{"product_id":"dzofilm-apg50pli","title":"DZOFilm Arles Lustre 50mm T1.6 FF\/VV Cinema Prime Lens (ARRI PL)","description":"\u003cdiv class=\"product-description\"\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eDZOFilm Arles Lustre 50mm T1.6 FF\/VV Cinema Prime Lens (ARRI PL)\u003c\/strong\u003e is a full-frame cinema prime built around a 46.5mm image circle and a fast T1.6 maximum aperture. On a full-frame camera, the 50mm focal length gives a 50° diagonal, 45° horizontal, and 25° vertical angle of view, making it a natural choice for tighter coverage, interviews, portrait work, and general narrative shooting.\u003c\/p\u003e\n\n\u003cp\u003eThe lens carries the Lustre series' warm amber halo character and metallic, retro-style exterior, while the mechanics are arranged for conventional cine operation. Focus uses 0.8 MOD gearing with a 270° rotation, focus scales are marked in both metric and imperial units, and the front of the lens is standardized around a 95mm outside diameter with an M86 filter thread. A support foot is included for mounting the lens into a supported camera build.\u003c\/p\u003e\n\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e50mm full-frame cinema prime lens\u003c\/li\u003e\n\u003cli\u003eT1.6 maximum aperture and T22 minimum aperture\u003c\/li\u003e\n\u003cli\u003e46.5mm image circle\u003c\/li\u003e\n\u003cli\u003eCreates a warm amber halo effect\u003c\/li\u003e\n\u003cli\u003eMetallic, retro-style design\u003c\/li\u003e\n\u003cli\u003e0.8 MOD cine-style focus gearing\u003c\/li\u003e\n\u003cli\u003e270° focus rotation\u003c\/li\u003e\n\u003cli\u003e95mm front outside diameter\u003c\/li\u003e\n\u003cli\u003eM86 front filter thread\u003c\/li\u003e\n\u003cli\u003eDual-scale focus marks in feet and meters\u003c\/li\u003e\n\u003cli\u003eARRI PL lens mount\u003c\/li\u003e\n\u003cli\u003eCompatible with KooP rear filters\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal Length:\u003c\/strong\u003e 50mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum Aperture:\u003c\/strong\u003e T1.6\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum Aperture:\u003c\/strong\u003e T22\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Mount:\u003c\/strong\u003e ARRI PL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat Coverage:\u003c\/strong\u003e Full Frame, 46.5mm Image Circle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAngle of View:\u003c\/strong\u003e 50° Diagonal \/ 45° Horizontal \/ 25° Vertical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus Scales:\u003c\/strong\u003e Metric, Imperial\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptical Design:\u003c\/strong\u003e 13 Elements in 9 Groups\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFilter Thread:\u003c\/strong\u003e 86mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum Focus Distance:\u003c\/strong\u003e 50 cm (19.7\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAperture\/Iris Blades:\u003c\/strong\u003e 16\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGear Standard:\u003c\/strong\u003e 0.8 MOD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eElectronic Communication:\u003c\/strong\u003e No\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Stabilization:\u003c\/strong\u003e No\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\n\u003cp\u003eA 50mm prime sits in a very useful part of a full-frame lens set. It gives the operator a tighter perspective than the wider members of the series without moving into long-lens territory, so it works well for dialogue, interviews, portrait framing, and controlled close coverage.\u003c\/p\u003e\n\n\u003cp\u003eThe focus mechanics are set up for proper cine handling rather than still-photo operation. A 270° focus throw gives an assistant more physical travel for measured pulls, while the 0.8 MOD gear fits standard follow-focus hardware. The 50cm minimum focus distance also gives the camera some room to work closer when the shot calls for it.\u003c\/p\u003e\n\n\u003cp\u003eThe rest of the lens is equally predictable from a rigging standpoint. The 95mm front diameter and M86 thread provide known accessory dimensions, while the included support foot gives the lens a dedicated support point in a built-up camera package. The Lustre rendering stays visually distinct as well, with the warm amber halo effect giving the 50mm its own character instead of aiming for a completely neutral image.\u003c\/p\u003e\n\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Type:\u003c\/strong\u003e Cinema Prime\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal Length:\u003c\/strong\u003e 50mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat Coverage:\u003c\/strong\u003e Full Frame, 46.5mm Image Circle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAperture Range:\u003c\/strong\u003e T1.6 to T22\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAngle of View:\u003c\/strong\u003e 50° Diagonal \/ 45° Horizontal \/ 25° Vertical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus Scale:\u003c\/strong\u003e Metric \/ Imperial\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptical Design:\u003c\/strong\u003e 13 Elements in 9 Groups\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum Focus Distance:\u003c\/strong\u003e 50 cm (19.7\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAperture\/Iris Blades:\u003c\/strong\u003e 16\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus Gear:\u003c\/strong\u003e 0.8 MOD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus Rotation:\u003c\/strong\u003e 270°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Mounting:\u003c\/strong\u003e 1 x 1\/4\"-20 via Included Support Foot\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eElectronic Communication:\u003c\/strong\u003e No\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Stabilization:\u003c\/strong\u003e No\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront Diameter:\u003c\/strong\u003e 95 mm (3.7\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 121.8 mm (4.8\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.68 kg (3.7 lb)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eWhat's In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 x DZOFilm Arles Lustre 50mm T1.6 FF\/VV Cinema Prime Lens (ARRI PL)\u003c\/li\u003e\n\u003cli\u003e1 x Front Cap\u003c\/li\u003e\n\u003cli\u003e1 x Rear Cap\u003c\/li\u003e\n\u003cli\u003e1 x Support Foot (3\/8\"-16)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e supplies professional AV, broadcast, conferencing, collaboration, camera, and production equipment for installed and portable workflows.\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488013598882,"sku":"DZO-APG50PLI","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZIOFILMDZO-APG50PLI.jpg?v=1787911053","url":"https:\/\/www.coremicro.com\/products\/dzofilm-apg50pli","provider":"COREMICRO.COM","version":"1.0","type":"link"}