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Matrox MXO2 LE with Max Thunderbolt

Matrox MXO2 LE with Max Thunderbolt

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$1,495.00
SKU: MXO2LEMAX/N/T

Availability: In Stock

Quick Overview:

matrox

  • Matrox MXO2 LE with Max Thunderbolt
  • Use with Thunderbolt-Enabled Macs
  • HD/SD-SDI, HDMI, HD/SD analog input & output
  • Genlock
  • 10-bit real-time hardware up/down/cross-conversion
  • Lightweight with Small Footprint
  • HD-SDI, Component, S-Video, HDMI I/O
  • 2-Channel XLR & Analog Audio I/O
  • RS-422 Control
  • File-Based & RED Workflow Support
  • Use with Industry-Standard NLE Software
  • Matrox MAX H.264 accelerated encoding
OR

Details

Matrox MXO2 LE with Max - Thunderbolt gives you all the features of a high-quality capture card and a breakout box with professional audio and video connectivity. It's got connections for both professional audio and video, including an input and output each for HD HDMI, component video, composite video, and Y/C (S-Video); for audio, there's dual XLR ins and outs as well as stereo analog audio I/O. In addition, you've got an HD/SD-SDI input and two such outputs. Your options for high-quality monitoring couldn't be more versatile. And of course, this MXO2 LE box includes a Thunderbolt adapter, which supplies the blazing-fast connection to a computer for a data transfer rate of up to 10 Gb/s.

Along with broadcast-quality audio & HD video input and output, the MXO2 LE provides calibration controls that include blue-only. You also benefit from a wide variety of HD and SD workflows with Adobe Premiere Pro and Final Cut Pro thanks to Matrox MXO2 LE's 10-bit hardware up/down/cross-conversion scaling engine and support for a wide variety of file-based formats and industry-standard codecs.

Matrox MAX is a unique technology that implements faster than real-time H.264 encoding for resolutions ranging from iPod to HD. It uses a dedicated hardware processor to accelerate the creation of H.264 fi les for Blu-ray, the web, and mobile devices. By using specialized hardware acceleration, jobs are finished with amazing speed and system resources are liberated for other tasks. Quality and flexibility are ensured through direct integration with professional applications such as Apple Compressor and Telestream Episode on the Mac, Adobe Media Encoder and Adobe Premiere Pro on the PC.

Note! Requires a Thunderbolt cable.

NEW Features for PC (v5.5)

  • Support for Adobe CS5.5 (Premiere Pro 5.5, Media Encoder 5.5, Encore 5.1, After Effects 10.5, and Photoshop 12.1).
  • Support for Microsoft Windows 7 64-bit systems only (Professional, Ultimate, or Home Premium).
  • Stability and performance improvements, including new Matrox RS-422 device control settings for frame-accurate export to tape.
  • Additional 1080p support. For example, you can capture from 1080p/PsF @ 23.98 fps, 1080p @ 24 fps, 25 fps, 29.97 fps, and 30 fps sources, and edit 1080p @ 24 fps and 30 fps sequences in Adobe Premiere Pro.
  • Closed captioning support for playing back Matrox sequences in Adobe Premiere Pro on Matrox MXO2, MXO2 Rack, and MXO2 LE.
  • New functionality for Adobe Premiere Pro Multi-Camera workflows. You can choose between single-camera preview (active camera only) and quad-camera preview (all four camera previews) on your video monitor.Support for streaming live video and audio with Matrox MXO2 products. For example, you can select any video and audio source connected to the MXO2 inputs as your A/V sources for use with Adobe Flash Media Live Encoder, scale the incoming video to the streaming format that you want using the MXO2 hardware scaler, and stream the live video and audio to a public distribution website or your dedicated IP hosting site.
  • Matrox RT technology is now supported on all MXO2 products, with or without Matrox MAX technology. This means that MXO2 users without Matrox MAX or a CompressHD card can now take advantage of Matrox RT technology for real-time Matrox effects and acceleration of many Adobe Premiere Pro effects.
  • Matrox WYSIWYG support for the 64-bit version of NewTek LightWave 3D 9.6, and the 32- and 64-bit versions of LightWave 3D 10.
  • Improvements to the Matrox MAX H.264 Capture application, and this application is now supported using MXO2 hardware with a Matrox CompressHD card.
  • New Matrox MAX H.264 presets are available for encoding in Adobe Media Encoder, Premiere Pro, and Encore, and for capture using the Matrox MAX H.264 Capture application.

