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Perfect HD Monitoring with Broadcast Quality for Live Events \u0026amp; Shows.\u003c\/p\u003e\u003cp\u003eRack Mount LCD Monitor Have been Widely Used in All Levels of TV News Production, Post Production, Programme Broadcasting and TV Broadcasting Trucks, Special Vehicles Video Surveillance and Other Fields. 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Other features include PAL and NTSC compatibility with HDMI, 3G-SDI, Component, and Composite inputs, as well as PAL and NTSC compatibility with HDMI, 3G-SDI, Component, and Composite inputs. This magnificent monitor features HDMI output, allowing users to feed the monitor and send visual signals via HDMI infrastructure. The built-in headphone port and speaker are also included.\u003c\/p\u003e\u003cp\u003eThe 663\/S2 series' front panel includes four front panel buttons as well as four rotating knobs that can be assigned to certain functions. As a result, users can access frequently utilized menu functions. The monitor can be powered via the provided battery plates or the 4-pin XLR connectors. A barrel connector and three pigtail cables are included with the 4-pin XLR power cable for connecting to the tally system.\u003c\/p\u003e\u003cp\u003eClearly, the 663\/S2 device performs better than the average monitor. On the front of the monitor, there is a feature called tally indication. 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This 4K resolution monitor highlights the modern 4K imaging technology simply by connecting over the HDMI 2.0 and 4K that comprising 8.3 million pixels forming the resolution 4x stronger display than a full HD and branding this product to deliver the ultimate cinematic images. 4 designated fundamental keys on the cover of the monitor acknowledge the user by having the shortcut to a set of designated functions such as Peaking, Histograms, Check Field, Image Flip, Overscan, Image Freeze, Aspect Ratio, Center Marker, Screen Marker and Color Temperature.\u003c\/p\u003e\u003cp\u003eImage flip mode capabilities to up to 176 viewing angle and capabilities to integrate the monitor with the user workflow at every side the user wish. X\/Y flip is a practical way to provides the user more flexibility and capable to 4 way split screen monitoring yet this monitor carries 4 liberated input signals that synchronously displayed. 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This model has 2 SD Card slots so recording can continue when a card becomes full. There are also 2 mini XLR audio inputs with phantom power so you can connect and record direct from microphones. You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera.\u003c\/p\u003e\u003cp\u003eThe new design has innovations such as 4 built-in scopes, enhanced focus assist features, a tally indicator and built-in 3D LUTs. 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Hours spent leaning into a viewfinder for long tripod-mounted shoots can be tough! Video Assist will transform your shooting style with an on-board rigged screen. It's much more comfortable using a screen rigged to a position best suited for a shooting setup. Plus you get better situational awareness for the operator, assistant or director. With both 5\" and 7\" models, you choose the size of a rigged monitor that suits you best. Plus you're also adding fantastic features such as focus zoom, focus peaking, zebras, histogram, false color, scopes, frame markers, frame guides, touchscreen and more!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTouchscreen Tools\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWith large and bright 5\" and 7\" touchscreens, Video Assist makes it incredible easy to frame shots and accurately focus. The touchscreen displays critical information while you’re shooting including the timecode, transport control, audio meters and a histogram for exposure. You can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false color, frame guides, 3D LUTs and more. 3D LUTs support allows monitoring shots with the desired color and look, plus you can even \"bake in\" the LUT if you want to record it into the file. If you're using Blackmagic RAW, the 3D LUT is only added into the metadata so it can be disabled in post-production.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Media Recorders\u003cbr\u003e\u003c\/strong\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 7\" models include 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUpgrade to Better Recording\u003cbr\u003e\u003c\/strong\u003eBlackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. You get support for all editing software as you can record in Apple ProRes and Avid DNx. You can even use Blackmagic RAW on supported cameras. 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It has many improvements over the original Shinobi, such as a body that is even thinner and lighter, a screen that is 50% brighter at 1500 cd\/m², USB-C camera control for Canon, Panasonic, Sony, and Z CAM with status indicators, a new AtomOS 11 interface, USB-C PD power I\/O, a locking HDMI and USB-C adapter, updated image tools, and very low battery consumption so the monitor can run all day on a single battery.