{"product_id":"dzofilm-arles-135mm-t1-8-ff-vv-prime-cine-lens-arri-pl","title":"DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (ARRI PL)","description":"\n\u003cdiv class=\"cm-vendor-general\"\u003e\n\n  \u003c!-- STAT BAR --\u003e\n  \u003cdiv class=\"cm-stat-bar\"\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e135mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003eT1.8\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eMax Aperture\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e46.5mm\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eImage Circle\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e16\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eIris Blades\u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__item\"\u003e\n      \u003cdiv class=\"cm-stat-bar__value\"\u003e270°\u003c\/div\u003e\n      \u003cdiv class=\"cm-stat-bar__label\"\u003eFocus Rotation\u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- INTRO --\u003e\n  \u003cp class=\"cm-intro\"\u003e\n    The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e Arles 135mm T1.8\u003c\/strong\u003e FF\/VV Prime Cine Lens combines expressive telephoto framing with a fast T1.8 aperture for professional full-frame and VistaVision filmmaking. Its 46.5mm image circle and 16-blade iris deliver smooth background separation and the painterly bokeh characteristic of the Arles prime series. Featuring a 270° manual focus rotation, ARRI PL mount, and professional 0.8 MOD gearing, this lens supports precise cinematic focus pulls and consistent on-set operation. A telephoto prime designed for dramatic portraits, narrative close-ups, and visually layered compositions.\n  \u003c\/p\u003e\n\n  \u003c!-- GEO FACTS --\u003e\n  \u003cp class=\"cm-intro\" id=\"cm-geo-facts\"\u003e\n    The DZOFilm Arles 135mm T1.8 FF\/VV Prime Cine Lens (DZO-SAP135IPL) is a manual-focus spherical cinema prime available through Coremicro in Union City, California. It features a T1.8 to T22 aperture range, a 46.5mm image circle, 12 optical elements in 8 groups, and a 16-blade iris. This ARRI PL-mount lens has a 0.98m minimum focusing distance, 270° focus rotation, 88° iris rotation, 95mm front diameter, and M86 filter thread. Its PL-mount body measures 130mm in length and weighs approximately 1.846kg. Contact Coremicro to confirm pricing, availability, compatible accessories, and applicable DZOFilm warranty terms.\n  \u003c\/p\u003e\n\n  \u003c!-- HERO --\u003e\n  \u003cdiv class=\"cm-hero\"\u003e\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP135IPL.jpg?v=1792398472\u0026amp;width=1000\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP135IPL.jpg?v=1792398472\u0026amp;width=700 700w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP135IPL.jpg?v=1792398472\u0026amp;width=1000 1000w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP135IPL.jpg?v=1792398472\u0026amp;width=1400 1400w\" sizes=\"(min-width: 1440px) 1416px, 100vw\" width=\"1000\" height=\"1000\" alt=\"DZOFilm Arles 135mm T1.8 PL telephoto cine lens for full-frame film portraits\" loading=\"lazy\" decoding=\"async\"\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- KEY FEATURES --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 1: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_6.png?v=1792831991\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"Arles 135mm optical design for detailed telephoto cinema portraits and close-ups\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eTelephoto Cinema Optics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eHigh-Resolution 135mm Telephoto Optical Design\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles 135mm incorporates 12 optical elements arranged in 8 groups, combining detailed image reproduction with the distinctive optical character of the Arles family. Its telephoto perspective allows cinematographers to frame distant subjects tightly and emphasize visual separation between foreground and background elements. Carefully tuned color and contrast help preserve expressive tonal transitions in dramatic portraits, dialogue close-ups, and commercial cinematography.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 2: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_0_7.png?v=1792831998\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"DZOFilm Arles floating optics for controlled 135mm cinematic focus transitions\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003ePrecision Focus Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eFloating Optics for Smooth Telephoto Focus Pulls\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The Arles series uses a floating-element optical design to help control aberrations as focus moves between distant and nearby subjects. Reduced focus breathing helps limit distracting changes in framing during dramatic rack-focus movements. The 135mm lens focuses down to 0.98m from the camera sensor plane, while its 270° manual focus rotation allows fine adjustments when working with shallow depth of field and tightly framed subjects.