NEW Features for MAC (v2.3.2)

  • Support for Avid Media Composer v5.5.3 on MXO2 Mini and MXO2 Mini with MAX.
  • Support for Final Cut Pro 7.0.3
  • Support for OSX Lion 10.7.1
  • Support for Premiere Pro 5.5.1
  • Fix for MAX functionality in Adobe Premiere Pro
  • Updates to address specific customer issues and improve overall stability.

NEW Features for MAC (v2.3)

  • Support for Mac OS X Lion v10.7
  • Added closed captioning workflow support for web deliverables (.mov) using Matrox MAX technology in Apple Compressor. When an SCC (CEA-608) closed caption file is associated with your source media file in Compressor, Matrox MAX technology now embeds the closed caption data to the encoded video file when encoding at 1:1, or when downscaling.
  • Updates to address specific customer issues and to improve overall stability.

NEW Features for MAC (v2.2.3)

  • Support for Adobe CS5.5 (Premiere Pro 5.5, Encore 5.1, After Effects 10.5, and Photoshop 12.1), and Soundbooth 3.0 only.
  • Supports live streaming of MXO2 A/V inputs using Adobe Flash Media Live Encoder 3.2, Telestream Wirecast 4.0.1, and QuickTime Broadcaster 1.5.3.
  • Updates to address specific customer issues and to improve overall stability.

Additional Information

Features

FEATURES

Matrox MAX Technology (Mac)

Matrox MAX is a unique technology that implements faster than real-time H.264 encoding for resolutions ranging from iPod to HD. It uses a dedicated hardware processor to accelerate the creation of H.264 fi les for Blu-ray, the web, and mobile devices. By using specialized hardware acceleration, jobs are finished with amazing speed and system resources are liberated for other tasks. Quality and flexibility are ensured through direct integration with professional applications such as Apple Compressor and Telestream Episode on the Mac.

Key Features

  • Faster than real-time creation of H.264 files, for resolutions ranging from iPod to HD
  • A specialized, dedicated hardware processor liberates system resources for other tasks
  • Accelerated encoding for Blu-ray, Apple TV, YouTube, Flash, web formats, and mobile devices including iPhone and iPod from various video sources
    including SD, HD, and RED proxy files up to 2K

Support for Apple Compressor - Matrox MAX technology taps into Apple Compressor to let you quickly and easily create H.264 files from a variety of video sources including SD, HD, and RED proxy files up to 2K. You can use the three categories of Matrox MAX presets - Fast Encode, High-Quality, and Blu-ray - or you can create your own customized settings.

Matrox Fast Encode presets and Matrox High Quality presets are used to create H.264 deliverables such as those destined for Apple TV, YouTube, Flash, the
web, and mobile devices including iPhone, and iPod. Matrox Fast Encode presets use the MAX hardware and your CPU to deliver H.264 fi les faster than
real-time. Quality is better than Compressor Single-pass. Matrox High Quality presets use the MAX hardware exclusively, thereby freeing up your CPUs for
other tasks. Quality is comparable to Compressor Multi-pass.

Matrox Blu-ray presets use the Matrox High Quality technology to create Blu-ray compliant H.264 files faster than real-time. The Matrox MAX hardware performs proper color space conversions from HD to SD and SD to HD as well as proper color space conversion from RGB to YUV to prevent gamma shift.

Matrox MAX H.264 encoding performance with Apple Compressor 3.5 - Typical H.264 encoding times for a 20 minute clip from a XDCAM HD 50 Mb/s 1080i 29.97 fps source.

