{"product_id":"dzofilm-arles-18mm-t1-4-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 18mm T1.4 FF\/VV Prime Cine Lens (ARRI PL)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- STAT BAR --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e18mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.4\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMax Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eImage Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e16\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eIris Blades\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e270°\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocus Rotation\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRO --\u003e\n  \u003cp class=\"cm-intro\"\u003e\n    The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles 18mm T1.4\u003c\/strong\u003e FF\/VV Prime Cine Lens brings an expansive ultra-wide perspective to full-frame and VistaVision cinematography. Combining a fast T1.4 aperture, 46.5mm image circle, and advanced aspherical optics, this cinema prime offers detailed wide-angle imagery with the painterly rendering associated with the Arles series. Its 16-blade iris, ARRI PL mount, and professional 270° manual focus rotation give filmmakers creative and mechanical control. An ultra-wide cinema lens built for immersive visual storytelling.\n  \u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003e\n    The DZOFilm Arles 18mm T1.4 FF\/VV Prime Cine Lens (DZO-SAP18IPL) is a manual-focus spherical cinema prime available from Coremicro, a DZOFilm dealer based in Union City, California. It features a T1.4 to T22 aperture range, a 46.5mm image circle, 15 optical elements in 13 groups, and a 16-blade iris. The lens has a 0.29m minimum focusing distance, 270° focus rotation, 76° iris rotation, 95mm front diameter, and ARRI PL mount. Unlike longer Arles primes, the 18mm has no front screw-in filter thread. Contact Coremicro to confirm current pricing, availability, and manufacturer support.\n  \u003c\/p\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP18IPL.jpg?v=1792398340\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP18IPL.jpg?v=1792398340\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP18IPL.jpg?v=1792398340\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP18IPL.jpg?v=1792398340\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles 18mm T1.4 PL ultra-wide cinema prime for full-frame VistaVision filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles 18mm aspherical cinema lens optics for high-resolution ultra-wide film production\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eUltra-Wide Cinema Optics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eAdvanced 18mm Aspherical Optical Design\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles 18mm uses 15 optical elements in 13 groups, including two large-diameter aspherical elements, to deliver detailed imagery across its expansive field of view. Specialized optical materials help control aberrations and unwanted color fringing while preserving the characteristic Arles rendering. This combination supports demanding wide-angle applications such as architectural interiors, establishing shots, large-scale environments, and cinematic camera movement.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles floating lens element design supporting precise close-focus cinema compositions\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eClose-Focus Cinema Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eFloating Optics with 0.29m Minimum Focus\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The floating-element optical design helps control aberrations during focus transitions and minimizes distracting focus breathing. A minimum focus distance of just 0.29m, measured from the sensor plane, allows filmmakers to place foreground subjects close to the lens while retaining a broad view of the surrounding environment. This makes the 18mm especially useful for expressive foreground compositions, confined interiors, vehicle-mounted shots, and immersive moving-camera sequences.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"400\" alt=\"DZOFilm Arles anti-reflective optical coatings for controlled flare in backlit scenes\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFlare and Color Management\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eMulti-Layer Nano-Coating for Cinematic Color\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Advanced multi-layer coatings and internal anti-reflective treatments reduce unwanted stray light, ghosting, and diffuse reflections. The Arles series uses carefully calibrated coatings to maintain natural color reproduction while retaining its expressive highlight character. When practical lights, bright windows, or strong backlighting enter the wide field of view, cinematographers can balance optical clarity with atmospheric flare for a distinctive cinematic result.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles ARRI PL cinema lens mount system for full-frame and VistaVision cameras\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFull-Frame and VistaVision\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e46.5mm Image Circle with Interchangeable PL Mount\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 46.5mm image circle is designed for full-frame and compatible VistaVision digital cinema formats, providing wide-angle coverage for large-format filmmaking. This version ships with an ARRI PL mount, while the interchangeable-mount system supports additional compatible configurations using separately available conversion hardware. Camera operators should confirm flange requirements, rear clearance, and sensor coverage for their chosen camera body and recording mode.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles metal cine lens construction with geared focus and iris rings for filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e270-Degree Focus Rotation and 0.8 MOD Gearing\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        A durable aluminum-alloy housing provides professional manual operation with a 270° focus rotation and 76° iris rotation. Standard 0.8 MOD gearing supports compatible follow-focus systems and lens motors, while the 95mm front outside diameter works with suitable matte boxes and filter trays. Because the 18mm has no front screw-in filter thread, filters should be mounted using compatible external accessories rather than threaded directly onto the lens.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 6: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"369\" alt=\"DZOFilm Arles cinema prime lens series with coordinated color bokeh and cine controls\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMatched Arles Prime Series\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent Optical Character Across Cinema Focal Lengths\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 18mm expands the Arles prime family with an ultra-wide perspective while preserving the series' recognizable color, contrast, and bokeh character. Coordinated lens mechanics and shared cine gear standards help camera departments transition between wide, standard, and telephoto focal lengths. This visual and operational consistency makes the Arles series suitable for narrative films, commercial productions, and multi-camera cinema packages.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CINEMATIC CHARACTER --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eCinematic Character\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-feature-grid cm-feature-grid--2col\"\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003eT1.4 Ultra-Wide Low-Light Performance\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The T1.4 maximum aperture provides exposure flexibility for available-light filmmaking, including nighttime exteriors and practical-light interiors. It also enables selective depth-of-field effects despite the lens' expansive 18mm perspective.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e16-Blade Painterly Cinema Bokeh\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 16-blade iris creates rounded out-of-focus highlights and gentle transitions between subjects and their surroundings. The Arles series' optical character adds atmosphere and dimensionality to wide-angle compositions.