\",\n  \"description\": \"DZOFilm PAVO 40mm T2.1 2X anamorphic prime lens with Neutral coating, Super35 coverage, interchangeable PL and EF mounts, and Imperial focus markings.\",\n  \"sku\": \"DZO-PA4021PLIN\",\n  \"mpn\": \"DZO-PA4021PLIN\",\n  \"gtin12\": \"842463101524\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA4021PLIN.jpg?v=1790414456\"\n  ],\n  \"additionalProperty\": [\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focal Length\",\n      \"value\": \"40mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"T-Stop Range\",\n      \"value\": \"T2.1-T22\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Anamorphic Squeeze\",\n      \"value\": \"2X\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Format Coverage\",\n      \"value\": \"Super35\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Image Circle\",\n      \"value\": \"31.5mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Lens Mount\",\n      \"value\": \"PL \/ EF\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Flare Version\",\n      \"value\": \"Neutral\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focus Scale\",\n      \"value\": \"Imperial \/ Feet\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Minimum Focus Distance\",\n      \"value\": \"0.45m \/ 1 ft 6 in\"\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     FAQ SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the DZOFilm PAVO 40mm T2.1 used for?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The DZOFilm PAVO 40mm T2.1 is a Super35 2X anamorphic prime designed for professional cinema production. Its medium-wide perspective works well for narrative coverage, interiors, environmental portraits, commercial work, and compositions that balance subject presence with surrounding context.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What anamorphic squeeze does the PAVO 40mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 40mm uses a true 2X anamorphic squeeze. Footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does the Neutral version of the PAVO 40mm produce?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"DZO-PA4021PLIN is the Neutral-coated version of the PAVO 40mm. It produces neutral horizontal anamorphic flares and characteristic oval or waterfall-style bokeh without the dedicated blue flare treatment of the separate Blue version.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is the DZOFilm PAVO 40mm a full-frame lens?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. The PAVO 40mm is designed for Super35 \/ APS-C coverage with a 31.5mm image circle rather than native full-frame coverage.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How close can the PAVO 40mm focus?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 40mm focuses down to 0.45m, or approximately 1 ft 6 in, measured from the sensor plane. This allows closer subject placement while retaining the lens's medium-wide perspective.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the PAVO 40mm support PL and EF mounts?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens uses an interchangeable mount system for compatible ARRI PL and Canon EF camera configurations. An EF bayonet is included with the lens.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What front diameter and cine gearing does the PAVO 40mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 40mm uses a 95mm front diameter, M86 filter thread, and standard 0.8 MOD cine gearing for compatible matte boxes, follow-focus units, and motorized lens-control systems.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     CTA\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Need the Right PAVO Lens for Your Cinema Package?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinema and production workflows. Contact our team to confirm PAVO\n    focal length, Neutral configuration, PL or EF mounting, and\n    camera compatibility for your lens package.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FOOTER LINKS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=anamorphic+lens\" class=\"cm-footer-links__item\"\u003e\n      Anamorphic Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=cinema+lens\" class=\"cm-footer-links__item\"\u003e\n      Cinema Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014581922,"sku":"DZO-PA4021PLIN","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA4021PLIN.jpg?v=1790414456","url":"https:\/\/www.coremicro.com\/products\/dzofilm-pavo-40mm-t21-2x-anamorphic-neutral","provider":"COREMICRO.COM","version":"1.0","type":"link"}