Efficient Blu-ray disc creation - Matrox MAX technology lets you create Blu-ray H.264 video files, directly from Compressor that can beauthored in Apple Compressor 3.5, Adobe Encore CS4, or Roxio Toast 10 and burned without re-encoding on either Blu-ray or DVD media.

Use H.264 level 4.0 if you want to create Matrox MAX H.264 files intended for mass replication of Blu-ray discs. Use either H.264 level 4.0 or 4.1 if you
want to author and burn individual copies that are compatible with Blu-ray disc players.

Support for Final Cut Pro and QuickTime Pro - Matrox MAX technology is also accessible to all applications that support the QuickTime codec component such as Final Cut Pro and QuickTime Pro. You get faster than real-time delivery of H.264 files, at resolutions for iPod to HD, directly from the application.

Support for Telestream Episode - Matrox MAX technology works with Telestream Episode to create H.264 files for Apple TV, YouTube, Flash, web formats, and mobile devices much faster than the software alone. You can take advantage of all the familiar settings or customize your own.

Matrox MAX H.264 encoding performance with Telestream Episode - Typical H.264 encoding times for a 20 minute clip from a XDCAM HD 50 Mb/s
1080i 29.97 fps source

Matrox MAX Technology (PC)

Matrox MAX is a unique technology that speeds up H.264 encoding for resolutions ranging from iPod to HD. It uses a dedicated hardware processor to accelerate the creation of H.264 files for Blu-ray, the web, and mobile devices. By using specialized hardware acceleration, jobs are finished with amazing speed and system resources are liberated for other tasks. Quality and flexibility are ensured through direct integration with professional applications such as Adobe Media Encoder and
Adobe Premiere Pro on the PC.

Key Features

  • Accelerated encoding of H.264 files for Blu-ray, Apple TV, YouTube, Flash, web formats, and mobile devices including iPhone and iPod from various video sources including SD, HD, and RED R3D 2K and 4K files
  • A specialized, dedicated hardware processor liberates system resources for other tasks
  • Direct integration with Adobe Media Encoder and Adobe Premiere Pro on the PC to simplify workflow
  • Creation of Blu-ray H.264 files that can be authored in Adobe Encore then burned without re-encoding

Support for Adobe Media Encoder - Matrox MAX technology taps into Adobe Media Encoder to let you quickly and easily create H.264 files from a variety of video sources including SD, HD, and RED R3D 2K and 4K files. You get the HD encoding speed and quality of a highend workstation from a laptop or older PC when delivering to Blu-ray, Flash, and YouTube from Adobe Media Encoder. If you do own a high-end system, the Matrox MAX hardware can be dedicated to cranking out HD H.264 deliverables, freeing up more system resources for you to continue editing.

You can use the two categories of Matrox MAX presets - Matrox 264 (Blu-ray) or Matrox MP4 - or you can create your own customized settings. Matrox Blu-ray presets are used to create Blu-ray compliant H.264 fi les. Matrox MP4 presets are used for other H.264 deliverables such as those destined for Apple TV, YouTube, Flash, the web, and mobile devices including iPhone, and iPod. The Matrox MAX hardware performs proper color space conversions from HD to SD and SD to HD as well as proper color space conversion from RGB to YUV to prevent gamma shift.

Customized settings with the following parameters can be created:

  • Resolutions: even frame sizes from 64x64 to 1920x1088
  • Frame rates: 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60
  • Bit rates: from 100 Kb/s to 20 Mb/s
  • Baseline or main profile encoding
  • CABAC or CAVLC entropy encoding
  • GOP structure controls

Efficient Blu-ray disc creation - Matrox MAX technology lets you create Blu-ray H.264 level 4.0 files, directly from Adobe Media Encoder, that can be authored in Adobe Encore and burned without re-encoding on either Blu-ray or DVD media. These Blu-ray H.264 level 4.0 files can also be used for mass replication of Blu-ray discs.

Support for Adobe Premiere Pro - Matrox MAX technology is also accessible directly from Adobe Premiere Pro. You can export your editing sequence to an H.264 file using the Matrox export function.

