{"product_id":"dzofilm-pavo-32mm-t21-2x-anamorphic-neutral","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- =====================================================\n     STAT BAR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e32mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Prime\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.1\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e2X\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Squeeze\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eSuper35\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003e31.5mm Image Circle\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INTRO\n     ===================================================== --\u003e\n\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e\n  PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e is a Super35\n  cinema prime with a true 2X anamorphic squeeze, Neutral flare\n  rendering, and interchangeable PL and EF mounts. Its 32mm focal\n  length provides wide environmental coverage while retaining a more\n  controlled perspective than the widest focal lengths in the PAVO\n  system.\n\u003c\/p\u003e\n\n\n\u003c!-- =====================================================\n     HERO\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA3221PLIN.jpg?v=1790411796\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm PAVO 32mm T2.1 2x anamorphic Neutral PL EF Super35 cinema lens\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     KEY FEATURES\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Key Features\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      True 2X Anamorphic Squeeze\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A true 2X squeeze delivers horizontal image compression and\n      the widescreen rendering associated with professional\n      anamorphic cinema production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      32mm T2.1 Cinema Prime\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 32mm focal length provides broad Super35 coverage for\n      environmental compositions, interiors, establishing shots,\n      and narrative camera positions that need visual context.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Neutral Anamorphic Flare Rendering\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      This DZO-PA3221PLIN configuration uses the Neutral version of\n      the PAVO optical design for horizontal anamorphic flare\n      behavior without the dedicated blue treatment of the alternate\n      Blue model.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      16-Blade Iris with Oval Bokeh\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A 16-blade iris works with the 2X anamorphic optical design to\n      create elliptical out-of-focus highlights and smooth\n      transitions between focused and defocused areas.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Interchangeable PL and EF Mount\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Interchangeable PL and EF mounting gives camera departments\n      flexibility when configuring the lens for compatible\n      professional cinema-camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      0.4m Close Focus\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A minimum focus distance of 0.4m \/ 1.3 ft supports close\n      foreground elements and more immersive wide-angle compositions\n      while retaining the 32mm perspective.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     32MM ANAMORPHIC CHARACTER\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    32mm Anamorphic Character\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      32mm 2X Anamorphic\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Wide Environmental Coverage with Controlled Perspective\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The 32mm focal length provides a broad Super35 field of view\n      for interiors, environmental framing, establishing coverage,\n      and compositions that place subjects within a larger visual\n      space.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Compared with the wider 28mm PAVO, the 32mm offers a slightly\n      tighter perspective while preserving the 2X squeeze, oval\n      bokeh, horizontal flare behavior, and spatial characteristics\n      of anamorphic imaging.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     T2.1 APERTURE\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    T2.1 Maximum Aperture\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      T2.1–T22\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Fast Operation for Available-Light and Controlled Sets\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm opens to T2.1, supporting lower-light production\n      environments and selective depth-of-field control while\n      maintaining its wide Super35 perspective.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The aperture range extends to T22, giving cinematographers\n      additional exposure control when moving between interior,\n      exterior, and brighter production-lighting conditions.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     NEUTRAL VERSION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Neutral Version\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Neutral Horizontal Streaks\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Neutral Flare Rendering for Flexible Lighting Design\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This exact DZO-PA3221PLIN model is the Neutral configuration\n      of the PAVO 32mm. It produces horizontal anamorphic flare\n      behavior without the dedicated blue coating treatment used by\n      the separate Blue version.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The Neutral option gives cinematographers more flexibility when\n      the color and intensity of practical lights, production\n      fixtures, and other flare-producing sources should remain an\n      active part of the lighting design.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     SUPER35 \u0026 LENS OPERATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Super35 and Lens Operation\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__grid\"\u003e\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Format\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Super35\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Image Circle\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        31.5mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Mount\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Interchangeable PL \/ EF\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Focus Scale\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Imperial \/ Feet\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Close Focus\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.4m \/ 1.3 ft\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Filter Size\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        M86\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Gear Pitch\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.8 MOD\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Front Diameter\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        95mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     COMPACT PRODUCTION DESIGN\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Compact Production Design\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      32mm PAVO Prime\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Compact Anamorphic Design for Flexible Camera Builds\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm measures approximately 105.7mm from the front of\n      the lens to the flange plane and weighs about 1.28kg, giving\n      production crews a compact 2X anamorphic option for professional\n      Super35 camera systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Its 95mm front diameter and standardized cine-style layout help\n      simplify matte-box, follow-focus, and lens-change workflows when\n      the 32mm is used alongside other PAVO focal lengths.