{"product_id":"dzofilm-pavo-180mm-t28-2x-anamorphic-neutral","title":"DZOFilm PAVO 180mm T2.8 2x Anamorphic Prime Lens Neutral PL\/EF","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- =====================================================\n     STAT BAR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e180mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Prime\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.8\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e2X\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eAnamorphic Squeeze\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eSuper35\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003e31.5mm Image Circle\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003ePL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eInterchangeable Mount\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     INTRO\n     ===================================================== --\u003e\n\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e\n  PAVO 180mm T2.8 2x Anamorphic Prime Lens\u003c\/strong\u003e is a Super35\n  telephoto cinema prime with a true 2X anamorphic squeeze, Neutral\n  flare rendering, and interchangeable PL and EF mounts. Its long\n  180mm focal length provides pronounced spatial compression,\n  shallow depth of field, and strong subject isolation while\n  retaining the oval bokeh and horizontal flare characteristics\n  associated with anamorphic cinematography.\n\u003c\/p\u003e\n\n\n\u003c!-- =====================================================\n     HERO\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA18028PLIN.jpg?v=1790410064\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm PAVO 180mm T2.8 2x anamorphic Neutral flare PL EF Super35 cinema lens\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     KEY FEATURES\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Key Features\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      True 2X Anamorphic Squeeze\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A true 2X squeeze delivers the horizontal compression and\n      widescreen imaging characteristics associated with professional\n      anamorphic cinema production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      180mm T2.8 Telephoto Prime\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 180mm focal length combines a T2.8 maximum aperture with\n      strong telephoto compression for tight compositions, shallow\n      depth of field, and pronounced subject isolation.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Neutral Streak Anamorphic Flares\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      This DZO-PA18028PLIN configuration uses the Neutral flare\n      version of the PAVO optical design for evenly layered\n      horizontal streaks without the dedicated Blue flare treatment.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      16-Blade Iris with Oval Bokeh\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A 16-blade iris works with the 2X anamorphic design to create\n      elliptical out-of-focus highlights and smooth transitions\n      between focused and defocused areas.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Interchangeable PL and EF Mount\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Interchangeable PL and EF mounting gives camera departments\n      flexibility when integrating the lens with compatible\n      professional cinema-camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Long-Telephoto PAVO Design\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      The 180mm extends the PAVO system to its longest focal length\n      while maintaining the 95mm front diameter and production-oriented\n      cine mechanics used across the series.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     TELEPHOTO ANAMORPHIC CHARACTER\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Telephoto Anamorphic Character\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      180mm 2X Anamorphic\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Maximum PAVO Compression for Strong Subject Isolation\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The 180mm focal length provides the longest telephoto\n      perspective in the PAVO series. Its compressed field of view\n      reduces the apparent distance between foreground and background\n      while supporting shallow depth of field for isolated subjects\n      and tighter compositions.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZOFilm specifically positions the 135mm and 180mm focal\n      lengths as telephoto additions for stronger environmental\n      compression and character isolation while maintaining the\n      unified 2X anamorphic rendering of the PAVO family.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     NEUTRAL FLARE VERSION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Neutral Flare Version\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Neutral Horizontal Streaks\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Evenly Layered Neutral Flares for Flexible Cinema Lighting\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This exact DZO-PA18028PLIN model is the Neutral flare version\n      of the PAVO 180mm. Its anamorphic optical design produces\n      evenly layered horizontal streak flares without the dedicated\n      blue treatment used by the alternate Blue version.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZOFilm offers separate Neutral and Blue versions across the\n      PAVO line, allowing cinematographers to match flare character\n      to the intended visual style of a production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     SUPER35 \u0026 LENS OPERATION\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Super35 and Lens Operation\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__grid\"\u003e\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Format\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Super35\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Image Circle\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        31.5mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Mount\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Interchangeable PL \/ EF\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Focus Scale\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        Imperial \/ Feet\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Close Focus\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        1.04m \/ 3 ft 5 in\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Filter Size\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        M86\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Gear Pitch\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        0.8 MOD\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n      \u003cp class=\"cm-card__grid-label\"\u003e\n        Front Diameter\n      \u003c\/p\u003e\n      \u003cp class=\"cm-card__grid-value\"\u003e\n        95mm\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     TELEPHOTO PRODUCTION DESIGN\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Telephoto Production Design\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Longest PAVO Focal Length\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Extend the PAVO System to 180mm Telephoto Coverage\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 180mm extends the series to its longest focal length,\n      giving cinematographers pronounced spatial compression and\n      shallow depth of field while maintaining the 2X anamorphic\n      character of the PAVO family.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens uses a 95mm front diameter, measures approximately\n      160mm from the front of the lens to the flange plane, and\n      weighs about 1950g.