{"title":"Sony","description":"\u003csection class=\"landing sony\"\u003e\n  \u003ch1\u003eSony — Professional Cameras and Production Gear\u003c\/h1\u003e\n\n  \u003cp\u003e\n    \u003cstrong\u003eSony\u003c\/strong\u003e leads the industry with high-performance cameras, lenses, and\n    production tools trusted by filmmakers and broadcasters worldwide. From the\n    \u003cstrong\u003eFX Cinema Line\u003c\/strong\u003e to \u003cstrong\u003eAlpha Mirrorless\u003c\/strong\u003e and\n    \u003cstrong\u003ePTZ Cameras\u003c\/strong\u003e, Sony delivers stunning image quality, reliability, and\n    creative flexibility. Built for both studio and field production, each system supports\n    SDI, HDMI, NDI, and IP workflows for seamless integration. Designed for professionals who\n    demand precision and performance, Sony continues to set the standard for innovation in\n    digital imaging and live production technology.\n  \u003c\/p\u003e\n\u003c\/section\u003e\n","products":[{"product_id":"sony-rm-ip10-ip-remote-controller","title":"Sony RM-IP10 IP Remote Controller","description":"\u003cp\u003eThe \u003cstrong\u003eSony RM-IP10 IP Remote Controller\u003c\/strong\u003e gives you control of up to 112 BRC cameras over an IP network or 7 cameras over a traditional VISCA-controlled network. Up to 5 remote control panels can share control of the system. Easy to install control for SRG-300SE, BRC-H900, BRC-Z330, and BRC-Z700 cameras.\u003c\/p\u003e\u003cp\u003eThe RM-IP10 is compatible with the SRG-300SE, BRC-H900, and BRC-Z330 cameras when they are fitted with the BRBK-IP10 option board, and the BRC-Z700 camera when it is fitted with the BRBK-IP7Z option board. Easy and economical installation and set-up save you time and cost.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRM-IP10 Features:\u003c\/strong\u003e\u003c\/p\u003e\u003cul style=\"list-style-type: disc;\"\u003e\n\u003cli\u003eControl of up to 112 BRC cameras via IP\u003c\/li\u003e\n\u003cli\u003eAdditional ability to use VISCA control\u003c\/li\u003e\n\u003cli\u003eCompatible with SRG-300SE, BRC-H900, BRC-Z330, and BRC-Z700 cameras\u003c\/li\u003e\n\u003cli\u003eSimple RJ-45 (10Base-T\/100Base-TX) connection for easy connection\u003c\/li\u003e\n\u003cli\u003ePC configuration software supplied\u003c\/li\u003e\n\u003cli\u003eUp to 5 controllers can operate on a single network\u003c\/li\u003e\n\u003cli\u003eSimultaneous Preset recall to all cameras under control\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257093386402,"sku":"RMIP10","price":2060.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/rmip10_1.jpg?v=1741993292"},{"product_id":"sony-cbk-vf02-color-lcd-hd-viewfinder","title":"Sony CBK-VF02 Color LCD HD Viewfinder","description":"\u003cp\u003e\u003cstrong\u003eSony CBK-VF02\u003c\/strong\u003e Color LCD HD Viewfinder connects to PXW-X500 and PMW-400 camcorders via the 26-pin viewfinder interface. This viewfinder displays the higher resolution QHD signal from PXW-X500 and PMW-400 camcorders. Older cameras that use the CBK-VF01 viewfinder are compatible with this viewfinder but cannot take advantage of its higher resolution. The CBK-VF02 is must have with the PXW-X500 and PMW-400 camcorders.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257102168226,"sku":"CBKVF02","price":6090.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/cbkvf02.jpg?v=1741991456"},{"product_id":"sony-rm-ip500-1-remote-camera-controller-for-select-sony-ptz-cameras","title":"Sony RM-IP500\/1 Remote Camera Controller for Select Sony PTZ Cameras","description":"\u003cp\u003eThe \u003cstrong\u003eSony RM-IP500\/1 Remote Camera Controller\u003c\/strong\u003e for Select Sony PTZ Cameras provides control flexibilities of SRG-360SHE PTZ, BRC-H900, BRC-H800\/1, Sony BRC-X1000\/1 cameras. This compact unit contains a joystick for pan, tilt, and zoom management, and has the functionality of controlling as many as 100 separate cameras over IP. In addition to the joystick, the controller features controller knobs and buttons that allow you to bypass the camera's menu structures to get the right of entry to frequently used functionalities.\u003c\/p\u003e\u003cp\u003eSony RM-IP500 remote controller provides easy and more intuitive control of its latest pan-tilt-zoom (PTZ) cameras in a range of applications including lecture capture for education, event production, and broadcast. It is simple to set up, portable size, and flexible options let PTZ users create efficient and cost-effective lecture capture or event production systems. With flexible zoom patterns, speed control options, presets, and firmware upgrades to offer future support and new capabilities, this remote controller offers features necessary to boost efficiency so a single person can select and professionally control each shot across multiple BRC cameras stress-free and without the need for individual camera operators.\u003c\/p\u003e\u003cp\u003eThe flexible controller allows for one-handed PTZ joystick operation and can be customized to your preference. Selectable zoom control gives you the option of seesaw (left hand) or joystick (right hand) operation. PTZ speed is easily adjusted with the controller’s knob, and direct buttons are available for frequently used functions. Also, it enables the recall of PTZ functions such as PTZ trace memory and preset at the push of a button.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIP Addressing and Camera Numbering\u003c\/strong\u003e\u003cbr\u003eThe RM-IP500\/1 automatically manages to address each camera you connect, as well as assign a camera number. This speeds up configuring and controlling the cameras on your network.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e100 Cameras\u003c\/strong\u003e\u003cbr\u003eThe controller supports up to 100 cameras of the BRC or SRG series, enabling control of pan, tilt, zoom, and other functions, over an IP network.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStore and Recall Camera Presets\u003c\/strong\u003e\u003cbr\u003eDepending on the specification and firmware version, the IP500\/1 can store up to 100 presets of camera angles and settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNumeric Keypad\u003c\/strong\u003e\u003cbr\u003eThe built-in numeric keypad speeds up switching control between cameras.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTally\u003c\/strong\u003e\u003cbr\u003eIncludes Normal Tally\/On-Air Tally\/Contact modes.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCamera Paint Functions\u003c\/strong\u003e\u003cbr\u003eUse the controller to individually adjust camera settings including black levels, white balance, flicker cancel, detail level, knee point, auto exposure level, iris, gain, and shutter speed, all without needing to access each camera's menu system.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257176387746,"sku":"RM-IP500\/1","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/rmip500_1.jpg?v=1741992692"},{"product_id":"sony-c-100-high-resolution-two-way-condenser-microphone","title":"Sony C-100 High-Resolution Two-Way Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSony C-100\u003c\/strong\u003e is ultra-compact and high-resolution 2-way condenser microphone. C-100 microphone delivers a broad frequency range of 20 Hz to 50kHz with no acoustic vibration and designed for capturing vocals and musical instruments on low noise and clear sound. Sony C-100 microphone features a selectable pick-up pattern (Omni\/Uni\/Bi) for various recording software.  Additionally, there is a 70 Hz low cut filter to help remove rumble, while the -10dB pad helps the mic accommodate louder signals without distorting.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTwo-Way structure incorporates newly developed capsules with variable directivity that deliver a wide frequency response of 20Hz to 50kHz\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSelectable pick-up pattern (Omni\/Uni\/Bi) supports a wide variety of recording applications\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTwo-part metallic body structure derived from the C-800G microphone prevents acoustic vibration, resulting in low noise and clear sound\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLow-cut filter eliminates low-frequency noise and proximity effect.\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e-10dB pad switch provides added headroom\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257179631778,"sku":"C100","price":1399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/sony_c-100.jpg?v=1741992701"},{"product_id":"sony-ecm-100u-uni-directional-high-resolution-microphone","title":"Sony ECM-100U Uni-Directional High-Resolution Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSony ECM-100U\u003c\/strong\u003e Hi-Resolution Microphone is a uni-directional condenser microphone, ideal to capture the raw sound of instruments in studio. Providing a superb sound reproduction in studio and live tool and all types, the ECM-100U provides flat frequency response from 20Hz up to 50 kHz. This fits into Sony's ethos of Hi-Resolution audio products.\u003c\/p\u003e\u003cp\u003eThe Sony ECM-100U uses a two-part metallic body construction originally used in the famous C-800G studio mic to prevent acoustic vibration and self-noise, resulting in perfectly clear sound. The mic is fitted with a low-cut filter ideal for reducing low-frequency noise and giving you an option to reduce LF as a result of the proximity effect. There is also a -10dB pad switch for added headroom where necessary.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSony ECM-100U Hi-Res Microphone Features\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eExcellent Sound Quality\u003c\/strong\u003e\u003cbr\u003eNewly developed small diaphragm microphone capsule with Uni-directional characteristics delivers authentic sound of instruments with extremely low distortion.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFlat and Wide Frequency Response\u003c\/strong\u003e\u003cbr\u003eThe C-100 microphone has flat and wide frequency response (20 Hz to 50kHz) and provides superb sound reproduction quality for High-Resolution Audio.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNoise Elimination Construction\u003c\/strong\u003e\u003cbr\u003eTwo-part metallic body structure originally employed in the C-800G microphone prevents acoustic vibration, resulting in low noise and clear sound.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLow-Cut Filter\u003c\/strong\u003e\u003cbr\u003eLow-Cut filter switch helps eliminate low-frequency noise and proximity effect.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePad Switch\u003c\/strong\u003e\u003cbr\u003eAn -10dB pad switch on ECM-100U microphone provides added headroom and minimizes distortion caused by transient peaks.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257180516514,"sku":"ECM100U","price":1199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/sony_ecm-100u.jpg?v=1741992706"},{"product_id":"sony-pxw-z90v-4k-hdr-xdcam-camcorder-with-fast-fast-hybrid-af","title":"Sony PXW-Z90V 4K HDR XDCAM Camcorder with Fast Fast Hybrid AF","description":"\u003cp\u003eThe \u003cstrong\u003eSony PXW-Z90V 4K HDR XDCAM Camcorder with Fast Fast Hybrid AF\u003c\/strong\u003e offers broadcast-quality 4K with advanced features such as high-speed autofocus, Instant HDR workflow, up to 960fps* super-slow motion, and streaming at 2.4 GHz or 5 GHz** with QoS. The PXW-Z90V camcorder features a 1\" Exmor RS CMOS sensor with UHD 4K (3840 x 2160) resolution, a 12x Zeiss optical zoom, an OLED viewfinder, and a 3.5\" touchscreen LCD monitor. It can record 4K in XAVC Long at 4:2:0, HD in XAVC Long at 4:2:2 10-bit, as well as MPEG HD at 4:2:2 (requires optional license key). S-Log3\/S-Gamut3 functions offer users additional image control.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHybrid AF system\u003c\/strong\u003e\u003cbr\u003eThe PXW-Z90 is palm-sized, ultra-lightweight to shoot in any situation, and its advanced Fast Hybrid AF system is designed to provide pin-sharp image quality at all times with complete creative control.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDelivers 4K HDR\u003c\/strong\u003e\u003cbr\u003eThe PXW-Z90 is the first professional camcorder to deliver stunning 4K High Dynamic Range (HDR) content with Hybrid Log-Gamma (HLG) file-based workflows. S-Log3 is also supported, enabling you to create beautiful imagery with a wide color gamut and color range.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReal-Time Motion\u003c\/strong\u003e\u003cbr\u003eHigh Frame Rate shots can turn everyday actions into slow motion ballet and the PXW-Z90 delivers a stunning 120 frames per second (fps) in Full HD XAVC 10bit 4:2:2, giving you continuous five-times slow motion expression. Higher frame rates up to 960fps using S\u0026amp;Q motion cache recording are also possible for even greater creative flexibility.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e1” Exmor RS CMOS Sensor\u003c\/strong\u003e\u003cbr\u003eTo deliver imaging performance previously impossible for a compact camcorder, a large 14.2-megapixel (effective) 1.0-type stacked CMOS image sensor delivers beautiful background bokeh defocus effects and superior sensitivity for capturing high-quality images with less noise, even under dark or bright conditions. This sensor integrates up to 273 phase-detection AF points that densely cover approx. 84% of the image area, for precise tracking of subjects throughout the shooting frame. The sensor gives you low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with a minimum illumination of 1.7 lux.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFast Hybrid autofocus Captures\u003c\/strong\u003e\u003cbr\u003eEnhanced Fast Hybrid autofocus (AF) is comprised of a number of features: Phase-detection AF with up to 273 reference points covering approximately 84% of the image area, face detection and lock-on autofocus technology to estimate subject movement. They all work together seamlessly to capture fast-moving subjects with amazing sharpness.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAuto Focus Creative Control\u003c\/strong\u003e\u003cbr\u003eAF Drive Speed means you set the speed at which focus switches rapid for a sports event and slow for a drama production. It’s easy to get the results you need. AF Track Depth allows you to choose a Wide depth of field when a subject is fast moving, while Narrow fine tunes performance for a subject at a consistent distance. AF Switching Sensitivity lets you lock tight to a single subject or fluidly switch focus such as when shooting a line of runners.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHDR workflows\u003c\/strong\u003e\u003cbr\u003eShoot, edit and view HDR content in HLG without the need for additional color grading. As the expanding need for HDR content continues, Internet video platforms and professionals producing corporate or event content are paying more attention to the added value of HDR. They need to deliver content quickly, without compromising on imaging expression and quality of content. To meet this demand, the PXW-Z90 offers Hybrid Log-Gamma (HLG) recording, in addition to S-Log3, for easy file-based workflows, whilst achieving the image quality of HDR. This simple workflow enables the shooting, editing and viewing of HDR content in HLG, without devoting a lot of time to post-production work and additional color grading.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e4K (QFHD) and HD\u003c\/strong\u003e\u003cbr\u003eThe PXW-Z90 allows you to record a wide range of 4K (QFHD) and HD formats for maximum flexibility from this stunning palm-sized camcorder. The Z90 supports XAVC QFHD 100 Mbps recordings at 30 p \/ 25 p \/ 24 p, XAVC HD Long GOP 422 50 Mbps, MPEGHD422 50 Mbps*, MPEGHD420 35 Mbps and AVCHD.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNetworked for Mobility\u003c\/strong\u003e\u003cbr\u003eThe PXW-Z90 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard, simply turn on and log onto your preferred network to enable a host of advanced wireless production features:\u003c\/p\u003e\u003cp\u003e*5 GHz support dependent on country\/regional regulation.\u003c\/p\u003e\u003cul style=\"list-style-type: disc;\"\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUstream® Direct Streaming allows you to share scenes as they happen with high-quality picture and sound without a switcher\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul style=\"list-style-type: disc;\"\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eQoS Streaming to XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul style=\"list-style-type: disc;\"\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFTP Transfer allows content files recorded with MPEG HD 422\/420 proxy feature (CBKZ-SLMP required) and other content files shot in XAVC (QFHD\/FHD) and AVCHD formats to be sent over the internet for remote storage on an FTP server\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul style=\"list-style-type: disc;\"\u003e\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eXDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cul style=\"list-style-type: disc;\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWi-Fi\/NFC (Near Field Communication) with Content Browser Mobile™ allows the PXW-Z90 to be remotely controlled from a smartphone or tablet computer (iOS 9.0 – 10.3 or Android 4.4 through 7.1) via a Wi-Fi connection. One-touch authentication is also possible with smartphones that offer NFC connectivity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eWired LAN connection allows the PXW-Z90 to be connected to the internet over a wired connection via the separately available VMC-UAM2 USB adapter cable and network adapter kit (CBK-NA1), allowing files to be streamed or transferred by FTP\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eZoom Lens with Control\u003c\/strong\u003e\u003cbr\u003eThe PXW-Z90 is supplied with a fixed 29-mm wide-angle ZEISS Vario-Sonnar T lens, ideal for capturing panoramic landscapes. The 12x optical zoom can be increased to 18x with Clear Image Zoom, maintaining QFHD resolution using Super Resolution Technology or 24x in HD. In addition, the digital extender can double this range again, up to 48x zoom. The camcorder’s lens ring enables smooth, natural adjustment of focusing or zooming, depending on which mode is selected, while the manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), ISO\/GAIN, and shutter speed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMonitoring with OLED Viewfinder\u003c\/strong\u003e\u003cbr\u003eYou have monitoring options with the Z90, an enhanced 0.39-type 2359 K dot OLED viewfinder, and a 3.5-type 1550 K dot LCD. The super high-resolution OLED viewfinder offers excellent quality brightness, contrast, and response, giving you better precision of manual focus operations and eliminating any color-breaking phenomenon. 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The camcorder can connect to the optional RM-30BP and MCX-500 Multi-Camera Live Producer to form a simple live solution.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257213546658,"sku":"PXW-Z90V","price":3048.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/pxw-z90v.jpg?v=1711571631"},{"product_id":"sony-brc-x1000-4k-pan-tilt-zoom-camera-with-1-cmos-sensor-and-poe-black","title":"Sony BRC-X1000 4K PTZ Camera with 1\" CMOS Sensor and PoE+ (Black)","description":"\u003cp\u003eThe\u003cstrong\u003e Sony BRC-X1000 4K PTZ Camera with 1\" CMOS Sensor and PoE+ (Black) \u003c\/strong\u003eis a 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator.\u003c\/p\u003e\n\u003cp\u003eThe 1.0-type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.\u003c\/p\u003e\n\u003cp\u003eSpeedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. In HD resolution, 24x zoom can be doubled to 48x with Tele Convert Mode. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.\u003c\/p\u003e\n\u003cp\u003eThere’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment. The BRC-X1000\/1 and the BRC-X1000\/WPW are the US\/Canada models which are bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced Pan\/Tilt\/Zoom (PTZ) operation\u003c\/strong\u003e\u003cbr\u003eAccurately re-frame shots or track moving subjects with smooth, speedy, near-silent remote control of pan, tilt and zoom functions. There's also low-speed zoom and a slow pan\/tilt mode for precise, judder-free camera movements. PTZ Trace Memory allows a sequence of camera movements to be memorised and followed whenever required. PTZ Motion Sync smoothly blends separate pan, tilt and zoom movements for seamless, professional-looking transitions. 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Images can also be reviewed remotely via a web browser, with support for RTSP (Real Time Streaming Protocol) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcellent 4K images \u003c\/strong\u003e\u003cbr\u003eThe sensitive 1\/2.5-type Exmor R sensor captures high-quality 4K images with very low noise, even in dimly lit environments.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUp to 80x zoom\u003c\/strong\u003e\u003cbr\u003ePowerful zoom up to 80x (in FHD) allows frame-filling close-ups with fine details seen clearly. 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Images can also be reviewed remotely via a web browser, with support for RTSP (Real Time Streaming Protocol) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcellent 4K images \u003c\/strong\u003e\u003cbr\u003eThe sensitive 1\/2.5-type Exmor R sensor captures high-quality 4K images with very low noise, even in dimly lit environments.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUp to 80x zoom\u003c\/strong\u003e\u003cbr\u003ePowerful zoom up to 80x (in FHD) allows frame-filling close-ups with fine details seen clearly. Responsive autofocus ensures that images stay clear and sharp, even at high zoom settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWide viewing angle\u003c\/strong\u003e\u003cbr\u003eCover the whole scene in sports arenas and lecture theaters with a horizontal viewing angle of approx. 70°.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSupport for NDI|HX\u003c\/strong\u003e\u003cbr\u003eNDI®|HX compatibility (via optional license) supports efficient IP-based live production, allowing flexible configuration with other networked NDI-enabled devices. Network services, content, and the operating system and software of this Product may be subject to individual terms and conditions and changed, interrupted, or discontinued at any time and may require fees, registration, and credit card information.