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"384\" height=\"216\" src=\"https:\/\/www.youtube.com\/embed\/-vJmvBrQLd4\" title=\"Shinobi II Camera Control Walkthrough\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse the USB-C port to control the latest mirrorless or DSLR cameras from Canon, Panasonic, Sony, and Z CAM's E2 line. There is also a 2.5mm LANC port on the side for additional control compatibility.\u003c\/p\u003e\n\u003cp\u003eNOTE: This will expand with future support for cameras from FUJIFILM, Nikon, OM System, and Sigma with firmware updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamera Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA camera status indicator allows you to keep an eye on the camera's internal record settings, battery status, and remaining recording time. A red edge display shows when the camera is recording internally, whether it's triggered by the camera or from the Shinobi II.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtomOS 11 \u0026amp; Advanced Image Tools\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shinobi II includes the latestAtomos AtomOS 11, which introduces numerous new tools and features with a more logical layout and easy-to-navigate interface.\u003c\/p\u003e\n\u003cp\u003eUse the Shinobi II interface to adjust your camera lenses' aperture, shutter speed\/angle, and ISO with its built-in exposure tools, such as false color, waveforms, zebras, or histogram, and achieve perfect exposure on every shot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrighter Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 5.2\" touchscreen display is 50% brighter than the Shinobi, measuring 1500 cd\/m² peak brightness, making it easily readable whether you're shooting indoors or in bright sunlight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Signals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shinobi II features an HDMI 1.4 input that allows you to monitor signals in various resolutions and frame rates up to DCI\/UHD 4K30 and up to 1080p60.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDR and LUT Support\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HDR HLG and HDR PQ monitoring modes allow you to preview what your camera's Log output might look like in HDR. 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Whether you’re shooting stills, cinematic video, or live streaming, the Ninja TX integrates easily into your workflow.\u003c\/p\u003e\n\u003ch3\u003e5.2\" Touchscreen Display\u003c\/h3\u003e\n\u003cp\u003eThe Atomos Ninja TX features a bright 5.2-inch IPS touchscreen with a 1920 × 1080 resolution and 1500 cd\/m² brightness for clear, color-accurate viewing—even in direct sunlight. Its 8\/10-bit color processing, HDR support, and Rec. 709 color gamut deliver smooth tones and true-to-life contrast. The display also supports Calibrite ColorChecker Display Pro\/Plus calibration for consistent, professional color monitoring on every shoot.\u003c\/p\u003e\n\u003ch3\u003eUpdated Linux Operating System\u003c\/h3\u003e\n\u003cp\u003ePowered by the new AtomOS Linux, the Ninja TX delivers a faster, cleaner, and more responsive experience. The redesigned interface offers improved tools, smoother performance, and cooler operation—ideal for long days on set.\u003c\/p\u003e\n\u003ch3\u003eWireless Features\u003c\/h3\u003e\n\u003cp\u003eConnectivity takes a major leap with built-in AtomX Connect technology. The Ninja TX integrates directly into NDI networks, working as either a source or receiver for high-quality, low-latency streaming. With AirGlu timecode sync over RF or Bluetooth, it can synchronize multiple cameras, audio recorders, and monitors with precision, serving as a powerful timecode hub for professional multicam setups.\u003c\/p\u003e\n\u003ch3\u003eCamera-to-Cloud Workflow\u003c\/h3\u003e\n\u003cp\u003eWith the Camera-to-Cloud (C2C) system built in, you can upload video files straight from your Atomos Ninja TX to the cloud—no extra hardware needed. The recorder supports direct uploads to ATOMOSphere, Adobe Frame.io, and Dropbox, streamlining your workflow from capture to post-production.\u003c\/p\u003e\n\u003ch3\u003eComprehensive Color and Metadata Support\u003c\/h3\u003e\n\u003cp\u003eThe Ninja TX works seamlessly with log formats from top camera brands including Sony, ARRI, RED, FUJIFILM, Panasonic, Canon, Nikon, and JVC. Upload custom 3D LUTs for precise look management and output HDR conversions to Log, HLG, PQ, or Dolby Vision. Through the HDMI input, it records valuable RAW metadata such as white balance, exposure, shutter, ISO, gamma, and gamut.\u003c\/p\u003e\n\u003ch3\u003e12G-SDI and HDMI Input\/Output\u003c\/h3\u003e\n\u003cp\u003eThe Ninja TX offers both 12G-SDI and HDMI 2.0 connections for maximum flexibility. HDMI supports 8K up to 30 fps, 4K60, and 1080p120, with loop-through for sending signals to external monitors or streaming encoders. 