{"product_id":"dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- STAT BAR --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e35mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.4\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMax Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eImage Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e16\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eIris Blades\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e270°\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocus Rotation\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRO --\u003e\n  \u003cp class=\"cm-intro\"\u003e\n    The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles 35mm T1.4\u003c\/strong\u003e FF\/VV Prime Cine Lens combines a versatile wide-angle perspective with a fast T1.4 aperture and full-frame\/VistaVision sensor coverage. Its 46.5mm image circle, 16-blade iris, and precision optical construction create natural colors, painterly bokeh, and smooth transitions between focused subjects and their backgrounds. Built for professional cinematography, this ARRI PL-mount prime features 270° manual focus rotation, standard 0.8 MOD gearing, and an aluminum-alloy housing. Classic cinema character with modern optical control.\n  \u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003e\n    The DZOFilm Arles 35mm T1.4 FF\/VV Prime Cine Lens (DZO-SAP35IPL) is a manual-focus spherical cinema prime available from Coremicro, an authorized DZOFilm dealer based in Union City, California. The lens covers a 46.5mm image circle and features a T1.4 to T22 aperture range, 14 optical elements in 12 groups, and a 16-blade iris. Its ARRI PL mount, 95mm front diameter, 86mm filter thread, and 0.35m minimum focusing distance support professional cinema production. The lens includes a limited one-year manufacturer warranty, with registration extensions subject to eligibility. Contact Coremicro for current pricing and availability.\n  \u003c\/p\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP35IPL.jpg?v=1792398199\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP35IPL.jpg?v=1792398199\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP35IPL.jpg?v=1792398199\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP35IPL.jpg?v=1792398199\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles 35mm T1.4 ARRI PL prime cine lens for full-frame VistaVision narrative filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles 35mm cine prime optical construction for high-resolution narrative and commercial films\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eCinema Prime Optics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eHigh-Resolution 35mm Full-Frame Optical Design\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles 35mm uses 14 optical elements arranged in 12 groups to balance fine image detail with a distinctive cinematic rendering. Its carefully engineered optical design produces natural color reproduction, controlled aberrations, and delicate transitions between highlight and shadow. The 35mm perspective offers a practical balance between environmental context and subject emphasis, making it suitable for narrative filmmaking, commercial shoots, and documentary production.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles floating lens elements minimizing aberrations and focus breathing during cinema focus pulls\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFocus Breathing Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eFloating Optics for Smooth Cinematic Focus Pulls\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Floating optical elements help maintain image quality as the focus position changes from infinity toward the minimum focusing distance. The optical design also minimizes changes in image framing during focus transitions, giving focus pullers greater control over dramatic rack-focus shots. A close-focus distance of 0.35m, measured from the sensor plane, provides flexibility for intimate compositions and detailed subject coverage.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"400\" alt=\"DZOFilm Arles anti-reflective optical treatment for controlling stray light in backlit scenes\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFlare and Color Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eMulti-Layer Nano-Coating for Natural Cinema Color\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Multi-layer nano-coating and internal anti-reflective treatments help reduce unwanted reflections, ghosting, and diffuse stray light. The specially calibrated blue coating supports neutral color reproduction while preserving the atmospheric highlight character associated with the Arles series. This gives cinematographers greater creative control when filming practical light sources, window-lit interiors, and high-contrast exterior scenes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles ARRI PL lens mount system supporting compatible full-frame and VistaVision cinema cameras\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003ePL Mount Compatibility\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e46.5mm VistaVision Coverage with ARRI PL Mount\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 46.5mm image circle supports full-frame and compatible VistaVision cinema camera formats. This version ships with an ARRI PL mount and belongs to a lens system designed for interchangeable mount configurations. Compatible alternative mounts and camera adapters expand production flexibility when used with the appropriate hardware. Always confirm sensor coverage, flange requirements, and camera clearance before changing mount configurations.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles aluminum cine lens housing with geared focus and iris rings for professional follow focus\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e270-Degree Focus Throw and 0.8 MOD Cine Gearing\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        A durable aluminum-alloy housing incorporates a 270° manual focus rotation and an 80° iris rotation for precise adjustments on set. Standard 0.8 MOD gearing supports professional follow-focus systems and lens motors, while the 95mm front diameter works with compatible cinema matte boxes. Consistent mechanical characteristics across the Arles family help simplify lens changes during fast-moving productions.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 6: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"369\" alt=\"DZOFilm Arles prime cinema lens series with matched color contrast and bokeh across focal lengths\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMatched Prime Lens Series\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent Arles Lens Character Across Focal Lengths\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 35mm is part of the wider Arles prime family, engineered to maintain a consistent cinematic character when moving between focal lengths. Coordinated color reproduction, contrast, and bokeh characteristics help preserve visual continuity across narrative scenes and commercial productions. Matching front diameters and familiar cine controls make the series practical for multi-lens packages and professional camera departments.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CINEMATIC CHARACTER --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eCinematic Character\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-feature-grid cm-feature-grid--2col\"\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003eT1.4 Low-Light Cinema Performance\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The fast T1.4 maximum aperture supports available-light filmmaking and shallow depth-of-field compositions. It provides exposure flexibility for interior dialogue scenes, night exteriors, and low-light commercial work.