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMultiple control protocols\u003c\/strong\u003e\u003cbr\u003ePTZ and other camera functions can be controlled remotely via S700PTP, CGI, and VISCA protocols.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eRemote viewing\u003c\/strong\u003e\u003cbr\u003eView pictures remotely over the Internet from a web browser, with support for RTSP.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSimpler installation \u003c\/strong\u003e\u003cbr\u003eA single IP cable carries camera power, video image, audio output and control signals to simplify installation and reduce cabling costs.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIdeal for live production\u003c\/strong\u003e\u003cbr\u003eGenlock allows seamless multi-camera switching in live events. The camera's inbuilt tally lamp is ideal for live productions and reality shows. PTZ Trace Memory makes it even easier to film programs by recalling the usual camera works.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFast, fuss-free set-up\u003c\/strong\u003e\u003cbr\u003eThe new Picture Setting File* function can apply the same camera settings among multiple cameras for fast set-up.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44257275412642,"sku":"BRCX400\/W","price":8350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/brc-x400_main_1.jpg?v=1711573367"},{"product_id":"sony-bp-u70-lithium-ion-battery-14-4-v-72wh","title":"Sony BP-U70 Lithium-ion battery (14.4 V, 72Wh)","description":"\u003cp\u003eThe \u003cstrong\u003eSony BP-U70 (72Wh) Lithium-ion battery \u003c\/strong\u003eoffers an ideal balance of capacity and weight for many professional video applications. 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If the mic shifts slightly between the interviewer and the speaker, it can still capture usable voice without needing the same tight aiming as a more directional microphone.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic capsule design\u003c\/strong\u003e suited for handheld field use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEnd-address pickup\u003c\/strong\u003e for natural interview handling\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eSolid-state circuitry\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNo onboard controls\u003c\/strong\u003e for a clean, simple workflow\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eXLR 3-pin male connector\u003c\/strong\u003e for standard professional audio routing\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003eSONY F-112 High Quality Dynamic Microphone\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030695074,"sku":"F112","price":240.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_F112.jpg?v=1783147957"},{"product_id":"sony-ecm-ms2-stereo-electret-condenser-microphone","title":"SONY ECM-MS2 Stereo Electret Condenser Microphone","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY ECM-MS2 Stereo Electret Condenser Microphone\u003c\/strong\u003e is a short, compact shotgun-style stereo electret condenser microphone made for professional camcorders with \u003cstrong\u003e2 XLR inputs\u003c\/strong\u003e and \u003cstrong\u003ephantom power\u003c\/strong\u003e. From the supplied specs, it supports \u003cstrong\u003estereo and mono operation\u003c\/strong\u003e, uses a \u003cstrong\u003eunidirectional polar pattern\u003c\/strong\u003e, and outputs through \u003cstrong\u003e2 x XLR 3-pin male connectors\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eIn a camera-mounted workflow, size matters. The ECM-MS2 keeps the mic body compact while still giving operators proper XLR output and phantom-powered operation. It is useful when the camera needs onboard ambience, reference audio, or stereo pickup without building a larger external microphone rig.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eShort and compact microphone\u003c\/strong\u003e for professional camcorder mounting\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStereo and mono operation\u003c\/strong\u003e for flexible field use\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e80 Hz to 20 kHz frequency response\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow cut \/ HPF control\u003c\/strong\u003e for managing low-frequency noise\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e48V phantom power\u003c\/strong\u003e with 2 x XLR 3-pin male output connectors\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type\u003c\/strong\u003e: Shotgun \/ Stereo\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePolar pattern\u003c\/strong\u003e: Unidirectional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eElement type\u003c\/strong\u003e: Electret Condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSound field\u003c\/strong\u003e: Mono \/ Stereo\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOrientation\u003c\/strong\u003e: End Address\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eControls\u003c\/strong\u003e: Low Cut \/ HPF\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePad\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCircuitry\u003c\/strong\u003e: Solid-State\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 80 Hz to 20 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e: 125 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: -36 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e: 100 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e: 25 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output connectors\u003c\/strong\u003e: 2 x XLR 3-Pin Male\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower source\u003c\/strong\u003e: Phantom Power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating voltage\u003c\/strong\u003e: 40 to 52V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eColor\u003c\/strong\u003e: Black\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 24 x 137 mm \/ 0.9 x 5.4 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 0.160 kg \/ 0.35 lb\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe ECM-MS2 is useful when a camera needs more capable onboard audio without making the rig bulky. For ENG, documentary, event, or studio-support work, it gives the operator a compact microphone that can stay mounted on the camcorder and feed directly into the camera’s XLR inputs.\u003c\/p\u003e\n\n  \u003cp\u003eThe stereo and mono operation is the practical part. Stereo can help capture a wider sense of space, while mono keeps the signal simpler when the production only needs direct reference or focused camera audio. The low-cut \/ HPF control also helps when handling rumble, air movement, or low-frequency vibration on location.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eElectret condenser design\u003c\/strong\u003e for professional camera-mounted audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUnidirectional pickup\u003c\/strong\u003e for controlled front-facing sound capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInternally decoded MS signal\u003c\/strong\u003e with L and R stereo outputs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2 x XLR output\u003c\/strong\u003e for connection to camcorders with dual XLR inputs\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePhantom-powered operation\u003c\/strong\u003e for clean integration with professional camera audio systems\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony ECM-MS2 Stereo Electret Condenser Microphone\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Cable Tie\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Operating Instructions\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Warranty Booklet\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030727842,"sku":"ECMMS2","price":410.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_ECMMS2.jpg?v=1783147968"},{"product_id":"sony-ecm-vg1-shotgun-electret-condenser-microphone","title":"SONY ECM-VG1 Shotgun Electret Condenser Microphone","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY ECM-VG1 Shotgun Electret Condenser Microphone\u003c\/strong\u003e is a lightweight shotgun microphone built for professional field shooting, compact camcorder work, studio support, and boom pole operation. From the supplied specs, it uses a \u003cstrong\u003emono electret condenser capsule\u003c\/strong\u003e, a \u003cstrong\u003esuper-cardioid unidirectional pickup pattern\u003c\/strong\u003e, and a \u003cstrong\u003e40 Hz to 20 kHz frequency response\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eIn the field, the ECM-VG1 makes sense when the audio setup needs to stay light but still controlled. At only \u003cstrong\u003e66 g\u003c\/strong\u003e, it can sit on a compact camcorder or boom pole without making the rig feel front-heavy. The included windscreen also helps reduce wind noise and contact noise during outdoor shooting.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eShotgun electret condenser microphone\u003c\/strong\u003e for field and studio production\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSuper-cardioid unidirectional pickup\u003c\/strong\u003e for focused sound capture\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e40 Hz to 20 kHz frequency response\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in low-cut filter\u003c\/strong\u003e for reducing unwanted low-frequency noise\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLightweight 66 g body\u003c\/strong\u003e for compact camcorder or boom pole use\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Mono Electret Condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 40 Hz to 20 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Uni-Directional \/ Super-Cardioid\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: -33 dB ±3 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: 60 Ω ±20%, balanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e: 107 dB or more\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 76 dB or more\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInherent noise\u003c\/strong\u003e: 18 dB SPL or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWind noise\u003c\/strong\u003e: 45 dB SPL or less with windscreen\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum input SPL\u003c\/strong\u003e: 125 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eConnector\u003c\/strong\u003e: XLR-3-12C male\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone cable\u003c\/strong\u003e: XLR 3-pin cable required, not supplied\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: External, DC 40 to 52V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 20 x 210 mm \/ 0.79 x 8.38 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 0.066 kg \/ 0.15 lb\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe ECM-VG1 is practical when the microphone needs to stay out of the operator’s way. On compact camcorders, heavy shotgun mics can throw off the balance of the camera. This one keeps the rig easier to handle while still giving the crew a focused front-facing pickup pattern.\u003c\/p\u003e\n\n  \u003cp\u003eThe built-in low-cut filter is useful on real shoots. Air conditioning, traffic rumble, handling noise, and outdoor vibration can all creep into the low end. Having a simple low-cut option gives the operator one more way to keep location audio cleaner before it reaches the recorder or camera input.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMono shotgun design\u003c\/strong\u003e for direct production audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSuper-cardioid pickup\u003c\/strong\u003e for reducing off-axis sound\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBalanced XLR output\u003c\/strong\u003e for professional camera and audio system connection\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eExternal DC 40 to 52V operation\u003c\/strong\u003e for standard powered audio workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eIncluded windscreen\u003c\/strong\u003e helps suppress wind and contact noise in harsher field environments\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x ECM-VG1 Shotgun Electret Condenser Microphone\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Stand Adaptor\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Operating Instructions\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Spacer\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Holder\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030793378,"sku":"ECMVG1","price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_ECMVG1.jpg?v=1783147993"},{"product_id":"sony-srg-x40uh-4k30p-20x-optical-zoom-ptz-camera-black","title":"SONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (Black)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (Black)\u003c\/strong\u003e is a remotely controlled PTZ camera built for clean 4K imaging in business, education, medical, auditorium, and fixed-room production environments. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and supports \u003cstrong\u003e4K video output through HDMI\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eFor install teams and operators, the SRG-X40UH is the kind of camera that fits into rooms where the camera needs to stay mounted, powered, and remotely controlled with minimal fuss. It supports \u003cstrong\u003e20x optical zoom\u003c\/strong\u003e, \u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e, and \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e using Clear Image Zoom, so one fixed camera position can still cover a wide shot, a speaker, or a tighter presentation view.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with 20x optical zoom\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e and \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e with Clear Image Zoom\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHDMI and USB video outputs\u003c\/strong\u003e for simple room integration\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePoE+ and VISCA over IP\u003c\/strong\u003e support for single-cable network-based control and power\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25, 1080p59.94\/50\/29.97\/25, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e: Auto \/ Manual, 0 to +48 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHigh sensitivity mode\u003c\/strong\u003e: Supported\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eShutter speed\u003c\/strong\u003e: 1\/1 to 1\/10000 s\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eExposure control\u003c\/strong\u003e: Auto, Manual, Priority AE\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWhite balance\u003c\/strong\u003e: Auto1, Auto2, One Push, WB, Indoor, Outdoor, Manual\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 30x in 4K, 40x in HD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 88.0 mm, F2.0 to F3.8\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMinimum object distance\u003c\/strong\u003e: 80 mm wide, 800 mm tele\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 100 using VISCA\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDay\/Night mode\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eImage stabilizer\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K video output\u003c\/strong\u003e: 1 x HDMI\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x USB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45, UVC USB Type-C 2.0\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 12V or PoE+ IEEE 802.3at\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 25.5 W max\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTripod mount\u003c\/strong\u003e: 1 x 1\/4\"-20 UNC\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCeiling mount\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 158.4 x 177.5 x 200.2 mm \/ 6.24 x 7.00 x 8.00 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 1.600 kg \/ 3.53 lb\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe SRG-X40UH is a good fit when the room needs a clean installed camera instead of a manned camera position. In a boardroom, classroom, auditorium, or medical space, the operator can frame the shot from a control position using pan, tilt, zoom, presets, and remote control rather than standing at the camera.\u003c\/p\u003e\n\n  \u003cp\u003eThe 20x optical zoom gives the lens enough reach for close-ups from a fixed mounting point. Clear Image Zoom adds extra working range when needed, with up to 30x zoom in 4K and 40x in HD. That is useful when one camera has to cover both the room and the person speaking at the front.\u003c\/p\u003e\n\n  \u003cp\u003eConnection is also kept practical. HDMI handles direct video output, USB supports UVC workflows, and RJ45 control allows VISCA over IP. With PoE+ support, the camera can be powered and controlled over the network, reducing cabling work in ceiling or wall-mounted installs.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eExmor R CMOS sensor\u003c\/strong\u003e for detailed 4K capture with low noise\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDay\/Night mode and Auto ICR\u003c\/strong\u003e for changing lighting conditions\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVisibility Enhancer and image stabilizer\u003c\/strong\u003e for cleaner operational viewing\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFast PTZ movement\u003c\/strong\u003e with up to 300°\/s pan speed and 126°\/s tilt speed\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e100 VISCA preset positions\u003c\/strong\u003e for repeatable camera framing\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePoE+ support\u003c\/strong\u003e for simpler installed cabling\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x SONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x IR Remote Commander\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Ceiling Brackets\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Wire Rope\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e9 x M3x8 Mounting Screws\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030826146,"sku":"SRGX40UH","price":3140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGX40UH.jpg?v=1783149580"},{"product_id":"sony-srg-x40uh-4k30p-20x-optical-zoom-ptz-camera-white","title":"SONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (White)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (White)\u003c\/strong\u003e is a remotely controlled PTZ camera built for clean 4K imaging in business, education, medical, auditorium, and fixed-room production environments. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and supports \u003cstrong\u003e4K video output through HDMI\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor install teams and operators, the SRG-X40UH is the kind of camera that fits into rooms where the camera needs to stay mounted, powered, and remotely controlled with minimal fuss. It supports \u003cstrong\u003e20x optical zoom\u003c\/strong\u003e, \u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e, and \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e using Clear Image Zoom, so one fixed camera position can still cover a wide shot, a speaker, or a tighter presentation view.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with 20x optical zoom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e and \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e with Clear Image Zoom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI and USB video outputs\u003c\/strong\u003e for simple room integration\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoE+ and VISCA over IP\u003c\/strong\u003e support for single-cable network-based control and power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25, 1080p59.94\/50\/29.97\/25, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e: Auto \/ Manual, 0 to +48 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh sensitivity mode\u003c\/strong\u003e: Supported\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShutter speed\u003c\/strong\u003e: 1\/1 to 1\/10000 s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure control\u003c\/strong\u003e: Auto, Manual, Priority AE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhite balance\u003c\/strong\u003e: Auto1, Auto2, One Push, WB, Indoor, Outdoor, Manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 30x in 4K, 40x in HD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 88.0 mm, F2.0 to F3.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum object distance\u003c\/strong\u003e: 80 mm wide, 800 mm tele\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 100 using VISCA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDay\/Night mode\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage stabilizer\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K video output\u003c\/strong\u003e: 1 x HDMI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x USB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45, UVC USB Type-C 2.0\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 12V or PoE+ IEEE 802.3at\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 25.5 W max\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTripod mount\u003c\/strong\u003e: 1 x 1\/4\"-20 UNC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCeiling mount\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 158.4 x 177.5 x 200.2 mm \/ 6.24 x 7.00 x 8.00 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 1.600 kg \/ 3.53 lb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe SRG-X40UH is a good fit when the room needs a clean installed camera instead of a manned camera position. In a boardroom, classroom, auditorium, or medical space, the operator can frame the shot from a control position using pan, tilt, zoom, presets, and remote control rather than standing at the camera.\u003c\/p\u003e\n\u003cp\u003eThe 20x optical zoom gives the lens enough reach for close-ups from a fixed mounting point. Clear Image Zoom adds extra working range when needed, with up to 30x zoom in 4K and 40x in HD. That is useful when one camera has to cover both the room and the person speaking at the front.