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e18mm Ultra-Wide Cinema Perspective\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The expansive 18mm field of view emphasizes spatial relationships and environmental scale. It is well suited for establishing shots, architectural interiors, confined locations, and dynamic moving-camera sequences.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e95mm Front Diameter, No Filter Thread\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 95mm front outside diameter supports compatible cinema matte boxes and external filter systems. The 18mm has no front screw-in filter thread, so appropriate matte-box or filter-holder solutions are required.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eUltra-Wide Narrative and Establishing Shots\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The expansive 18mm perspective captures location scale and environmental context for dramatic establishing shots. Its close-focusing capability also allows bold foreground compositions during tracking shots and character-driven scenes.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eArchitecture, Interiors, and Lifestyle Films\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Capture spacious interiors, architectural details, and immersive commercial environments using the wide 18mm field of view. Controlled optical rendering and standard cinema gearing support carefully planned camera movements and focus transitions.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eIndependent Film Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eLow-Light and Immersive Camera Movement\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The fast T1.4 aperture offers flexibility for nighttime locations and practical-light interiors. Its ultra-wide field of view suits handheld, stabilized, and vehicle-mounted shots when paired with compatible, properly supported cinema rigs.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- AUDIENCE --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        A fast ultra-wide cinema prime for expansive framing, expressive depth, and precise manual focus.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Professional wide-angle optics for narrative films, music videos, and available-light productions.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Production Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Wide coverage and controlled optical character for architecture, lifestyle advertising, and branded films.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinema Rental Houses\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        An 18mm addition to matched Arles prime packages with compatible professional cinema controls.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WARRANTY --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003e\n        The Arles 18mm is covered by a limited one-year DZOFilm manufacturer warranty. An extension through eligible product registration may be available, subject to manufacturer terms and regional requirements. Contact Coremicro for warranty information, ARRI PL mount compatibility, lens-support accessories, and product assistance.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- TECHNICAL SPECIFICATIONS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eArles Prime\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-SAP18IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpherical Prime Cine Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL, Interchangeable Mount Design\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.4\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 Elements in 13 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAspherical Elements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.29m \/ 11.4in (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 270° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 76° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm \/ 3.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Filter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e121mm \/ 4.76in (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApproximately 1.66kg \/ 3.66lb\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scales\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMetric and Imperial\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Arles 18mm T1.4 used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 18mm T1.4 is an ultra-wide cinema prime designed for narrative films, architecture, commercials, and professional digital cinematography. Its fast aperture and expansive field of view are useful for establishing shots, immersive camera movement, and available-light filmmaking.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 18mm cover full-frame and VistaVision sensors?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 18mm has a 46.5mm image circle designed for full-frame and compatible VistaVision recording formats. Camera-specific sensor dimensions, lens mounts, and recording modes should be checked to confirm complete image coverage.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close can the DZOFilm Arles 18mm focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 18mm has a minimum focusing distance of 0.29m, or approximately 11.4 inches, measured from the camera sensor plane. This close-focus capability supports dynamic foreground compositions and environmental storytelling.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eCan the Arles 18mm use different lens mounts?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 18mm uses an interchangeable-mount system, and this version comes with an ARRI PL mount. Compatible alternative configurations require the appropriate mount hardware and verification of camera compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 18mm have a front filter thread?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 18mm does not have a front screw-in filter thread. Its 95mm front outside diameter can be used with compatible cinema matte boxes and external filter systems.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the difference between the Arles 18mm and Arles 21mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 18mm offers a wider perspective, a 0.29m minimum focus distance, and 15 optical elements in 13 groups. The Arles 21mm provides a slightly narrower field of view, a 0.33m minimum focus distance, and 14 optical elements in 12 groups. Both feature T1.4 maximum apertures and 46.5mm image circles.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eIs Coremicro an authorized DZOFilm dealer?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eCoremicro identifies itself as an authorized DZOFilm dealer and supplies professional cinema lenses and production accessories. Customers can contact Coremicro to confirm current pricing, availability, manufacturer warranty terms, and compatible accessories.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eReady to Add the Arles 18mm to Your Cinema Lens Kit?\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003e\n      Coremicro is an authorized DZOFilm dealer offering professional cinema lenses and accessories for narrative filmmaking, commercial production, and independent film workflows. Contact our team to confirm ARRI PL camera compatibility, current pricing, availability, and appropriate matte-box or lens-support accessories for your production.\n    \u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER LINKS --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens-mount-adapters\" class=\"cm-footer-links__item\"\u003eLens Mount Adapters\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Us\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015204514,"sku":"DZO-SAP18IPL","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP18IPL.jpg?v=1792398340","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-18mm-t1-4-ff-vv-prime-cine-lens-arri-pl","provider":"COREMICRO.COM","version":"1.0","type":"link"}