Matrox MAX H.264 encoding performance with Adobe Media Encoder - Typical H.264 encoding times for a 20 minute clip from a XDCAM HD 50 Mb/s 1080i 29.97 fps source.

MAC

  • Works with Intel-based MacBook Pros, Mac Pros, and Apple Xserve systems
  • Lightweight - 2¾ lbs. (1245 grams)
  • Fits in your laptop bag - 9¼" x 9½" x 2" (235mm x 241mm x 51mm)
  • 4-pin XLR power connector for AC or field battery operation
  • HD/SD SDI, HD/SD analog component, Y/C, and composite inputs and outputs
  • Genlock - SD analog black burst (bi-level) or HD tri-level sync
  • 10-bit HDMI input, output, and monitoring with calibration controls including blue-only
  • 10-bit real-time hardware up/down/cross conversion on capture and output
  • Up to five user selectable simultaneous video outputs - HD and/or SD on HDMI, SDI, and analog
  • RS-422 machine control for frame-accurate capture and print-to-tape
  • Captures to a variety of codecs - Apple ProRes 422 HQ, 10-bit uncompressed HD, and many more
  • File-based workflow support - XDCAM, XDCAM HD, XDCAM EX, P2, P2HD
  • RED workflow support
  • HD-SDI closed captioning support
  • Works with Final Cut Pro, Apple Color, Adobe Premiere Pro, Adobe After Effects and all QuickTime applications that support the V-out component
  • New drivers for Premiere CS4 version 4.2!
  • Also available with Matrox MAX for faster than real-time H.264 encoding
  • New Matrox Vetura Playback application.
  • Now supports up to 16 audio channels on SDI input/output instead of eight audio channels.
  • Closed captioning capture and playback is now achieved using SDI audio track 16 instead of audio track eight with the patent-pending Matrox 4VANC method.
  • Now supports AFD (active format description) data for capture, edit, and playback. AFD data capture and playback is achieved using SDI audio track 15 with the Matrox 4VANC method.
  • Core audio support.
  • Updates to address specific customer issues and to improve overall stability.
  • Three-year hardware warranty and complimentary telephone support

PC

  • Works with Windows 7 (64-bit), Windows Vista (32- and 64-bit), Windows XP (32-bit) laptops and desktops
  • Lightweight - 2¾ lbs. (1245 grams)
  • Fits in your laptop bag - 9¼" x 9½" x 2" (235mm x 241mm x 51mm)
  • 4-pin XLR power connector for AC or field battery operation
  • HD/SD SDI, HDMI, HD/SD analog component, Y/C, and composite inputs and outputs
  • Genlock - SD analog black burst (bi-level) or HD tri-level sync
  • Unique Matrox calibration controls for 10-bit HDMI monitoring including blue-only
  • 10-bit real-time hardware downscaling on output
  • Up to five user selectable simultaneous video outputs - HD and/or SD on HDMI, SDI, and analog
  • Works with all the codecs supported by Adobe Premiere Pro including AVCHD, HDV, DVCPRO HD, DVCPRO5, DVCPRO, and DV
  • Captures to HD and SD codecs - 8- and 10-bit uncompressed and highly efficient Matrox MPEG-2 I-frame
  • Includes Matrox A/V Tools, an easy-to-use application for fast capture/playback of audio, video, and still frames
  • File-based workflow support - XDCAM, XDCAM HD, XDCAM EX, P2, P2HD
  • RED workflow support
  • Works with Adobe Premiere Pro CS4/CS5
  • Provides WYSIWYG support for applications such as Adobe Encore, Photoshop, and After Effects; Autodesk Combustion; and NewTek LightWave 3D (32-bit versions only)
  • Also available with Matrox MAX technology for accelerated H.264 encoding with Adobe Media Encoder CS4/CS5
  • Three-year hardware warranty and complimentary telephone

Truly portable (Mac and PC)

Matrox MXO2 LE is truly portable. It fits easily into your laptop bag and connects directly to standard field batteries or the included AC power adapter. It connects to your laptop via an ExpressCard slot or to your desktop or workstation via a PCI Express adapter card.