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 3: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/arlesp-p4-2.webp?v=1792831973\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"400\" alt=\"Arles anti-reflective lens treatments for controlled flare and natural cinema colors\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eFlare and Color Control\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eMulti-Layer Nano-Coating for Painterly Telephoto Images\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        Specialized multi-layer nano-coating and internal anti-reflective treatments help reduce unwanted reflections, ghosting, and diffuse stray light. The Arles optical design balances natural color reproduction with atmospheric highlight rendering, giving cinematographers room to shape a distinctive cinematic look. These coatings support controlled contrast when photographing backlit performers, reflective backgrounds, practical light sources, and high-contrast exterior scenes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 4: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_3012.png?v=1792831997\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"338\" alt=\"DZOFilm Arles interchangeable ARRI PL mount for full-frame cine camera systems\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003ePL Mount and VistaVision\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e46.5mm Image Circle with Interchangeable ARRI PL Mount\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 46.5mm image circle is designed for full-frame and compatible VistaVision cinema sensor formats. This version includes an ARRI PL mount, with selected alternative mount configurations available through compatible conversion hardware. Its 135mm focal length provides precise long-lens framing for professional camera systems. Before using a different mount or sensor mode, confirm flange requirements, camera clearance, and full image-circle coverage.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 5: IMAGE LEFT --\u003e\n  \u003cdiv class=\"cm-card\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/videoframe_663.png?v=1792832005\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"300\" alt=\"Arles professional cine lens housing with precision geared focus and iris rings\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eProfessional Cine Mechanics\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003e270-Degree Focus Throw and 0.8 MOD Cinema Gearing\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        A durable aluminum-alloy housing provides precise manual operation with a 270° focus rotation and 88° iris rotation. Industry-standard 0.8 MOD gearing works with compatible follow-focus systems and cinema lens motors, while the 95mm front outside diameter supports standard matte-box configurations. With a weight of approximately 1.846kg, the lens should be appropriately balanced and supported when used on stabilized or compact camera rigs.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CARD 6: IMAGE RIGHT --\u003e\n  \u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n    \u003cdiv class=\"cm-card__image\"\u003e\n      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600\" srcset=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=400 400w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=600 600w, https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/3_5e892305-2137-49cb-8c70-2f25a352d053.webp?v=1792831976\u0026amp;width=900 900w\" sizes=\"(min-width: 1440px) 595px, (min-width: 641px) 42vw, 100vw\" width=\"600\" height=\"369\" alt=\"DZOFilm Arles prime lens family with coordinated bokeh color and cine controls\" loading=\"lazy\" decoding=\"async\"\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-card__body\"\u003e\n      \u003cdiv class=\"cm-card__eyebrow\"\u003eMatched Arles Prime Series\u003c\/div\u003e\n      \u003ch3 class=\"cm-card__title\"\u003eConsistent Arles Rendering from Wide to Telephoto\u003c\/h3\u003e\n      \u003cp class=\"cm-card__text\"\u003e\n        The 135mm extends the Arles prime family into expressive telephoto compositions while maintaining the series' recognizable color, contrast, and bokeh character. Common cine gear standards and a shared 95mm front diameter help camera departments transition between focal lengths. This model has a 130mm PL-mount body, longer than many of the shorter Arles primes, so camera balance and accessory positioning should be checked during lens changes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- CINEMATIC CHARACTER --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eCinematic Character\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-feature-grid cm-feature-grid--2col\"\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003eT1.8 Telephoto Low-Light Performance\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The fast T1.8 maximum aperture provides exposure flexibility for available-light scenes and enables shallow depth-of-field compositions. Combined with the 135mm focal length, it allows cinematographers to isolate subjects against soft backgrounds in dramatic and commercial work.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e16-Blade Painterly Cinema Bokeh\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The 16-blade diaphragm supports rounded out-of-focus highlights and gradual transitions between focused subjects and defocused backgrounds. The Arles image character adds atmosphere to close-ups, cinematic portraits, and selectively focused detail shots.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e135mm Telephoto Perspective\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        The long focal length provides a narrow field of view and pronounced apparent background compression. It is suited to emotional close-ups, portraits, stage coverage, and compositions where the camera must remain farther from the subject.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-feature-box\"\u003e\n      \u003ch3 class=\"cm-feature-box__title\"\u003e95mm Front Diameter and M86 Thread\u003c\/h3\u003e\n      \u003cp class=\"cm-feature-box__text\"\u003e\n        A 95mm front outside diameter and M86 filter thread accommodate compatible cinema matte boxes and threaded filters. These familiar mechanical dimensions make the 135mm easier to incorporate into a matched Arles lens package.