{"product_id":"dzofilm-arles-zoom-25-75mm-65-180mm-t2-6-metric","title":"DZOFilm Arles Zoom 25-75mm \u0026 65-180mm T2.6 FF Cine Lens Set (PL, Metric)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- PRODUCT SNAPSHOT --\u003e\n\u003cdiv class=\"cm-stat-bar\"\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e25–180mm\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eCoverage Across Two Zooms\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003eT2.6\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eConstant Aperture on Both\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e43.5mm\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eFull-Frame Image Circle\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003ePL\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eStandard Lens Mount\u003c\/div\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n\u003cdiv class=\"cm-stat-bar__value\"\u003e3.55kg\u003c\/div\u003e\n\u003cdiv class=\"cm-stat-bar__label\"\u003eCombined Lens Weight\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- INTRODUCTION --\u003e\n\u003cp class=\"cm-intro\"\u003eThe \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles Zoom 25–75mm \/ 65–180mm T2.6 Full-Frame Cine Lens Set (DZO-AZ25180M, Metric)\u003c\/strong\u003e combines two parfocal cinema zooms covering 25–180mm across separate lenses, with a practical 65–75mm overlap. Both maintain a \u003cstrong\u003econstant T2.6 maximum aperture\u003c\/strong\u003e and cover a \u003cstrong\u003e43.5mm full-frame image circle\u003c\/strong\u003e, with matching 95mm fronts and 16-blade irises. The set supplies metric focus scales and standard ARRI PL lens configurations, with a protective hard case for transport. An adaptable two-zoom package for narrative, documentary, and commercial production.\u003c\/p\u003e\n\n\u003c!-- VERIFIED PRODUCT FACTS FOR SEARCH AND DISCOVERY --\u003e\n\u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003eThe \u003cstrong\u003eDZO-AZ25180M\u003c\/strong\u003e is the metric-focus-scale, two-lens version of DZOFilm's Arles Zoom set. It includes a \u003cstrong\u003e25–75mm T2.6\u003c\/strong\u003e zoom with 3× magnification, 0.51m minimum focus from the sensor plane, 22 elements in 8 groups, and approximately 1,767g weight; and a \u003cstrong\u003e65–180mm T2.6\u003c\/strong\u003e zoom with 2.8× magnification, 0.89m minimum focus, 20 elements in 8 groups, and approximately 1,782g weight. Both have T2.6–T22 manual iris control, 43.5mm image circles, 16 iris blades, 270° focus rotation, 100° zoom rotation, M0.8 lens gears, 95mm front diameters, and M86 filter threads. Their combined lens-only weight is approximately 3,549g \/ 3.55kg, excluding the included protective case. ARRI PL is the standard mounting configuration; Canon EF mount conversion is supported using appropriate tools, but an EF conversion kit is not confirmed as included with this set. Mirrorless mounting requires compatible adapters and camera clearance checks.\u003c\/p\u003e\n\n\u003c!-- PRODUCT HERO: IMAGE 1 OF 6 --\u003e\n\u003cdiv class=\"cm-hero\"\u003e\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-AZ25180M.webp?v=1792440060\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-AZ25180M.webp?v=1792440060\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-AZ25180M.webp?v=1792440060\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-AZ25180M.webp?v=1792440060\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles Zoom 25-75mm 65-180mm T2.6 full-frame cine lens set with metric scales\" loading=\"lazy\" decoding=\"async\"\u003e\n\u003c\/div\u003e\n\n\u003c!-- SERIES BANNER: IMAGE 2 OF 6 --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eArles Zoom — Two Lenses, One Visual Language\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n  \u003cdiv class=\"cm-card__image\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_6a4ee995-f831-494e-86e2-4131410dca18.webp?v=1792674841\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_6a4ee995-f831-494e-86e2-4131410dca18.webp?v=1792674841\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_6a4ee995-f831-494e-86e2-4131410dca18.webp?v=1792674841\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_6a4ee995-f831-494e-86e2-4131410dca18.webp?v=1792674841\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"333\" alt=\"Arles Zoom 25-75mm and 65-180mm T2.6 full-frame cinema lens series banner\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__grid\"\u003e\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n\u003cp class=\"cm-card__grid-label\"\u003eWide to Standard\u003c\/p\u003e\n\u003cp class=\"cm-card__grid-value\"\u003e25–75mm · 3× zoom · constant T2.6\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n\u003cp class=\"cm-card__grid-label\"\u003eMedium to Telephoto\u003c\/p\u003e\n\u003cp class=\"cm-card__grid-value\"\u003e65–180mm · 2.8× zoom · constant T2.6\u003c\/p\u003e\n\u003c\/div\u003e\n    \u003cdiv class=\"cm-card__grid-item\"\u003e\n\u003cp class=\"cm-card__grid-label\"\u003eSeries Match\u003c\/p\u003e\n\u003cp class=\"cm-card__grid-value\"\u003e43.5mm full-frame · metric scales · Arles cinematic color\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- LAYOUT 