{"product_id":"dzofilm-arles-14mm-t1-9-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (ARRI PL)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- STAT BAR --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e14mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.9\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMax Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eImage Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e16\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eIris Blades\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e270°\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocus Rotation\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRO --\u003e\n  \u003cp class=\"cm-intro\"\u003e\n    The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles 14mm T1.9\u003c\/strong\u003e FF\/VV Prime Cine Lens delivers an expansive ultra-wide perspective for full-frame and VistaVision cinematography. Its fast T1.9 aperture, 46.5mm image circle, and 16-blade iris combine professional optical performance with the painterly rendering associated with the Arles series. Featuring a sophisticated 15-element optical design, ARRI PL mount, and 270° manual focus rotation, this cinema prime provides expressive framing and precise control for narrative filmmaking, architecture, and immersive visual storytelling.\n  \u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003e\n    The DZOFilm Arles 14mm T1.9 FF\/VV Prime Cine Lens (DZO-SAP14IPL) is a manual-focus spherical cinema prime available from Coremicro in Union City, California. Designed for full-frame and compatible VistaVision cameras, the lens features a T1.9 to T22 aperture range, 46.5mm image circle, 15 optical elements in 12 groups, and a 16-blade iris. It includes an ARRI PL mount, 95mm front diameter, 0.28m minimum focusing distance, and professional 0.8 MOD gearing. The lens has no front screw-in filter thread and weighs approximately 1.646kg. Contact Coremicro for pricing, availability, warranty terms, and compatible accessories.\n  \u003c\/p\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP14IPL.jpg?v=1792398408\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP14IPL.jpg?v=1792398408\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP14IPL.jpg?v=1792398408\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP14IPL.jpg?v=1792398408\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles 14mm T1.9 ARRI PL ultra-wide cine lens for full-frame filmmaking\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm Arles 14mm optical design for detailed ultra-wide cinema compositions\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eUltra-Wide Cinema Optics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e15-Element Optical Design for Expansive Cinematic Images\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles 14mm uses 15 optical elements arranged in 12 groups to balance detailed image reproduction with the distinctive visual character of the Arles prime family. Its ultra-wide field of view captures sweeping environments, architectural spaces, and dynamic foreground compositions. Carefully engineered optics help control unwanted aberrations while preserving natural color, delicate tonal transitions, and a cinematic sense of depth across expansive frames.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles floating optical elements supporting controlled ultra-wide cinema focus transitions\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eClose-Focus Cinema Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eFloating Optics with 0.28m Minimum Focus\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles series incorporates floating optical elements to help maintain image quality as focus changes from infinity to nearby subjects. This design minimizes distracting changes in framing during focus transitions. With a minimum focusing distance of 0.28m measured from the sensor plane, the 14mm prime enables dramatic foreground placement while retaining an expansive view of the surrounding scene. Its 270° focus throw supports deliberate, repeatable manual focusing.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"400\" alt=\"DZOFilm Arles anti-reflective lens coatings for controlled flare and cinema color\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFlare and Color Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eMulti-Layer Nano-Coating for Painterly Cinema Color\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Advanced multi-layer nano-coating and internal anti-reflective treatments help suppress stray light, ghosting, and unwanted reflections. The Arles series uses carefully calibrated optical coatings to maintain natural-looking colors while preserving atmospheric highlights. This is particularly useful for ultra-wide compositions, where practical lights, bright windows, and other high-contrast elements may occupy a significant part of the frame.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles ARRI PL cinema lens mount for compatible full-frame and VistaVision cameras\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003ePL Mount Compatibility\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e46.5mm VistaVision Coverage with Interchangeable PL Mount\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 46.5mm image circle supports full-frame and compatible VistaVision digital cinema formats. This version ships with an ARRI PL mount, while the interchangeable mounting system allows selected alternative configurations using compatible conversion hardware. The 14mm perspective provides immersive wide-angle framing for large-format productions. Camera operators should verify mount compatibility, rear clearance, and active sensor dimensions before selecting a recording mode or changing mounts.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles aluminum cinema lens housing with professional focus and iris gear controls\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e270-Degree Focus Throw and Industry-Standard Cine Gearing\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        A durable aluminum-alloy housing incorporates a 270° focus rotation and professional 0.8 MOD focus and iris gearing. These mechanical controls work with compatible follow-focus systems and cinema lens motors. The 95mm front outside diameter accommodates suitable matte boxes and external filter solutions. Because this ultra-wide 14mm prime has no front screw-in filter thread, filters must be mounted using compatible external or approved rear-filtration accessories.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 6: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"369\" alt=\"DZOFilm Arles cinema prime lens family with matched color rendering and cine mechanics\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMatched Arles Prime Series\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent Arles Character from Ultra-Wide to Telephoto\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 14mm extends the Arles prime family into expansive ultra-wide cinematography while retaining the series' signature color, contrast, and bokeh character. Consistent cine gear standards and a common 95mm front diameter help simplify lens changes during multi-focal-length productions. From immersive establishing shots to intimate telephoto close-ups, the Arles family is designed to maintain a recognizable cinematic visual language across different scenes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CINEMATIC CHARACTER --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eCinematic Character\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-feature-grid cm-feature-grid--2col\"\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003eT1.9 Ultra-Wide Cinema Aperture\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The T1.9 maximum aperture offers exposure flexibility for available-light filmmaking, including practical-light interiors and nighttime locations. Its wide field of view allows filmmakers to retain environmental context while creating selective depth-of-field effects with nearby subjects.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e16-Blade Painterly Cinema Bokeh\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 16-blade iris supports rounded out-of-focus highlights and smooth transitions between focused subjects and defocused backgrounds. The Arles optical character combines natural color, gentle highlight rendering, and an atmospheric cinematic look.