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Atomos Shogun Studio 2 Rackmount 4K Dual Recorder and Monitor (3RU)

Atomos Shogun Studio 2 Rackmount 4K Dual Recorder and Monitor (3RU)

  • ProRes RAW, ProRes, DNxHR, CDNG Support
  • Stereo XLR I/O per Ch. & Phantom Power
  • Multicam 4 x 1080p60 SDI ISO Recordings
  • 4K60 Continuous Recording/Monitoring
  • SDI & HDMI I/O with Conversion
  • 3RU Rackmount Solution
  • Dual 7" 3000 cd/m² Monitors
$2,995.00
Availability: In stock
UPC: 814164022057

The Atomos Shogun Studio 2 is a professional video production tool that allows users to record, monitor, and edit multiple high-definition video inputs simultaneously. The device features a high-resolution, 10.1-inch touchscreen display, and is compatible with various cameras and formats, including 4K, HD, and ProRes. It also includes advanced features such as waveform monitoring, 3D LUTs, and color correction tools. The Shogun Studio 2 is commonly used by videographers and video professionals in the film and television industry.

The Atomos Shogun Studio 2 is a Rackmount 4K Dual Recorder and Monitor (3RU). The Shogun Studio II  features two dual 7” monitors with a high brightness of 3000 cd/m², 4K/HD SDI & HDMI inputs and outputs with conversation and supports up to four 1080p60 SDI ISOs recording in a multicamera setup.  The Shogun two has a compact 3RU rack mount design.

Master Your Rack
The 3RU form factor offers a toolset beyond that of a simple recorder with features that could traditionally require up to 10u of equipment. It’s short rack depth also means that it’s perfect for use in monitor bridges or small more mobile OB vehicles.

HDR and Color Pipeline Management
Supporting Log inputs from all major camera vendors to provide options for use of 3D LUTs with included Log to 709 and support for up to 8 .cube files per recorder channel. The built in AtomHDR engine also provides support for Rec.2100 standards with options to monitor in HDR for LOG, HLG and PQ with output transfers to color gamuts, HDR monitoring with EOTF transform on output options for HLG, ST.2084 PQ in Rec.2020 or DCI-P3. Realtime Dolby Vision output tunneling allows for inputs to be dynamically out put to supported HDR consumer TVs for client viewing, Gallery viewing or infield QC before final mastering via the Dolby eMCU in Post.

Video, Audio and Synchronization I/O
The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outs along side XLR audio I/O, Genlock and LTC input as well as loop through. Bi-directional SDI & HDMI signal convertors easily allowing the use of HDMI equipment such as DSLRs on input for routing to a mixer or LCD screens in the gallery to take a feed from and SDI multi viewer. Built into the IO are 4k to HD signal down convert on both SDI and HDMI. Redundant Dual Power Supply balance the power load and are lined to the user interface to provide warning if a PSU fails.

Advanced Record Modes
Beyond a simple recorder, the Shogun Studio 2 offers a number of different record modes that make it suited for a wide range of uses. Pre Roll: Continually cache record 8 seconds in HD or 2-3 seconds in 4k to make sure you never miss the action.

Multi Camera ISO Recording and Switching
Record up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have 2 video switched or mange more feeds than you may have input for on your video mixer.

Image Analysis & QC

  • The 7” Monitors provide accurate viewing of content as well as a host of tools for image analysis.
  • Wave Form Monitors – offer Luma, RGD parade, Vector Scope with Vector zoom.
  • 1:1 and 2:1 zoom – allow for operators to punch in to check shots for focus, exposure and which is perfect when used in combination with a remote camera control unit.
  • Focus peaking, zebra and false color – allow for further image QC checks to be remotely monitored from a distance in conjunction with control via a separate camera control unit.
  • Audio monitoring – providing VU meters for up to 12 channels of embedded audio with the ability to monitor individual tracks and select which tracks to record.

 

Fast Act Dual Record Button
The Shogun Studio 2 also includes a hardware button that allows for both channels to be set to start recording. Pressing the button on the front of the unit for 4 seconds will set both channels to start to record. With SSDs inserted and sources connect you can switch from playing back clips to dual recording in under 10 seconds or even if the devices is not turn on to jump to recording from a cold boot in under round 20 seconds.

Metadata Tagging, Cut Edits & EDL XML
Atomos improve the speed of your end-to-end workflow, allowing for fast turn around of content, edits, highlight packages, creation of dallies and preparation of content for ingest into Media Asset Management environments. Make edit decisions on the fly and in review with a choice of 10 tags. You can start to favorite or reject clips while you record and then Review, cut and tag in playback mode. Assemble clips to create a linear playlist of your favorite clips and instantly push these out to live screens, directors’ viewing monitors, galleries etc. Marked in and out points are carried right through to your edit with the export of edit decisions lists in XML that can be imported with clips in to Apple or convert the XML for use in Avid or Adobe. Scene, Shot and take naming criteria allow for storage management systems to identify clips and start to orchestrate projects or even create pre-populated bins.