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Its USB-C port supports 30W PD power delivery with the included cable for reliable, extended operation.\u003c\/p\u003e\n\u003ch3\u003eComprehensive Monitoring Tools\u003c\/h3\u003e\n\u003cp\u003eProfessional tools include focus peaking, 2:1 and 1:1 zoom, zebras, false color (ARRI and EL Zone), frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and 3D\/1D LUT support with .cube file uploads. Anamorphic de-squeeze is available for accurate framing with anamorphic lenses.\u003c\/p\u003e\n\u003ch3\u003eControl Options\u003c\/h3\u003e\n\u003cp\u003eThe Ninja TX combines tactile buttons with a responsive touchscreen for fast operation. 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You get \u003cstrong\u003e4x 12G-SDI inputs\u003c\/strong\u003e with \u003cstrong\u003e4x 12G-SDI loop outputs\u003c\/strong\u003e for clean routing, plus \u003cstrong\u003e2x HDMI 2.0 inputs\u003c\/strong\u003e for computers and playback. 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It needs to sit comfortably inside an SDI-based signal chain, handle multiple feeds without turning patching into a mess, and stay bright enough to remain usable when the room is not ideal. This model does exactly that with a UHD 3840 x 2160 panel, 10-bit color, 1000 cd\/m² brightness, and a 12G-SDI-heavy layout that feels much more at home in broadcast and engineering workflows than a monitor that only leans on HDMI.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e32-inch UHD display\u003c\/strong\u003e with \u003cstrong\u003e3840 x 2160\u003c\/strong\u003e resolution for detailed monitoring\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBright 1000 cd\/m² panel\u003c\/strong\u003e that stays more readable in demanding studio, rack, or cart environments\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e10-bit color\u003c\/strong\u003e with \u003cstrong\u003e1000:1 contrast\u003c\/strong\u003e for more confident image evaluation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSDI-focused connectivity\u003c\/strong\u003e with \u003cstrong\u003e4x 12G-SDI inputs\u003c\/strong\u003e and \u003cstrong\u003e4x 12G-SDI outputs\u003c\/strong\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2x HDMI inputs\u003c\/strong\u003e for graphics, playback, and utility-source flexibility\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay size\u003c\/strong\u003e: 32 inches\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNative resolution\u003c\/strong\u003e: 3840 x 2160\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBrightness\u003c\/strong\u003e: 1000 cd\/m²\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eContrast ratio\u003c\/strong\u003e: 1000:1\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor depth\u003c\/strong\u003e: 10-bit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVideo inputs\u003c\/strong\u003e: 4x 12G-SDI plus 2x HDMI\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVideo outputs\u003c\/strong\u003e: 4x 12G-SDI\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery plate\u003c\/strong\u003e: Gold Mount\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eIn real production, this kind of monitor is most useful when SDI still carries the serious work but HDMI sources also need a place to land. The 12G-SDI count gives operators more flexibility for monitoring and routing, while the larger 32-inch UHD panel makes it easier to check detail, focus, and overall image confidence without squinting at a smaller screen.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eQuad 12G-SDI in and out\u003c\/strong\u003e is practical when the monitor needs to live inside a more complex routing environment\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUHD resolution\u003c\/strong\u003e gives a clearer confidence view for detail-critical work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1000 cd\/m² brightness\u003c\/strong\u003e is a useful advantage in brighter rooms or mobile setups\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHDMI inputs\u003c\/strong\u003e keep the monitor flexible for mixed-source systems\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eGold Mount configuration\u003c\/strong\u003e is a better fit for crews already standardized on that battery platform\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cp\u003ePlease refer to the \u003cstrong\u003eSpecifications\u003c\/strong\u003e tab and your order configuration for the exact included items.\u003c\/p\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports this gear with a team that actually works with production systems.\u003c\/p\u003e \u003c\/div\u003e","brand":"RGBlink","offers":[{"title":"Default Title","offer_id":46634615767202,"sku":"RGBlink-410-3200-02-0","price":7079.