\u003c\/p\u003e\n\u003cp\u003eConnection is also kept practical. HDMI handles direct video output, USB supports UVC workflows, and RJ45 control allows VISCA over IP. With PoE+ support, the camera can be powered and controlled over the network, reducing cabling work in ceiling or wall-mounted installs.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExmor R CMOS sensor\u003c\/strong\u003e for detailed 4K capture with low noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDay\/Night mode and Auto ICR\u003c\/strong\u003e for changing lighting conditions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVisibility Enhancer and image stabilizer\u003c\/strong\u003e for cleaner operational viewing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFast PTZ movement\u003c\/strong\u003e with up to 300°\/s pan speed and 126°\/s tilt speed\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 VISCA preset positions\u003c\/strong\u003e for repeatable camera framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoE+ support\u003c\/strong\u003e for simpler installed cabling\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x SONY SRG-X40UH 4K30P 20x Optical Zoom PTZ Camera (White)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x IR Remote Commander\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 x Ceiling Brackets\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Wire Rope\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 x M3x8 Mounting Screws\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030858914,"sku":"SRGX40UH\/W","price":3140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGX40UHW.jpg?v=1783149625"},{"product_id":"sony-srg-a40-4k30-30x-optical-zoom-ptz-camera-with-ptz-auto-framing-black","title":"SONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)\u003c\/strong\u003e is a professional 4K PTZ camera built for classrooms, conference rooms, auditoriums, studios, and installed production spaces where clean framing matters but a dedicated camera operator may not always be available. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and supports \u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThe useful part here is the built-in AI-based framing. Instead of asking an operator to constantly chase the presenter, the camera can track the subject and maintain a composed shot automatically. For lecture capture, corporate meetings, training rooms, and hybrid events, that removes a lot of hands-on camera work from the production desk.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with PTZ Auto Framing\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e, \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e, and \u003cstrong\u003e80x HD zoom\u003c\/strong\u003e with Tele Convert Mode\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eHDMI, 3G-SDI, and IP streaming outputs\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePoE++ support\u003c\/strong\u003e, VISCA control, SRT protocol, and front red\/green tally\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25\/23.98, 1080p59.94\/50\/29.97\/25\/23.98, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 30x in 4K, 40x in HD, 80x in HD with Tele Convert Mode\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 88.0 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eF-number\u003c\/strong\u003e: F2.0 to F3.8\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 256 CGI, 100 VISCA\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e: Yes\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4K video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x 3G-SDI, 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone input\u003c\/strong\u003e: 1 x 3.5 mm stereo mini jack, mic\/line selectable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTally\u003c\/strong\u003e: 1 x front red\/green indicator\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 19.5V or PoE++ IEEE 802.3bt Type 4 Class 8\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 80 W DC, 71.3 W PoE++\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 156.7 x 184.0 x 200.0 mm \/ 6.25 x 7.25 x 7.88 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.000 kg \/ 4.41 lb\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe SRG-A40 is built for rooms where the camera needs to do more of the work by itself. In a lecture, presentation, or meeting, the subject may move around, turn, or shift position. PTZ Auto Framing helps keep that person properly framed without needing someone riding the joystick the entire time.\u003c\/p\u003e\n\n  \u003cp\u003eThe zoom range gives installers more flexibility with camera placement. A wide 70° view helps cover the room, while 30x 4K zoom and 40x HD zoom give enough reach for tighter shots from the back or side of the space. When HD Tele Convert Mode is used, the listed zoom range extends to 80x.\u003c\/p\u003e\n\n  \u003cp\u003eFor system integration, the camera covers the usual professional paths: HDMI for local video, 3G-SDI for production routing, and IP streaming for network-based delivery. VISCA control, PoE++, SRT, and multi-streaming support make it easier to build into a modern installed AV or broadcast-over-IP workflow.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e with subject tracking for more consistent composed shots\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFront tally lamp\u003c\/strong\u003e with red\/green indication for live status and auto-framing status\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePicture Freeze Preset\u003c\/strong\u003e and \u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e for smoother preset operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eH.264 and H.265 streaming\u003c\/strong\u003e up to 60 fps with CBR\/VBR bitrate control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMulti-streaming\u003c\/strong\u003e support with up to 3 streams and up to 5 clients\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOptional NDI|HX capability\u003c\/strong\u003e with required license\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x SONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x IR Remote Control\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Ceiling Bracket\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Wire Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e9 x M3x8 Screw\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030957218,"sku":"SRGA40","price":4280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGA40.jpg?v=1783149645"},{"product_id":"sony-srg-a40-4k30-30x-optical-zoom-ptz-camera-with-ptz-auto-framing-white","title":"SONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)\u003c\/strong\u003e is a professional 4K PTZ camera built for classrooms, conference rooms, auditoriums, studios, and installed production spaces where clean framing matters but a dedicated camera operator may not always be available. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and supports \u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe useful part here is the built-in AI-based framing. Instead of asking an operator to constantly chase the presenter, the camera can track the subject and maintain a composed shot automatically. For lecture capture, corporate meetings, training rooms, and hybrid events, that removes a lot of hands-on camera work from the production desk.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with PTZ Auto Framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30x zoom in 4K\u003c\/strong\u003e, \u003cstrong\u003e40x zoom in HD\u003c\/strong\u003e, and \u003cstrong\u003e80x HD zoom\u003c\/strong\u003e with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHDMI, 3G-SDI, and IP streaming outputs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoE++ support\u003c\/strong\u003e, VISCA control, SRT protocol, and front red\/green tally\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25\/23.98, 1080p59.94\/50\/29.97\/25\/23.98, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 30x in 4K, 40x in HD, 80x in HD with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 88.0 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eF-number\u003c\/strong\u003e: F2.0 to F3.8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 256 CGI, 100 VISCA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x 3G-SDI, 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input\u003c\/strong\u003e: 1 x 3.5 mm stereo mini jack, mic\/line selectable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally\u003c\/strong\u003e: 1 x front red\/green indicator\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 19.5V or PoE++ IEEE 802.3bt Type 4 Class 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 80 W DC, 71.3 W PoE++\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 156.7 x 184.0 x 200.0 mm \/ 6.25 x 7.25 x 7.88 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.000 kg \/ 4.41 lb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe SRG-A40 is built for rooms where the camera needs to do more of the work by itself. In a lecture, presentation, or meeting, the subject may move around, turn, or shift position. PTZ Auto Framing helps keep that person properly framed without needing someone riding the joystick the entire time.\u003c\/p\u003e\n\u003cp\u003eThe zoom range gives installers more flexibility with camera placement. A wide 70° view helps cover the room, while 30x 4K zoom and 40x HD zoom give enough reach for tighter shots from the back or side of the space. When HD Tele Convert Mode is used, the listed zoom range extends to 80x.\u003c\/p\u003e\n\u003cp\u003eFor system integration, the camera covers the usual professional paths: HDMI for local video, 3G-SDI for production routing, and IP streaming for network-based delivery. VISCA control, PoE++, SRT, and multi-streaming support make it easier to build into a modern installed AV or broadcast-over-IP workflow.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e with subject tracking for more consistent composed shots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront tally lamp\u003c\/strong\u003e with red\/green indication for live status and auto-framing status\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePicture Freeze Preset\u003c\/strong\u003e and \u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e for smoother preset operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eH.264 and H.265 streaming\u003c\/strong\u003e up to 60 fps with CBR\/VBR bitrate control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti-streaming\u003c\/strong\u003e support with up to 3 streams and up to 5 clients\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional NDI|HX capability\u003c\/strong\u003e with required license\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x SONY SRG-A40 4K30 30x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x IR Remote Control\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 x Ceiling Bracket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Wire Cable\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 x M3x8 Screw\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293030989986,"sku":"SRGA40\/W","price":4280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGA40W.jpg?v=1783149672"},{"product_id":"sony-srg-a12-4k30-12x-optical-zoom-ptz-camera-with-ptz-auto-framing-black","title":"SONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)\u003c\/strong\u003e is a compact 4K PTZ camera built for classrooms, meeting rooms, training spaces, auditoriums, and installed production setups. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and includes \u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e for automatic subject tracking.\u003c\/p\u003e\n\u003cp\u003eIn practice, this camera is made for rooms where the shot needs to stay composed without someone constantly operating pan, tilt, and zoom. The SRG-A12 can track a subject, support full-body, waist, and close-up framing modes, and keep the presenter in position while the operator focuses on the rest of the production.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with PTZ Auto Framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12x optical zoom\u003c\/strong\u003e and \u003cstrong\u003e24x HD zoom\u003c\/strong\u003e with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHDMI, 3G-SDI, and IP streaming outputs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoE++ support\u003c\/strong\u003e, VISCA control, SRT protocol, and front red\/green tally\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25\/23.98, 1080p59.94\/50\/29.97\/25\/23.98, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 12x, 24x max in HD with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 52.8 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eF-number\u003c\/strong\u003e: F2.0 to F3.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum object distance\u003c\/strong\u003e: 80 mm wide, 400 mm tele\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 256 CGI, 100 VISCA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x 3G-SDI, 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input\u003c\/strong\u003e: 1 x 3.5 mm stereo mini jack, mic\/line selectable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally\u003c\/strong\u003e: 1 x front red\/green indicator for PTZ Auto Framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 19.5V or PoE++ IEEE 802.3bt Type 4 Class 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 80 W DC, 71.3 W PoE++\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackage dimensions\u003c\/strong\u003e: 14.3 x 14.5 x 12.0 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackage weight\u003c\/strong\u003e: 4.808 kg \/ 10.60 lb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 156.7 x 184.0 x 200.0 mm \/ 6.25 x 7.25 x 7.88 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.000 kg \/ 4.41 lb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe SRG-A12 is useful when the production does not have a dedicated camera operator for every room. PTZ Auto Framing helps detect the subject and keep the shot naturally composed, which is helpful for lectures, presentations, panel rooms, and hybrid meetings where people move while speaking.\u003c\/p\u003e\n\u003cp\u003eThe 12x optical zoom is a good match for smaller and mid-size rooms where the camera is not extremely far from the presenter. For HD workflows, the listed zoom range extends up to 24x with Tele Convert Mode, giving a bit more reach when tighter framing is needed.\u003c\/p\u003e\n\u003cp\u003eFrom an integration point of view, the camera covers the usual installed AV paths. HDMI works well for direct local video, 3G-SDI supports production-style routing, and IP streaming gives the system a network video option. VISCA over IP and PoE++ also help reduce the amount of separate control and power cabling in ceiling-mounted setups.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e for automatic subject tracking and composed shots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront tally lamp\u003c\/strong\u003e with red\/green status indication\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePicture Freeze Preset\u003c\/strong\u003e and \u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e for smoother preset transitions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eH.264 and H.265 streaming\u003c\/strong\u003e up to 60 fps with CBR\/VBR bitrate control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti-streaming\u003c\/strong\u003e support with up to 3 streams and up to 5 clients\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional NDI|HX capability\u003c\/strong\u003e with required license\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x SONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (Black)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x IR Remote Control\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 x Ceiling Bracket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Wire Cable\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 x M3x8 Screw\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031022754,"sku":"SRGA12","price":3570.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGA12.jpg?v=1783149689"},{"product_id":"sony-srg-a12-4k30-12x-optical-zoom-ptz-camera-with-ptz-auto-framing-white","title":"SONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)\u003c\/strong\u003e is a compact 4K PTZ camera built for classrooms, meeting rooms, training spaces, auditoriums, and installed production setups. From the supplied specs, it uses a \u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e, approx. \u003cstrong\u003e8.5MP effective pixels\u003c\/strong\u003e, and includes \u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e for automatic subject tracking.\u003c\/p\u003e\n\u003cp\u003eIn practice, this camera is made for rooms where the shot needs to stay composed without someone constantly operating pan, tilt, and zoom. The SRG-A12 can track a subject, support full-body, waist, and close-up framing modes, and keep the presenter in position while the operator focuses on the rest of the production.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K30 PTZ camera\u003c\/strong\u003e with PTZ Auto Framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/2.5\" Exmor R CMOS sensor\u003c\/strong\u003e with approx. 8.5MP effective pixels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12x optical zoom\u003c\/strong\u003e and \u003cstrong\u003e24x HD zoom\u003c\/strong\u003e with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHDMI, 3G-SDI, and IP streaming outputs\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePoE++ support\u003c\/strong\u003e, VISCA control, SRT protocol, and front red\/green tally\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage sensor\u003c\/strong\u003e: 1\/2.5\" Exmor R CMOS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective pixels\u003c\/strong\u003e: Approx. 8.5 MP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal system\u003c\/strong\u003e: 2160p29.97\/25\/23.98, 1080p59.94\/50\/29.97\/25\/23.98, 1080i59.94\/50, 720p59.94\/50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K capability\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum illumination\u003c\/strong\u003e: 1.6 Lux\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal resolution\u003c\/strong\u003e: 1700 TV lines in 4K, center; 1000+ TV lines in FHD, center\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom capability\u003c\/strong\u003e: 12x, 24x max in HD with Tele Convert Mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocusing system\u003c\/strong\u003e: Auto \/ Manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorizontal viewing angle\u003c\/strong\u003e: Approx. 70° wide\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocal length\u003c\/strong\u003e: 4.4 to 52.8 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eF-number\u003c\/strong\u003e: F2.0 to F3.7\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMinimum object distance\u003c\/strong\u003e: 80 mm wide, 400 mm tele\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePan range\u003c\/strong\u003e: ±170°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTilt range\u003c\/strong\u003e: +90° to -20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum pan speed\u003c\/strong\u003e: 300°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum tilt speed\u003c\/strong\u003e: 126°\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreset positions\u003c\/strong\u003e: 256 CGI, 100 VISCA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e: Yes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K video outputs\u003c\/strong\u003e: 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD video outputs\u003c\/strong\u003e: 1 x 3G-SDI, 1 x HDMI, 1 x IP streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera control\u003c\/strong\u003e: VISCA RS-422 RJ45, VISCA over IP RJ45\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone input\u003c\/strong\u003e: 1 x 3.5 mm stereo mini jack, mic\/line selectable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally\u003c\/strong\u003e: 1 x front red\/green indicator for PTZ Auto Framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 19.5V or PoE++ IEEE 802.3bt Type 4 Class 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption\u003c\/strong\u003e: 80 W DC, 71.3 W PoE++\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackage dimensions\u003c\/strong\u003e: 14.3 x 14.5 x 12.0 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePackage weight\u003c\/strong\u003e: 4.808 kg \/ 10.60 lb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 156.7 x 184.0 x 200.0 mm \/ 6.25 x 7.25 x 7.88 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.000 kg \/ 4.41 lb\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe SRG-A12 is useful when the production does not have a dedicated camera operator for every room. PTZ Auto Framing helps detect the subject and keep the shot naturally composed, which is helpful for lectures, presentations, panel rooms, and hybrid meetings where people move while speaking.\u003c\/p\u003e\n\u003cp\u003eThe 12x optical zoom is a good match for smaller and mid-size rooms where the camera is not extremely far from the presenter. For HD workflows, the listed zoom range extends up to 24x with Tele Convert Mode, giving a bit more reach when tighter framing is needed.\u003c\/p\u003e\n\u003cp\u003eFrom an integration point of view, the camera covers the usual installed AV paths. HDMI works well for direct local video, 3G-SDI supports production-style routing, and IP streaming gives the system a network video option. VISCA over IP and PoE++ also help reduce the amount of separate control and power cabling in ceiling-mounted setups.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ Auto Framing\u003c\/strong\u003e for automatic subject tracking and composed shots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront tally lamp\u003c\/strong\u003e with red\/green status indication\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePicture Freeze Preset\u003c\/strong\u003e and \u003cstrong\u003ePTZ Motion Sync\u003c\/strong\u003e for smoother preset transitions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eH.264 and H.265 streaming\u003c\/strong\u003e up to 60 fps with CBR\/VBR bitrate control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti-streaming\u003c\/strong\u003e support with up to 3 streams and up to 5 clients\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional NDI|HX capability\u003c\/strong\u003e with required license\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x SONY SRG-A12 4K30 12x Optical Zoom PTZ Camera with PTZ Auto-Framing (White)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x AC Power Adapter\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x IR Remote Control\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 x Ceiling Bracket\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Wire Cable\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e9 x M3x8 Screw\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x M2.6x6 Screw (Black)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x HDMI Cable Clamp\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031088290,"sku":"SRGA12\/W","price":3570.