The URSA 4.6K PL from Blackmagic Design it is more flexible enough to be used on all size productions and V-lock delta interface let the camera be attached to tripods utilizing an ENG-style quick release system such as the VCT-14. URSA 4K features a 4608 x 2592 resolution with up to 15 stops of dynamic range. Featuring a 12G-SDI output that converted to HD or used directly for full Ultra HD 4K quality. Other features is an active cooling system with low noise fan that empowers it to achieve higher frame rates for longer while keeping the chassis cool.
There is two formats URSA 4.6K PL can record, The first is a lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 is a compressed RAW codec designed to give a greatest latitude for image manipulation in post-production. The second is Apple ProRes up to 444 (XQ), a debayered codec converter for easier playback and editing in a wide variety of video editing applications. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing to swap media for continuous, uninterrupted recording. Another feature is a scope that to check and update camera parameters independently for exposure, focus, and audio levels screen manually.
The camera operator URSA 4.6K PL station features a large 10" fold out on-set monitor and separate 5 inch screen for settings, camera status, and scopes. For the audio station features audio meters, controls, and audio connections. 15 stop dynamic range to ensure detail is well nurtured, even in the shadow or highlight portions of the image and providing more information in color correction and the sensor make it possible to recreate the superficial depth of field. Supported with dual CFast cards to make it longer record time and switchable when the other one is full. By using CFast 2.0 media make it possible to record even at the high bit rates demanded by RAW capture without dropping frames.
URSA 4.6K PL has 12G-SDI input that can display on the 10'' LCD while broadcasting live events or working with external video sources. A component SDI output with format 1080p only available when attaching EVFs and monitors. For audio, there are pair XLR inputs with +48 V phantom power. A LANC is provided on a 2.5 mm sub-mini connector. It permits the users to control record START/STOP, iris, and focus, Power may distribute via 4-pin XLR jack to URSA Mini with 12V to 30V and also able draw power from additional V-Mount or Gold-Mount plate batteries into the back of the camera.UPC: 9338716003161
Effective Sensor Size
25.34mm x 14.25mm (Super35)
4608 x 2592
4096 x 2304 (4K 16:9)
4608 x 1920 (4K 2.4:1)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
1920 x 1080
Maximum sensor frame rate dependent on resolution and codec selected.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
1 x 10.1” - 1920 x 1200
10.1” - TFT-LCD
Automatic camera data and user data such as shot number, filenames and keywords.
Touchscreen menus on 5” screen. Push button controls for settings and navigating menus.
Integrated stereo microphone.
Integrated mono speaker
Multiple 1/4”-20 UNC thread mounting on top of camera and on handle. Integrated rod mounts compatible with 15mm Light Weight Support standard.
4608 x 2592
CinemaDNG RAW 3:1 - 180 MB/s
CinemaDNG RAW 4:1 - 135 MB/s
3840 x 2160
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Storage rates based on 30 frames per second.
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152. Apple ProRes 3840 x 2160 and 1920 x 1080 with either film or video dynamic range.
SDI Video Output
1 x 12G-SDI 10-bit 4:2:2. 1 x 3G-SDI down converted for external monitoring
SDI Video Input
1 x 12G-SDI
1 x BNC Reference Input
1 x BNC Timecode Input
1 x BNC Timecode Output
Analog Audio Input
2 x XLR analog switchable between mic and line levels. Phantom power support.
Analog Audio Output
1/4” jack output for headphone monitoring
SDI Audio Output
1 x 2.5mm LANC for Rec Start/Stop.
USB 2.0 Mini-B port for software updates.
SMPTE 292M, SMPTE 424, Draft SMPTE 2081-1, Draft SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows.
Blackmagic Media Express software.
Blackmagic Disk Speed Test.
Blackmagic Camera Setup.
Mac OS X 10.9 Mavericks,
External Power Input
1 x 4-pin XLR port for external power or battery use.
External Power Ouput
1 x 12V output using 4-pin XLR for powering external accessories such as EVF.
Rear camera mount compatible with industry standard V-mount or Gold Mount battery plates.
Shoulder Kit with 15mm Light Weight Support and Rosettes
Vlock Battery Plate
PL Mount Shim Kit
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic URSA 4.6K PL
4.6K PL Mount Turret
Turret Dust Cap
12V AC Adapter
DaVinci Resolve and dongle
12 Month Limited Manufacturer's Warranty.
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