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WORKFLOWS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-workflow-grid\"\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eNarrative Filmmaking\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eExpressive Portraits and Dramatic Close-Ups\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The 135mm perspective allows filmmakers to frame facial expressions and intimate character moments with strong background separation. Its T1.8 aperture and 16-blade iris make it a practical choice for emotional portraits, dialogue close-ups, and carefully composed narrative scenes.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eCommercial Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eFashion and Lifestyle Telephoto Cinematography\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          Create tightly framed portraits, fashion imagery, and branded lifestyle scenes with pronounced subject separation. Natural color reproduction, controlled optical contrast, and standard cine gearing support repeatable focus and camera movement during commercial shoots.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-workflow-card\"\u003e\n      \u003cdiv class=\"cm-workflow-card__body\"\u003e\n        \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003eStudio and Location Production\u003c\/div\u003e\n        \u003ch3 class=\"cm-workflow-card__title\"\u003eDistant Subjects and Controlled Focus Pulls\u003c\/h3\u003e\n        \u003cp class=\"cm-workflow-card__text\"\u003e\n          The long focal length captures distant performers, environmental details, and selectively framed action from a controlled camera position. Its 270° focus rotation supports precise follow-focus operation when paired with a stable, properly balanced cinema rig.\n        \u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- AUDIENCE --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-audience-grid\"\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinematographers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        A fast telephoto prime for precise framing, shallow depth of field, and professional manual focus control.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eNarrative Filmmakers\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Expressive optical rendering for emotional close-ups, character portraits, and dramatic long-lens scenes.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCommercial Production Teams\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        Professional telephoto cinematography for fashion, advertising, lifestyle films, and branded content.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n    \u003cdiv class=\"cm-audience-card\"\u003e\n      \u003cp class=\"cm-audience-card__label\"\u003eCinema Rental Houses\u003c\/p\u003e\n      \u003cp class=\"cm-audience-card__text\"\u003e\n        A 135mm option for matched Arles prime packages serving full-frame and compatible VistaVision productions.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- WARRANTY --\u003e\n  \u003cdiv class=\"cm-warranty\"\u003e\n    \u003cdiv class=\"cm-warranty__body\"\u003e\n      \u003cp class=\"cm-warranty__label\"\u003eDZOFilm Manufacturer Support\u003c\/p\u003e\n      \u003cp class=\"cm-warranty__text\"\u003e\n        DZOFilm provides a minimum one-year manufacturer warranty for eligible lenses purchased through official dealers, subject to regional terms and proof-of-purchase requirements. Additional coverage may be available through eligible product registration. Contact Coremicro for current warranty conditions, ARRI PL compatibility, filtration options, lens support, and product assistance.\n      \u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- TECHNICAL SPECIFICATIONS --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-table-wrap\"\u003e\n    \u003ctable class=\"cm-table\"\u003e\n      \u003cthead\u003e\n        \u003ctr\u003e\n          \u003cth scope=\"col\"\u003eSpecification\u003c\/th\u003e\n          \u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n        \u003c\/tr\u003e\n      \u003c\/thead\u003e\n      \u003ctbody\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZOFilm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProduct Series\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eArles Prime\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer Part Number\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDZO-SAP135IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpherical Prime Cine Lens\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e135mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eARRI PL, Interchangeable Mount Design\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat Coverage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e46.