{"product_id":"dzofilm-arles-40mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"Product: DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- STAT BAR --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e40mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.4\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMax Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eImage Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e16\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eIris Blades\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e270°\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocus Rotation\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRO --\u003e\n  \u003cp class=\"cm-intro\"\u003e\n    The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles 40mm T1.4\u003c\/strong\u003e FF\/VV Prime Cine Lens combines a versatile 40mm perspective with a fast T1.4 aperture and full-frame\/VistaVision coverage. Its 46.5mm image circle, 16-blade iris, and carefully tuned optical design deliver detailed images with natural colors and painterly background separation. Built for professional production, the ARRI PL-mount lens features a 270° manual focus throw, 0.8 MOD gearing, and a durable aluminum-alloy housing. Classic character with modern cinema precision.\n  \u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003e\n    The DZOFilm Arles 40mm T1.4 FF\/VV Prime Cine Lens (DZO-SAP40IPL) is a manual-focus spherical cinema prime available through Coremicro, an authorized DZOFilm dealer based in Union City, California. The lens covers a 46.5mm image circle and has an aperture range of T1.4 to T22, a 16-blade iris, and 13 optical elements arranged in 11 groups. Its included ARRI PL mount, 95mm front diameter, M86 filter thread, and 0.4m minimum focusing distance support professional cinema workflows. DZOFilm provides a minimum one-year manufacturer warranty, with conditions determined by the region of purchase. Contact Coremicro for current pricing and availability.\n  \u003c\/p\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP40IPL.jpg?v=1792398110\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP40IPL.jpg?v=1792398110\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP40IPL.jpg?v=1792398110\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP40IPL.jpg?v=1792398110\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles 40mm T1.4 ARRI PL cinema prime lens for full-frame and VistaVision filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles 40mm prime cine lens optical design for high-resolution commercial and narrative filming\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eCinema Prime Optics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eHigh-Resolution Full-Frame Cine Lens Design\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles 40mm uses 13 optical elements in 11 groups to balance fine detail with a distinctive cinematic image character. Its design supports high-resolution digital cinematography while retaining gentle tonal transitions and natural-looking subject separation. The 40mm perspective works especially well for narrative scenes, interviews, and commercial production where a natural field of view is preferred.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles floating optical elements controlling focus breathing during cinematic rack focus shots\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFocus Breathing Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eFloating Optics for Controlled Focus Transitions\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Internal floating lens elements help maintain optical performance as focus moves from distant subjects toward the minimum focusing distance. The design also minimizes changes in framing during focus pulls, helping subjects move naturally between foreground and background emphasis. For dialogue scenes and dramatic rack-focus shots, this provides greater consistency without distracting shifts in image scale.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"400\" alt=\"DZOFilm Arles internal anti-reflective treatment reducing stray light in backlit cinema scenes\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFlare and Color Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eMulti-Layer Coating for Natural Cinema Color\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Specialized multi-layer nano-coating and internal anti-reflective treatments help control stray light, ghosting, and unwanted reflections. The Arles series is designed around a consistent, neutral color response while allowing cinematographers to retain expressive highlights in backlit compositions. Carefully managed flare behavior gives lighting teams more control over practical lights, daylight, and high-contrast environments.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles PL mount cine lens system for compatible large-format digital cinema camera rigs\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003ePL Mount Compatibility\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e46.5mm VistaVision Coverage with ARRI PL Mount\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        A 46.5mm image circle supports full-frame and compatible VistaVision sensor formats. This version includes an interchangeable ARRI PL mount, with other mount configurations requiring the appropriate conversion hardware. Its short rear design also supports flexible integration with compatible cinema camera systems and select rear filtration accessories. Confirm camera clearance and mount compatibility before installation.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles aluminum cinema lens housing with geared focus and iris rings for follow-focus systems\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e270-Degree Focus Throw and 0.8 MOD Gearing\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The all-metal cine housing features a 270° focus rotation and an 83° iris rotation for controlled manual adjustments. Standard 0.8 MOD gearing works with professional follow-focus units and lens motors, while the 95mm front diameter supports common matte-box workflows. The consistent mechanical layout across Arles primes reduces accessory adjustments when changing focal lengths on set.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 6: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"369\" alt=\"DZOFilm Arles cinema prime lens family with matched color rendering across focal lengths\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMatched Prime Lens Series\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent Arles Lens Character Across Focal Lengths\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 40mm belongs to the wider Arles prime family, designed to maintain recognizable color, contrast, and bokeh characteristics across focal lengths. This makes it practical to pair with other Arles primes for narrative filmmaking, commercial projects, and multi-camera productions. Shared cine-style handling and consistent visual character help cinematographers maintain continuity throughout a production.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CINEMATIC CHARACTER --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eCinematic Character\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-feature-grid cm-feature-grid--2col\"\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003eT1.4 Low-Light Cinema Lens\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The fast T1.4 maximum aperture allows shooting in lower light while supporting shallow depth-of-field compositions. It gives cinematographers additional exposure flexibility for available-light interiors and nighttime scenes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e16-Blade Circular Bokeh\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        A 16-blade iris creates rounded out-of-focus highlights and smooth transitions between focused subjects and defocused backgrounds. The result supports the painterly look associated with the Arles series.