{"product_id":"dzofilm-24mm-t2-8-gnosis-macro-prime-lens","title":"DZOFilm 24mm T2.8 Gnosis Macro Prime Lens LPL PL EF Feet","description":"\u003cdiv class=\"cm-vendor-general\"\u003e\n\n\u003c!-- STAT BAR --\u003e\n\u003cdiv class=\"cm-stat-bar\"\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e24mm\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eFocal Length\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eT2.8\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMaximum Aperture\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e0.8x\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMacro Magnification\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003e6.1 in\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMinimum Focus\u003c\/div\u003e\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-stat-bar__item\"\u003e\n    \u003cdiv class=\"cm-stat-bar__value\"\u003eLPL \/ PL \/ EF\u003c\/div\u003e\n    \u003cdiv class=\"cm-stat-bar__label\"\u003eMount Options\u003c\/div\u003e\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- INTRO --\u003e\n\u003cp class=\"cm-intro\"\u003e\n  The \u003cstrong\u003e\u003ca href=\"\/collections\/cm-vendor-general\"\u003eDZOFilm\u003c\/a\u003e 24mm T2.8 Gnosis Macro Prime Lens\u003c\/strong\u003e\n  combines wide-angle perspective with close-focus macro imaging for\n  commercial, tabletop, product, and cinema production. It reaches\n  0.8x magnification at a 6.1-inch minimum focus distance while keeping\n  more of the surrounding environment visible than a longer macro prime.\n  The lens covers full-frame and VistaVision formats, uses a T2.8 maximum\n  aperture, and ships in an ARRI LPL configuration with ARRI PL and\n  Canon EF mounts also included.\n\u003c\/p\u003e\n\n\n\u003c!-- HERO --\u003e\n\u003cdiv class=\"cm-hero\"\u003e\n\n  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-G2428LPLI.jpg?v=1790331886\u0026amp;width=1400\u0026amp;format=webp\" alt=\"DZOFilm 24mm T2.8 Gnosis Macro Prime Lens with LPL PL and EF cine mounts\" width=\"1400\" height=\"1400\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\"\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- KEY FEATURES --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eKey Features\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-feature-grid\"\u003e\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e01\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      24mm Wide-Angle Macro Prime\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Combines a broad 24mm perspective with macro close-focus capability\n      for immersive foreground detail.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e02\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      0.8x Magnification at 6.1 Inches\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Reaches up to 0.8x magnification at a 6.1-inch minimum focus\n      distance for detailed close-up imaging.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e03\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      Full-Frame and VistaVision Coverage\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Provides an 83.8° full-frame field of view and an 88° field\n      of view in VistaVision format.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e04\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      LPL, PL, and EF Mount Options\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Ships with ARRI LPL mounting and includes ARRI PL and Canon EF\n      mounts for compatible camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e05\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      T2.8 Aperture with 16-Blade Iris\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      A T2.8 maximum aperture and 16-blade iris support controlled\n      exposure and smooth bokeh.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-feature-box\"\u003e\n\n    \u003cdiv class=\"cm-feature-box__icon\"\u003e06\u003c\/div\u003e\n\n    \u003ch3 class=\"cm-feature-box__title\"\u003e\n      300° Cine Focus Rotation\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-feature-box__text\"\u003e\n      Long focus rotation, 0.8 MOD gearing, and feet-based focus marks\n      support measured manual focus operation.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- GNOSIS MACRO DESIGN --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eGnosis Macro Design\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003c!-- CARD 1 — IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n\n  \u003cdiv class=\"cm-card__image\"\u003e\n\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1678383922_IMG_1952679.jpg?v=1790331607\u0026amp;width=600\u0026amp;format=webp\" alt=\"DZOFilm Gnosis 24mm macro prime for immersive wide-angle close-up cinematography\" width=\"600\" height=\"450\" loading=\"lazy\" decoding=\"async\"\u003e\n\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Immersive Macro Views\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Bring More of the Environment into Macro Close-Ups\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The Gnosis 24mm combines close-focus macro imaging with a wider\n      field of view. At up to 0.8x magnification, a foreground subject\n      can fill the frame while more of the surrounding environment remains\n      visible behind it.