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_SRGA12W.jpg?v=1783149722"},{"product_id":"sony-dual-wireless-package-with-two-bodypack-transmitters-25","title":"SONY Dual Wireless Package with two Bodypack Transmitters (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with two Bodypack Transmitters (25)\u003c\/strong\u003e is a two-person wireless lavalier system built for ENG, interviews, presentations, compact camera crews, and field production work. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P41D dual-channel camera-mount wireless receiver\u003c\/strong\u003e, \u003cstrong\u003e2 x Sony UTX-B40 bodypack transmitters\u003c\/strong\u003e, and \u003cstrong\u003e2 x Sony ECM-V1BMP omnidirectional lavalier microphones\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eFor a small crew, the advantage is simple: two wireless talent mics can land on one camera-mounted receiver. That keeps the audio rig compact while still giving the operator two independent audio channels for interviews, dialogue, or presenter-and-host setups.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel UHF wireless system\u003c\/strong\u003e for two-person audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2 x bodypack transmitters\u003c\/strong\u003e with included lavalier microphones\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable wireless performance\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast transmitter and receiver pairing\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePortable receiver output control\u003c\/strong\u003e from -12 dB to +12 dB\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless technology\u003c\/strong\u003e: Analog UHF\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDiversity\u003c\/strong\u003e: Yes, True Diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF frequency band\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNumber of RF channel frequencies\u003c\/strong\u003e: 2772\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum operating range\u003c\/strong\u003e: 330 ft \/ 100.6 m\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum transmitters per band\u003c\/strong\u003e: 16\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLatency\u003c\/strong\u003e: 0.24 to 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEncryption\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in recorder\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTimecode support\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMobile app compatible\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver type\u003c\/strong\u003e: 1 x camera-mount\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eIncluded transmitters\u003c\/strong\u003e: 2 x bodypack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eIncluded microphones\u003c\/strong\u003e: 2 x lavalier\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone polar pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSync method\u003c\/strong\u003e: NFC\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver gain range\u003c\/strong\u003e: -12 to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter gain range\u003c\/strong\u003e: 0 to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: 4.5 hours with alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: 8 hours with alkaline batteries\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThis package is useful when one camera needs to capture two wireless speakers without building a larger audio bag. A common setup would be interviewer and guest, two presenters, or two people on camera during a field segment. The URX-P41D keeps both channels on the camera side, while the two UTX-B40 bodypacks handle the talent mics.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync is a real time-saver on location. Instead of stepping through pairing manually, the transmitter and receiver can be matched quickly, which helps when the crew is moving fast or working under event pressure.\u003c\/p\u003e\n\n  \u003cp\u003eThe receiver’s output level control also matters in mixed camera setups. Different camcorders and DSLR-style inputs do not always expect the same level, so having adjustable output from -12 dB to +12 dB gives the operator more control before the signal reaches the camera.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P41D dual-channel receiver\u003c\/strong\u003e for camera-mounted two-channel wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitters\u003c\/strong\u003e with microphone, instrument, or line input support\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2-channel audio I\/O\u003c\/strong\u003e with locking 3.5 mm TRS balanced output, mic input, and headphone output on the receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C bus power support\u003c\/strong\u003e on receiver and transmitters\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmnidirectional lavalier microphones\u003c\/strong\u003e with locking 3.5 mm TRS male connectors\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Mic Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Windscreens\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e3 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter for Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031121058,"sku":"UWPD27\/25","price":1340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD27_25.jpg?v=1783321304"},{"product_id":"sony-dual-wireless-package-with-two-bodypack-transmitters-14","title":"SONY Dual Wireless Package with two Bodypack Transmitters (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with two Bodypack Transmitters (14)\u003c\/strong\u003e is a two-person wireless lavalier package built for ENG, on-camera interviews, live presentations, and compact camera production. From the supplied source, the system includes a \u003cstrong\u003eSony URX-P41D dual-channel camera-mount wireless receiver\u003c\/strong\u003e, \u003cstrong\u003e2 x Sony UTX-B40 bodypack transmitters\u003c\/strong\u003e, and \u003cstrong\u003e2 x Sony ECM-V1BMP omnidirectional lavalier microphones\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eFor small crews, this setup keeps the audio side clean. Two talent mics can feed one compact receiver on the camera, so an interviewer and guest, two presenters, or two people in a field segment can be recorded without building a larger audio bag around the shoot.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel UHF wireless package\u003c\/strong\u003e for two-person audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2 x bodypack transmitters\u003c\/strong\u003e with omnidirectional lavalier microphones\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable wireless performance\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync and OLED displays\u003c\/strong\u003e for fast setup and clear status checking\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless technology\u003c\/strong\u003e: Analog UHF\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDiversity\u003c\/strong\u003e: Yes, True Diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF frequency band\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNumber of RF channel frequencies\u003c\/strong\u003e: 2772\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum operating range\u003c\/strong\u003e: 330 ft \/ 100.6 m\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum transmitters per band\u003c\/strong\u003e: 16\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLatency\u003c\/strong\u003e: 0.24 to 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEncryption\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in recorder\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTimecode support\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMobile app compatible\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver type\u003c\/strong\u003e: 1 x camera-mount\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 2 x fixed 1\/4 wave external, top-mount\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNumber of audio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio I\/O\u003c\/strong\u003e: 2 x 1\/8\" \/ 3.5 mm locking TRS balanced output, 1 x locking TRS unbalanced mic input, 1 x locking TRS headphone output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver USB connectivity\u003c\/strong\u003e: 1 x USB-C female, bus power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver gain range\u003c\/strong\u003e: -12 to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 5 \/ 30 mW\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter input level\u003c\/strong\u003e: Microphone \/ Instrument \/ Line\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter gain range\u003c\/strong\u003e: 0 to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSync method\u003c\/strong\u003e: NFC\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type\u003c\/strong\u003e: 2 x lavalier\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone polar pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: 4.5 hours with alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: 8 hours with alkaline batteries\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThis package is handy when one camera needs to capture two people cleanly without extra complexity. The URX-P41D handles two wireless channels at the receiver, while the two UTX-B40 bodypacks give each speaker their own lavalier feed. That is a practical layout for interviews, walk-and-talk segments, training videos, and live presentation coverage.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync is one of those small workflow features that saves time on location. Instead of stepping through manual pairing while talent is waiting, the transmitter and receiver can be matched quickly and the crew can get back to checking levels, placement, and RF conditions.\u003c\/p\u003e\n\n  \u003cp\u003eThe adjustable receiver output is useful when moving between different cameras. Some camcorders want a hotter signal, while DSLR-style inputs may need more careful gain staging. With the receiver output adjustable from -12 dB to +12 dB, the operator has more room to match the wireless system to the camera input.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P41D dual-channel receiver\u003c\/strong\u003e for compact camera-mounted wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitters\u003c\/strong\u003e with microphone, instrument, or line input support\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity receiver design\u003c\/strong\u003e with antenna diversity applied for 2-channel use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C bus power support\u003c\/strong\u003e on receiver and transmitters\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmnidirectional lavalier microphones\u003c\/strong\u003e with locking 3.5 mm TRS male connectors\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Mic Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Windscreens\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e3 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter for Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031153826,"sku":"UWPD27\/14","price":1340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD27_14.jpg?v=1783321317"},{"product_id":"sony-dual-wireless-package-with-two-bodypack-transmitters-90","title":"SONY Dual Wireless Package with two Bodypack Transmitters (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with two Bodypack Transmitters (90)\u003c\/strong\u003e is a two-person wireless lavalier system built for ENG work, interviews, live presentations, and compact camera production. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P41D dual-channel camera-mount wireless receiver\u003c\/strong\u003e, \u003cstrong\u003e2 x Sony UTX-B40 bodypack transmitters\u003c\/strong\u003e, and \u003cstrong\u003e2 x Sony ECM-V1BMP omnidirectional lavalier microphones\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis setup is useful when the crew needs two clean wireless mic channels feeding one camera-mounted receiver. For a host-and-guest interview, two presenters, or a small field segment, it keeps the audio kit compact without giving up proper channel separation.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel UHF wireless package\u003c\/strong\u003e for two-person audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency ranges\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2 x bodypack transmitters\u003c\/strong\u003e with omnidirectional lavalier microphones\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable wireless operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync and OLED displays\u003c\/strong\u003e for faster setup and clear status checking\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless technology\u003c\/strong\u003e: Analog UHF\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDiversity\u003c\/strong\u003e: Yes, True Diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF frequency band\u003c\/strong\u003e: 941.625 to 951.875 MHz \/ 953 to 956.125 MHz \/ 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNumber of RF channel frequencies\u003c\/strong\u003e: 2772\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum operating range\u003c\/strong\u003e: 330 ft \/ 100.6 m\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum transmitters per band\u003c\/strong\u003e: 16\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLatency\u003c\/strong\u003e: 0.24 to 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEncryption\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in recorder\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTimecode support\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMobile app compatible\u003c\/strong\u003e: No\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver type\u003c\/strong\u003e: 1 x camera-mount\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 2 x fixed 1\/4 wave external, top-mount\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNumber of audio channels\u003c\/strong\u003e: 2\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio I\/O\u003c\/strong\u003e: 2 x 1\/8\" \/ 3.5 mm locking TRS balanced output, 1 x locking TRS unbalanced mic input, 1 x locking TRS headphone output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver USB connectivity\u003c\/strong\u003e: 1 x USB-C female, bus power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver gain range\u003c\/strong\u003e: -12 to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 5 \/ 30 mW\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter antenna\u003c\/strong\u003e: Fixed 1\/4 wave external\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter input level\u003c\/strong\u003e: Microphone \/ Instrument \/ Line\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter gain range\u003c\/strong\u003e: 0 to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter sync method\u003c\/strong\u003e: NFC\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type\u003c\/strong\u003e: 2 x lavalier\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone polar pattern\u003c\/strong\u003e: Omnidirectional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone sensitivity\u003c\/strong\u003e: -43 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone cable length\u003c\/strong\u003e: 3.9 ft \/ 1.2 m\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: 4.5 hours with alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery type\u003c\/strong\u003e: 2 x AA, not included\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: 8 hours with alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInput power\u003c\/strong\u003e: 5 VDC\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe main value here is keeping a two-person wireless setup tidy. Instead of mounting two separate receivers or building out a larger audio bag, the URX-P41D handles two channels in one camera-mount receiver. That keeps the camera package lighter and makes the system easier to manage during interviews or event coverage.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync is helpful when time is tight. Pairing the UTX-B40 transmitters with the receiver can be done quickly, so the crew can spend more time checking lav placement, clothing noise, RF conditions, and camera input levels.\u003c\/p\u003e\n\n  \u003cp\u003eThe adjustable receiver output also matters in the field. Different cameras respond differently to wireless receiver output, especially when moving between camcorders and smaller camera bodies. The -12 dB to +12 dB output range gives the operator a useful gain-matching window before the signal reaches the camera.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P41D dual-channel receiver\u003c\/strong\u003e for two-channel camera-mounted wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitters\u003c\/strong\u003e with microphone, instrument, or line input support\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity receiver design\u003c\/strong\u003e for stable reception in portable production work\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C bus power support\u003c\/strong\u003e on receiver and transmitters\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmnidirectional lavalier microphones\u003c\/strong\u003e with locking 3.5 mm TRS male connectors\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D27 2-Person Camera-Mount Wireless Omni Lavalier Microphone System (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Mic Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Windscreens\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e3 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter for Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031219362,"sku":"UWPD27\/90","price":1340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD27_90.jpg?v=1783321331"},{"product_id":"sony-dual-wireless-package-with-bodypack-xlr-plug-on-transmitters-25","title":"SONY Dual Wireless Package with Bodypack \u0026 XLR plug-on Transmitters (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with Bodypack \u0026amp; XLR Plug-on Transmitters (25)\u003c\/strong\u003e is a flexible wireless audio kit built for ENG, interviews, field production, documentary work, and compact camera setups. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e, a \u003cstrong\u003eSony UTX-B40 bodypack transmitter with omni lavalier mic\u003c\/strong\u003e, and a \u003cstrong\u003eSony UTX-P40 XLR plug-on transmitter\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a practical package when the shoot may change from lavalier work to handheld or XLR microphone work. One setup can cover a clipped lav mic on talent, then switch to a plug-on transmitter for reporter-style handheld interviews or another compatible XLR microphone. That flexibility matters when the crew does not want to carry separate wireless systems for every audio situation.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless receiver\u003c\/strong\u003e with bodypack and XLR plug-on transmitters\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 XLR plug-on transmitter\u003c\/strong\u003e for XLR microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e: Sony UTX-B40\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePlug-on transmitter\u003c\/strong\u003e: Sony UTX-P40 XLR plug-on transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 input connector\u003c\/strong\u003e: XLR-3-11C type female\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 audio attenuator\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 RF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThis package gives a field crew more options without making the kit messy. The bodypack transmitter handles lavalier work for sit-down interviews, presentations, and talent-worn audio. The XLR plug-on transmitter is useful when the operator needs to put a handheld mic or compatible XLR microphone on wireless instead.\u003c\/p\u003e\n\n  \u003cp\u003eThe URX-P40 receiver is small enough for camera-mount use, with adjustable analog output level for matching different camera inputs. That is helpful when moving between Sony camcorders, handheld cameras, or compact production rigs where input gain and expected signal level can vary.\u003c\/p\u003e\n\n  \u003cp\u003eUSB Type-C power support is also useful in long production days. Batteries can still keep the system portable, but USB power gives another option when the setup is mounted, stationary, or tied into a camera power workflow.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e on receiver and transmitters for clear status checking\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast and simple frequency setting between transmitter and receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e for lavalier, interview, and presenter audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eXLR plug-on transmitter\u003c\/strong\u003e for wireless handheld or XLR microphone operation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Soft Case for Plug-On\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031252130,"sku":"UWPD26\/25","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD26_25.jpg?v=1783321379"},{"product_id":"sony-dual-wireless-package-with-bodypack-xlr-plug-on-transmitters-14","title":"SONY Dual Wireless Package with Bodypack \u0026 XLR plug-on Transmitters (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with Bodypack \u0026amp; XLR Plug-on Transmitters (14)\u003c\/strong\u003e is a flexible wireless audio package made for ENG, field interviews, documentary work, presentations, and compact camera production. From the supplied source, it includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e, a \u003cstrong\u003eSony UTX-B40 bodypack transmitter with omni lavalier mic\u003c\/strong\u003e, and a \u003cstrong\u003eSony UTX-P40 XLR plug-on transmitter\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis setup is useful when the audio plan may change during the shoot. The bodypack handles lavalier work for talent or presenters, while the XLR plug-on transmitter lets the crew run a handheld or compatible XLR microphone wirelessly. For small camera teams, that means fewer separate kits to manage.