1: FOUR ALTERNATING FEATURE CARDS, IMAGES 3–6 --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image cm-card__image--contain\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/7_29749021-8dee-4b11-90cc-70bff54e2495.webp?v=1792674841\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/7_29749021-8dee-4b11-90cc-70bff54e2495.webp?v=1792674841\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/7_29749021-8dee-4b11-90cc-70bff54e2495.webp?v=1792674841\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/7_29749021-8dee-4b11-90cc-70bff54e2495.webp?v=1792674841\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"473\" alt=\"Arles Zoom T2.6 full-frame cinema lens 8K optical design and 16-blade iris illustration\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e8K Optical Performance\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003ePrime-Like Detail with Constant T2.6 Full-Frame Zooms\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eA four-group linkage optical mechanism is designed to maintain image-field quality, resolution, and aberration correction as focal length changes. Both zooms hold their maximum T2.6 aperture across their respective ranges and cover a 43.5mm image circle. DZOFilm describes the lenses as having 8K-level optical resolving performance; actual recorded resolution depends on the camera and imaging pipeline. A 16-blade iris promotes rounded out-of-focus highlights and natural subject separation.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image cm-card__image--contain\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/24.webp?v=1792674841\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/24.webp?v=1792674841\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/24.webp?v=1792674841\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/24.webp?v=1792674841\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"473\" alt=\"DZOFilm Arles Zoom ED and HRI optics showing aberration correction and cine lens construction\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eED \/ HRI Cinema Optics\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eAdvanced Glass and Signature Arles Cinematic Color\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eED and HRI elements are used to control chromatic, spherical, and coma aberrations while preserving detail and backlight contrast. DZOFilm tunes the Arles series with low-saturation blue coatings to reduce unwanted flare and ghosting while retaining warm, natural skin-tone rendering. The two zooms are intended to intercut with Arles Prime lenses; check color and flare behavior under the actual lighting conditions of a production.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-card\"\u003e\n  \u003cdiv class=\"cm-card__image cm-card__image--contain\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/28.webp?v=1792674841\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/28.webp?v=1792674841\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/28.webp?v=1792674841\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/28.webp?v=1792674841\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"473\" alt=\"DZOFilm Arles Zoom 25-75mm and 65-180mm parfocal focus tracking illustration\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eParfocal Cine Zoom Design\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eFull-Range Parfocal Focus with 65–75mm Coverage Overlap\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eThe 25–75mm and 65–180mm zooms are designed to maintain subject focus through zoom moves after correct lens and camera setup. Their overlapping focal lengths from 65mm to 75mm make it easier to change lenses without creating a gap in available framing. Matched 270° manual focus travel and 100° zoom travel support familiar follow-focus operation. Check back focus and focus tracking on the selected camera before critical zoom shots.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n  \u003cdiv class=\"cm-card__image cm-card__image--contain\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/29_c2c824ef-fa84-45da-baf6-6ad6329af784.webp?v=1792674841\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/29_c2c824ef-fa84-45da-baf6-6ad6329af784.webp?v=1792674841\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/29_c2c824ef-fa84-45da-baf6-6ad6329af784.webp?v=1792674841\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/29_c2c824ef-fa84-45da-baf6-6ad6329af784.webp?v=1792674841\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"473\" alt=\"Arles Zoom lightweight cine lens dimensions and matching 95mm front diameter diagram\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n  \u003cdiv class=\"cm-card__body\"\u003e\n    \u003cdiv class=\"cm-card__eyebrow\"\u003eCompact Lens Integration\u003c\/div\u003e\n    \u003ch3 class=\"cm-card__title\"\u003eLightweight Arles Zooms with Matched 95mm Fronts\u003c\/h3\u003e\n    \u003cp class=\"cm-card__text\"\u003eAt approximately 1.77kg and 1.78kg, the respective zooms are compact enough for properly balanced handheld, gimbal, and remote-head rigs. Both share a 95mm front diameter, M86 filter thread, and M0.8 gearing, with aligned lens-control positions to reduce accessory readjustment. The aluminum-alloy housings are described as dust- and splash-resistant, but no waterproof or specific IP rating is claimed. Use suitable lens support where the rig requires it.