• AJA Ki Pro Ultra Plus Multi-Channel HD
  • AJA Ki Pro Ultra Plus Multi-Channel HD

AJA Ki Pro Ultra Plus Multi-Channel HD Recorder and 4K/UltraHD/2K/HD Recorder and Player

  SKU# AJA-KI-PRO-ULTRA-PLUS
  MFR# KI-PRO-ULTRA-PLUS

Availability: Ships in 7-14 business days

Free Expedited Shipping

Product Highlights

  • ISO Record 4 channels of HD Recording
  • Ki Protect featured
  • Single-Channel 4K/UltraHD/2K/HD Recording and Playback
  • Avid DNxHD MXF
  • ProRes 422 and 444 Recording
  • 2RU dimensions and built-in carry handle

Description

AJA Ki Pro Ultra Plus is support Apple ProRes Multi-Channel recorder that can record 4 channels of ISO HD recording at 1080p60, or single channel mode recording with Avid DNxHD MXF recorder and player in 4K/UltraHD/2K/HD Apple ProRes. This recorder and player supports the Fiber and HDMI 2.0, 3G-SDI and high rate of frame and large raster workflows that include 4K 60p.

AJA Ki Pro Ultra Plus is portable and has built-in handle or can be rackmountable with 2RU size.

Multi-Channel HD Recording: This device is capable of recording 1-4 channels of great HD videos maximum 1080p50/60 in the Apple ProRes concurrently. So, user can simplify the productions of multi-camera by operating maximum four cameras for each Ki Pro Ultra Plus and save the space, time, power and effort on the set, both in the studio and while arranging the OB trucks. This video system also permits self-regulating profile support every channel in the Multi-Channel mode.

HDMI 2.0: Colorful Simplicity: Ki Pro Ultra Plus offers full HDMI 2.0 support that can offer support for deep color all the way maximum 4:4:4 12-bit RGB, ideal for capturing rich color from the reasonably priced HDMI cameras and great playback on the most updated HDMI 2.0 displays. Here a solo cable can transport both HD and UltraHD videos affordably along with clean 24-bit 48hz 8-Channel audio to or from the regular HDMI 2.0 devices for simple setup, ideal for editors, independent producers, ProAV and anybody looking for using the most updated affordable monitoring and capturing tools.

Ki Protect: This device includes Ki Protect, which is a feature that ensures data integrity in case a media drive is removed accidentally or loses power while recording. This feature pre-allocates the recording space automatically on the media drive for audio, video, and timecode, while one presses the record button.

ProRes® 422 and 444 Recording: With Ki Pro Ultra Plus, it is possible to record 4K/UltraHD/2K/HD to six quality levels of Apple ProRes® that include Apple ProRes 4444 XQ. This thing allows the user to select the balance of file size and image fidelity, which is right for every production along with having the elasticity to directly record to local file formats, which are recognized by the majority of the popular editing systems.

4K, 12-bit Full Raster Workflows for Professionals: This device comes with next generation playback and 4K/UltraHD 50/60p recording all the way equal to Apple ProRes HQ while it comes to using Ki Pro Ultra Plus and AJA Pak1000 SSD media. 4K/UltraHD feature is supported through HDMI 2.0, 4x 3G-SDI or optional Fiber outputs and inputs. This device doesn’t only support high-quality UltraHD for broadcast production and true 4K at 4096 x 2160p for digital cinema, but this also offers color depth to match.

exFAT and HFS+ Support: This device allows the users to use that file system, which suits to their requirements. Here complete flexibility is offered to format the copying media as either HFS+ or exFAT within this device or from the desktop computer of the user while making sure wide OS compatibility.

Avid DNxHD MXF Recording: Ki Pro Ultra Plus also comes with local Avid MXF support for the HD workflows. This allows record and playback of DNxHD files with the OP1a profile within the MXF container for DNxHD SQ (145), DNxHD HQX (220x), and DNxHD LB (36) codecs.

16-Channel Audio Support: This multi-channel recorder device offer complete 16-Channel support of audio that is embedded in Fiber or SDI. The flexible options of routing means that the 8-channel only outputs such as the Analog, HDMI and digital carry choices for choosing the 8 channel group needed. Supervising through the headphone jack located on the face part of the unit is divided into 2 channel easy groupings for the beginning checks.

2SI (Two Sample Interleave): This device supports Two Sample Interleave and Square Division Quad Split format offering a wide range of options to both playback and record UltraHD and 4K. Besides, it also allows people to select separate quad modes for in and out both while offering the users an extra conversion feature while they require it.

Reliable storage media: This recorder device from AJA directly captures to reliable and rugged AJA Pak SSD media, which is accessible in a range of capabilities to suit the requirements of your production in the best possible manner. Therefore, Pak1000 becomes the ideal companion for this device presenting 1TB of speedy SSD media for maximum 4K recording at 60p in ProRes HQ and therefore it is needed for capturing Multi-Channel HD. Pak256 and Pak512 media are just perfect for the projects with lower frame rates.