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens focuses as close as 6.1 inches and covers both full-frame\n      and VistaVision formats. It provides an 83.8° field of view on\n      full-frame and an 88° field of view in VistaVision, supporting\n      immersive close-ups with a strong sense of depth.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- CARD 2 — IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n\n  \u003cdiv class=\"cm-card__image\"\u003e\n\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1678383922_IMG_1952680.jpg?v=1790331607\u0026amp;width=600\u0026amp;format=webp\" alt=\"DZOFilm Gnosis 24mm wide-angle macro cine lens for product and tabletop production\" width=\"600\" height=\"450\" loading=\"lazy\" decoding=\"async\"\u003e\n\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Wide-Angle Macro Lens\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Combine Fine Foreground Detail with a Wider Background\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      A 24mm focal length includes more background than a conventional\n      longer macro prime. This makes the lens useful when the relationship\n      between a close subject and its surroundings is part of the composition.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Maximum magnification reaches 0.8x, equivalent to a 1:1.25\n      reproduction ratio. Product, tabletop, commercial, and narrative\n      crews can capture detailed foreground subjects without losing the\n      spatial character of a wide cinema lens.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- CARD 3 — IMAGE LEFT --\u003e\n\u003cdiv class=\"cm-card\"\u003e\n\n  \u003cdiv class=\"cm-card__image\"\u003e\n\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1678383922_IMG_1952682.jpg?v=1790331607\u0026amp;width=600\u0026amp;format=webp\" alt=\"DZOFilm Gnosis 24mm macro lens with interchangeable LPL PL and Canon EF mounts\" width=\"600\" height=\"450\" loading=\"lazy\" decoding=\"async\"\u003e\n\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Interchangeable Cine Mount\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Move Between ARRI LPL, PL, and Canon EF Camera Systems\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The 24mm Gnosis is supplied in an ARRI LPL configuration and also\n      includes ARRI PL and Canon EF mounts. This gives camera departments\n      multiple physical mounting options for compatible cine-style systems.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens also provides a 3\/8'-16 mounting point for additional\n      physical support when it is installed in a larger cinema camera rig.\n      Focus scales on this version are calibrated in feet for crews working\n      with imperial distance measurements.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- CARD 4 — IMAGE RIGHT --\u003e\n\u003cdiv class=\"cm-card cm-card--reverse\"\u003e\n\n  \u003cdiv class=\"cm-card__image\"\u003e\n\n    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/1678959532_IMG_1952686.jpg?v=1790331607\u0026amp;width=600\u0026amp;format=webp\" alt=\"DZOFilm Gnosis 24mm T2.8 macro cine lens optical design with 16-blade iris\" width=\"600\" height=\"450\" loading=\"lazy\" decoding=\"async\"\u003e\n\n  \u003c\/div\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003cdiv class=\"cm-card__eyebrow\"\u003e\n      Cinema Optical Design\n    \u003c\/div\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      T2.8 Optics with Low-Dispersion and HRI Glass\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The optical construction uses 12 elements arranged in 10 groups,\n      including two low-dispersion elements and three high-refractive-index\n      elements. The design helps control chromatic aberration while retaining\n      natural color and tonal gradation.\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The aperture runs from T2.8 to T22 and uses a 16-blade iris for smooth\n      bokeh and controlled exposure. Standard 0.8 MOD gearing, a 300° focus\n      rotation, and a 62° iris rotation provide familiar mechanical control\n      for professional cine workflows.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n  \u003c!-- REAL-WORLD WORKFLOWS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eReal-World Workflows\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-workflow-grid\"\u003e\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Product Cinematography\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Capture Fine Detail with Environmental Context\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        The 0.8x macro capability brings small product details forward,\n        while the 24mm field of view keeps more of the surrounding set\n        visible than a longer macro prime.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Tabletop Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Work Close to Small Subjects\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        A 6.1-inch minimum focus distance supports detailed tabletop\n        close-ups while the wide perspective preserves background\n        information and spatial depth.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Commercial Production\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Combine Macro Detail with Wide Composition\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Commercial crews can use the Gnosis 24mm for product inserts,\n        textured detail shots, and close compositions where the subject\n        still needs to remain connected to its environment.