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless receiver\u003c\/strong\u003e with bodypack and XLR plug-on transmitters\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 XLR plug-on transmitter\u003c\/strong\u003e for XLR microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e: Sony UTX-B40\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePlug-on transmitter\u003c\/strong\u003e: Sony UTX-P40 XLR plug-on transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 input connector\u003c\/strong\u003e: XLR-3-11C type female\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 audio attenuator\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-P40 RF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThis package gives a field crew two common wireless workflows in one kit. The lavalier bodypack works well for clipped-on speech capture, while the plug-on transmitter is better when the operator wants to use a handheld interview mic or another compatible XLR microphone without a cable run back to the camera.\u003c\/p\u003e\n\n  \u003cp\u003eThe URX-P40 receiver stays compact enough for camera-mount work and gives adjustable output level from -12 dB to +12 dB. That makes gain matching easier when moving between different camcorders, handheld cameras, or compact production rigs.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync and OLED displays also make day-to-day operation cleaner. The operator can pair quickly, check status at a glance, and spend more time listening for placement, handling noise, and RF conditions instead of digging through setup menus.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e on receiver and transmitters for clear status checking\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick frequency setting between transmitter and receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eXLR plug-on transmitter\u003c\/strong\u003e for wireless handheld or XLR microphone operation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Soft Case for Plug-On\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031284898,"sku":"UWPD26\/14","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD26_14.jpg?v=1783321391"},{"product_id":"sony-dual-wireless-package-with-bodypack-xlr-plug-on-transmitters-90","title":"SONY Dual Wireless Package with Bodypack \u0026 XLR plug-on Transmitters (90)","description":"\u003cdiv class=\"product-description\"\u003e   \u003cp\u003e\u003cstrong\u003eSONY Dual Wireless Package with Bodypack \u0026amp; XLR Plug-on Transmitters (90)\u003c\/strong\u003e is a flexible wireless audio package built for ENG, documentary work, interviews, presentations, and compact camera production. From the supplied source, it includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e, a \u003cstrong\u003eSony UTX-B40 bodypack transmitter with omni lavalier mic\u003c\/strong\u003e, and a \u003cstrong\u003eSony UTX-P40 XLR plug-on transmitter\u003c\/strong\u003e.\u003c\/p\u003e   \u003cp\u003eThis kit makes sense when the shoot can move between lavalier audio and handheld mic work. The bodypack covers clipped-on speech capture, while the XLR plug-on transmitter lets the crew run a compatible XLR microphone wirelessly without pulling a cable back to the camera.\u003c\/p\u003e   \u003ch3\u003eHighlights\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless receiver\u003c\/strong\u003e with bodypack and XLR plug-on transmitters\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-P40 XLR plug-on transmitter\u003c\/strong\u003e for XLR microphone use\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eOLED display, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e: Sony UTX-B40\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003ePlug-on transmitter\u003c\/strong\u003e: Sony UTX-P40 XLR plug-on transmitter\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-P40 input connector\u003c\/strong\u003e: XLR-3-11C type female\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-P40 audio attenuator\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-P40 RF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhy It Helps\u003c\/h3\u003e   \u003cp\u003eThis package gives a small production crew two very common audio paths in one wireless system. The bodypack transmitter is the right choice for lavalier work on talent, while the plug-on transmitter is useful for handheld interviews, reporter mics, or other compatible XLR microphones.\u003c\/p\u003e   \u003cp\u003eThe URX-P40 receiver is compact enough for camera-mount use and gives adjustable output level from -12 dB to +12 dB. That helps when moving between cameras with different input sensitivity, especially on fast field shoots where gain staging needs to be handled quickly.\u003c\/p\u003e   \u003cp\u003eOLED displays and NFC sync keep the setup process straightforward. Pair the transmitter, check the screen, set the level, and move on. In real production, that kind of simplicity matters because the crew usually has more than audio to manage.\u003c\/p\u003e   \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e on receiver and transmitters for clear status checking\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick frequency setting between transmitter and receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview audio\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eXLR plug-on transmitter\u003c\/strong\u003e for wireless handheld or XLR microphone operation\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Soft Case for Plug-On\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eTrusted Seller\u003c\/h3\u003e   \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031350434,"sku":"UWPD26\/90","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD26_90.jpg?v=1783321405"},{"product_id":"sony-wireless-package-with-handheld-mic-with-built-in-transmitter-25","title":"SONY Wireless Package with Handheld Mic with built-in Transmitter (25)","description":"\u003cdiv class=\"product-description\"\u003e   \u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Handheld Mic with built-in Transmitter (25)\u003c\/strong\u003e is a camera-mount wireless handheld microphone system built for ENG, electronic field production, interviews, documentaries, weddings, and remote production work. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e and a \u003cstrong\u003eSony UTX-M40 wireless handheld cardioid microphone transmitter\u003c\/strong\u003e.\u003c\/p\u003e   \u003cp\u003eThis is the kind of setup that makes sense when the talent, reporter, or presenter needs to move freely while the audio still lands back at the camera. The handheld transmitter keeps the microphone and wireless transmitter in one unit, while the URX-P40 stays compact on the camera side.\u003c\/p\u003e   \u003ch3\u003eHighlights\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone package\u003c\/strong\u003e for camera-mounted production workflows\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld transmitter\u003c\/strong\u003e with dynamic unidirectional capsule\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eURX-P40 receiver\u003c\/strong\u003e with true diversity reception and OLED display\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld transmitter\u003c\/strong\u003e: Sony UTX-M40 handheld microphone with unidirectional capsule\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld capsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld directivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld frequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld audio attenuator\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld maximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld dimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld mass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhy It Helps\u003c\/h3\u003e   \u003cp\u003eThis package is useful when the production needs a wireless handheld mic instead of a lavalier. For street interviews, press-style questions, presenter handoffs, or event coverage, the UTX-M40 gives the speaker a familiar handheld format while sending audio wirelessly to the camera-mounted URX-P40 receiver.\u003c\/p\u003e   \u003cp\u003eThe dynamic unidirectional capsule helps keep the pickup focused toward the speaker. That is helpful in real field work where background noise, crowd sound, and room reflections can easily get into the mic if the operator has less directional control.\u003c\/p\u003e   \u003cp\u003eThe URX-P40 receiver keeps the camera side simple. With adjustable output from -12 dB to +12 dB, the operator has room to match the wireless output to different camera inputs. NFC sync and OLED status displays also make setup quicker when the crew is moving between locations.\u003c\/p\u003e   \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld transmitter\u003c\/strong\u003e with built-in wireless operation\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e for quick status checks on receiver and transmitter\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast channel setting between transmitter and receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible receiver and transmitter powering\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D22 Camera-Mount Wireless Cardioid Handheld Microphone System (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-M40 Wireless Handheld Cardioid Microphone Transmitter (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Mic Holder\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eTrusted Seller\u003c\/h3\u003e   \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031383202,"sku":"UWPD22\/25","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD22_25.jpg?v=1783321426"},{"product_id":"sony-wireless-package-with-handheld-mic-with-built-in-transmitter-14","title":"SONY Wireless Package with Handheld Mic with built-in Transmitter (14)","description":"\u003cdiv class=\"product-description\"\u003e   \u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Handheld Mic with built-in Transmitter (14)\u003c\/strong\u003e is a camera-mount wireless handheld microphone system built for ENG, electronic field production, interviews, documentaries, weddings, and remote production work. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e and a \u003cstrong\u003eSony UTX-M40 wireless handheld cardioid microphone transmitter\u003c\/strong\u003e.\u003c\/p\u003e   \u003cp\u003eThis setup is useful when a reporter, presenter, or interview subject needs a handheld microphone without a cable running back to the camera. The UTX-M40 keeps the microphone and transmitter in one unit, while the URX-P40 gives the camera operator a compact receiver with level control and monitoring support.\u003c\/p\u003e   \u003ch3\u003eHighlights\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone package\u003c\/strong\u003e for camera-mounted production workflows\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld transmitter\u003c\/strong\u003e with dynamic unidirectional capsule\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eURX-P40 receiver\u003c\/strong\u003e with true diversity reception and OLED display\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld transmitter\u003c\/strong\u003e: Sony UTX-M40 handheld microphone with unidirectional capsule\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld capsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld directivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld frequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld audio attenuator\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld maximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld dimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eHandheld mass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhy It Helps\u003c\/h3\u003e   \u003cp\u003eThis package fits the classic field interview workflow. The interviewer can work with a handheld mic, the subject can speak naturally, and the camera stays free of a hard audio cable. It is a simple, familiar setup for news gathering, event coverage, documentary segments, and quick stand-up reports.\u003c\/p\u003e   \u003cp\u003eThe dynamic unidirectional capsule helps keep the pickup aimed toward the speaker. In crowded rooms, outdoor locations, and live event spaces, that extra directionality helps the operator manage background noise better than a more open pickup pattern.\u003c\/p\u003e   \u003cp\u003eOn the camera side, the URX-P40 keeps operation straightforward. The receiver is compact, uses an OLED display, and gives the operator adjustable output from -12 dB to +12 dB, which helps when matching the wireless feed to different camera input stages.\u003c\/p\u003e   \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld transmitter\u003c\/strong\u003e with built-in wireless operation\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e for quick status checks on receiver and transmitter\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast channel setting between transmitter and receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible receiver and transmitter powering\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D22 Camera-Mount Wireless Cardioid Handheld Microphone System (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-M40 Wireless Handheld Cardioid Microphone Transmitter (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Mic Holder\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eTrusted Seller\u003c\/h3\u003e   \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031415970,"sku":"UWPD22\/14","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD22_14.jpg?v=1783321439"},{"product_id":"sony-wireless-package-with-handheld-mic-with-built-in-transmitter-90","title":"SONY Wireless Package with Handheld Mic with built-in Transmitter (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Handheld Mic with built-in Transmitter (90)\u003c\/strong\u003e is a camera-mount wireless handheld microphone system made for ENG, electronic field production, interviews, documentaries, weddings, and remote production work. From the supplied source, the package includes a \u003cstrong\u003eSony URX-P40 camera-mount wireless receiver\u003c\/strong\u003e and a \u003cstrong\u003eSony UTX-M40 handheld wireless microphone with cardioid capsule\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis setup is useful when the person speaking needs a handheld mic but the camera crew still wants a clean wireless path back to the camera. The UTX-M40 keeps the microphone and transmitter together in one handheld unit, while the URX-P40 stays compact on the camera side.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone package\u003c\/strong\u003e for camera-mounted production workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld microphone\u003c\/strong\u003e with dynamic unidirectional capsule\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P40 receiver\u003c\/strong\u003e with true diversity reception and OLED display\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power support, and adjustable output level\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: Sony URX-P40 portable camera-mount receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld transmitter\u003c\/strong\u003e: Sony UTX-M40 handheld microphone with unidirectional capsule\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver headphone connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld capsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld directivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld frequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld audio attenuator\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld maximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld dimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHandheld mass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThis package fits the classic wireless handheld interview workflow. A reporter, presenter, or event speaker can hold the microphone naturally, while the receiver sends the signal into the camera without a cable run across the floor or back to the operator.\u003c\/p\u003e\n\n  \u003cp\u003eThe dynamic unidirectional capsule is a practical choice for field work. It keeps the pickup focused toward the person speaking, which helps when shooting around crowd noise, room reflections, or general location sound.\u003c\/p\u003e\n\n  \u003cp\u003eOn the camera side, the URX-P40 keeps things simple. The receiver is compact, uses an OLED display, and gives adjustable output from -12 dB to +12 dB, so the operator has room to match levels across different camera inputs.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable wireless capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-M40 handheld transmitter\u003c\/strong\u003e with built-in wireless operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED displays\u003c\/strong\u003e for quick status checks on receiver and transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast channel setting between transmitter and receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible receiver and transmitter powering\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D22 Camera-Mount Wireless Cardioid Handheld Microphone System (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x URX-P40 Camera-Mount Receiver (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x UTX-M40 Handheld Wireless Microphone with Cardioid Capsule (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Holder\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031481506,"sku":"UWPD22\/90","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD22_90.jpg?v=1783321452"},{"product_id":"sony-uwp-d21-bodypack-wireless-microphone-package-33ce","title":"SONY UWP-D21 Bodypack Wireless Microphone Package (33CE)","description":"\u003cdiv class=\"product-description\"\u003e   \u003cp\u003e\u003cstrong\u003eSONY UWP-D21 Bodypack Wireless Microphone Package (33CE)\u003c\/strong\u003e is a camera-mount wireless lavalier package built for ENG, field production, interviews, documentaries, weddings, and compact camera work. From the supplied source, the system includes a \u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e and a \u003cstrong\u003eUTX-B40 bodypack transmitter with omni lavalier microphone\u003c\/strong\u003e.\u003c\/p\u003e   \u003cp\u003eThis is the kind of wireless kit that keeps a small camera setup clean. The lavalier goes on the speaker, the bodypack stays on talent, and the URX-P40 sits on the camera side with level control, headphone monitoring, and a compact OLED display for quick checks.\u003c\/p\u003e   \u003ch3\u003eHighlights\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eBodypack wireless lavalier package\u003c\/strong\u003e for camera-mounted production\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003e33CE frequency range\u003c\/strong\u003e: 566.025 to 630.000 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e with true diversity reception\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omnidirectional lavalier microphone\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003eNFC sync, OLED display, USB-C power, and adjustable receiver output level\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: URX-P40 portable receiver\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter model\u003c\/strong\u003e: UTX-B40 bodypack transmitter\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, 33CE\u003c\/strong\u003e: 566.025 MHz to 630.000 MHz\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver headphone output\u003c\/strong\u003e: 3.5 mm mini jack, max. 10 mW at 16 ohms\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter capsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter audio attenuator\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for CE models\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter dimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eTransmitter mass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhy It Helps\u003c\/h3\u003e   \u003cp\u003eThe UWP-D21 is a practical choice when the camera needs one clean wireless lavalier channel without making the rig complicated. It works well for sit-down interviews, presenter audio, event coverage, documentary shoots, and any situation where the speaker needs to move freely while staying on mic.\u003c\/p\u003e   \u003cp\u003eThe URX-P40 receiver gives the operator useful control at the camera. Output level can be adjusted from -12 dB to +12 dB, which helps when matching the receiver to different camera inputs. The headphone output is also useful for quick confidence monitoring before and during the take.\u003c\/p\u003e   \u003cp\u003eNFC sync keeps setup fast. On location, that matters. Instead of wasting time digging through frequency menus, the crew can pair the transmitter and receiver quickly, then focus on lav placement, clothing noise, RF stability, and camera gain.\u003c\/p\u003e   \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable field audio\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview workflows\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast and secure channel setting\u003c\/li\u003e     \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for receiver and transmitter operation\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x URX-P40 Portable Receiver\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x UTX-B40 Bodypack Transmitter with Omni Lavalier Microphone\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e     \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eTrusted Seller\u003c\/h3\u003e   \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031514274,"sku":"UWPD21\/33CE","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD21_33CE.jpg?v=1783321481"},{"product_id":"sony-wireless-package-with-bodypack-transmitter-lapel-mic-25","title":"SONY Wireless Package with Bodypack Transmitter \u0026 Lapel Mic (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Bodypack Transmitter \u0026amp; Lapel Mic (25)\u003c\/strong\u003e is a camera-mount wireless lavalier package made for ENG, field interviews, documentaries, weddings, and compact camera production. From the supplied source, the package includes a \u003cstrong\u003eSony UWP-D21 camera-mount wireless omni lavalier microphone system\u003c\/strong\u003e, a \u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e, and a \u003cstrong\u003eUTX-B40 bodypack transmitter with omni lavalier microphone\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a practical setup when one speaker needs clean wireless audio going straight to camera. The lavalier stays on talent, the bodypack handles transmission, and the URX-P40 gives the camera operator a compact receiver with level control, monitoring, and a bright OLED display for quick checks.