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MOUNT \u0026 BACK-FOCUS ADJUSTMENT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Mount and Back-Focus Adjustment\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      PL \/ EF Flexibility\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Interchangeable Mounting for Professional Cinema Cameras\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm supports interchangeable PL and EF mounting,\n      allowing camera departments to configure the lens for\n      compatible professional cinema-camera systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO platform also incorporates back-focus adjustment,\n      supporting precise setup when changing mounts or integrating\n      the lens into different camera packages.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MANUAL CINE CONTROL\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Manual Cine Control\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      0.8 MOD Cine Gearing\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Manual Focus and Iris Control for Camera Crews\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Standard 0.8 MOD gearing supports compatible follow-focus\n      systems and lens-control motors used in professional cinema\n      workflows.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This DZO-PA3221PLIN configuration uses Imperial focus markings\n      in feet, while the 0.4m minimum focus distance supports closer\n      foreground work and more dynamic subject-to-environment\n      relationships.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     REAL-WORLD WORKFLOWS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Real-World Workflows\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Environmental Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Balance Subject Presence with Wider Scene Context\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 32mm focal length provides broad Super35 coverage while\n        retaining a slightly tighter perspective than the 28mm,\n        making it useful when subjects and surrounding environments\n        need to share the frame.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Interior Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Cover Interior Spaces without Excessively Wide Perspective\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 32mm provides enough field of view for many interior\n        camera positions while retaining a more controlled spatial\n        relationship than a wider anamorphic focal length.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Close Wide Coverage\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Use 0.4m Close Focus for Foreground Emphasis\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 0.4m minimum focus distance allows near-camera subjects\n        and foreground elements to be incorporated into wider\n        compositions while retaining environmental context.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Neutral Flare Rendering for Controlled Visual Design\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The Neutral configuration provides horizontal anamorphic\n        flare behavior without the dedicated blue treatment of the\n        separate Blue-coated PAVO version.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Handheld and Stabilized Work\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Integrate the 32mm into Supported Mobile Camera Rigs\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The compact PAVO design can be incorporated into supported\n        handheld, gimbal, Steadicam, and other stabilized camera\n        configurations when the selected rig is properly balanced\n        for the complete camera and lens package.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Multi-Lens PAVO Packages\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Add a Versatile Wide Focal Length to a PAVO Set\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 32mm provides broad coverage between the wider 28mm and\n        longer focal lengths while maintaining the 2X anamorphic\n        squeeze, Super35 format, and cine-style mechanical approach\n        of the PAVO series.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     WHO IT'S FOR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Who It's For\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators who need broad 32mm Super35 coverage with a true\n      2X anamorphic image.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Narrative Filmmakers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Productions balancing environmental context with a controlled\n      wide-angle perspective for interiors and character coverage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Commercial Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams seeking Neutral anamorphic flare rendering with a\n      fast T2.1 aperture and wide Super35 coverage.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Departments\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews working with interchangeable PL and EF mounts, 95mm\n      fronts, and standard 0.8 MOD cine gearing.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Focus Pullers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Assistants working with manual lens control, Imperial focus\n      markings, and close-focus setups down to 0.4m.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Rental Houses\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      PAVO packages that need a versatile 32mm focal length with\n      consistent Super35 2X anamorphic operation and cine mechanics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     DZOFILM SUPPORT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The PAVO 32mm T2.1 combines Super35 coverage, a true 2X\n      anamorphic squeeze, Neutral flare rendering, 0.4m close focus,\n      and interchangeable PL and EF mounting. Coremicro can help\n      confirm camera compatibility, mount configuration, focus-scale\n      requirements, and complementary PAVO focal lengths for a\n      professional cinema lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     TECHNICAL SPECIFICATIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Technical Specifications\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-PA3221PLIN\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eUPC\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e842463101517\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAnamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e32mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eT-Stop Range\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT2.1–T22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAnamorphic Squeeze\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2X\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlare \/ Coating Version\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNeutral\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e31.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eInterchangeable ARRI PL \/ Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlange Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e52mm PL \/ 44mm EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.4m \/ 1.3 ft from sensor plane\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e95mm \/ 3.74 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eM86\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eSuper35 Angle of View\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e88° Horizontal \/ 32° Vertical\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 105.7mm \/ 4.16 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 1.28kg \/ 2.8 lb\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          1 x DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens ·\n          1 x Front Cap ·\n          1 x PL Rear Cap ·\n          1 x EF Bayonet ·\n          1 x EF Rear Cap ·\n          2 x Packets of Screws ·\n          1 x Set of Shims ·\n          1 x Screwdriver ·\n          1 x Set of Stickers\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FREQUENTLY ASKED QUESTIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Frequently Asked Questions\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What is the DZOFilm PAVO 32mm T2.1 used for?