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-workflow-card\"\u003e\n\n    \u003cdiv class=\"cm-workflow-card__body\"\u003e\n\n      \u003cdiv class=\"cm-workflow-card__eyebrow\"\u003e\n        Narrative Cinematography\n      \u003c\/div\u003e\n\n      \u003ch3 class=\"cm-workflow-card__title\"\u003e\n        Build Immersive Large-Format Macro Shots\n      \u003c\/h3\u003e\n\n      \u003cp class=\"cm-workflow-card__text\"\u003e\n        Full-frame and VistaVision coverage gives filmmakers a broad\n        macro perspective for foreground details, inserts, and stylized\n        close-ups that retain more of the surrounding scene.\n      \u003c\/p\u003e\n\n    \u003c\/div\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- WHO IT'S FOR --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eWho It's For\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-audience-grid\"\u003e\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Cinematographers\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Shooters who need a wide-angle macro perspective for full-frame\n      and VistaVision cinema production.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Product Shooters\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Crews capturing close product details while retaining more of the\n      surrounding set in frame.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Tabletop Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Operators working close to small subjects with 0.8x macro\n      magnification and a 6.1-inch minimum focus distance.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Camera Assistants\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Camera teams working with 300° focus rotation, 0.8 MOD gearing,\n      and imperial focus marks in feet.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Large-Format Camera Crews\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Productions using full-frame or VistaVision cameras that need\n      macro imaging with a wide field of view.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\n  \u003cdiv class=\"cm-audience-card\"\u003e\n\n    \u003cp class=\"cm-audience-card__label\"\u003e\n      Multi-Camera Productions\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-audience-card__text\"\u003e\n      Teams that benefit from ARRI LPL, ARRI PL, and Canon EF mount\n      options across compatible camera systems.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- SUPPORT --\u003e\n\u003cdiv class=\"cm-warranty\"\u003e\n\n  \u003cdiv class=\"cm-warranty__body\"\u003e\n\n    \u003cp class=\"cm-warranty__label\"\u003e\n      DZOFilm Support\n    \u003c\/p\u003e\n\n    \u003cp class=\"cm-warranty__text\"\u003e\n      The Gnosis 24mm ships in an ARRI LPL configuration with ARRI PL\n      and Canon EF mounts also included. Coremicro can help confirm mount\n      configuration, camera compatibility, lens support requirements,\n      and compatible cine lens-control hardware for a specific production setup.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\u003c!-- TECHNICAL SPECIFICATIONS --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eTechnical Specifications\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-table-wrap\"\u003e\n\n  \u003ctable class=\"cm-table\"\u003e\n\n    \u003cthead\u003e\n      \u003ctr\u003e\n        \u003cth\u003eSpecification\u003c\/th\u003e\n        \u003cth\u003eDetail\u003c\/th\u003e\n      \u003c\/tr\u003e\n    \u003c\/thead\u003e\n\n    \u003ctbody\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eProduct Name\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZOFilm 24mm T2.8 Gnosis Macro Prime Lens\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eDZO-G2428LPLI\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e24mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT2.8\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eT22\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eARRI LPL\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIncluded Additional Mounts\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eARRI PL · Canon EF\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eInterchangeable Mount\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eYes\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Format Coverage\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eFull-Frame \/ VistaVision\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Circle\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e46.5mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFull-Frame Angle of View\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e83.8° Horizontal\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eVistaVision Field of View\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e88°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e6.1 in \/ 15.5 cm from Camera Sensor\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMacro Reproduction Ratio\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e1:1.25\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eMaximum Magnification\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8x\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eOptical Design\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e12 Elements in 10 Groups\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLow-Dispersion