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e14mm Immersive Ultra-Wide Perspective\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The expansive focal length emphasizes spatial relationships and environmental scale. It is useful for establishing shots, architecture, confined interior locations, landscapes, and moving-camera sequences that place the viewer inside the scene.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e95mm Front Diameter, No Filter Thread\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 95mm front outside diameter supports compatible cinema matte boxes and filter systems. The 14mm lens has no front screw-in filter thread, so appropriate external or compatible rear-mounted filtration must be used instead.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eImmersive Ultra-Wide Narrative Shots\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The 14mm focal length captures expansive environments and emphasizes the relationship between characters and their surroundings. Its close-focus capability supports dramatic foreground compositions, while the wide perspective works well for establishing shots and expressive moving-camera sequences.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eArchitecture and Interior Cinematography\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Capture architectural spaces, expansive interiors, and environmental commercial scenes with a broad field of view. Professional cinema mechanics and controlled optical rendering make the lens suitable for carefully choreographed camera movements and location-based branded content.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eIndependent Film Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eDynamic Camera Movement and Available Light\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The T1.9 aperture helps filmmakers work in available light, while the ultra-wide perspective captures more of the environment during handheld and stabilized camera movements. Its PL-mount construction is suited to compatible professional cinema rigs with adequate lens support.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- AUDIENCE --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        An ultra-wide cinema prime for immersive framing, precise manual focus, and full-frame storytelling.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eIndependent Filmmakers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Professional optics and cinema mechanics for narrative films, music videos, and location production.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Production Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Wide-angle coverage for architecture, interiors, lifestyle campaigns, and branded visual storytelling.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinema Rental Houses\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        A 14mm addition to matched Arles prime packages for professional full-frame cinema productions.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WARRANTY --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003e\n        The Arles 14mm includes a limited one-year DZOFilm manufacturer warranty, subject to applicable terms and regional conditions. Eligible product registration may provide additional warranty coverage. Contact Coremicro for current warranty details, compatible lens mounts, matte-box accessories, filtration options, and product assistance.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- TECHNICAL SPECIFICATIONS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eArles Prime\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-SAP14IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpherical Prime Cine Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL, Interchangeable Mount Design\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.9\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 Elements in 12 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.28m \/ 11in (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 270° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 65° Rotation (DZOFilm manual)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm \/ 3.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Filter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e121mm \/ 4.76in (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApproximately 1.646kg \/ 3.63lb\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eImperial (Feet), DZO-SAP14IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Arles 14mm T1.9 used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 14mm T1.9 is an ultra-wide cinema prime designed for narrative filmmaking, architecture, commercials, and professional digital cinematography. Its expansive perspective is suitable for establishing shots, immersive camera movements, and interior compositions where environmental context is important.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 14mm cover full-frame and VistaVision sensors?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 14mm provides a 46.5mm image circle designed for full-frame and compatible VistaVision sensor formats. Camera-specific sensor dimensions, recording modes, and lens-mount requirements should be checked to confirm complete image coverage.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close can the DZOFilm Arles 14mm focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 14mm has a minimum focusing distance of 0.28m, or approximately 11 inches, measured from the camera sensor plane. Its 270° manual focus rotation supports controlled focusing for wide-angle foreground compositions.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eCan the Arles 14mm use different lens mounts?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 14mm features an interchangeable-mount design, and this version includes an ARRI PL mount. Compatible Canon EF and LPL mount configurations require the appropriate conversion hardware and camera compatibility checks.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 14mm have a front filter thread?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 14mm does not have a front screw-in filter thread. Its 95mm front outside diameter supports compatible cinema matte boxes, external filter holders, and suitable filtration accessories.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the difference between the Arles 14mm and NiSi Athena 14mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 14mm features a T1.9 maximum aperture, 46.5mm image circle, 16-blade iris, and 270° focus rotation. The NiSi Athena 14mm offers a T2.4 maximum aperture, 46mm image circle, 10-blade iris, and 300° focus rotation. Both are full-frame ultra-wide cinema primes without front screw-in filter threads.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat warranty and product support are available for the Arles 14mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eDZOFilm provides a limited manufacturer warranty of at least one year for eligible lenses purchased through its official dealers, subject to regional terms. Coremicro can assist customers with product inquiries, pricing, availability, and information about compatible cinema accessories.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eReady to Add the Arles 14mm to Your Cinema Lens Kit?\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003e\n      Coremicro is an authorized professional video equipment reseller offering DZOFilm cinema lenses and production accessories. Contact our team to confirm ARRI PL mount compatibility, current pricing, availability, and the right matte-box or filtration setup for your ultra-wide cinema production.\n    \u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER LINKS --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens-mount-adapters\" class=\"cm-footer-links__item\"\u003eLens Mount Adapters\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Us\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015138978,"sku":"DZO-SAP14IPL","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP14IPL.jpg?v=1792398408","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-14mm-t1-9-ff-vv-prime-cine-lens-arri-pl","provider":"COREMICRO.COM","version":"1.0","type":"link"}