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- FULL-FRAME CAMERA AND MOUNT COMPATIBILITY --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eFull-Frame Camera and Mount Compatibility\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"cm-intro\"\u003eBoth Arles zooms provide \u003cstrong\u003e43.5mm full-frame image circles\u003c\/strong\u003e and are supplied in an \u003cstrong\u003eARRI PL mounting configuration\u003c\/strong\u003e for compatible cinema cameras. DZOFilm supports conversion to Canon EF using its appropriate mount tools, although the inclusion of an EF conversion kit in this exact DZO-AZ25180M package has not been confirmed. Compatible Octopus adapters provide potential paths to Sony E, Canon RF, L-Mount, Nikon Z, FUJIFILM X, and DX systems; these are \u003cstrong\u003eadapter-based configurations, not native mounts supplied with the lenses\u003c\/strong\u003e. Verify flange distance, adapter model, camera sensor coverage, rear-element clearance, lens support, and any mount-conversion calibration before use. Autofocus, electronic iris control, and optical stabilization are not advertised for these manual cine zooms.\u003c\/p\u003e\n\n\u003c!-- MATCHED OPTICAL AND MECHANICAL HANDLING --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eMatched Optics and On-Set Handling\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"cm-intro\"\u003eDZOFilm designed the Arles Zoom pair to complement its Arles Prime family, with consistent warm rendering and a similar mechanical layout. Both zooms share constant T2.6 maximum transmission, 16-blade irises, 270° manual focus throw, 100° zoom rotation, and 95mm front diameters. The 25–75mm reaches a minimum focus of \u003cstrong\u003e0.51m \/ 1ft 8in\u003c\/strong\u003e, while the longer 65–180mm focuses to \u003cstrong\u003e0.89m \/ 2ft 11in\u003c\/strong\u003e, each measured from the camera sensor plane. A protective hard case is supplied for the set. Clean coated optics with appropriate materials, avoid prolonged exposure to moisture or dust, and confirm parfocal tracking after lens or mount changes.\u003c\/p\u003e\n\n\u003c!-- REAL-WORLD WORKFLOWS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eReal-World Production Workflows\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\u003cdiv class=\"cm-workflow-card__body\"\u003e\n\u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n\u003ch3 class=\"cm-workflow-card__title\"\u003eMatch Establishing Shots and Telephoto Coverage\u003c\/h3\u003e\n\u003cp class=\"cm-workflow-card__text\"\u003eUse the 25–75mm for wide scenes, blocking, and dialogue coverage; switch to the 65–180mm for distant details, tighter character portraits, and compressed perspectives. Both retain constant T2.6 maximum apertures and Arles-series optical character.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\u003cdiv class=\"cm-workflow-card__body\"\u003e\n\u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eDocumentary and Field Production\u003c\/div\u003e\n\u003ch3 class=\"cm-workflow-card__title\"\u003eReduce Lens Changes Without Sacrificing Full-Frame Range\u003c\/h3\u003e\n\u003cp class=\"cm-workflow-card__text\"\u003eThe pair covers 25–180mm with a 65–75mm overlap, helping camera crews handle changing subject distance without transporting numerous separate focal lengths. Balance each lens properly on a gimbal, shoulder rig, or tripod.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n  \u003cdiv class=\"cm-workflow-card\"\u003e\u003cdiv class=\"cm-workflow-card__body\"\u003e\n\u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial and Automotive Production\u003c\/div\u003e\n\u003ch3 class=\"cm-workflow-card__title\"\u003eWork Across Gimbals, Dollies, and Remote Heads\u003c\/h3\u003e\n\u003cp class=\"cm-workflow-card__text\"\u003eThe compact housings, matching front diameters, and common cine gear pitch simplify transitions between supported camera platforms. Use the 25–75mm for moving compositions and the 65–180mm for controlled long-lens details.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- BUYER AUDIENCES --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-audience-grid\"\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n\u003cp class=\"cm-audience-card__text\"\u003eCover a 25–180mm full-frame focal span with two constant-T2.6 cinema zooms.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\u003cp class=\"cm-audience-card__label\"\u003eCamera Assistants\u003c\/p\u003e\n\u003cp class=\"cm-audience-card__text\"\u003eWork with matched 0.8 MOD gears, 270° focus rotation, and metric focus scales.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\u003cp class=\"cm-audience-card__label\"\u003eGimbal and Remote-Head Operators\u003c\/p\u003e\n\u003cp class=\"cm-audience-card__text\"\u003eChoose compact zooms with shared 95mm fronts and manageable individual weights.