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/RGBlink_aura_UHD_32_12G-SDI_Professional_Production_Monitor_Gold_Mount_Front_View.jpg?v=1772807233"},{"product_id":"rgblink-23-8-aura-uhd-studio-24-gen-2-monitor-with-1x-gold-mount-plate","title":"RGBLINK aura UHD studio 24\" 12G-SDI Professional Production Monitor (Gold Mount)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eRGBlink Aura UHD studio 24-inch 12G-SDI Professional Production Monitor (Gold Mount)\u003c\/strong\u003e is built for post and production rooms that need more than a simple confidence display. You get a 24-inch UHD 3840 x 2160 panel, 10-bit color, 1000 cd\/m² brightness, and a signal path that makes sense in real studio work: four 12G-SDI inputs, four 12G-SDI outputs, two HDMI inputs, and a USB-C\/Thunderbolt 3 connection for direct NLE preview. In other words, this is the version aimed at editors, color-adjacent workflows, and studio operators who want the monitor to sit closer to the creative side without giving up proper broadcast-style I\/O. :contentReference[oaicite:1]{index=1}\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-inch UHD display\u003c\/strong\u003e with \u003cstrong\u003e3840 x 2160\u003c\/strong\u003e resolution for detailed monitoring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBright 1000 cd\/m² panel\u003c\/strong\u003e for rooms where standard desktop displays start to feel dim\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-bit color\u003c\/strong\u003e with \u003cstrong\u003e1000:1 contrast\u003c\/strong\u003e for cleaner tonal evaluation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStudio-ready I\/O\u003c\/strong\u003e with \u003cstrong\u003e4x 12G-SDI inputs\u003c\/strong\u003e, \u003cstrong\u003e4x 12G-SDI outputs\u003c\/strong\u003e, and \u003cstrong\u003e2x HDMI inputs\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C\/Thunderbolt 3 input\u003c\/strong\u003e for direct NLE preview from systems such as DaVinci Resolve or Adobe Premiere Pro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay size\u003c\/strong\u003e: 24 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNative resolution\u003c\/strong\u003e: 3840 x 2160\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrightness\u003c\/strong\u003e: 1000 cd\/m²\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast ratio\u003c\/strong\u003e: 1000:1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor depth\u003c\/strong\u003e: 10-bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo inputs\u003c\/strong\u003e: 4x 12G-SDI, 2x HDMI, plus USB-C\/Thunderbolt 3 for direct NLE input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo outputs\u003c\/strong\u003e: 4x 12G-SDI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery plate\u003c\/strong\u003e: Gold Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThis model makes more sense than a standard field monitor when the job lives between editing, finishing, and broadcast infrastructure. The USB-C\/Thunderbolt 3 input is the giveaway. It gives you a cleaner path for direct NLE preview, while the 12G-SDI and HDMI connections keep the monitor useful when the same room still has to deal with live sources, playback, or engineering checks. That mix is what makes it feel like a studio tool, not just a generic screen with SDI bolted on. :contentReference[oaicite:2]{index=2}\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C\/Thunderbolt 3 connectivity\u003c\/strong\u003e is the main differentiator here, especially for edit and finishing workflows that want direct preview out of the workstation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuad 12G-SDI in and out\u003c\/strong\u003e still keeps the monitor comfortable inside a more traditional broadcast signal chain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1000 cd\/m² brightness\u003c\/strong\u003e gives the panel better usability in brighter production spaces\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual HDMI inputs\u003c\/strong\u003e add flexibility for graphics, playback, and utility feeds\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold Mount configuration\u003c\/strong\u003e fits crews and facilities already standardized around that battery ecosystem\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cp\u003ePlease refer to the \u003cstrong\u003eSpecifications\u003c\/strong\u003e tab and your order configuration for the exact included items.\u003c\/p\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports this gear with a team that actually works with production systems.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RGBlink","offers":[{"title":"Default Title","offer_id":46634616094882,"sku":"RGBlink-410-2380-02-1","price":5639.