Playback & Playlist
Complementing the record and monitoring tools are the ability to play out at up to 60p and HD HFR rate at reduced speeds. 4k and HD content in the same visually lossless quality as the input. Play lists can be created from clips either recorded on an Atomos recorder or from your edit system in a supported codec, resolution and framerate. Group clips to be played in either a run down or reverse order with out the need for a spate playout server. Mark in and out points to create sub clips, loop the playlist or a single file or for single clips mark in and out puts for looped play back.

 

Specs
In the box Atomos Shogun Studio 2 Rackmount 4K Dual Recorder and Monitor (3RU)
2 x Rack Ear with Screws
Atomos Master Caddy II (5 Pack)
4 x Rubber Foot
2 x Large Rubber Foot
2 x IEC Power Cable
Screen Cleaning Cloth
Limited 1-Year Warranty (3-years with registration)
   
Video Input/ Loop Out  
HDMI 1 x HDMI (2.0)
SDI 4 x 3G/6G SDI
4 x 3G-SDI
2x 12G single link SDI
Signal (camera dependent) Uncompressed true 10-bit or 8-bit 422
LTC (Record Mode Only) LTC input signal and loop out
Genlock (Playback Mode Only) Genlock input signal and loop out
   
Video Output (Play Out)  
HDMI 1 x HDMI (2.0)
SDI (Play Out) 1 x Single link SDI 12G/6G/3G/1.5G, Optional 2nd SDI output available in Playback mode
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
   
Video Signal Conversion  
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
   
Audio In/Out  
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out Dynamic range >90dB
Max signal level +24dBu
3.5mm 2ch.
Dynamic AtomHDR Technology  
Backlight  Direct LED
Zones  360 direct backlight individual LEDs
Bit depth 10-bit (8+2 FRC)
Color DCI-P3 105%
Brightness 3000nit (+/- 10%)
Control  On the fly real-time brightness analysis for LED control
HDR Conversion Log/RAW to HLG or PQ, Dolby Vision Loop out 
   
HDR Monitoring Technology  
Gamma Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / Log- CEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm / FujiFilm F-log / Nikon N-Log PQ10k and HLG
Gamut Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
   
Touchscreen  
Size 7.2”
Resolution  1920 x 1200
PPI  325
Aspect ratio  16:9 native
Color Gamut Up to Wide color gamut (105% DCI-P3)
Look up table (LUT) support  3D LUT (.cube format)
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 4:3
Technology Dynamic AtomHDR zoned backlight
   
Codecs/ Frame Rates   
Raw ProRes RAW, ProRes
CinemaDNG (CDNG up to 30p only)
Avid DNxHD
Sony FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera 1080; not supported in camera
Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080;
not supported in camera
Base resolution & FPS 2K DCI: 23.98/24/25/29.9/30/50/59.94/60p
1080p: 23.98/24/25/29.9/30/50/59.94/60p
1080i: 50/59.94/60i
720p: 50/60p
PSF inputs converted to P but looped out as PSF
Gaming consoles and graphic cards 4k UHD: 24/25/30/50/60p
   
Onboard Processing  
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in all RAW modes)
   
Remote Control  
HDMI Auto HDMI Trigger
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open Standard
RS422 9pin transport control on qualified controllers
SDI SDI trigger camera selectable
Other LANC control - Slave / Calibration on front. Serial - Calibration on front
   
Playback  
Playlist / Genlock / LTC Yes / Yes / No
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback.
Playback in slow motion >= 100fps.
DNxHR / DNxHD
(recorded content)
All recorded files can playback.
Playback in slow motion >= 100fps.
   
Recording  
Pre-roll record Yes (HD 8s, 4K 2s)
ISO Record Up to 8 streams in 60pHD in parallel
Custom timelapse Yes
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives
Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
Supported applications Final Cut Pro 
Media Composer 
Premiere Pro 
After Effects 
EDIUS 
Vegas Pro 
Lightworks 
Autodesk Smoke
   
Power  
Operating power (including SSD) 20 - 86W
Compatible batteries No
Input voltage (battery) N/A
DC Out No
   
Physical  
Weight 5.0kg / 11lb
Rack height 3Ru
Rack mounting Removable rack ears
Dimensions (W x H x D) 17.6 x 6.0 x 11.0”(without rack ears)
19.3 x 6.0 x 11.0” (with rack ears)
Construction Steel construction for durability
Cooling Actively controlled fan with heat sinks
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