\u003c\/p\u003e\n\u003c\/div\u003e\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\u003cp class=\"cm-audience-card__label\"\u003eStudios and Rental Houses\u003c\/p\u003e\n\u003cp class=\"cm-audience-card__text\"\u003eOffer a two-lens Arles full-frame package with an included protective case and adaptable mounting paths.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- MANUFACTURER SUPPORT --\u003e\n\u003cdiv class=\"cm-warranty\"\u003e\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n    \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n    \u003cp class=\"cm-warranty__text\"\u003eThe official DZOFilm store advertises a one-year warranty; confirm the applicable Coremicro and regional terms before purchase. DZO-AZ25180M is identified as a metric two-lens set with protective hard case. Verify whether EF conversion tools or mounts are included in the actual shipped configuration, and follow manufacturer instructions for mount changes, lens support, and parfocal testing. Dust- and splash-resistant construction should not be treated as waterproofing.\u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- EXACTLY ONE TECHNICAL SPECIFICATIONS COMPARISON TABLE --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cm-table-wrap\"\u003e\n  \u003ctable class=\"cm-table\"\u003e\n    \u003cthead\u003e\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eArles 25–75mm\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eArles 65–180mm\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n    \u003ctbody\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSet Model \/ Focus Scale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eDZO-AZ25180M \/ Metric\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame wide-to-standard cinema zoom\u003c\/td\u003e\n\u003ctd\u003eFull-frame medium-telephoto cinema zoom\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e25–75mm\u003c\/td\u003e\n\u003ctd\u003e65–180mm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCombined Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003e25–180mm across two lenses; overlap from 65–75mm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3×\u003c\/td\u003e\n\u003ctd\u003e2.8×\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eConstant T2.6\u003c\/td\u003e\n\u003ctd\u003eConstant T2.6\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensor Format\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull frame\u003c\/td\u003e\n\u003ctd\u003eFull frame\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e43.5mm\u003c\/td\u003e\n\u003ctd\u003e43.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e22 elements in 8 groups\u003c\/td\u003e\n\u003ctd\u003e20 elements in 8 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.51m \/ 1ft 8in from sensor plane\u003c\/td\u003e\n\u003ctd\u003e0.89m \/ 2ft 11in from sensor plane\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e270° manual\u003c\/td\u003e\n\u003ctd\u003e270° manual\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100° manual\u003c\/td\u003e\n\u003ctd\u003e100° manual\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e79.55° manual\u003c\/td\u003e\n\u003ctd\u003e82.4° manual\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Distance Scale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMetric (meters)\u003c\/td\u003e\n\u003ctd\u003eMetric (meters)\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStandard Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003ctd\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCanon EF Mount Conversion\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eSupported using appropriate DZOFilm tools; conversion kit inclusion not confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMirrorless Adapter Options\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eCompatible Octopus adapters to select E, RF, L, Z, X, and DX systems; sold\/configured separately\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eParfocal Design\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes; verify focus tracking\u003c\/td\u003e\n\u003ctd\u003eYes; verify focus tracking\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003ctd\u003e95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003ctd\u003eM86\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003ctd\u003eM0.8\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength with PL Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 178mm \/ 7.01in\u003c\/td\u003e\n\u003ctd\u003eApprox. 190.8mm \/ 7.51in\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength with EF Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 185.4mm \/ 7.3in\u003c\/td\u003e\n\u003ctd\u003eApprox. 198.1mm \/ 7.8in\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum alloy\u003c\/td\u003e\n\u003ctd\u003eAluminum alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,767g \/ 1.77kg\u003c\/td\u003e\n\u003ctd\u003eApprox. 1,782g \/ 1.78kg\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCombined Lens Weight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eApprox. 