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless lavalier package\u003c\/strong\u003e for field and production audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e with true diversity reception\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power, OLED display, and adjustable receiver output level\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: URX-P40 portable receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter model\u003c\/strong\u003e: UTX-B40 bodypack transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver headphone output\u003c\/strong\u003e: 3.5 mm mini jack, max. 10 mW at 16 ohms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter capsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter audio attenuator\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter dimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter mass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UWP-D21 is useful when the camera needs one reliable wireless lavalier channel without turning the setup into a full audio bag. It fits presenter work, quick interviews, documentary coverage, and event shooting where the speaker needs to move naturally while staying on mic.\u003c\/p\u003e\n\n  \u003cp\u003eThe URX-P40 gives the operator practical control at the camera. Output level can be adjusted from -12 dB to +12 dB, which helps when matching the wireless receiver to different camera inputs. The headphone output is also useful for quick confidence monitoring before rolling.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync keeps frequency setup fast. In the field, that saves time. Instead of spending too long in menus, the crew can pair the transmitter and receiver, check levels, listen for clothing noise, and get back to the shot.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable field audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast and secure channel setting\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for receiver and transmitter operation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031547042,"sku":"UWPD21\/25","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD21_25.jpg?v=1783329390"},{"product_id":"sony-wireless-package-with-bodypack-transmitter-lapel-mic-14","title":"SONY Wireless Package with Bodypack Transmitter \u0026 Lapel Mic (14)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Bodypack Transmitter \u0026amp; Lapel Mic (14)\u003c\/strong\u003e is a camera-mount wireless lavalier package built for ENG, field interviews, documentaries, weddings, and compact camera production. From the supplied source, the package includes a \u003cstrong\u003eSony UWP-D21 camera-mount wireless omni lavalier microphone system\u003c\/strong\u003e, a \u003cstrong\u003eURX-P40 camera-mount wireless receiver\u003c\/strong\u003e, and a \u003cstrong\u003eUTX-B40 bodypack transmitter with omni lavalier mic\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is a clean one-person wireless setup for speech capture. The lavalier stays clipped on talent, the bodypack handles transmission, and the URX-P40 gives the camera operator level control, headphone monitoring, and a clear OLED display without making the camera rig feel overloaded.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless lavalier package\u003c\/strong\u003e for field and production audio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e with true diversity reception\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power, OLED display, and adjustable receiver output level\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: URX-P40 portable receiver\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter model\u003c\/strong\u003e: UTX-B40 bodypack transmitter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver headphone output\u003c\/strong\u003e: 3.5 mm mini jack, max. 10 mW at 16 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter capsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter audio attenuator\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter dimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransmitter mass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe UWP-D21 is useful when one speaker needs to move freely while the camera still receives a clean audio feed. It is a natural fit for interviews, presenter pieces, documentary coverage, wedding audio, and small crew shoots where speed and reliability matter.\u003c\/p\u003e\n\u003cp\u003eThe URX-P40 gives the operator practical control at the camera. Output level can be adjusted from -12 dB to +12 dB, making it easier to match the wireless feed to different camera inputs. The headphone output also gives a quick way to confirm audio before the take starts.\u003c\/p\u003e\n\u003cp\u003eNFC sync helps keep setup fast. Pair the transmitter and receiver, check the OLED, listen for clothing noise, then move on. On location, that kind of simple workflow saves time and reduces mistakes.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable field audio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview workflows\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast and secure channel setting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for receiver and transmitter operation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony URX-P40 Camera-Mount Wireless Receiver (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031612578,"sku":"UWPD21\/14","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD21_14.jpg?v=1783329403"},{"product_id":"sony-wireless-package-with-bodypack-transmitter-lapel-mic-90","title":"SONY Wireless Package with Bodypack Transmitter \u0026 Lapel Mic (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Package with Bodypack Transmitter \u0026amp; Lapel Mic (90)\u003c\/strong\u003e is a camera-mount wireless lavalier package built for ENG, interviews, documentaries, weddings, and compact camera production. From the supplied source, the package includes a \u003cstrong\u003eSony UWP-D21 camera-mount wireless omni lavalier microphone system\u003c\/strong\u003e, a \u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e, and a \u003cstrong\u003eUTX-B40 bodypack transmitter with omni lavalier microphone\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a clean one-person wireless setup when the speaker needs to move freely but the camera still needs a dependable audio feed. The lavalier handles speech capture, the bodypack stays on talent, and the URX-P40 gives the camera operator level control, monitoring, and a clear OLED display.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCamera-mount wireless lavalier package\u003c\/strong\u003e for field and production audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eURX-P40 portable receiver\u003c\/strong\u003e with true diversity reception\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e with omni lavalier microphone\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eNFC sync, USB-C power, OLED display, and adjustable receiver output level\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver model\u003c\/strong\u003e: URX-P40 portable receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter model\u003c\/strong\u003e: UTX-B40 bodypack transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver reception type\u003c\/strong\u003e: True diversity method\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver display\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver output adjustment\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver audio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver headphone output\u003c\/strong\u003e: 3.5 mm mini jack, max. 10 mW at 16 ohms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver battery life\u003c\/strong\u003e: Approx. 6 hours with two LR6\/AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver dimensions\u003c\/strong\u003e: 63 x 70 x 31 mm \/ 2 1\/2 x 2 7\/8 x 1 1\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReceiver mass\u003c\/strong\u003e: Approx. 131 g \/ 4.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter antenna\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter capsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter directivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter input connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter audio attenuator\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter RF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter frequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter battery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter dimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmitter mass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UWP-D21 is useful when one speaker needs wireless lavalier audio without adding too much hardware to the camera rig. It fits interviews, presenter pieces, documentary coverage, wedding audio, and small crew shoots where fast setup matters.\u003c\/p\u003e\n\n  \u003cp\u003eThe URX-P40 gives the operator practical control at the camera. Output level can be adjusted from -12 dB to +12 dB, which helps when matching the receiver to different camera inputs. The headphone output also gives a quick way to confirm the signal before recording.\u003c\/p\u003e\n\n  \u003cp\u003eNFC sync keeps setup simple. Pair the transmitter and receiver, check the OLED display, listen for clothing noise, and move on. In field production, that kind of workflow saves time and helps reduce mistakes.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e on the URX-P40 receiver for stable field audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUTX-B40 bodypack transmitter\u003c\/strong\u003e for lavalier, presenter, and interview workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for fast and secure channel setting\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for receiver and transmitter operation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x URX-P40 Portable Receiver (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x UTX-B40 Bodypack Transmitter with Omni Lavalier Microphone (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Belt Clips\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony SMAD-P4 Shoemount Adapter for URX-P40 Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to 3.5mm Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to XLR-M Output Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031678114,"sku":"UWPD21\/90","price":655.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UWPD21_90.jpg?v=1783329423"},{"product_id":"sony-wireless-xlr-plug-on-transmitter-25","title":"SONY Wireless XLR Plug-on Transmitter (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless XLR Plug-on Transmitter (25)\u003c\/strong\u003e is a compact UWP-D plug-on transmitter made for adding wireless operation to compatible XLR microphones. From the supplied source, the \u003cstrong\u003eSony UTX-P40\u003c\/strong\u003e uses an \u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e, supports \u003cstrong\u003e+48V power\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC25 frequency range from 536.125 to 607.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is the kind of transmitter that is useful when a crew wants to keep using a favorite handheld or XLR microphone without running a cable back to the camera or receiver position. It keeps the mic familiar in the hand, but gives the operator a wireless path for ENG, interviews, event coverage, and field production.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eXLR plug-on wireless transmitter\u003c\/strong\u003e for compatible microphones\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e0 dB to 48 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e+48V power, OLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-P40 wireless plug-on transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: XLR-3-11C type, female\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 38 x 98 x 38 mm \/ 1 1\/2 x 3 7\/8 x 1 1\/2 in, including audio input connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 139 g \/ 4.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-P40 is useful when the microphone choice matters but the cable does not. A reporter mic, interview mic, or compatible XLR microphone can stay in use while the transmitter sends audio wirelessly to the receiver. That keeps the setup cleaner around cameras, talent, and moving crews.\u003c\/p\u003e\n\n  \u003cp\u003eThe 0 dB to 48 dB attenuator range gives the operator room to manage different mic levels before the signal hits the wireless path. In real field work, that helps when switching between quieter speech, louder presenters, or microphones with different output behavior.\u003c\/p\u003e\n\n  \u003cp\u003eUSB-C power support and AA battery operation give the transmitter flexibility. Batteries keep it portable, while USB-C power can be useful when the transmitter is used in a longer fixed setup or powered production environment.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePlug-on XLR design\u003c\/strong\u003e for wireless handheld and XLR microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e+48V power support\u003c\/strong\u003e for compatible condenser microphone operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick and secure channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eVariable muting function\u003c\/strong\u003e for practical field control\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Soft Case\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031710882,"sku":"UTXP40\/25","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXP40_25.jpg?v=1783329448"},{"product_id":"sony-wireless-xlr-plug-on-transmitter-14","title":"SONY Wireless XLR Plug-on Transmitter (14)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY Wireless XLR Plug-on Transmitter (14)\u003c\/strong\u003e is a compact UWP-D plug-on transmitter made for turning compatible XLR microphones into wireless sources. From the supplied source, the \u003cstrong\u003eSony UTX-P40\u003c\/strong\u003e uses an \u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e, supports \u003cstrong\u003e+48V power\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC14 frequency range from 470.125 to 541.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is useful when the crew wants the handling of a familiar XLR microphone without keeping it tied to the camera by cable. A reporter mic, handheld interview mic, or compatible XLR microphone can stay mobile while the audio is sent wirelessly back to the receiver.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR plug-on wireless transmitter\u003c\/strong\u003e for compatible microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0 dB to 48 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e+48V power, OLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-P40 wireless plug-on transmitter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: XLR-3-11C type, female\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 38 x 98 x 38 mm \/ 1 1\/2 x 3 7\/8 x 1 1\/2 in, including audio input connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 139 g \/ 4.9 oz, excluding batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe UTX-P40 is helpful when the microphone choice matters as much as the wireless link. Crews can keep using a preferred handheld or XLR microphone while avoiding a long cable run back to camera, mixer, or receiver position.\u003c\/p\u003e\n\u003cp\u003eThe wide attenuator range gives the operator room to manage different source levels before the signal hits the wireless path. That is useful when moving between quieter speech, louder presenters, or microphones with different output behavior.\u003c\/p\u003e\n\u003cp\u003ePowering is flexible too. AA batteries keep the transmitter portable, while USB-C power is useful when the unit is used in a longer fixed setup or powered production environment.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlug-on XLR design\u003c\/strong\u003e for wireless handheld and XLR microphone workflows\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e+48V power support\u003c\/strong\u003e for compatible condenser microphone operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick and secure channel setting with compatible receivers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable muting function\u003c\/strong\u003e for practical field control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Soft Case\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031743650,"sku":"UTXP40\/14","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXP40_14.jpg?v=1783329464"},{"product_id":"sony-wireless-xlr-plug-on-transmitter-90","title":"SONY Wireless XLR Plug-on Transmitter (90)","description":"\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eSONY Wireless XLR Plug-on Transmitter (90)\u003c\/strong\u003e is a compact UWP-D plug-on transmitter made for turning compatible XLR microphones into wireless sources. From the supplied source, the \u003cstrong\u003eSony UTX-P40\u003c\/strong\u003e uses an \u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e, supports \u003cstrong\u003e+48V power\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC90 frequency range from 941.625 to 959.625 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is useful when a crew wants to keep a preferred handheld or XLR microphone in service without running a cable back to the receiver position. The mic stays familiar in the hand, while the UTX-P40 handles the wireless link for ENG, interviews, documentaries, event work, and field production.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR plug-on wireless transmitter\u003c\/strong\u003e for compatible microphones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eXLR-3-11C female input connector\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e0 dB to 48 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e+48V power, OLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-P40 wireless plug-on transmitter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: XLR-3-11C type, female\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 48 dB, 3 dB steps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 40 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 38 x 98 x 38 mm \/ 1 1\/2 x 3 7\/8 x 1 1\/2 in, including audio input connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 139 g \/ 4.9 oz, excluding batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n\u003cp\u003eThe UTX-P40 is handy when the microphone choice matters but the cable run gets in the way. A reporter mic, handheld interview mic, or compatible XLR microphone can be used wirelessly while the receiver stays with the camera or audio operator.\u003c\/p\u003e\n\u003cp\u003eThe 0 dB to 48 dB attenuator range gives the operator room to handle different source levels before the signal reaches the wireless chain. That is useful when moving between quiet speech, louder presenters, or microphones with different output behavior.\u003c\/p\u003e\n\u003cp\u003ePowering is flexible as well. AA batteries keep the transmitter fully portable, while USB-C power is useful for longer fixed setups or powered production environments. The OLED display keeps status checks quick, especially when the crew is moving fast.\u003c\/p\u003e\n\u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlug-on XLR design\u003c\/strong\u003e for wireless handheld and XLR microphone workflows\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e+48V power support\u003c\/strong\u003e for compatible condenser microphone operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick and secure channel setting with compatible receivers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor use\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable muting function\u003c\/strong\u003e for practical field control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Sony UTX-P40 Wireless Plug-On Transmitter (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1 x Soft Case\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031809186,"sku":"UTXP40\/90","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXP40_90.jpg?v=1783329484"},{"product_id":"sony-wireless-handheld-mic-with-built-in-transmitter-25","title":"SONY Wireless Handheld Mic with Built-in Transmitter (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Handheld Mic with Built-in Transmitter (25)\u003c\/strong\u003e is a wireless handheld microphone transmitter made for ENG, interviews, documentaries, weddings, remote production, and general field audio work. From the supplied source, the \u003cstrong\u003eSony UTX-M40\u003c\/strong\u003e uses a \u003cstrong\u003edynamic capsule\u003c\/strong\u003e, \u003cstrong\u003euni-directional pickup\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC25 frequency range from 536.125 to 607.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is the kind of mic that feels natural for reporters, presenters, and interview subjects. The transmitter is built into the handheld body, so the speaker can move freely without a cable running back to the camera or audio position.