Flexible workflows (Mac)

Capture to a variety of codecs - Matrox MXO2 LE lets you capture to HD and SD codecs supported by Final Cut Pro. On a Quad-Core MacPro, you can capture HD to ProRes 422 HQ, DVCPRO HD, DV, DVCPRO, and DVCPRO50. On a MacBook Pro Core2 Duo 2.4 GHz or faster, you can capture HD to ProRes 422 HQ (720p at 24, 25, and 30 fps), ProRes 422 (LT), and DVCPRO HD. On systems equipped with proper storage you can capture uncompressed 8 and 10-bit HD.

Use your favorite file-based formats - Matrox MXO2 LE lets you work with file-based formats such as XDCAM, XDCAM HD, XDCAM EX, P2, and P2HD. You can play out these formats directly from Final Cut Pro - no intermediate codec is needed. Matrox MXO2 LE lets you play out these formats from a MacBook Pro without dropping frames.

RED workflow support - RED users can benefit from Matrox MXO2 LE to capture, monitor, and playback on set. Back in the post suite, they can use Matrox MXO2 LE to work with 1K and 2K RED timelines and output to SD, 720, or 1080 via MXO2 LE's real-time 10-bit hardware scaling feature.

HD-SDI closed captioning support - You will no longer need to spend time and money recreating HD captioning data that is typically lost when editing projects in Final Cut Pro. Matrox MXO2 LE offers a unique workflow to capture, playback, and preserve closed captioning data while editing. Nothing is destroyed even when trimming or color correcting video clips. In addition, Matrox has worked with CPC, the closed captioning software leader, to develop an innovative solution that allows the MacCaption software to encode, decode, edit, and create HD and SD closed captioning for use with Matrox MXO2 LE. Matrox MXO2 LE also provides a cost effective way to monitor HD timelines containing closed captioning data on SDI and component SD monitors, while also inserting closed captioning information into line 21 of active video for SD deliverables. You can deliver HD and SD masters containing closed captions simultaneously.

Flexible workflows (PC)

Work with a variety of codecs - Matrox MXO2 LE lets you work with all the codecs supported by Adobe Premiere Pro including AVCHD, HDV, DVCPRO HD, DVCPRO50, DVCPRO, and DV. It also lets you capture from its analog or digital inputs from within the Adobe Premiere Pro capture interface to 8- and 10-bit uncompressed and Matrox MPEG-2 I-frame codecs in HD and SD.

Use your favorite file-based formats - Matrox MXO2 LE gives you full-screen monitoring as you work with file-based formats such as XDCAM, XDCAM HD, XDCAM EX, P2, and P2HD in Adobe Premiere Pro.

RED workflow support - RED users can benefit from Matrox MXO2 LE to capture, monitor, and playback on set. Back in the post suite, they can use Matrox MXO2 LE to work with R3D files and output to SD, 720, or 1080.

Benefit from the Matrox A/V Tools application - Matrox A/V Tools is a stand-alone application for fast capture and playback of your audio/video assets. It's particularly useful when all you need to do is quickly capture video for web streaming or DVD authoring. Matrox A/V Tools lets you capture HD and SD analog, SDI or HDMI video from your camera or VTR into AVI files on your computer. You can choose to capture to the uncompressed 8- or 10-bit codecs for the highest quality or to the highly-efficient Matrox MPEG-2 I-frame codec at up to 300 Mb/s. Using the MPEG-2 I-frame codec lets you easily edit XDCAM or AVCHD footage which would otherwise be difficult to work with.

Matrox A/V Tools provides on-screen transport controls to let you navigate quickly and easily through clips on disk. You can create playlists and change the order of clips by simply dragging and dropping them. You can also grab single-frame images and save them as TGA files to create photo montages.