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MOUNT \u0026 BACK-FOCUS ADJUSTMENT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Mount and Back-Focus Adjustment\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      PL \/ EF Flexibility\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Interchangeable Mounting for Professional Cinema Cameras\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 180mm supports interchangeable PL and EF mounting,\n      allowing camera departments to configure the lens for\n      compatible professional cinema-camera systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZOFilm also incorporates built-in back-focus adjustment into\n      the PAVO platform, allowing crews to make precise corrections\n      while the lens remains mounted to the camera.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     MANUAL CINE CONTROL\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Manual Cine Control\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      0.8 MOD Cine Gearing\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Manual Focus and Iris Control for Cinema Crews\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Standard 0.8 MOD gearing supports compatible follow-focus\n      systems and lens-control motors for professional camera\n      operation.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      This DZO-PA18028PLIN configuration uses Imperial focus markings\n      in feet, supporting camera departments and focus pullers working\n      with feet-based distance measurements.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     REAL-WORLD WORKFLOWS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Real-World Workflows\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Character Close-Ups\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Compress the Background for Strong Character Isolation\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 180mm focal length provides strong environmental\n        compression and shallow depth of field, helping isolate\n        performers during close coverage and dramatic character shots.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Narrative Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Add Long-Telephoto Perspective to a PAVO Lens Package\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 180mm expands a PAVO set with long-focal-length coverage\n        while preserving the 2X squeeze, oval bokeh, and unified\n        anamorphic rendering of the series.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Neutral Flare Rendering for Controlled Lighting\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The Neutral configuration produces evenly layered horizontal\n        anamorphic streaks without the dedicated blue treatment used\n        by the separate Blue version.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Portrait-Style Framing\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Combine Telephoto Compression with Oval Anamorphic Bokeh\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Longer-lens perspective and the 2X anamorphic optical design\n        support tight portrait-style compositions with pronounced\n        background separation and elliptical highlights.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Stabilized Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Integrate PAVO Optics with Supported Stabilizer Systems\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        DZOFilm designs the PAVO family for compatible gimbal,\n        Steadicam, and other stabilized production systems when the\n        selected rig supports the required lens weight and balance.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Multi-Camera Packages\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Configure the Lens for Compatible PL or EF Systems\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Interchangeable PL and EF mounting gives camera departments\n        flexibility when integrating the PAVO 180mm into compatible\n        cinema-camera packages.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     WHO IT'S FOR\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Who It's For\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators adding long-telephoto 180mm coverage to a Super35\n      2X anamorphic cinema lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Narrative Filmmakers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Productions using compressed perspective and shallow depth of\n      field to isolate characters within a scene.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Commercial Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams looking for long anamorphic coverage with Neutral\n      horizontal flare characteristics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Departments\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews working with PL and EF systems, standard 0.8 MOD gearing,\n      and Imperial focus markings.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Focus Pullers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Assistants working with manual cinema-lens control and\n      feet-based focus-distance measurements.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Rental Houses\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      PAVO packages that need the longest focal length in the series\n      with consistent Super35 2X anamorphic characteristics.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     DZOFilm SUPPORT\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The PAVO 180mm T2.8 extends DZOFilm's Super35 2X anamorphic\n      system to its longest telephoto focal length with Neutral flare\n      rendering and interchangeable PL and EF mounting. Coremicro can\n      help confirm camera compatibility, mount configuration,\n      focus-scale requirements, and the appropriate PAVO focal\n      lengths for a professional cinema lens package.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- =====================================================\n     TECHNICAL SPECIFICATIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Technical Specifications\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO 180mm T2.8 2x Anamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-PA18028PLIN\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eUPC\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e842463102651\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Series\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm PAVO\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAnamorphic Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e180mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eT-Stop Range\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT2.8–T22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAnamorphic Squeeze\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2X\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlare Version\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNeutral\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eSuper35 \/ APS-C\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e31.