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone transmitter\u003c\/strong\u003e for field and production use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused voice pickup\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e70 Hz to 18 kHz frequency response\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, USB-C power support, and audio attenuator control\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-M40 wireless handheld cardioid microphone transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -55 dBV, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-M40 is practical when the production needs a handheld interview mic without a separate bodypack or cable. For ENG crews, event teams, and documentary shooters, that keeps the microphone simple for the person holding it and cleaner for the camera operator.\u003c\/p\u003e\n\n  \u003cp\u003eThe dynamic unidirectional capsule helps keep the pickup aimed toward the speaker. In the real world, that matters when working around crowds, room noise, or outdoor ambience where the mic needs to stay focused on speech.\u003c\/p\u003e\n\n  \u003cp\u003eWith OLED status display, NFC sync, AA battery operation, and USB-C power support, the mic stays easy to manage during setup. Pair it, check the display, set the level, and get back to the shot.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in transmitter design\u003c\/strong\u003e keeps the handheld microphone cable-free\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused speech capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator control\u003c\/strong\u003e from 0 dB to 21 dB in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor work\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-M40 Wireless Handheld Cardioid Microphone Transmitter (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Microphone Holder\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031841954,"sku":"UTXM40\/25","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXM40_25.jpg?v=1783329500"},{"product_id":"sony-wireless-handheld-mic-with-built-in-transmitter-14","title":"SONY Wireless Handheld Mic with Built-in Transmitter (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Handheld Mic with Built-in Transmitter (14)\u003c\/strong\u003e is a wireless handheld microphone transmitter built for ENG, interviews, documentaries, weddings, remote production, and general field audio work. From the supplied source, the \u003cstrong\u003eSony UTX-M40\u003c\/strong\u003e uses a \u003cstrong\u003edynamic capsule\u003c\/strong\u003e, \u003cstrong\u003euni-directional pickup\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC14 frequency range from 470.125 to 541.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a straightforward handheld option for reporters, presenters, and interview use. The transmitter is already built into the microphone body, so the person speaking can move freely without a cable running back to the camera or receiver position.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone transmitter\u003c\/strong\u003e for field and production use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused voice pickup\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e70 Hz to 18 kHz frequency response\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, USB-C power support, and audio attenuator control\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-M40 wireless handheld cardioid microphone transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -55 dBV, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-M40 is practical when the production needs a wireless handheld mic without adding a separate bodypack. For field interviews, stand-ups, event coverage, and presenter work, it keeps the microphone simple for the person holding it and clean for the operator managing the camera or receiver.\u003c\/p\u003e\n\n  \u003cp\u003eThe dynamic unidirectional capsule helps keep the pickup aimed toward the speaker. That matters in real locations, especially around crowd noise, room reflections, or outdoor ambience where the mic needs to stay focused on speech.\u003c\/p\u003e\n\n  \u003cp\u003eSetup stays quick as well. The OLED display gives clear status feedback, NFC sync helps with fast channel setting, and USB-C power support gives another option when the mic is used in longer or more controlled production setups.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in transmitter design\u003c\/strong\u003e keeps the handheld microphone cable-free\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused speech capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator control\u003c\/strong\u003e from 0 dB to 21 dB in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor work\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-M40 Wireless Handheld Cardioid Microphone Transmitter (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Microphone Holder\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031874722,"sku":"UTXM40\/14","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXM40_14.jpg?v=1783329519"},{"product_id":"sony-wireless-handheld-mic-with-built-in-transmitter-90","title":"SONY Wireless Handheld Mic with Built-in Transmitter (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Handheld Mic with Built-in Transmitter (90)\u003c\/strong\u003e is a wireless handheld microphone transmitter built for ENG, interviews, documentaries, weddings, remote production, and field audio work. From the supplied source, the \u003cstrong\u003eSony UTX-M40\u003c\/strong\u003e uses a \u003cstrong\u003edynamic capsule\u003c\/strong\u003e, \u003cstrong\u003euni-directional pickup\u003c\/strong\u003e, and operates on the \u003cstrong\u003eUC90 frequency range from 941.625 to 959.625 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a clean handheld option when the speaker needs to move freely without a cable running back to the camera or receiver. The transmitter is built into the microphone body, so the setup stays simple for reporters, presenters, and interview subjects.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless handheld microphone transmitter\u003c\/strong\u003e for field and production use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused voice pickup\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e70 Hz to 18 kHz frequency response\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, USB-C power support, and audio attenuator control\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-M40 wireless handheld cardioid microphone transmitter\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Dynamic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Uni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 21 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 70 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum audio input level\u003c\/strong\u003e: 151 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -55 dBV, gain mode set to normal, 0 dB attenuation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: ø48 x 258 mm \/ 1 15\/16 x 10 1\/4 in\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 255 g \/ 9.0 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-M40 is practical when a production needs a wireless handheld mic without adding a separate bodypack. For interviews, stand-ups, event coverage, and presenter work, it keeps the mic familiar for the person holding it and easier to manage for the operator.\u003c\/p\u003e\n\n  \u003cp\u003eThe dynamic unidirectional capsule helps keep the pickup aimed toward the speaker. That matters in live locations, especially around crowd noise, room reflections, or outdoor ambience where the microphone needs to stay focused on speech.\u003c\/p\u003e\n\n  \u003cp\u003eSetup stays straightforward. The OLED display gives clear status feedback, NFC sync helps with fast channel setting, and USB-C power support gives another option for longer or more controlled production setups.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBuilt-in transmitter design\u003c\/strong\u003e keeps the handheld microphone cable-free\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic unidirectional capsule\u003c\/strong\u003e for focused speech capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator control\u003c\/strong\u003e from 0 dB to 21 dB in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking in indoor or outdoor work\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-M40 Wireless Handheld Cardioid Microphone Transmitter (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Microphone Holder\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031940258,"sku":"UTXM40\/90","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXM40_90.jpg?v=1783329534"},{"product_id":"sony-wireless-bodypack-transmitter-25","title":"SONY Wireless Bodypack Transmitter (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Bodypack Transmitter (25)\u003c\/strong\u003e is a compact UWP-D bodypack transmitter package made for lavalier-based speech capture in ENG, interviews, documentaries, weddings, and remote production. From the supplied source, it includes a \u003cstrong\u003eSony UTX-B40 wireless bodypack transmitter\u003c\/strong\u003e with an \u003cstrong\u003eomni lavalier microphone\u003c\/strong\u003e and operates on the \u003cstrong\u003eUC25 frequency range from 536.125 to 607.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is the practical choice when the talent needs to stay on mic while moving naturally. Clip the lavalier, place the bodypack, check the OLED, and the audio path is ready for a compatible UWP-D receiver.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless bodypack transmitter\u003c\/strong\u003e for lavalier microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional lavalier microphone\u003c\/strong\u003e for natural speech pickup\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e0 dB to 27 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-B40 wireless bodypack transmitter with omni lavalier mic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: 3.5 mm diameter 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, +4 dBu line input\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-B40 is useful when the production needs a small bodypack transmitter for clean lavalier audio. It fits presenter audio, sit-down interviews, documentary work, wedding coverage, and field shoots where the speaker needs to move without being tied to the camera.\u003c\/p\u003e\n\n  \u003cp\u003eThe omni-directional lavalier gives the talent a bit of placement forgiveness. In real use, that helps when clothing, posture, or head movement changes during the take. The locking 3.5 mm connector also keeps the mic connection more secure than a loose consumer-style plug.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display, NFC sync, and USB-C power support keep setup simple. The operator can pair quickly, check status at a glance, and manage gain with the 0 dB to 27 dB attenuator before the signal reaches the receiver.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter design\u003c\/strong\u003e for talent-worn wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eElectret condenser lavalier microphone\u003c\/strong\u003e for spoken-word capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional pickup\u003c\/strong\u003e for natural voice coverage\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible operation beyond AA batteries\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC25: 536 to 608 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293031973026,"sku":"UTXB40\/25","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXB40_25.jpg?v=1783329551"},{"product_id":"sony-wireless-bodypack-transmitter-14","title":"SONY Wireless Bodypack Transmitter (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Bodypack Transmitter (14)\u003c\/strong\u003e is a compact UWP-D bodypack transmitter package built for lavalier-based speech capture in ENG, interviews, documentaries, weddings, and remote production. From the supplied source, it includes a \u003cstrong\u003eSony UTX-B40 wireless bodypack transmitter\u003c\/strong\u003e with an \u003cstrong\u003eomni lavalier microphone\u003c\/strong\u003e and operates on the \u003cstrong\u003eUC14 frequency range from 470.125 to 541.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a simple talent-worn wireless setup. Clip the lavalier, secure the bodypack, check the OLED, and the audio is ready to feed a compatible UWP-D receiver.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless bodypack transmitter\u003c\/strong\u003e for lavalier microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional lavalier microphone\u003c\/strong\u003e for natural speech pickup\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e0 dB to 27 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-B40 wireless bodypack transmitter with omni lavalier mic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: 3.5 mm diameter 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, +4 dBu line input\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-B40 is useful when one speaker needs clean lavalier audio without being tied to the camera. It fits presenter work, interviews, documentary shooting, wedding coverage, and small crew field production.\u003c\/p\u003e\n\n  \u003cp\u003eThe omni-directional lavalier gives talent a bit of placement forgiveness. In real use, that helps when clothing, posture, or head movement changes during the take. The locking 3.5 mm connector also keeps the mic connection more secure than a loose consumer-style plug.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display, NFC sync, and USB-C power support make setup easier in the field. Pair quickly, check status, set the attenuator, and move on to monitoring the actual sound.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter design\u003c\/strong\u003e for talent-worn wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eElectret condenser lavalier microphone\u003c\/strong\u003e for spoken-word capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional pickup\u003c\/strong\u003e for natural voice coverage\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible operation beyond AA batteries\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC14: 470 to 542 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032005794,"sku":"UTXB40\/14","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXB40_14.jpg?v=1783329563"},{"product_id":"sony-wireless-bodypack-transmitter-90","title":"SONY Wireless Bodypack Transmitter (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY Wireless Bodypack Transmitter (90)\u003c\/strong\u003e is a compact UWP-D bodypack transmitter package built for lavalier-based speech capture in ENG, interviews, documentaries, weddings, and remote production. From the supplied source, it includes a \u003cstrong\u003eSony UTX-B40 wireless bodypack transmitter\u003c\/strong\u003e with an \u003cstrong\u003eomni lavalier microphone\u003c\/strong\u003e and operates on the \u003cstrong\u003eUC90 frequency range from 941.625 to 959.625 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis is a clean talent-worn wireless setup. Clip the lavalier, secure the bodypack, check the OLED, and the audio path is ready for a compatible UWP-D receiver.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless bodypack transmitter\u003c\/strong\u003e for lavalier microphone workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional lavalier microphone\u003c\/strong\u003e for natural speech pickup\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e0 dB to 27 dB audio attenuator\u003c\/strong\u003e in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eOLED display, NFC sync, and USB-C power support\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony UTX-B40 wireless bodypack transmitter with omni lavalier mic\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCapsule type\u003c\/strong\u003e: Electret condenser\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDirectivity\u003c\/strong\u003e: Omni-directional\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eInput connector\u003c\/strong\u003e: 3.5 mm diameter 3-pole locking mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio attenuator adjustment\u003c\/strong\u003e: 0 dB to 27 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRF output power\u003c\/strong\u003e: 30 mW \/ 5 mW selectable for UC models\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReference audio input level\u003c\/strong\u003e: -60 dBV mic input, +4 dBu line input\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 102 dB in AUTO GAIN max.; 96 dB in NORMAL max.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two LR6\/AA batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 8 hours at 30 mW output power\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 73 x 19 mm \/ 2 1\/2 x 2 7\/8 x 3\/4 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 83 g \/ 2.9 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -4°F to 140°F \/ -20°C to +60°C\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe UTX-B40 is useful when one speaker needs clean lavalier audio without being tied to the camera. It fits presenter work, interviews, documentary shooting, wedding coverage, and small crew field production.\u003c\/p\u003e\n\n  \u003cp\u003eThe omni-directional lavalier gives talent a bit of placement forgiveness. In real use, that helps when clothing, posture, or head movement changes during the take. The locking 3.5 mm connector also keeps the mic connection more secure than a loose consumer-style plug.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display, NFC sync, and USB-C power support keep setup simple in the field. Pair quickly, check status, set the attenuator, and move on to monitoring the actual sound.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBodypack transmitter design\u003c\/strong\u003e for talent-worn wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eElectret condenser lavalier microphone\u003c\/strong\u003e for spoken-word capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOmni-directional pickup\u003c\/strong\u003e for natural voice coverage\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNFC sync\u003c\/strong\u003e for quick channel setting with compatible receivers\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB-C power support\u003c\/strong\u003e for flexible operation beyond AA batteries\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (UC90: 941 to 960 MHz)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony ECM-V1BMP Omnidirectional Lavalier Microphone with Locking Sony 3.5mm Connector (Black)\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Windscreen\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Mic Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032071330,"sku":"UTXB40\/90","price":380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_UTXB40_90.jpg?v=1783329576"},{"product_id":"sony-uwp-d-dual-ch-diversity-slot-in-receiver-25","title":"SONY UWP-D Dual Ch Diversity Slot-in Receiver (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Ch Diversity Slot-in Receiver (25)\u003c\/strong\u003e is a dual-channel slot-in wireless receiver built for compatible Sony XDCAM and HDCAM camcorder workflows. From the supplied source, the \u003cstrong\u003eURX-S03D\u003c\/strong\u003e fits directly into the slot of supported Sony camcorders and operates on the \u003cstrong\u003eUC25 frequency range from 536.125 to 607.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when the camera team wants a cleaner wireless setup without mounting an external receiver on top of the camera. It sits inside the camcorder slot, keeps cabling minimal, and supports two-channel wireless audio directly into the camera system.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel slot-in wireless receiver\u003c\/strong\u003e for supported Sony camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable RF performance\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDigital audio connection\u003c\/strong\u003e with compatible Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDetachable antenna design\u003c\/strong\u003e with 2 x whip antennas included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-S03D UWP-D dual-channel slot-in wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: True diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: Detachable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.375 msec\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output\u003c\/strong\u003e: D-sub 15 pin, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output level\u003c\/strong\u003e: -40 dBu at ±5 kHz deviation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: LCD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 7.0V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 88 x 116.2 x 31.2 mm \/ 3 1\/2 x 4 5\/8 x 1 1\/4 in, excluding antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 303 g \/ 10.7 oz with supplied antennas attached\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-S03D is built for camera systems where a slot-in receiver is cleaner than a top-mounted receiver. For ENG, EFP, documentary, and broadcast camera work, that means less external cabling, fewer loose accessories, and a more integrated camera package.\u003c\/p\u003e\n\n  \u003cp\u003eThe dual-channel design is useful when the camera needs to receive two wireless sources at once. That can be two talent mics, a presenter and interviewer, or another two-transmitter setup depending on the production.\u003c\/p\u003e\n\n  \u003cp\u003eTrue diversity reception helps maintain a more stable RF path, while the detachable antennas give the operator a serviceable receiver layout for real field use. It is the kind of receiver that keeps the audio side integrated instead of hanging off the camera rig.