Interoperability with Matrox RT.X2 and Axio - Matrox MXO2 LE includes the Matrox color correction plug-in for advanced primary and secondary color control from within Adobe Premiere Pro. Color corrected sequences created in the field using Matrox MXO2 LE will playback in real-time when edited on Matrox RT.X2 and Axio systems. In addition, Matrox MXO2 LE also supports the Matrox 1440 x 1080 MPEG I-frame format so that footage captured with MXO2 LE from various SDI, analog, and HDMI sources including AVCHD can be transferred to RT.X2 and Axio systems for real-time editing.

HD and SD video monitoring (Mac)

Matrox MXO2 LE turns your HDMI monitor into a true-color video display you can trust, even for color grading. It's packed with features that make it the ideal monitoring solution for Final Cut Pro, Apple Color, Adobe After Effects, and other QuickTime-based applications. You won't need to buy expensive HD monitoring equipment. In addition, MXO2 LE's real-time downscaling feature lets you view your HD projects on an SD monitor.

HDMI monitoring with 10-bit 4:2:2 color precision - Matrox MXO2 LE lets you adjust and control your HDMI monitor exactly like you would a broadcast HD/SD monitor. Controls for hue, chroma, contrast, brightness, and blue-only are provided. This unique control gives you accurate color representation so that you can use your HDMI monitor even for color grading.

Pixel-to-pixel mapping on the HDMI display - Matrox MXO2 LE provides 1:1 pixel mapping on HDMI monitors that support this feature.

HD and SD video monitoring (PC)

Matrox MXO2 LE provides full quality previews on all digital and analog outputs for popular applications such as Adobe Premiere Pro, Encore, Photoshop, and After Effects; Autodesk Combustion; and NewTek LightWave 3D (32-bit versions only) so you don't need to rely on just a small preview window on your desktop. In addition, MXO2 LE's real-time downscaling feature lets you view your HD projects on an SD monitor.

HDMI monitoring with 10-bit 4:2:2 color precision - Matrox MXO2 LE lets you adjust and control your HDMI monitor exactly like you would a broadcast HD/SD monitor so you won't need to buy expensive HD monitoring equipment. Controls for hue, chroma, contrast, brightness, and blue-only are provided. This unique control gives you accurate color representation so that you can use your HDMI monitor even for color grading.

Pixel-to-pixel mapping on the HDMI display - Matrox MXO2 LE provides 1:1 pixel mapping on HDMI monitors that support this feature.

Real-time hardware up/down/cross conversion on capture and output (Mac)

Matrox MXO2 LE lets you deliver in any format your clients demand. The 10-bit hardware scaling provides high-quality mastering.

HD to SD downscaling - Matrox MXO2 LE provides real-time HD to SD downscaling with proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut. You can monitor or record an SD master of your HD project in real-time.

SD to HD upscaling - Matrox MXO2 LE provides real-time SD to HD upscaling with proper conversion of the SD color space to the HD color space. MXO2 LE will "pillarbox" 4:3 footage and scale 16:9 SD footage to full screen.

Cross conversion - Matrox MXO2 LE offers real-time cross conversions from 720 to 1080 and 1080 to 720. Real-time frame rate conversion is also supported with 2:3:2:3 and 2:3:3:2 cadences. This feature is useful if, for example, your source material is recorded at a different frame rate or resolution than the delivery format your client requires. It also facilitates monitoring when, for example, you need to work with 23.98 fps footage but your monitor does not support that frame rate. You can use MXO2 LE's real-time frame rate conversion to view your project at 29.97 fps. Conversion from 23.98 fps to 25 fps is handled by Final Cut Pro and the host.

Real-time hardware downscaling on output (PC)

Matrox MXO2 LE provides high-quality real-time 10-bit HD to SD downscaling with proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic and letterbox. You can monitor or record an SD master of your HD project in real time.