Elements\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e2\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eHigh-Refractive-Index Elements\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e3\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eAperture \/ Iris Blades\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFilter Thread\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e105mm\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Scale\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eImperial \/ Feet\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eGear Standard\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e0.8 MOD\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFocus Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e300°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIris Rotation\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e62°\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eElectronic Communication\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eNo\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLens Mounting\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e1 x 3\/8\"-16\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eFront Diameter\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e114mm \/ 4.5 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e100mm \/ 3.9 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e1.26 kg (2.78 lb)\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003ePackage Weight\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e5.35 kg (11.795 lb)\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eBox Dimensions\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e18 x 16.5 x 10.4 in\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eIn the Box\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003e\n          DZOFilm 24mm T2.8 Gnosis Macro Prime Lens ·\n          ARRI PL Mount ·\n          Canon EF Mount ·\n          Mounting Hardware ·\n          Hard Case\n        \u003c\/td\u003e\n      \u003c\/tr\u003e\n\n      \u003ctr\u003e\n        \u003ctd\u003e\u003cstrong\u003eManufacturer Warranty\u003c\/strong\u003e\u003c\/td\u003e\n        \u003ctd\u003eLimited 1-Year Manufacturer Warranty\u003c\/td\u003e\n      \u003c\/tr\u003e\n\n    \u003c\/tbody\u003e\n\n  \u003c\/table\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- FAQ --\u003e\n\u003cdiv class=\"cm-section-label\"\u003e\n  \u003cdiv class=\"cm-section-label__bar\"\u003e\u003c\/div\u003e\n  \u003cspan class=\"cm-section-label__text\"\u003eFrequently Asked Questions\u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"cm-card cm-card--full\"\u003e\n\n  \u003cdiv class=\"cm-card__body\"\u003e\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What makes the DZOFilm Gnosis 24mm different from a longer macro lens?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The Gnosis 24mm combines macro close-focus capability with a wide-angle\n      perspective. A close subject can fill the foreground while more of the\n      surrounding environment remains visible in the composition.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      How much macro magnification does the Gnosis 24mm provide?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens reaches 0.8x magnification, equivalent to a 1:1.25 reproduction\n      ratio, at a minimum focus distance of 6.1 inches from the camera sensor.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the Gnosis 24mm cover full-frame and VistaVision?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens has a 46.5mm image circle and covers full-frame and\n      VistaVision formats. It provides an 83.8° horizontal field of view\n      on full-frame and an 88° field of view in VistaVision.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Which lens mounts are included with the Gnosis 24mm?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens is supplied in an ARRI LPL configuration and includes\n      ARRI PL and Canon EF mounts for compatible camera systems.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What aperture range does the Gnosis 24mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The lens has a T2.8 maximum aperture and closes down to T22.\n      A 16-blade iris supports smooth bokeh and controlled exposure.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Does the Gnosis 24mm use standard cine gearing?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. The lens uses standard 0.8 MOD gearing with a 300° focus\n      rotation and 62° iris rotation for manual cine-style operation.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What optical construction does the Gnosis 24mm use?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The optical design uses 12 elements in 10 groups, including two\n      low-dispersion elements and three high-refractive-index elements.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      Are the focus marks on this Gnosis 24mm in feet?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      Yes. This DZO-G2428LPLI version uses an imperial focus scale\n      with distance markings in feet.\n    \u003c\/p\u003e\n\n\n    \u003ch3 class=\"cm-card__title\"\u003e\n      What comes with the DZOFilm Gnosis 24mm?