Closed Caption Support: In case you want to play or record videos with closed caption embedded, then this recorder device is completely compatible with your requirements. This device recognizes the CEA-708 within incoming SDI Inputs and therefore encodes the closed caption to the Apple ProRes recorded file.

UPC:
Specifications

Video Formats

• (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97* 
• (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
• (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
• (HD) 1080i 25, 29.97, 30
• (HD) 1080PsF 23.98, 24, 25**, 29.97**
• (HD) 720p 50, 59.94, 60

 

*Only 4 x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection


Codec Support

• Apple ProRes 4444, 4K/UltraHD/2K/HD up to 30 fps
• Apple ProRes 422 (HQ)
• Apple ProRes 422
• Apple ProRes 422 (LT)
• Apple ProRes 422 (Proxy)
• Avid DNxHD HQX (220x)*
• Avid DNxHD SQ (145)*
• Avid DNxHD LB (36)**
• (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94
• (HD) 1080i 25, 29.97
• (HD) 1080PsF 23.98, 24, 25, 29.97
• (HD) 720p 50, 59.94

 

*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p


Codec Container

• Apple ProRes .MOV
• AVID DNX MXF or .MOV


Removable Storage

• 2 x slots, AJA Pak SSD media Pak256, Pak512, Pak1000*
• Pak-Adapt-eSATA**, Pak-Adapt-CFast**

 

*4K/UltraHD 50, 59.94, 60 ProRes 422 (HQ) recording requires genuine AJA Pak1000 media
**Only with AJA qualified media 


Video Input Digital

• 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
• 4x Fiber LC*,  3G-SDI, SMPTE-297, 10-bit
• 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
• Dual Link 4:2:2, 4:4:4 (2 x BNC or Fiber LC*)
• Single Link 4:2:2, 4:4:4 (1 x BNC or Fiber LC*)
• 1x HDMI standard type A connector
• HDMI v2.0 
• 4:2:2 YCbCr 8/10/12bit 
• 4:4:4 RGB/YCbCr 8bit 
• 4:2:0 YCbCr 8/10/12bit (deep color) 
• 4:4:4 RGB 10/12bit (deep color) 

 

*Optional SFP Modules


Video Output Digital

• 4 x 3G-SDI, SMPTE-292/296/424, 10-bit
• 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit
• 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
• Dual Link 4:2:2 or 4:4:4 (2 x BNC or Fiber LC*)
• Single Link 4:2:2 or 4:4:4 (1 x BNC or Fiber LC*)
• 1x HDMI standard type A connector
• HDMI v2.0 
• 4:2:2 YCbCr 8/10/12bit 
• 4:4:4 RGB/YCbCr 8bit 
• 4:2:0 YCbCr 8/10/12bit (deep color) 
• 4:4:4 RGB 10/12bit (deep color) 

 

*Optional SFP Modules


Audio Input Digital

• 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)


Audio Input Analog

• 8-Channel, 24-bit A/D analog audio, 48 kHz sample rate (1 x DB-25 TASCAM Pinout)
• +24dBu full scale digital
• +/- 0.2dB 20 Hz to 20 kHz frequency response


Audio Output Digital

• 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
• 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)


Audio Output Analog

• Stereo unbalanced headphone jack (1 x 3.5mm jack) with volume control
• 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1 x DB-25 TASCAM pinout)
• 2-Channel unbalanced 2 x RCA connectors


Recording Mode

• Multi-channel HD Apple ProRes recording*
• Single-channel 4K/UltraHD/2K/HD recording

 

*Multi-channel HD recording is only supported for Apple ProRes with AJA Pak1000 media


Playback Mode

• Single-channel HD/2K/UltraHD/4K recording


Timecode

• SDI RP188/SMPTE 12M via SDI BNC
• LTC input (1 x BNC)
• LTC output (1 x BNC)


Reference Input

• External, 2 x BNC
• Looping, nonterminating
• Blackburst or tri-level sync


Network Interface

• 10/100/1000 Ethernet (RJ-45)
• Embedded web server for remote control via REST
• Video Confidence Monitor via Web Interface
• Clip upload/download via Web Interface in DATA-LAN mode
• Configuration and Transport Control via WEB Interface


Machine Control

• RS-422, 1 x DE-9 female connector, Sony 9-pin protocol
• 9-pin D-connector pinout is as follows:


User Interface

• Rotary selector knob
• Dedicated, backlit transport controls and menu buttons
• Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays


Closed Captioning Support

• CEA-708, CEA-608


File System Support

• HFS+, exFAT


Size (w x d x h)

• 8.64" x 9.34" x 3.31" (219.46mm x 237.24mm x 84.08mm)


Weight

• 5.6 lbs (2.6 kg)


Power

• Dual, redundant, 5.4A max, 35W-60W typical-65W Max
• 100-240 VAC 50/60 Hz (adapter)
• 12-18Vdc 4-pin XLR (chassis)


Environment

• Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F)
• Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F)
• Operating Relative Humidity: 10-90% noncondensing
• Operating Altitude: <3,000 meters (<10,000 feet)

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