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/RGBlink_aura_UHD_24_12G-SDI_Professional_Production_Monitor_Gold_Mount_Front_View.jpg?v=1772806288"},{"product_id":"rgblink-27-aura-uhd-studio-27-gen-2-monitor-with-2x-gold-mount-plates","title":"RGBLINK aura UHD studio 27\" 12G-SDI Professional Production Monitor (Gold Mount)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRGBLINK aura UHD studio 27\" 12G-SDI Professional Production Monitor (Gold Mount)\u003c\/strong\u003e is the kind of display you use when the monitor is expected to do more than simply show the image. Built as a true production screen, it combines a \u003cstrong\u003e27-inch UHD IPS-type LCD panel\u003c\/strong\u003e, broad 12G-SDI connectivity, real image-analysis tools, and flexible power options for studio, post, and live-support workflows.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e27-inch UHD IPS production monitor\u003c\/strong\u003e with 3840 x 2160 native resolution\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4 x 12G-SDI inputs, 2 x HDMI 2.0 inputs, 1 x USB-C input, and 4 x 12G-SDI outputs\u003c\/strong\u003e for professional signal workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e800 nits brightness\u003c\/strong\u003e with \u003cstrong\u003eHLG HDR\u003c\/strong\u003e, \u003cstrong\u003e100% Rec. 709\u003c\/strong\u003e, and \u003cstrong\u003e92% DCI-P3\u003c\/strong\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWaveform, vectorscope, false color, histogram, zebra, and focus tools\u003c\/strong\u003e for practical image evaluation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAC, 4-pin XLR, and dual Gold Mount battery power options\u003c\/strong\u003e for flexible deployment\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePanel type\u003c\/strong\u003e: IPS-type LCD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay size\u003c\/strong\u003e: 27.0 in \/ 68.6 cm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNative resolution\u003c\/strong\u003e: 3840 x 2160\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAspect ratio\u003c\/strong\u003e: 16:9\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBrightness\u003c\/strong\u003e: 800 nits \/ cd\/m²\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eContrast ratio\u003c\/strong\u003e: 1200:1\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor support\u003c\/strong\u003e: 1.07 billion colors (8-bit + FRC)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHDR support\u003c\/strong\u003e: Hybrid Log Gamma\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVideo I\/O\u003c\/strong\u003e: 4 x 12G-SDI input, 2 x HDMI 2.0 input, 1 x USB-C 3.x input, 4 x 12G-SDI output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio\u003c\/strong\u003e: embedded HDMI and SDI audio, stereo speaker, 3.5 mm headphone output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: IEC AC input, 4-pin XLR 24 VDC input, 2 x Gold Mount battery plates\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eIn professional workflows, the monitor is not there just to display the image. 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Built as a true production screen, it combines a \u003cstrong\u003e31.5-inch UHD IPS-type LCD panel\u003c\/strong\u003e, broad 12G-SDI connectivity, real image-analysis tools, and flexible power options for studio, post, and live-support workflows.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e31.5-inch UHD IPS production monitor\u003c\/strong\u003e with 3840 x 2160 native resolution\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4 x 12G-SDI inputs, 2 x HDMI 2.0 inputs, 1 x USB-C input, and 4 x 12G-SDI outputs\u003c\/strong\u003e for professional signal workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1000 nits brightness\u003c\/strong\u003e with \u003cstrong\u003eHLG HDR\u003c\/strong\u003e, \u003cstrong\u003e100% Rec. 709\u003c\/strong\u003e, and \u003cstrong\u003e100% DCI-P3\u003c\/strong\u003e\n\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWaveform, vectorscope, false color, zebra, and focus tools\u003c\/strong\u003e for practical image evaluation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAC, 4-pin XLR, and dual Gold Mount battery power options\u003c\/strong\u003e for flexible deployment\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePanel type\u003c\/strong\u003e: IPS-type LCD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay size\u003c\/strong\u003e: 31.5 in \/ 80.0 cm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNative resolution\u003c\/strong\u003e: 3840 x 2160\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAspect ratio\u003c\/strong\u003e: 16:9\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBrightness\u003c\/strong\u003e: 1000 nits \/ cd\/m²\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eContrast ratio\u003c\/strong\u003e: 1000:1\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor support\u003c\/strong\u003e: 1.07 billion colors (8-bit + FRC)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHDR support\u003c\/strong\u003e: Hybrid Log Gamma\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVideo I\/O\u003c\/strong\u003e: 4 x 12G-SDI input, 2 x HDMI 2.0 input, 1 x USB-C 3.x input, 4 x 12G-SDI output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio\u003c\/strong\u003e: embedded HDMI and SDI audio, stereo speaker, 3.5 mm headphone output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: IEC AC input, 4-pin XLR 24 VDC input, 2 x Gold Mount battery plates\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eIn professional workflows, the monitor is not there just to display the image. 