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSlot-in receiver format\u003c\/strong\u003e for supported Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel reception\u003c\/strong\u003e for multi-source wireless audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity RF design\u003c\/strong\u003e with two adjustable receiving antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLCD display\u003c\/strong\u003e for receiver status and setup checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDurable metal body\u003c\/strong\u003e for professional camera-side operation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-S03D UWP-D Dual-Channel Slot-In Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Whip Antennas\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032104098,"sku":"URXS03D\/25","price":1855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXS03D_25.jpg?v=1783369721"},{"product_id":"sony-uwp-d-dual-ch-diversity-slot-in-receiver-14","title":"SONY UWP-D Dual Ch Diversity Slot-in Receiver (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Ch Diversity Slot-in Receiver (14)\u003c\/strong\u003e is a dual-channel slot-in wireless receiver built for compatible Sony XDCAM and HDCAM camcorder workflows. From the supplied source, the \u003cstrong\u003eURX-S03D\u003c\/strong\u003e fits directly into the slot of supported Sony camcorders and operates on the \u003cstrong\u003eUC14 frequency range from 470.125 to 541.875 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when the camera team wants wireless audio integrated into the camera body instead of hanging an external receiver from the rig. It keeps the setup cleaner, reduces loose cabling, and gives the operator a more broadcast-style camera package.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel slot-in wireless receiver\u003c\/strong\u003e for supported Sony camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable RF performance\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDigital audio connection\u003c\/strong\u003e with compatible Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDetachable antenna design\u003c\/strong\u003e with 2 x whip antennas included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-S03D UWP-D dual-channel slot-in wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: True diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: Detachable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.375 msec\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output\u003c\/strong\u003e: D-sub 15 pin, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output level\u003c\/strong\u003e: -40 dBu at ±5 kHz deviation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: LCD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 7.0V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 88 x 116.2 x 31.2 mm \/ 3 1\/2 x 4 5\/8 x 1 1\/4 in, excluding antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 303 g \/ 10.7 oz with supplied antennas attached\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-S03D is built for operators who want the wireless receiver to become part of the camera system, not another box mounted outside of it. In ENG, documentary, and broadcast camera work, that matters because fewer loose accessories usually means a cleaner, faster rig.\u003c\/p\u003e\n\n  \u003cp\u003eThe dual-channel design is useful when the camera needs to receive two wireless sources at the same time. That can be two talent mics, a presenter and interviewer, or another two-transmitter setup depending on the production.\u003c\/p\u003e\n\n  \u003cp\u003eTrue diversity reception helps maintain a stable RF link, while the detachable antennas give the receiver a more serviceable field layout. It is a compact way to bring UWP-D wireless audio into compatible Sony camcorder workflows.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSlot-in receiver format\u003c\/strong\u003e for supported Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel reception\u003c\/strong\u003e for multi-source wireless audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity RF design\u003c\/strong\u003e with detachable antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLCD display\u003c\/strong\u003e for receiver status and setup checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMetal body construction\u003c\/strong\u003e for reliable professional use\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-S03D UWP-D Dual-Channel Slot-In Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Whip Antennas\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032169634,"sku":"URXS03D\/14","price":1855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXS03D_14.jpg?v=1783369733"},{"product_id":"sony-uwp-d-dual-ch-diversity-slot-in-receiver-90","title":"SONY UWP-D Dual Ch Diversity Slot-in Receiver (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Ch Diversity Slot-in Receiver (90)\u003c\/strong\u003e is a dual-channel slot-in wireless receiver built for compatible Sony XDCAM and HDCAM camcorder workflows. From the supplied source, the \u003cstrong\u003eURX-S03D\u003c\/strong\u003e fits directly into the slot of supported Sony camcorders and operates on the \u003cstrong\u003eUC90 frequency range from 941.625 to 959.625 MHz\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when the camera team wants wireless audio integrated into the camera body instead of hanging another receiver from the rig. It keeps the setup cleaner, reduces loose cabling, and gives the operator a more broadcast-style camera package.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel slot-in wireless receiver\u003c\/strong\u003e for supported Sony camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity reception\u003c\/strong\u003e for stable RF performance\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDigital audio connection\u003c\/strong\u003e with compatible Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDetachable antenna design\u003c\/strong\u003e with 2 x whip antennas included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-S03D UWP-D dual-channel slot-in wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: True diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: Detachable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.375 msec\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output\u003c\/strong\u003e: D-sub 15 pin, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog output level\u003c\/strong\u003e: -40 dBu at ±5 kHz deviation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: LCD\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 7.0V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 88 x 116.2 x 31.2 mm \/ 3 1\/2 x 4 5\/8 x 1 1\/4 in, excluding antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 303 g \/ 10.7 oz with supplied antennas attached\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-S03D is built for operators who want the wireless receiver to become part of the camera system, not another box mounted outside of it. In ENG, documentary, and broadcast camera work, fewer loose accessories usually means a cleaner, faster rig.\u003c\/p\u003e\n\n  \u003cp\u003eThe dual-channel design is useful when the camera needs to receive two wireless sources at the same time. That can be two talent mics, a presenter and interviewer, or another two-transmitter setup depending on the production.\u003c\/p\u003e\n\n  \u003cp\u003eTrue diversity reception helps maintain a stable RF link, while the detachable antennas give the receiver a practical field layout. It is a compact way to bring UWP-D wireless audio into compatible Sony camcorder workflows.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSlot-in receiver format\u003c\/strong\u003e for supported Sony XDCAM and HDCAM camcorders\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel reception\u003c\/strong\u003e for multi-source wireless audio capture\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTrue diversity RF design\u003c\/strong\u003e with detachable antennas\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLCD display\u003c\/strong\u003e for receiver status and setup checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMetal body construction\u003c\/strong\u003e for reliable professional use\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-S03D UWP-D Dual-Channel Slot-In Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x Whip Antennas\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032202402,"sku":"URXS03D\/90","price":1855.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXS03D_90.jpg?v=1783369744"},{"product_id":"sony-uwp-d-dual-channel-wireless-receiver-25","title":"SONY UWP-D Dual Channel Wireless Receiver (25)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Channel Wireless Receiver (25)\u003c\/strong\u003e is a compact two-channel camera-mount wireless receiver built for ENG, interviews, documentary work, handheld camera setups, and compact camcorder audio. From the supplied source, the \u003cstrong\u003eURX-P41D\u003c\/strong\u003e operates on the \u003cstrong\u003eUC25 frequency range from 536.125 to 607.875 MHz\u003c\/strong\u003e and uses \u003cstrong\u003espace diversity reception\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when a small camera rig needs two wireless audio channels without stacking multiple receivers on the camera. It keeps the setup lighter, gives the operator receiver-side level control, and still provides a headphone output for quick monitoring in the field.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel camera-mount receiver\u003c\/strong\u003e for Sony UWP-D wireless workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC25 frequency range\u003c\/strong\u003e: 536.125 to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display and headphone output\u003c\/strong\u003e for quick field checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdjustable audio output\u003c\/strong\u003e from -12 dB to +12 dB in 3 dB steps\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-P41D dual-channel camera-mount wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC25\u003c\/strong\u003e: 536.125 MHz to 607.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: Space diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms analog output, approx. 0.24 ms digital output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input level\u003c\/strong\u003e: -50 dBV, ±12 dB adjustable in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, balanced; external connection\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output adjust range\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output level\u003c\/strong\u003e: Max. 10 mW at 16 ohms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two AA alkaline batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 4.5 hours with two AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 70 x 35 mm \/ 2.48 x 2.76 x 1.38 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 159 g \/ 5.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-P41D is useful when one camera needs to receive two wireless sources but the rig still needs to stay small. For interviews, presenter work, compact documentary shoots, and self-shooter setups, that means fewer boxes mounted to the camera and less cabling to manage.\u003c\/p\u003e\n\n  \u003cp\u003eThe adjustable output level is one of the practical parts. Different cameras do not always want the same input level, so having -12 dB to +12 dB control gives the operator room to match the receiver to the camera before recording.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display and headphone output also help during real shoots. You can check receiver status, confirm audio, and make quick decisions without turning the camera build into a larger audio bag.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel receiver design\u003c\/strong\u003e for compact camera-mounted wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking indoors or outdoors\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone monitoring\u003c\/strong\u003e for quick confidence checks on location\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB Type-C power support\u003c\/strong\u003e for flexible receiver powering\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032235170,"sku":"URXP41D\/25","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXP41D_25.jpg?v=1783369761"},{"product_id":"sony-uwp-d-dual-channel-wireless-receiver-14","title":"SONY UWP-D Dual Channel Wireless Receiver (14)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Channel Wireless Receiver (14)\u003c\/strong\u003e is a compact two-channel camera-mount wireless receiver built for ENG, interviews, documentary work, handheld camera setups, and compact camcorder audio. From the supplied source, the \u003cstrong\u003eURX-P41D\u003c\/strong\u003e operates on the \u003cstrong\u003eUC14 frequency range from 470.125 to 541.875 MHz\u003c\/strong\u003e and uses \u003cstrong\u003espace diversity reception\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when one camera needs two wireless audio channels without stacking multiple receivers on the rig. It keeps the setup lighter, gives the operator receiver-side level control, and still provides headphone output for quick monitoring in the field.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel camera-mount receiver\u003c\/strong\u003e for Sony UWP-D wireless workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC14 frequency range\u003c\/strong\u003e: 470.125 to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display and headphone output\u003c\/strong\u003e for quick field checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdjustable audio output\u003c\/strong\u003e from -12 dB to +12 dB in 3 dB steps\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-P41D dual-channel camera-mount wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC14\u003c\/strong\u003e: 470.125 MHz to 541.875 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: Space diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms analog output, approx. 0.24 ms digital output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input level\u003c\/strong\u003e: -50 dBV, ±12 dB adjustable in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, balanced; external connection\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output adjust range\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output level\u003c\/strong\u003e: Max. 10 mW at 16 ohms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two AA alkaline batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 4.5 hours with two AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 70 x 35 mm \/ 2.48 x 2.76 x 1.38 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 159 g \/ 5.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-P41D is useful when one camera needs to receive two wireless sources but the rig still needs to stay small. For interviews, presenter work, compact documentary shoots, and self-shooter setups, that means fewer boxes mounted to the camera and less cabling to manage.\u003c\/p\u003e\n\n  \u003cp\u003eThe adjustable output level is one of the practical parts. Different cameras do not always want the same input level, so having -12 dB to +12 dB control gives the operator room to match the receiver to the camera before recording.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display and headphone output also help during real shoots. You can check receiver status, confirm audio, and make quick decisions without turning the camera build into a larger audio bag.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel receiver design\u003c\/strong\u003e for compact camera-mounted wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking indoors or outdoors\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone monitoring\u003c\/strong\u003e for quick confidence checks on location\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB Type-C power support\u003c\/strong\u003e for flexible receiver powering\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032267938,"sku":"URXP41D\/14","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXP41D_14.jpg?v=1783369775"},{"product_id":"sony-uwp-d-dual-channel-wireless-receiver-90","title":"SONY UWP-D Dual Channel Wireless Receiver (90)","description":"\u003cdiv class=\"product-description\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSONY UWP-D Dual Channel Wireless Receiver (90)\u003c\/strong\u003e is a compact two-channel camera-mount wireless receiver built for ENG, interviews, documentary work, handheld camera setups, and compact camcorder audio. From the supplied source, the \u003cstrong\u003eURX-P41D\u003c\/strong\u003e operates on the \u003cstrong\u003eUC90 frequency range from 941.625 to 959.625 MHz\u003c\/strong\u003e and uses \u003cstrong\u003espace diversity reception\u003c\/strong\u003e.\u003c\/p\u003e\n\n  \u003cp\u003eThis receiver is useful when one camera needs two wireless audio channels without stacking multiple receivers on the rig. It keeps the setup lighter, gives the operator receiver-side level control, and still provides headphone output for quick monitoring in the field.\u003c\/p\u003e\n\n  \u003ch3\u003eHighlights\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDual-channel camera-mount receiver\u003c\/strong\u003e for Sony UWP-D wireless workflows\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUC90 frequency range\u003c\/strong\u003e: 941.625 to 951.875 MHz, 953.000 to 956.125 MHz, and 956.625 to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display and headphone output\u003c\/strong\u003e for quick field checks\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAdjustable audio output\u003c\/strong\u003e from -12 dB to +12 dB in 3 dB steps\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eQuick Specs \u0026amp; Uses\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eModel\u003c\/strong\u003e: Sony URX-P41D dual-channel camera-mount wireless receiver\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrier frequency, UC90\u003c\/strong\u003e: 941.625 MHz to 951.875 MHz, 953.000 MHz to 956.125 MHz, and 956.625 MHz to 959.625 MHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOscillator type\u003c\/strong\u003e: Crystal-controlled PLL synthesizer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eReception type\u003c\/strong\u003e: Space diversity\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAntenna type\u003c\/strong\u003e: 1\/4 λ wavelength wire antenna, angle-adjustable\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response\u003c\/strong\u003e: 23 Hz to 18 kHz typical\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDistortion\u003c\/strong\u003e: 0.9% or less\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 60 dB; 96 dB max deviation, A-weighted\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio delay\u003c\/strong\u003e: Approx. 0.35 ms analog output, approx. 0.24 ms digital output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, unbalanced\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAnalog input level\u003c\/strong\u003e: -50 dBV, ±12 dB adjustable in 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output connector\u003c\/strong\u003e: 3.5 mm 3-pole locking mini jack, balanced; external connection\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio output adjust range\u003c\/strong\u003e: -12 dB to +12 dB, 3 dB steps\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output connector\u003c\/strong\u003e: 3.5 mm mini jack\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone output level\u003c\/strong\u003e: Max. 10 mW at 16 ohms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e: OLED\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: DC 3.0V with two AA alkaline batteries or DC 5.0V from USB Type-C connector\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBattery life\u003c\/strong\u003e: Approx. 4.5 hours with two AA alkaline batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 63 x 70 x 35 mm \/ 2.48 x 2.76 x 1.38 in, excluding antenna\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMass\u003c\/strong\u003e: Approx. 159 g \/ 5.6 oz, excluding batteries\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating temperature\u003c\/strong\u003e: 0°C to 50°C \/ 32°F to 122°F\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eStorage \/ transport temperature\u003c\/strong\u003e: -20°C to +55°C \/ -4°F to +131°F\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy It Helps\u003c\/h3\u003e\n  \u003cp\u003eThe URX-P41D is useful when one camera needs to receive two wireless sources but the rig still needs to stay small. For interviews, presenter work, compact documentary shoots, and self-shooter setups, that means fewer boxes mounted to the camera and less cabling to manage.\u003c\/p\u003e\n\n  \u003cp\u003eThe adjustable output level is one of the practical parts. Different cameras do not always want the same input level, so having -12 dB to +12 dB control gives the operator room to match the receiver to the camera before recording.\u003c\/p\u003e\n\n  \u003cp\u003eThe OLED display and headphone output also help during real shoots. You can check receiver status, confirm audio, and make quick decisions without turning the camera build into a larger audio bag.\u003c\/p\u003e\n\n  \u003ch3\u003eSystem Characteristics\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTwo-channel receiver design\u003c\/strong\u003e for compact camera-mounted wireless audio\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSpace diversity reception\u003c\/strong\u003e for stable portable operation\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOLED display\u003c\/strong\u003e for clear status checking indoors or outdoors\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHeadphone monitoring\u003c\/strong\u003e for quick confidence checks on location\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eUSB Type-C power support\u003c\/strong\u003e for flexible receiver powering\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhat’s In The Box\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Sony URX-P41D Dual-Channel Camera-Mount Wireless Receiver\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Belt Clip\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x Shoemount Adapter\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e2 x XLR to Locking 3.5mm Output Cables\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003e1 x 3.5mm to Locking 3.5mm Cable\u003c\/strong\u003e\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTrusted Seller\u003c\/h3\u003e\n  \u003cp\u003e\u003cstrong\u003eCoremicro\u003c\/strong\u003e ships fast from the U.S. and supports production gear with a team familiar with real broadcast and field workflows.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":47293032333474,"sku":"URXP41D\/90","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/files\/SONY_URXP41D_90.jpg?v=1783369788"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0580\/0860\/0738\/collections\/download_289d00fa-cfbd-4f21-b9ad-17ad03498aa1.png?v=1762382083","url":"https:\/\/www.coremicro.com\/collections\/sony.oembed?page=3","provider":"COREMICRO.COM","version":"1.0","type":"link"}