3,549g \/ 3.55kg, excluding case and accessories\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather Protection\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eManufacturer-described dust- and splash-resistant construction; no IP rating supplied\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Resolving Performance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eManufacturer-described 8K optical capability; camera-dependent recording resolution\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAutofocus \/ Optical Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eNot specified; manual cinema lens controls\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProtective Hard Case\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eIncluded with two-lens set\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Warranty\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd colspan=\"2\"\u003eOne year advertised by DZOFilm store; confirm local terms\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003c\/tbody\u003e\n  \u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003c!-- FAQPAGE MICRODATA: EXACTLY SEVEN BUYER FAQS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eWhat lenses are included in the DZOFilm Arles Zoom two-lens set?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eDZO-AZ25180M includes the Arles Zoom 25–75mm T2.6 and 65–180mm T2.6 full-frame cinema zooms with metric focus markings, giving 25–180mm coverage across two separate lenses. A protective hard case is included.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eDo both Arles Zoom lenses maintain a constant T2.6 aperture?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eYes. Both the 25–75mm and 65–180mm maintain a constant maximum T2.6 aperture throughout their individual zoom ranges. Each also stops down to T22 and uses a 16-blade iris.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eAre the Arles Zoom 25–75mm and 65–180mm parfocal?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eBoth lenses feature a manufacturer-described full-range parfocal design intended to maintain focus while zooming. Proper camera and lens setup matters; verify back focus and focus tracking after installation or a mount change.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eDo both Arles Zoom lenses cover full-frame sensors?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eYes. Both have a manufacturer-specified 43.5mm image circle for full-frame cinema use. Confirm coverage against the active sensor mode on your camera, especially if using an unusual sensor format or adapter.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eAre Canon EF mounts included with the DZO-AZ25180M set?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eThe set is identified in a standard ARRI PL configuration, and DZOFilm supports Canon EF conversion with suitable mount tools. Inclusion of EF conversion kits in this exact Coremicro package has not been confirmed; check the supplied hardware before purchasing.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eHow do Arles Zoom lenses match the Arles Prime series?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eDZOFilm designed the zooms around a consistent Arles visual character, with low-saturation blue coatings, warm natural skin tones, 16-blade irises, and matched cinema handling. Their 95mm front diameters and M0.8 gearing also support accessory consistency with the Arles lineup.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003cdiv itemprop=\"mainEntity\" itemscope itemtype=\"https:\/\/schema.org\/Question\"\u003e\n    \u003ch3 itemprop=\"name\"\u003eWhat is the difference between metric and imperial Arles Zoom editions?\u003c\/h3\u003e\n    \u003cdiv itemprop=\"acceptedAnswer\" itemscope itemtype=\"https:\/\/schema.org\/Answer\"\u003e\u003cp itemprop=\"text\"\u003eThe metric DZO-AZ25180M edition uses meter-based focus scales, while an imperial edition uses feet-based distance markings. The focus-scale units differ; the selected scale does not by itself change focal length, constant T2.6 aperture, or optical coverage.\u003c\/p\u003e\u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c!-- CONTACT CTA --\u003e\n\u003cdiv class=\"cm-cta\"\u003e\n  \u003ch3 class=\"cm-cta__title\"\u003eBuild a Constant-T2.6 Full-Frame Arles Zoom Package\u003c\/h3\u003e\n  \u003cp class=\"cm-cta__text\"\u003eContact Coremicro for availability of the metric DZO-AZ25180M set, ARRI PL camera compatibility, Canon EF conversion details, matching lens accessories, and protective-case configuration. Ask our team about DZOFilm lens solutions for narrative, commercial, and documentary work.\u003c\/p\u003e\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n\u003c\/div\u003e\n\n\u003c!-- FOOTER LINKS: FINAL CHILD --\u003e\n\u003cdiv class=\"cm-footer-links\"\u003e\n  \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n    \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Coremicro\u003c\/a\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47574202777762,"sku":"DZO-AZ25180M","price":5199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-AZ25180M.webp?v=1792440060","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-zoom-25-75mm-65-180mm-t2-6-metric","provider":"COREMICRO.COM","version":"1.0","type":"link"}