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16 Elements in 11 Groups\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eInterchangeable ARRI PL \/ Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFlange Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e52mm PL \/ 44mm EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e1.04m \/ 3 ft 5 in from sensor plane\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e300°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eManual\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e79°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e95mm \/ 3.74 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eM86 \/ 86mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e160mm \/ 6.3 in from lens front to flange plane\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eApproximately 1950g \/ 4.3 lb\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          1 x DZOFilm PAVO 180mm T2.8 2x Anamorphic Prime Lens ·\n          1 x Front Cap ·\n          1 x PL Rear Cap ·\n          1 x EF Bayonet ·\n          1 x EF Rear Cap ·\n          2 x Packets of Screws ·\n          1 x Set of Shims ·\n          1 x Screwdriver ·\n          1 x Set of Stickers\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FREQUENTLY ASKED QUESTIONS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003e\n    Frequently Asked Questions\n  \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What is the DZOFilm PAVO 180mm T2.8 used for?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The DZOFilm PAVO 180mm T2.8 is a Super35 2X anamorphic\n      telephoto prime designed for professional cinema production.\n      Its long focal length supports tight compositions, compressed\n      perspective, shallow depth of field, and strong subject\n      isolation.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What anamorphic squeeze does the PAVO 180mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 180mm uses a true 2X anamorphic squeeze. Recorded\n      footage must be appropriately de-squeezed during monitoring or\n      post-production to display the intended widescreen image.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What does the Neutral flare version look like?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      DZO-PA18028PLIN is the Neutral flare version of the PAVO\n      180mm. It produces evenly layered horizontal anamorphic streaks\n      without the dedicated blue treatment used by the separate Blue\n      version.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Is the DZOFilm PAVO 180mm a full-frame lens?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      No. The PAVO 180mm is designed around a 31.5mm Super35 image\n      circle. Its native optical coverage is Super35 rather than\n      full frame.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the PAVO 180mm support PL and EF mounts?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens uses an interchangeable mounting system for\n      compatible ARRI PL and Canon EF cinema-camera configurations.\n      An EF bayonet is included with the lens.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      How close can the PAVO 180mm focus?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 180mm has a minimum focus distance of 1.04m, or\n      approximately 3 ft 5 in, measured from the camera sensor\n      plane.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What front diameter and filter size does the PAVO 180mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The PAVO 180mm uses a 95mm front diameter and an M86 filter\n      thread. Standard 0.8 MOD gearing supports compatible\n      follow-focus and cinema lens-control systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     PRODUCT SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm PAVO 180mm T2.8 2x Anamorphic Prime Lens Neutral PL\/EF\",\n  \"description\": \"DZOFilm PAVO 180mm T2.8 2X anamorphic prime lens with Neutral flare rendering, Super35 coverage, interchangeable PL and EF mounts, and Imperial focus markings.\",\n  \"sku\": \"DZO-PA18028PLIN\",\n  \"mpn\": \"DZO-PA18028PLIN\",\n  \"gtin13\": \"842463102651\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA18028PLIN.jpg?v=1790410064\"\n  ],\n  \"additionalProperty\": [\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focal Length\",\n      \"value\": \"180mm\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"T-Stop Range\",\n      \"value\": \"T2.8-T22\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Anamorphic Squeeze\",\n      \"value\": \"2X\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Format Coverage\",\n      \"value\": \"Super35\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Lens Mount\",\n      \"value\": \"PL \/ EF\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Flare Version\",\n      \"value\": \"Neutral\"\n    },\n    {\n      \"@type\": \"PropertyValue\",\n      \"name\": \"Focus Scale\",\n      \"value\": \"Imperial \/ Feet\"\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     FAQ SCHEMA\n     ===================================================== --\u003e\n\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What is the DZOFilm PAVO 180mm T2.8 used for?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The DZOFilm PAVO 180mm T2.8 is a Super35 2X anamorphic telephoto prime designed for professional cinema production. Its long focal length supports tight compositions, compressed perspective, shallow depth of field, and strong subject isolation.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What anamorphic squeeze does the PAVO 180mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 180mm uses a true 2X anamorphic squeeze. Recorded footage must be appropriately de-squeezed during monitoring or post-production to display the intended widescreen image.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What does the Neutral flare version look like?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"DZO-PA18028PLIN is the Neutral flare version of the PAVO 180mm. It produces evenly layered horizontal anamorphic streaks without the dedicated blue treatment used by the separate Blue version.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is the DZOFilm PAVO 180mm a full-frame lens?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"No. The PAVO 180mm is designed around a 31.5mm Super35 image circle. Its native optical coverage is Super35 rather than full frame.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the PAVO 180mm support PL and EF mounts?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens uses an interchangeable mounting system for compatible ARRI PL and Canon EF cinema-camera configurations. An EF bayonet is included with the lens.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How close can the PAVO 180mm focus?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 180mm has a minimum focus distance of 1.04m, or approximately 3 ft 5 in, measured from the camera sensor plane.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What front diameter and filter size does the PAVO 180mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The PAVO 180mm uses a 95mm front diameter, an M86 filter thread, and standard 0.8 MOD cine gearing.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- =====================================================\n     CTA\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Need the Right PAVO Lens for Your Cinema Package?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinema and production workflows. Contact our team to confirm PAVO\n    focal length, Neutral flare configuration, PL or EF mounting, and\n    camera compatibility for your lens package.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- =====================================================\n     FOOTER LINKS\n     ===================================================== --\u003e\n\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=anamorphic+lens\" class=\"cm-footer-links__item\"\u003e\n      Anamorphic Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/search?q=cinema+lens\" class=\"cm-footer-links__item\"\u003e\n      Cinema Lenses\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014483618,"sku":"DZO-PA18028PLIN","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-PA18028PLIN.jpg?v=1790410064","url":"https:\/\/www.coremicro.com\/products\/dzofilm-pavo-180mm-t28-2x-anamorphic-neutral","provider":"COREMICRO.COM","version":"1.0","type":"link"}