Specification

SPECIFICATIONS

  • Inputs
    • Video
      • SDI HD/SD
      • Component HD/SD 10-bit
      • Y/C 10-bit
      • Composite 10-bit
      • HDMI HD 10-bit
    • Audio
      • 2 XLR balanced
      • 2 RCA unbalanced
      • SDI embedded - up to 8 channels
      • HDMI embedded up to 8 channels
  • Outputs
    • Video
      • 2 SDI HD/SD
      • Component HD/SD 12-bit
      • Y/C 12-bit
      • Composite 12-bit
      • HDMI HD/SD 10-bit
    • Audio
      • 2 XLR balanced
      • 2 RCA for surround sound monitoring (unbalanced)
      • SDI embedded - up to 8 channels
      • HDMI embedded up to 8 channels

INCLUDED ITEMS

  • Matrox MXO2 LE input/output device
  • One of the following:
    • Matrox MXO2 PCIe host adapter (for use with desktops and workstations)
    • Matrox MXO2 PCIe host ExpressCard adapter (for use with laptops)
    • Matrox MXO2 Thunderbolt Adapter
  • Matrox MXO2 LE PCIe cable (1 meter)
  • Matrox MXO2 LE external power supply and IEC-C13 power cord

Additional Matrox MXO2 host adapters may be purchased separately.

SYSTEM REQUIREMENTS

  • Mac
    • Intel-based Mac Pro, MacBook Pro, or Apple Xserve.
    • Mac OS X v10.5 or later.
    • One free PCIe slot on the Mac Pro or Xserve to install the Matrox PCIe host adapter, or one free ExpressCard/34 slot on the MacBook Pro to install the Matrox PCIe host ExpressCard/34 adapter.
    • If using MXO2 with Final Cut Studio 2 or later, you need 2 GB of RAM when working with compressed HD and uncompressed SD sources, or 4 GB of RAM when working with uncompressed HD sources.
    • We recommend an HDMI monitor that supports 19201080 for previewing all HD formats, and dot-by-dot mode for 1:1 pixel mapping.
    • Supported programs:
      • Apple Final Cut Pro v6.0.5 or later, Motion v3.0.2 or later, Color v1.0.4 or later.
      • Adobe Premiere CS4 version 4.2.
      • Adobe After Effects CS4, and Encore CS4.
      • Roxio Toast v10.0.2 or later.
      • CPC MacCaption v4.1.4 or later.
      • Boinx Software BoinxTV v1.3 or later.
      • Softron MovieRecorder v1.2.6 or later, OnTheAir Video v2.4.6 or later, and OnTheAir Video Express v1.0.2 or later.
      • ToolsOnAir Just:In version 1.010 or later.
      • Media 100 Suite version 1.0 or later.
      • For Matrox MAX H.264 encoding:
        • Apple Compressor v3.0.5 or later (required for Blu-ray Disc).
        • Apple QuickTime Pro v7.6 or later, Apple Final Cut Pro v6.0.5 or later, Adobe After Effects CS4, Adobe Encore CS4, Apple Motion v3.0.2 or later, Apple Qmaster v3.0.5 or later, Telestream Episode and Episode Pro v5.3 or later, Media 100 Suite version 1.0 or later, or other QuickTime-based video applications.
  • PC
    • A computer that supports Streaming SIMD Extensions 2 (SSE2), such as an Intel Pentium 4 or AMD Athlon 64 or later.
    • Dual-CPU, or one dual-core CPU.
    • Microsoft Windows 7 Professional or Ultimate (64-bit), Windows Vista Business or Ultimate (32- or 64-bit) with Service Pack 2, or Windows XP Professional (32-bit) with Service Pack 3.
    • 2 GB of RAM for 32-bit Windows systems, or 4 GB of RAM for 64-bit Windows systems.
    • One free PCIe slot on a desktop computer to install the Matrox PCIe host adapter, or one free ExpressCard/34 slot on a laptop to install the Matrox PCIe host ExpressCard/34 adapter.
    • If you want to use MXO2 with Adobe Premiere Pro, you must have Adobe Premiere Pro CS4/CS5. For Matrox MAX H.264 encoding, you must have Adobe Media Encoder CS4/CS5.
    • Note: Adobe Media Encoder is included with many Adobe programs, such as Premiere Pro, After Effects, and Encore.
    • We recommend an HDMI monitor that supports 1920x1080 for previewing all HD formats, and "dot-by-dot" mode for 1:1 pixel mapping.
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