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT1.8\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eT22\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical Construction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 Elements in 8 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.98m \/ 3ft 3in (from sensor plane)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 270° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eManual, 88° Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus and Iris Gear Pitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.8 MOD\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95mm \/ 3.74in\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eM86 \/ 86mm\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e130mm \/ 5.12in (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.846kg \/ 4.07lb\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing Material\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eImperial (Feet), DZO-SAP135IPL\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAngle of View (VV, H \/ V \/ D)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e17° \/ 9° \/ 19°\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFlange Focal Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e52mm (PL)\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n        \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n      \u003c\/tbody\u003e\n    \u003c\/table\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FAQ --\u003e\n  \u003cdiv class=\"cm-section-label\"\u003e\n    \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n    \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/FAQPage\"\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the DZOFilm Arles 135mm T1.8 used for?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 135mm T1.8 is a telephoto cinema prime used for dramatic close-ups, portraits, commercials, and distant subject coverage. Its T1.8 aperture and long focal length support shallow depth-of-field compositions and strong subject separation.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 135mm cover full-frame and VistaVision sensors?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 135mm has a manufacturer-listed 46.5mm image circle designed for full-frame and compatible VistaVision formats. Camera-specific sensor dimensions and recording modes should be checked to confirm complete coverage.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eHow close can the DZOFilm Arles 135mm focus?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe DZOFilm Arles 135mm has a minimum focusing distance of 0.98m, approximately 3 feet 3 inches, measured from the camera sensor plane. Its 270° manual focus rotation enables fine focus adjustments for telephoto shooting.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eCan the Arles 135mm use different lens mounts?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 135mm has an interchangeable-mount design and this model is supplied with an ARRI PL mount. Compatible alternative mount configurations require the appropriate hardware and verification of camera compatibility.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eDoes the Arles 135mm support follow-focus systems and front filters?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 135mm uses industry-standard 0.8 MOD focus and iris gears for compatible follow-focus equipment. Its 95mm front outside diameter and M86 filter thread support suitable matte boxes and threaded filters.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat is the difference between the Arles 135mm and Arles 180mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eThe Arles 135mm has a T1.8 maximum aperture, 0.98m minimum focus distance, and a wider field of view than the Arles 180mm. The 180mm has a T2.4 maximum aperture and a 1.07m minimum focus distance, providing tighter telephoto framing. Both use 16-blade irises and professional manual-focus controls.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"\u003e\n      \u003ch3 itemprop=\"name\"\u003eWhat warranty and product support are available for the Arles 135mm?\u003c\/h3\u003e\n      \u003cdiv itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"\u003e\n        \u003cp itemprop=\"text\"\u003eDZOFilm offers a minimum one-year manufacturer's warranty for eligible lenses purchased through official dealers, subject to its regional after-sales policy. Customers can contact Coremicro for product availability, warranty information, ARRI PL compatibility, and cinema lens accessories.\u003c\/p\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n  \u003c!-- CTA --\u003e\n  \u003cdiv class=\"cm-cta\"\u003e\n    \u003ch3 class=\"cm-cta__title\"\u003eReady to Add the Arles 135mm to Your Cinema Lens Kit?\u003c\/h3\u003e\n    \u003cp class=\"cm-cta__text\"\u003e\n      Coremicro supplies professional DZOFilm cinema lenses and accessories for narrative filmmaking, commercial productions, and studio workflows. Contact our team to confirm ARRI PL camera compatibility, pricing, availability, appropriate lens support, and accessories for your telephoto cinema setup.\n    \u003c\/p\u003e\n    \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003eTalk to a Specialist\u003c\/a\u003e\n  \u003c\/div\u003e\n\n  \u003c!-- FOOTER LINKS --\u003e\n  \u003cdiv class=\"cm-footer-links\"\u003e\n    \u003cp class=\"cm-footer-links__label\"\u003eContinue Exploring\u003c\/p\u003e\n    \u003cdiv class=\"cm-footer-links__list\"\u003e\n      \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003eDZOFilm Products\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003eCinema Lenses\u003c\/a\u003e\n      \u003ca href=\"\/collections\/lens-mount-adapters\" class=\"cm-footer-links__item\"\u003eLens Mount Adapters\u003c\/a\u003e\n      \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003eContact Us\u003c\/a\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488015073442,"sku":"DZO-SAP135IPL","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-SAP135IPL.jpg?v=1792398472","url":"https:\/\/www.coremicro.com\/products\/dzofilm-arles-135mm-t1-8-ff-vv-prime-cine-lens-arri-pl","provider":"COREMICRO.COM","version":"1.0","type":"link"}