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e16-Blade Painterly Bokeh\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 16-blade iris produces rounded out-of-focus highlights and smooth subject-to-background transitions. At wider apertures, the Arles optical character delivers soft highlight rendering and atmospheric depth.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e35mm Environmental Perspective\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The moderately wide 35mm field of view balances subject presence with surrounding context. It works well for environmental portraits, dialogue coverage, documentary scenes, and handheld narrative filmmaking.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e95mm Cinema Front Diameter\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        A 95mm front outside diameter and M86 filter thread accommodate compatible cinema accessories. The common front size across the Arles series helps reduce matte-box adjustments between lens changes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eWide-Angle Character and Dialogue Scenes\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The 35mm perspective keeps performers connected to their surroundings while allowing selective background separation at T1.4. It is suitable for dialogue coverage, tracking shots, and emotionally driven narrative compositions.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eLifestyle and Branded Content Cinematography\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Use the natural color response and controlled optical rendering for commercials, lifestyle scenes, and branded storytelling. Standard cinema gearing supports repeatable focus movements with compatible production accessories.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eIndependent Film Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eLow-Light Location and Handheld Filming\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The T1.4 aperture provides creative flexibility for practical-light interiors and nighttime locations. Its PL-mount cinema construction supports controlled manual operation in compatible handheld, shoulder-mounted, and studio rigs.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- AUDIENCE --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA fast 35mm prime offering natural perspective, shallow depth of field, and precise manual focus operation.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eProfessional optical and mechanical performance for narrative films, music videos, and available-light shoots.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Production Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eControlled optical rendering and flexible composition for advertising, branded films, and lifestyle content.\u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinema Rental Houses\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003eA versatile 35mm focal length with matched Arles mechanics for professional cinema lens packages.\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WARRANTY --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003e\n        The Arles 35mm includes a limited one-year DZOFilm manufacturer warranty. An extension through product registration may be available, subject to applicable terms and regional eligibility. Coremicro can assist with questions about warranty coverage, compatible lens mounts, accessories, and product support.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- TECHNICAL SPECIFICATIONS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eArles Prime\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-SAP35IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpherical Prime Cine Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL, Interchangeable Mount Design\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.4\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14 Elements in 12 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.35m \/ 1.15ft (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 270° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 80° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm \/ 3.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM86 \/ 86mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e121mm \/ 4.76in (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.65kg \/ 3.64lb\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scales\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMetric and Imperial\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAngle of View (Full Frame)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e61.1° Horizontal \/ 34.23° Vertical \/ 67.15° Diagonal\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Arles 35mm T1.4 used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 35mm cinema prime is designed for narrative filmmaking, commercials, music videos, and professional digital cinematography. Its T1.4 maximum aperture and moderately wide perspective support low-light filming and compositions that retain environmental context.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 35mm cover full-frame and VistaVision sensors?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 35mm provides a 46.5mm image circle intended for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions and recording modes should be checked to confirm complete coverage.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close can the DZOFilm Arles 35mm focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 35mm has a minimum focusing distance of 0.35m, measured from the camera sensor plane. Its 270° manual focus rotation supports controlled focusing throughout the lens range.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eCan the Arles 35mm use a mount other than ARRI PL?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 35mm belongs to an interchangeable-mount lens system and this version is supplied with an ARRI PL mount. Compatible alternative mounts require the appropriate conversion hardware and camera compatibility checks.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 35mm support professional follow-focus systems?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 35mm uses industry-standard 0.8 MOD gears for manual focus and iris control. It provides 270° focus rotation and 80° iris rotation for compatible follow-focus units and lens motors.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the difference between the Arles 35mm and NiSi Athena 35mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 35mm offers a T1.4 maximum aperture, 46.5mm image circle, and 16-blade iris. The NiSi Athena 35mm features a T1.9 maximum aperture, 46mm image circle, and 10-blade iris. The Arles has a 270° focus rotation, while the Athena provides 300°.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eIs Coremicro an authorized DZOFilm dealer?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eCoremicro is an authorized DZOFilm dealer based in Union City, California. Customers can contact Coremicro to confirm product availability, current pricing, manufacturer warranty coverage, and compatible cinema accessories.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eReady to Add the Arles 35mm to Your Cinema Lens Kit?\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003e\n      Coremicro is an authorized DZOFilm dealer supplying professional cinema lenses and accessories for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL mount compatibility, pricing, availability, and the right accessories for your camera system.\n    \u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens-mount-adapters\" class=\"cm-footer-links__item\"\u003eLens Mount Adapters\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Us\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015302818,"sku":"DZO-SAP35IPL","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP35IPL.jpg?v=1792398199","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-35mm-t1-4-ff-vv-prime-cine-lens-arri-pl","provider":"COREMICRO.COM","version":"1.0","type":"link"}