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZOFilm PAVO 32mm T2.1 is a Super35 2X anamorphic prime\n      designed for professional cinema production. Its field of view\n      is well suited to environmental compositions, interiors,\n      establishing coverage, and narrative shots that balance a\n      subject with surrounding context.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What anamorphic squeeze does the PAVO 32mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm uses a true 2X anamorphic squeeze. Recorded\n      footage should be appropriately de-squeezed during monitoring\n      or post-production to display the intended widescreen image.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What does the Neutral version of the PAVO 32mm produce?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZO-PA3221PLIN is the Neutral-coated version of the PAVO 32mm.\n      It produces elegant neutral horizontal anamorphic flares and\n      characteristic oval or waterfall-style bokeh without the\n      dedicated blue flare treatment of the separate Blue version.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Is the DZOFilm PAVO 32mm a full-frame lens?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      No. The PAVO 32mm is designed for Super35 \/ APS-C coverage\n      with a 31.5mm image circle. DZOFilm separately supports\n      adapting PAVO lenses to compatible full-frame cinema cameras\n      with its Marlin 1.6X Expander.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      How close can the PAVO 32mm focus?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm focuses down to 0.4m, or approximately 1.3 ft,\n      measured from the sensor plane. This supports close foreground\n      elements while retaining the broader perspective of the 32mm\n      focal length.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the PAVO 32mm support PL and EF mounts?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens uses an interchangeable mounting system for\n      compatible ARRI PL and Canon EF camera configurations. An EF\n      bayonet is included with the lens.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What front diameter and cine gearing does the PAVO 32mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 32mm uses a 95mm front diameter, M86 filter thread,\n      and standard 0.8 MOD cine gearing for compatible matte boxes,\n      follow-focus units, and motorized lens-control systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     PRODUCT SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens Neutral PL\/EF\",\n  \"description\": \"DZOFilm PAVO 32mm T2.1 2X anamorphic prime lens with Neutral coating, Super35 coverage, interchangeable PL and EF mounts, and Imperial focus markings.\",\n  \"sku\": \"DZO-PA3221PLIN\",\n  \"mpn\": \"DZO-PA3221PLIN\",\n  \"gtin12\": \"842463101517\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA3221PLIN.jpg?v=1790411796\"\n  ],\n  \"additionalProperty\": [\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focal Length\",\n      \"value\": \"32mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"T-Stop Range\",\n      \"value\": \"T2.1-T22\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Anamorphic Squeeze\",\n      \"value\": \"2X\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Format Coverage\",\n      \"value\": \"Super35\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Image Circle\",\n      \"value\": \"31.5mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Lens Mount\",\n      \"value\": \"PL \/ EF\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Flare Version\",\n      \"value\": \"Neutral\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focus Scale\",\n      \"value\": \"Imperial \/ Feet\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Minimum Focus Distance\",\n      \"value\": \"0.4m \/ 1.3 ft\"\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     FAQ SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the DZOFilm PAVO 32mm T2.1 used for?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The DZOFilm PAVO 32mm T2.1 is a Super35 2X anamorphic prime designed for professional cinema production. Its field of view is well suited to environmental compositions, interiors, establishing coverage, and narrative shots that balance a subject with surrounding context.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What anamorphic squeeze does the PAVO 32mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 32mm uses a true 2X anamorphic squeeze. Recorded footage should be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does the Neutral version of the PAVO 32mm produce?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"DZO-PA3221PLIN is the Neutral-coated version of the PAVO 32mm. It produces elegant neutral horizontal anamorphic flares and characteristic oval or waterfall-style bokeh without the dedicated blue flare treatment of the separate Blue version.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is the DZOFilm PAVO 32mm a full-frame lens?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. The PAVO 32mm is designed for Super35 \/ APS-C coverage with a 31.5mm image circle. DZOFilm separately supports adapting PAVO lenses to compatible full-frame cinema cameras with its Marlin 1.6X Expander.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How close can the PAVO 32mm focus?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 32mm focuses down to 0.4m, or approximately 1.3 ft, measured from the sensor plane. This supports close foreground elements while retaining the broader perspective of the 32mm focal length.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the PAVO 32mm support PL and EF mounts?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens uses an interchangeable mounting system for compatible ARRI PL and Canon EF camera configurations. An EF bayonet is included with the lens.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What front diameter and cine gearing does the PAVO 32mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 32mm uses a 95mm front diameter, M86 filter thread, and standard 0.8 MOD cine gearing for compatible matte boxes, follow-focus units, and motorized lens-control systems.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     CTA\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Need the Right PAVO Lens for Your Cinema Package?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinema and production workflows. Contact our team to confirm PAVO\n    focal length, Neutral configuration, PL or EF mounting, and\n    camera compatibility for your lens package.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FOOTER LINKS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=anamorphic+lens\" class=\"cm-footer-links__item\"\u003e\n      Anamorphic Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=cinema+lens\" class=\"cm-footer-links__item\"\u003e\n      Cinema Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014549154,"sku":"DZO-PA3221PLIN","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA3221PLIN.jpg?v=1790411796","url":"https:\/\/www.coremicro.com\/products\/dzofilm-pavo-32mm-t21-2x-anamorphic-neutral","provider":"COREMICRO.COM","version":"1.0","type":"link"}