\n    \u003c\/h3\u003e\n\n    \u003cp class=\"cm-card__text\"\u003e\n      The package includes the 24mm T2.8 Gnosis Macro Prime Lens,\n      ARRI PL mount, Canon EF mount, mounting hardware, and hard case.\n    \u003c\/p\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- PRODUCT SCHEMA --\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"Product\",\n  \"name\": \"DZOFilm 24mm T2.8 Gnosis Macro Prime Lens (LPL with PL \u0026 EF Mounts, Feet)\",\n  \"description\": \"24mm T2.8 wide-angle macro cine prime with 0.8x magnification, full-frame and VistaVision coverage, ARRI LPL mount, included PL and EF mounts, and focus markings in feet.\",\n  \"sku\": \"DZO-G2428LPLI\",\n  \"mpn\": \"DZO-G2428LPLI\",\n  \"category\": \"Lens\",\n  \"brand\": {\n    \"@type\": \"Brand\",\n    \"name\": \"DZOFilm\"\n  },\n  \"manufacturer\": {\n    \"@type\": \"Organization\",\n    \"name\": \"DZOFilm\"\n  },\n  \"image\": [\n    \"https:\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-G2428LPLI.jpg?v=1790331886\"\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- FAQ SCHEMA --\u003e\n\u003cscript type=\"application\/ld+json\"\u003e\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What makes the DZOFilm Gnosis 24mm different from a longer macro lens?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The Gnosis 24mm combines macro close-focus capability with a wide-angle perspective, allowing a close subject to remain visually connected to more of the surrounding environment.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"How much macro magnification does the Gnosis 24mm provide?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The lens reaches 0.8x magnification, equivalent to a 1:1.25 reproduction ratio, at a minimum focus distance of 6.1 inches from the camera sensor.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the Gnosis 24mm cover full-frame and VistaVision?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens has a 46.5mm image circle and covers full-frame and VistaVision formats.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Which lens mounts are included with the Gnosis 24mm?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The lens is supplied in an ARRI LPL configuration and includes ARRI PL and Canon EF mounts.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What aperture range does the Gnosis 24mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The lens has a T2.8 maximum aperture, closes down to T22, and uses a 16-blade iris.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Does the Gnosis 24mm use standard cine gearing?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The lens uses standard 0.8 MOD gearing with a 300-degree focus rotation and 62-degree iris rotation.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What optical construction does the Gnosis 24mm use?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The lens uses 12 elements in 10 groups, including two low-dispersion elements and three high-refractive-index elements.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Are the focus marks on this Gnosis 24mm in feet?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"Yes. The DZO-G2428LPLI version uses an imperial focus scale with markings in feet.\"\n      }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"What comes with the DZOFilm Gnosis 24mm?\",\n      \"acceptedAnswer\": {\n        \"@type\": \"Answer\",\n        \"text\": \"The package includes the 24mm T2.8 Gnosis Macro Prime Lens, ARRI PL mount, Canon EF mount, mounting hardware, and hard case.\"\n      }\n    }\n  ]\n}\n\u003c\/script\u003e\n\n\n\u003c!-- CTA --\u003e\n\u003cdiv class=\"cm-cta\"\u003e\n\n  \u003ch3 class=\"cm-cta__title\"\u003e\n    Need the Right Gnosis Macro Setup for Your Production?\n  \u003c\/h3\u003e\n\n  \u003cp class=\"cm-cta__text\"\u003e\n    Coremicro is an authorized DZOFilm dealer supporting professional\n    cinematography, commercial, tabletop, product, and narrative production\n    workflows. Contact our team to confirm lens mount configuration,\n    camera compatibility, and support hardware for your cinema rig.\n  \u003c\/p\u003e\n\n  \u003ca href=\"\/pages\/contact\" class=\"cm-cta__button\"\u003e\n    Talk to a Specialist\n  \u003c\/a\u003e\n\n\u003c\/div\u003e\n\n\n\u003c!-- FOOTER LINKS --\u003e\n\u003cdiv class=\"cm-footer-links\"\u003e\n\n  \u003cp class=\"cm-footer-links__label\"\u003e\n    Continue Exploring\n  \u003c\/p\u003e\n\n  \u003cdiv class=\"cm-footer-links__list\"\u003e\n\n    \u003ca href=\"\/collections\/cm-vendor-general\" class=\"cm-footer-links__item cm-footer-links__item--primary\"\u003e\n      DZOFilm Products\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/collections\/lens\" class=\"cm-footer-links__item\"\u003e\n      Lens\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/collections\/camera-accessories\" class=\"cm-footer-links__item\"\u003e\n      Camera Accessories\n    \u003c\/a\u003e\n\n    \u003ca href=\"\/pages\/contact\" class=\"cm-footer-links__item\"\u003e\n      Contact Us\n    \u003c\/a\u003e\n\n  \u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c!-- end cm-vendor-general --\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":47488014090402,"sku":"DZO-G2428LPLI","price":4499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/DZOFILM_DZO-G2428LPLI.jpg?v=1790331886","url":"https:\/\/www.coremicro.com\/products\/dzofilm-24mm-t2-8-gnosis-macro-prime-lens","provider":"COREMICRO.COM","version":"1.0","type":"link"}