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e40mm Natural Perspective\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        Positioned between traditional 35mm and 50mm perspectives, the 40mm focal length is useful for environmental portraits, dialogue coverage, interviews, and cinematic storytelling.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e95mm Cine Front Diameter\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        A 95mm front diameter and M86 filter thread support professional lens accessories. Matched front dimensions across the Arles series help simplify matte-box changes and on-set rigging.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eCharacter-Focused Cinema Scenes\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Use the natural 40mm perspective for dialogue coverage, medium shots, and environmental portraits. The wide aperture helps isolate performers without losing the atmosphere of the surrounding scene.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eProduct and Lifestyle Cinematography\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Capture controlled product compositions and lifestyle scenes with detailed textures and smooth background separation. Professional gearing supports repeatable focus moves with compatible lens-control equipment.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eIndependent Film Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eAvailable-Light and Location Filming\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          A T1.4 aperture supports creative shooting in practical-light interiors and evening locations. The PL-mount design integrates into compatible cinema camera setups for controlled manual operation.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- AUDIENCE --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA fast 40mm prime for expressive depth, manual focus control, and full-frame storytelling.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eProfessional cine mechanics and low-light flexibility for short films and narrative productions.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Production Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eControlled color rendering and bokeh for advertising, branded content, and product films.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinema Rental Houses\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA versatile focal length with matched Arles lens mechanics for professional lens packages.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WARRANTY --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003e\n        DZOFilm provides a minimum one-year manufacturer warranty on qualifying lenses purchased through official dealers. Warranty coverage and registration extensions may vary by region and purchase conditions. Contact Coremicro for current warranty terms, mount compatibility, and product support.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- SPECIFICATIONS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eArles Prime\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-SAP40IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpherical Prime Cine Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e40mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eInterchangeable Mount with Included ARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.4\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e13 Elements in 11 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.4m \/ 1.31ft (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 270° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 83° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm \/ 3.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM86 \/ 86mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e121mm \/ 4.76in (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.633kg \/ 3.60lb\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scales\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eImperial, Model DZO-SAP40IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Arles 40mm cine lens used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 40mm cine lens is a manual-focus prime designed for narrative films, commercials, music videos, and other professional cinema productions. Its T1.4 maximum aperture and natural 40mm perspective support available-light scenes and shallow depth-of-field compositions.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 40mm cover full-frame and VistaVision sensors?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 40mm covers a 46.5mm image circle intended for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions and recording modes should be checked to confirm full image coverage.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close can the DZOFilm Arles 40mm focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 40mm has a minimum focusing distance of 0.4m, measured from the camera sensor plane. This allows relatively close subject framing while maintaining its 40mm field of view.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eCan the Arles 40mm use a mount other than ARRI PL?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 40mm features an interchangeable mount design and this version is supplied with an ARRI PL mount. Compatible alternative mount hardware is available separately, subject to camera and conversion-system compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat filters and cine accessories fit the Arles 40mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 40mm has an 86mm front filter thread and a 95mm outside front diameter. Its 0.8 MOD focus and iris gears support compatible follow-focus systems and lens motors.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the difference between the Arles 40mm and NiSi Athena 40mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 40mm has a T1.4 maximum aperture, 46.5mm image circle, and 16-blade iris. The NiSi Athena 40mm uses a T1.9 maximum aperture, 46mm image circle, and 10-blade iris, with differences in housing size and handling characteristics.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eIs Coremicro an authorized DZOFilm dealer?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eCoremicro identifies itself as an authorized DZOFilm dealer based in Union City, California. Customers can contact Coremicro to confirm pricing, availability, manufacturer warranty terms, and compatibility before purchasing.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eReady to Add the Arles 40mm to Your Cinema Lens Kit?\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003e\n      Coremicro is an authorized DZOFilm dealer supplying professional cinema equipment for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL camera compatibility, lens accessories, pricing, and availability.\n    \u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens-mount-adapters\" class=\"cm-footer-links__item\"\u003eLens Mount Adapters\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Us\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015368354,"sku":"DZO-SAP40IPL","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP40IPL.jpg?v=1792398110","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-40mm-t1-4-ff-vv-prime-cine-lens-arri-pl","provider":"COREMICRO.COM","version":"1.0","type":"link"}