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Built as a professional UHD monitoring solution, it combines a \u003cstrong\u003e31.5-inch Quantum Dot LCD (QLED) panel\u003c\/strong\u003e, broad 12G-SDI connectivity, real image-analysis tools, and flexible power options for studio, post, and live production environments.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e31.5-inch UHD QLED production monitor\u003c\/strong\u003e with 3840 x 2160 native resolution\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4 x 12G-SDI inputs, 2 x HDMI 2.0 inputs, and 4 x 12G-SDI outputs\u003c\/strong\u003e for professional signal workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1000 nits brightness\u003c\/strong\u003e with \u003cstrong\u003e100% Rec. 709\u003c\/strong\u003e and \u003cstrong\u003e100% DCI-P3\u003c\/strong\u003e coverage\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWaveform, vectorscope, false color, histogram, zebra, and focus tools\u003c\/strong\u003e for practical image evaluation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAC, 4-pin XLR, and dual V-Mount battery power options\u003c\/strong\u003e for flexible deployment\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePanel type\u003c\/strong\u003e: Quantum Dot LCD (QLED)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay size\u003c\/strong\u003e: 31.5 in \/ 80.0 cm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNative resolution\u003c\/strong\u003e: 3840 x 2160\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAspect ratio\u003c\/strong\u003e: 16:9\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBrightness\u003c\/strong\u003e: 1000 nits \/ cd\/m²\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eContrast ratio\u003c\/strong\u003e: 1000:1\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor support\u003c\/strong\u003e: 1.07 billion colors (8-bit + FRC)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHDR support\u003c\/strong\u003e: Hybrid Log Gamma\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVideo I\/O\u003c\/strong\u003e: 4 x 12G-SDI input, 2 x HDMI 2.0 input, 4 x 12G-SDI output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio\u003c\/strong\u003e: embedded HDMI and SDI audio, stereo speaker, 3.5 mm headphone output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: IEC AC input, 4-pin XLR 24 VDC \/ 10 A input, 2 x V-Mount battery plates\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eIn professional workflows, the screen is not there just for viewing. It is there for judgment. The RGBLINK aura UHD 32\" combines a bright QLED UHD panel, broad 12G-SDI signal handling, and built-in technical scopes in a way that makes it more useful in real studio and production environments than a standard large-format 4K display.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e12G-SDI-heavy I\/O design\u003c\/strong\u003e helps the monitor fit naturally into professional signal infrastructure\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eQLED UHD panel with HLG support\u003c\/strong\u003e keeps the display relevant in higher-resolution workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInternal monitoring tools\u003c\/strong\u003e support focus, exposure, and signal evaluation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLUT support and broad color gamut\u003c\/strong\u003e make the monitor more adaptable across controlled workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMultiple power options and VESA mounting\u003c\/strong\u003e give the unit flexibility across fixed and semi-mobile setups\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cp\u003ePlease refer to the \u003cstrong\u003eSpecifications\u003c\/strong\u003e tab for the exact included items.\u003c\/p\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports this gear with a team that actually works with production systems.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RGBlink","offers":[{"title":"Default Title","offer_id":46634617012386,"sku":"RGBlink-410-3200-03-0","price":7079.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/RGBlink-410-3200-03-0_Front_View.jpg?v=1776566120"},{"product_id":"rgblink-aura-uhd-studio-24-gen-2-monitor-with-1x-v-mount-plate","title":"RGBLINK aura UHD studio 24\" 12G-SDI Professional Production Monitor (V-Mount)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRGBLINK aura UHD studio 24\" 12G-SDI Professional Production Monitor\u003c\/strong\u003e is the kind of screen you use when a normal display is no longer enough and the monitor needs to become part of the workflow itself. 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